Songs like Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) by Edward Elgar
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Humoresque, Op. 101, No. 7
83 bpm • F# Maj • 03:50 • -22.48db
43% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
43% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Edward Elgar
The Music Makers, Op. 69: II. We Are the...
83 bpm • A# min • 02:08 • -22.74db
32% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 4 ...
83 bpm • D# Maj • 01:57 • -25db
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Fritz Kreisler
Liebesleid - Arr. Mischa Maisky
83 bpm • A min • 03:53 • -25.35db
21% Popularity • 26% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
21% Popularity • 26% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
83 bpm • E Maj • 02:47 • -20.86db
45% Popularity • 16% Danceability • 12% Energy • 9% Liveness
6% Instrumentalness • 16% Positiveness
45% Popularity • 16% Danceability • 12% Energy • 9% Liveness
6% Instrumentalness • 16% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Ion Ivanovici
"The Anniversary Song" (Waves Of The Dan...
84 bpm • E min • 01:36 • -34.23db
40% Popularity • 44% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
40% Popularity • 44% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
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Johann Christian Bach
Keyboard Concerto in E-Flat Major, Op. 7...
84 bpm • C min • 06:25 • -28db
22% Popularity • 23% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 11% Positiveness
22% Popularity • 23% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
84 bpm • C# Maj • 03:39 • -26db
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Salut d'amour, Op. 12 (Version fo...
83 bpm • D Maj • 02:53 • -22.32db
28% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
28% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Nigel Hess
Ladies in Lavender
84 bpm • D Maj • 04:03 • -17db
36% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
36% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
The Carnival of the Animals, R. 125: XII...
82 bpm • G Maj • 03:15 • -24.76db
35% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
84 bpm • F Maj • 03:40 • -21.01db
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
82 bpm • F Maj • 02:26 • -31.09db
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
84 bpm • E Maj • 02:51 • -23db
26% Popularity • 19% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
26% Popularity • 19% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio Babbino caro"
82 bpm • G# Maj • 04:03 • -15.4db
40% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Harmonies des bois, Op. 76: II. Les larm...
84 bpm • C Maj • 06:22 • -26.77db
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
84 bpm • A# Maj • 03:24 • -32db
58% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
58% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Pablo Casals
Song of the Birds
82 bpm • D Maj • 03:42 • -26.67db
37% Popularity • 15% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 2% Positiveness
37% Popularity • 15% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 2% Positiveness
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Edward Elgar
Salut d'Amour, Op. 12: Salut d'amour, Op...
84 bpm • D Maj • 03:10 • -21.76db
26% Popularity • 17% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
26% Popularity • 17% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244: Erbarme dich...
82 bpm • A# min • 07:20 • -21db
42% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
42% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
81 bpm • B Maj • 08:23 • -26db
42% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Nocturne in E-Flat Major
81 bpm • D# Maj • 04:21 • -27.67db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
85 bpm • A# Maj • 03:42 • -31.75db
28% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
28% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
81 bpm • C# Maj • 05:40 • -24.16db
8% Popularity • 13% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Wind Quintet in E-Flat Major, Hess 19: I...
82 bpm • D# Maj • 01:34 • -25db
55% Popularity • 43% Danceability • 2% Energy • 16% Liveness
88% Instrumentalness • 53% Positiveness
55% Popularity • 43% Danceability • 2% Energy • 16% Liveness
88% Instrumentalness • 53% Positiveness
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Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Tim Fain
Swan Lake, Op. 20
85 bpm • F# min • 05:26 • -18.49db
29% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
29% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour - Antonio Stradivari, 1709...
81 bpm • D Maj • 03:00 • -22.17db
9% Popularity • 23% Danceability • 15% Energy • 10% Liveness
6% Instrumentalness • 14% Positiveness
9% Popularity • 23% Danceability • 15% Energy • 10% Liveness
6% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act II...
85 bpm • D min • 03:15 • -24db
21% Popularity • 18% Danceability • 6% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 6% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: I. Al...
81 bpm • A min • 04:27 • -18db
33% Popularity • 31% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 31% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: II. Liebesleid
85 bpm • A Maj • 03:35 • -26.03db
23% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
23% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Edward Elgar
Elgar / Transc. Walter: Salut d'amour, O...
81 bpm • E Maj • 02:44 • -20db
26% Popularity • 14% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
26% Popularity • 14% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 09:07 • -31db
42% Popularity • 21% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 21% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
36% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
36% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux: X...
85 bpm • G Maj • 03:05 • -25.79db
28% Popularity • 18% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Jules Massenet
Meditation
86 bpm • E min • 05:25 • -24db
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
81 bpm • E Maj • 03:11 • -22db
18% Popularity • 25% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
18% Popularity • 25% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
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John Barry
Mozart: Clarinet Concerto In A major, K6...
80 bpm • D Maj • 07:42 • -25.13db
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Friedrich Gulda
Concerto for Cello & Wind Band: II. Idyl...
80 bpm • A# Maj • 07:30 • -31db
15% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
15% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Andrew Lloyd Webber
Cats: Memory
86 bpm • D Maj • 03:57 • -27db
40% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
40% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation (Arr. for Cello & Pi...
80 bpm • D Maj • 05:46 • -27db
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Ave Maria, CG 89a: arr. from Bach's Prel...
86 bpm • C Maj • 03:31 • -19.13db
20% Popularity • 15% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
20% Popularity • 15% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Mon coeur s'ouvre à ta vo...
86 bpm • C# Maj • 05:58 • -22.62db
8% Popularity • 20% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Ernest Bloch
Bloch: From Jewish Life: II. Supplicatio...
86 bpm • C Maj • 03:21 • -28db
23% Popularity • 9% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Jules Massenet
Thaïs / Acte Deux: Meditation
86 bpm • D Maj • 04:55 • -26.7db
27% Popularity • 11% Danceability • 7% Energy • 30% Liveness
35% Instrumentalness • 4% Positiveness
27% Popularity • 11% Danceability • 7% Energy • 30% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 645
80 bpm • D Maj • 03:48 • -23.72db
44% Popularity • 36% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
44% Popularity • 36% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
46% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
46% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Luigi Boccherini
Minuet from String Quintet in E Major, O...
86 bpm • A Maj • 04:05 • -28.86db
34% Popularity • 46% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
34% Popularity • 46% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
► Preview
Reynaldo Hahn
A Chloris (Arr. For Cor Anglais & Orches...
87 bpm • E Maj • 04:15 • -27db
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12
80 bpm • E Maj • 03:21 • -28.37db
16% Popularity • 14% Danceability • 3% Energy • 9% Liveness
35% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 3% Energy • 9% Liveness
35% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
79 bpm • A min • 01:58 • -19db
49% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
49% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu" (A...
79 bpm • F Maj • 02:54 • -22.37db
25% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
25% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Rachmaninov / Transcr. Balsom: 14 Romanc...
87 bpm • C# min • 05:02 • -18db
23% Popularity • 10% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:14 • -29db
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
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Alexander Borodin
Nocturne
79 bpm • A Maj • 07:08 • -10.83db
36% Popularity • 17% Danceability • 27% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
36% Popularity • 17% Danceability • 27% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Edward Elgar
Elgar: Salut d' Amour, Op. 12
86 bpm • E Maj • 03:21 • -25.05db
33% Popularity • 17% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
33% Popularity • 17% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Florence Beatrice Price
Adoration
79 bpm • G Maj • 03:38 • -25.57db
39% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
39% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
88 bpm • F Maj • 03:39 • -27.02db
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97: 3. Youth (Romance)
79 bpm • C# Maj • 02:38 • -19.45db
16% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Slovak Philharmonic
Romance No. 2 In F Major, Op. 50
88 bpm • F Maj • 09:50 • -23db
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
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Donald Sosin
Salut d'Amour, Op. 12
79 bpm • F Maj • 03:27 • -23.31db
24% Popularity • 20% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
24% Popularity • 20% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Lars Hannibal
Cavatina (The Dear Hunter)
88 bpm • E Maj • 03:24 • -30.56db
30% Popularity • 37% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
30% Popularity • 37% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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David Popper
Popper: Dance of the Elves, Op. 39
88 bpm • D Maj • 02:50 • -23db
14% Popularity • 43% Danceability • 24% Energy • 32% Liveness
94% Instrumentalness • 48% Positiveness
14% Popularity • 43% Danceability • 24% Energy • 32% Liveness
94% Instrumentalness • 48% Positiveness
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Johann Sebastian Bach
Concerto in D Minor, BWV 974: II. Adagio...
78 bpm • D min • 04:14 • -25.13db
34% Popularity • 15% Danceability • 7% Energy • 4% Liveness
91% Instrumentalness • 8% Positiveness
34% Popularity • 15% Danceability • 7% Energy • 4% Liveness
91% Instrumentalness • 8% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Manuel de Falla
7 Canciones populares españolas - Arran...
89 bpm • A min • 03:04 • -31.33db
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
35% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Introduction and Allegro, Op. 47:...
80 bpm • C min • 03:14 • -18db
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
55% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
