Songs like Elgar: Sea Pictures, Op. 37: No. 1, Sea Slumber-Song by Edward Elgar
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
30% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 1, Sea ...
78 bpm • C Maj • 05:02 • -24.98db
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Jean-Paul-Égide Martini
Plaisir d'amour
78 bpm • D# Maj • 03:43 • -20.53db
3% Popularity • 15% Danceability • 17% Energy • 9% Liveness
23% Instrumentalness • 9% Positiveness
3% Popularity • 15% Danceability • 17% Energy • 9% Liveness
23% Instrumentalness • 9% Positiveness
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Aaron Copland
Appalachian Spring: I. Very Slowly
78 bpm • A Maj • 02:42 • -31db
36% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Gounod: Ave Maria, CG 89a
79 bpm • D# Maj • 03:11 • -20db
4% Popularity • 14% Danceability • 14% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
4% Popularity • 14% Danceability • 14% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op.9 (version with organ) (2007...
79 bpm • F Maj • 03:44 • -18.62db
5% Popularity • 14% Danceability • 24% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
5% Popularity • 14% Danceability • 24% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Benjamin Britten
Violin Concerto, Op. 15: 1. Moderato con...
78 bpm • D min • 09:30 • -21.53db
11% Popularity • 20% Danceability • 12% Energy • 12% Liveness
22% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 12% Energy • 12% Liveness
22% Instrumentalness • 5% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt.2: So...
78 bpm • D Maj • 06:50 • -31.41db
2% Popularity • 9% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Claude Debussy
La boîte à joujoux, L. 128: III. La be...
77 bpm • G# Maj • 07:08 • -36.69db
12% Popularity • 8% Danceability • 1% Energy • 21% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 21% Liveness
86% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Domine Fili unigenite
79 bpm • E Maj • 02:02 • -20db
31% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
31% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: 1. Stabat Mater do...
77 bpm • A min • 04:01 • -24.89db
18% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: V. Pie Jesus
79 bpm • A# Maj • 03:15 • -29.78db
22% Popularity • 14% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Symphony of Psalms: III. Alleluia, lauda...
79 bpm • F Maj • 10:38 • -23.58db
23% Popularity • 15% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
23% Popularity • 15% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Edward Elgar
The Music Makers, Op. 69: IV. We, in the...
79 bpm • F Maj • 04:17 • -20.02db
9% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
79 bpm • E Maj • 03:59 • -24.32db
8% Popularity • 34% Danceability • 7% Energy • 16% Liveness
18% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 7% Energy • 16% Liveness
18% Instrumentalness • 4% Positiveness
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Traditional
Scarborough Fair
77 bpm • C Maj • 03:48 • -19.03db
8% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
21% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: IV. Pie Jesu
77 bpm • A# Maj • 03:45 • -33.23db
22% Popularity • 13% Danceability • 1% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 1% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
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Dame Ethel Smyth
The Wreckers: Overture
79 bpm • D Maj • 09:21 • -18.79db
15% Popularity • 19% Danceability • 17% Energy • 28% Liveness
63% Instrumentalness • 8% Positiveness
15% Popularity • 19% Danceability • 17% Energy • 28% Liveness
63% Instrumentalness • 8% Positiveness
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Alexander Borodin
Nocturne
79 bpm • A Maj • 07:08 • -10.83db
36% Popularity • 17% Danceability • 27% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
36% Popularity • 17% Danceability • 27% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Jules Massenet
Le Cid / Act 3: "De cet affreux combat.....
79 bpm • B min • 05:35 • -15.59db
0% Popularity • 22% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
Cello Concerto in E minor, Op. 85: 3. Ad...
79 bpm • A# Maj • 05:07 • -23.07db
15% Popularity • 9% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Prelude a l'apres-midi d'un faune, L. 86
77 bpm • C# Maj • 11:45 • -32.94db
47% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: VII. In Paradisu...
77 bpm • D Maj • 03:42 • -34db
19% Popularity • 8% Danceability • 2% Energy • 22% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 2% Energy • 22% Liveness
76% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1, Op. 11: II. Andant...
77 bpm • B Maj • 07:08 • -23db
3% Popularity • 10% Danceability • 7% Energy • 21% Liveness
80% Instrumentalness • 4% Positiveness
3% Popularity • 10% Danceability • 7% Energy • 21% Liveness
80% Instrumentalness • 4% Positiveness
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John Williams
The High Council Meeting and Qui-Gon's F...
77 bpm • F# min • 03:06 • -26.88db
35% Popularity • 8% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Monteverdi: L'incoronazione di Poppea, S...
77 bpm • G Maj • 04:11 • -21db
40% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Alphons Czibulka
Love's Dream After The Ball
79 bpm • A Maj • 04:50 • -20.15db
8% Popularity • 11% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Introït et ...
77 bpm • A# Maj • 06:34 • -24.16db
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
80 bpm • D Maj • 06:03 • -17.78db
1% Popularity • 24% Danceability • 11% Energy • 10% Liveness
68% Instrumentalness • 19% Positiveness
1% Popularity • 24% Danceability • 11% Energy • 10% Liveness
68% Instrumentalness • 19% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: III. O quam tristis
80 bpm • G min • 02:33 • -23.72db
39% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Gratias agimus tibi
80 bpm • D# Maj • 01:15 • -14db
32% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Overtura
76 bpm • G Maj • 02:46 • -21.6db
25% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
25% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48: III. Offertoire
76 bpm • D Maj • 08:18 • -25.75db
36% Popularity • 11% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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John Williams
Augie's Great Municipal Band and End Cre...
80 bpm • D Maj • 09:37 • -15.32db
36% Popularity • 22% Danceability • 41% Energy • 24% Liveness
92% Instrumentalness • 7% Positiveness
36% Popularity • 22% Danceability • 41% Energy • 24% Liveness
92% Instrumentalness • 7% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: I. Stabat Mater dol...
80 bpm • F min • 04:38 • -28.71db
42% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
42% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Canteloube: Chants d'Auvergne, Vol. 1: N...
80 bpm • C min • 05:37 • -16.35db
15% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
15% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
28% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Bles...
80 bpm • C Maj • 05:57 • -27db
29% Popularity • 19% Danceability • 13% Energy • 16% Liveness
8% Instrumentalness • 5% Positiveness
29% Popularity • 19% Danceability • 13% Energy • 16% Liveness
8% Instrumentalness • 5% Positiveness
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Edward Elgar
Nursery Suite: II. The Serious Doll
80 bpm • A min • 02:45 • -36.68db
16% Popularity • 14% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
16% Popularity • 14% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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John Williams
Duel of the Fates
80 bpm • D Maj • 04:14 • -15.76db
62% Popularity • 47% Danceability • 41% Energy • 28% Liveness
85% Instrumentalness • 28% Positiveness
62% Popularity • 47% Danceability • 41% Energy • 28% Liveness
85% Instrumentalness • 28% Positiveness
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Alexander Borodin
Overture Prince Igor
76 bpm • A# Maj • 10:48 • -18db
15% Popularity • 12% Danceability • 22% Energy • 6% Liveness
85% Instrumentalness • 9% Positiveness
15% Popularity • 12% Danceability • 22% Energy • 6% Liveness
85% Instrumentalness • 9% Positiveness
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Gabriel Fauré
Requiem, Op. 48: IV. Sanctus
76 bpm • D# Maj • 02:40 • -27.14db
21% Popularity • 9% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
76 bpm • A Maj • 03:52 • -19.7db
14% Popularity • 33% Danceability • 20% Energy • 6% Liveness
85% Instrumentalness • 5% Positiveness
14% Popularity • 33% Danceability • 20% Energy • 6% Liveness
85% Instrumentalness • 5% Positiveness
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Johannes Brahms
German Requiem, Op. 45: Wie lieblich sin...
80 bpm • D# Maj • 04:18 • -25.68db
15% Popularity • 15% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
15% Popularity • 15% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Edward Elgar
Soliloquy for Oboe and Orchestra (Orch. ...
76 bpm • A min • 04:13 • -29db
23% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
19% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
19% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
80 bpm • D# Maj • 04:46 • -13db
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 5. Agnus Dei (I)
76 bpm • D min • 05:43 • -26.04db
9% Popularity • 7% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • E min • 02:27 • -36db
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
76 bpm • D# Maj • 04:23 • -27.17db
14% Popularity • 16% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Requiem: II. Dies Irae
81 bpm • C min • 02:17 • -19.24db
50% Popularity • 33% Danceability • 18% Energy • 10% Liveness
41% Instrumentalness • 20% Positiveness
50% Popularity • 33% Danceability • 18% Energy • 10% Liveness
41% Instrumentalness • 20% Positiveness
► Preview
Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
11% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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John Williams
Across the Stars (Love Theme from "Star ...
81 bpm • C Maj • 05:33 • -18.28db
59% Popularity • 12% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
59% Popularity • 12% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48, N. 97: Sanctus (Ed. Mar...
76 bpm • D# Maj • 03:09 • -22.58db
11% Popularity • 9% Danceability • 9% Energy • 14% Liveness
20% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 9% Energy • 14% Liveness
20% Instrumentalness • 3% Positiveness
► Preview
Robert Schumann
Dichterliebe, Op. 48: X. Hör' ich das L...
76 bpm • G min • 01:55 • -27db
33% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Carl Orff
Carmina Burana - 3. Cour d'amours: "In t...
80 bpm • D Maj • 02:34 • -38.72db
10% Popularity • 19% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Puccini: Preludio sinfonico
75 bpm • A Maj • 08:47 • -21db
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 25, Re...
75 bpm • F min • 03:06 • -17.6db
5% Popularity • 21% Danceability • 21% Energy • 66% Liveness
64% Instrumentalness • 12% Positiveness
5% Popularity • 21% Danceability • 21% Energy • 66% Liveness
64% Instrumentalness • 12% Positiveness
► Preview
Richard Strauss
Strauss, R: 4 Lieder, Op. 27: No. 4, Mor...
75 bpm • G Maj • 03:50 • -29db
21% Popularity • 11% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: I. Al...
81 bpm • A min • 04:27 • -18db
32% Popularity • 31% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
32% Popularity • 31% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Agostino Steffani
Stabat Mater: Fac ut portem Christi mort...
75 bpm • C min • 01:03 • -15.41db
30% Popularity • 31% Danceability • 29% Energy • 18% Liveness
52% Instrumentalness • 8% Positiveness
30% Popularity • 31% Danceability • 29% Energy • 18% Liveness
52% Instrumentalness • 8% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: IV. Quae moerabat
75 bpm • D# Maj • 02:49 • -25db
37% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
37% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
► Preview
Edward Elgar
Serenade for strings in E Minor, Op. 20:...
81 bpm • E min • 03:27 • -18.56db
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice: Act I, Scene 1, Coro:...
75 bpm • C min • 03:18 • -21db
28% Popularity • 18% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 3% Positiveness
28% Popularity • 18% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Henryk Wieniawski
Legende, Op. 17: Andante - Allegro moder...
75 bpm • G min • 07:41 • -22.89db
10% Popularity • 9% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
10% Popularity • 9% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
► Preview
Carl Orff
Carmina Burana: VII. Floret silva
81 bpm • G Maj • 03:44 • -34.63db
28% Popularity • 15% Danceability • 1% Energy • 15% Liveness
3% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 15% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: 5. Agnus Dei (Chorus)
81 bpm • F Maj • 07:08 • -24db
10% Popularity • 8% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
Piano Concerto No. 1 in F-Sharp Minor, O...
81 bpm • F# min • 13:25 • -21.4db
22% Popularity • 22% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 3: But death...Whe...
75 bpm • G min • 09:06 • -22.37db
4% Popularity • 19% Danceability • 9% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 9% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Mahler: Lieder eines fahrenden Gesellen:...
81 bpm • C Maj • 05:08 • -24.42db
2% Popularity • 19% Danceability • 8% Energy • 10% Liveness
13% Instrumentalness • 5% Positiveness
2% Popularity • 19% Danceability • 8% Energy • 10% Liveness
13% Instrumentalness • 5% Positiveness
► Preview
Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Erster Teil...
81 bpm • D# min • 06:59 • -19db
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Jean Sibelius
Karelia, JS 115: Tableau 4 - Karl Knutss...
75 bpm • A min • 09:13 • -32.14db
5% Popularity • 9% Danceability • 1% Energy • 7% Liveness
21% Instrumentalness • 6% Positiveness
5% Popularity • 9% Danceability • 1% Energy • 7% Liveness
21% Instrumentalness • 6% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Kyrie Eleiso...
82 bpm • F Maj • 02:44 • -20db
45% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
45% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: I...
75 bpm • D Maj • 05:44 • -16.18db
48% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
48% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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John Williams
Imperial Attack
82 bpm • E Maj • 06:18 • -15.59db
40% Popularity • 17% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 17% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 3, Cho...
81 bpm • B min • 01:28 • -28db
30% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
30% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt.2: Pr...
81 bpm • A min • 07:49 • -19.35db
0% Popularity • 14% Danceability • 17% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 17% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sanctus
82 bpm • D Maj • 01:38 • -17db
50% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
50% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
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Felix Mendelssohn
Mendelssohn: A Midsummer Night's Dream, ...
82 bpm • A Maj • 04:44 • -18.61db
2% Popularity • 23% Danceability • 14% Energy • 11% Liveness
26% Instrumentalness • 9% Positiveness
2% Popularity • 23% Danceability • 14% Energy • 11% Liveness
26% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Des pas dans l'allée, Op. 141, No. 1
74 bpm • D min • 05:20 • -33.2db
18% Popularity • 15% Danceability • 2% Energy • 6% Liveness
9% Instrumentalness • 3% Positiveness
18% Popularity • 15% Danceability • 2% Energy • 6% Liveness
9% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
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Hector Berlioz
Berlioz: Les Nuits d'été, Op. 7, H. 81...
82 bpm • B Maj • 07:53 • -20.47db
3% Popularity • 16% Danceability • 9% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 9% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Kol Nidrei, Op. 47
82 bpm • D min • 12:03 • -19.78db
25% Popularity • 9% Danceability • 17% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
25% Popularity • 9% Danceability • 17% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte ossia La scuola degli am...
74 bpm • E Maj • 03:09 • -18.61db
26% Popularity • 11% Danceability • 16% Energy • 22% Liveness
33% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 16% Energy • 22% Liveness
33% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VI. Libera me
82 bpm • D min • 04:32 • -23.81db
20% Popularity • 11% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
82 bpm • C# Maj • 06:33 • -21.71db
22% Popularity • 15% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Schumann
Dichterliebe, Op. 48: I. Im wunderschön...
74 bpm • B min • 01:33 • -25db
21% Popularity • 36% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 36% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
The Dream of Gerontius, Op. 38, Pt.2: Pr...
82 bpm • E min • 05:47 • -24.99db
0% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
0% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Gustav Mahler
Mahler: Kindertotenlieder: No. 4, Oft de...
74 bpm • A# min • 03:09 • -20.95db
10% Popularity • 13% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 13% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Offertoire
74 bpm • D Maj • 08:14 • -31.63db
13% Popularity • 15% Danceability • 2% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
