Songs like Elite Syncopations (arr. I. Perlman for violin and piano) by Itzhak Perlman
Based on a tempo of (+/- 10%) and a similar genre
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Itzhak Perlman
Elite Syncopations (arr. I. Perlman for ...
100 bpm • G Maj • 03:04 • -20.76db
28% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Leopold Godowsky
Godowsky / Arr Heifetz: Alt Wien
100 bpm • G Maj • 02:21 • -15.39db
8% Popularity • 29% Danceability • 23% Energy • 32% Liveness
8% Instrumentalness • 17% Positiveness
8% Popularity • 29% Danceability • 23% Energy • 32% Liveness
8% Instrumentalness • 17% Positiveness
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Ludwig van Beethoven
Beethoven: Violin Sonata No. 9 in A Majo...
100 bpm • A Maj • 08:14 • -20.15db
7% Popularity • 51% Danceability • 20% Energy • 67% Liveness
53% Instrumentalness • 26% Positiveness
7% Popularity • 51% Danceability • 20% Energy • 67% Liveness
53% Instrumentalness • 26% Positiveness
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Mikhail Glinka
Tarantella in A Minor
100 bpm • A min • 01:01 • -23.54db
45% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
45% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: III. Allegro mod...
100 bpm • D Maj • 01:48 • -24.76db
20% Popularity • 41% Danceability • 8% Energy • 20% Liveness
52% Instrumentalness • 39% Positiveness
20% Popularity • 41% Danceability • 8% Energy • 20% Liveness
52% Instrumentalness • 39% Positiveness
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Antonio Bazzini
La ronde des lutins, Op. 25
100 bpm • E min • 04:38 • -15db
19% Popularity • 66% Danceability • 38% Energy • 10% Liveness
42% Instrumentalness • 89% Positiveness
19% Popularity • 66% Danceability • 38% Energy • 10% Liveness
42% Instrumentalness • 89% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 9 in E...
99 bpm • E Maj • 02:34 • -16.17db
26% Popularity • 67% Danceability • 20% Energy • 11% Liveness
13% Instrumentalness • 79% Positiveness
26% Popularity • 67% Danceability • 20% Energy • 11% Liveness
13% Instrumentalness • 79% Positiveness
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Cécile Chaminade
Chaminade / Arr Kreisler: Sérénade esp...
101 bpm • D Maj • 02:13 • -17.06db
8% Popularity • 35% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 35% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 12 Romances, Op. 21: No. 7,...
99 bpm • B Maj • 01:40 • -21.82db
12% Popularity • 17% Danceability • 15% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 15% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
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Jukka-Pekka Saraste
Sarasate: Spanish Dances, Op. 23: I. Pla...
99 bpm • D Maj • 04:40 • -20.23db
2% Popularity • 20% Danceability • 14% Energy • 18% Liveness
73% Instrumentalness • 13% Positiveness
2% Popularity • 20% Danceability • 14% Energy • 18% Liveness
73% Instrumentalness • 13% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: II. Lento
100 bpm • C min • 03:41 • -22.63db
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Finale
99 bpm • C Maj • 01:56 • -16.47db
34% Popularity • 60% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 66% Positiveness
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Johann Sebastian Bach
Bach, JS: Violin Concerto in G Minor, BW...
101 bpm • G min • 03:38 • -14.89db
5% Popularity • 29% Danceability • 29% Energy • 9% Liveness
5% Instrumentalness • 42% Positiveness
5% Popularity • 29% Danceability • 29% Energy • 9% Liveness
5% Instrumentalness • 42% Positiveness
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Georges Bizet
Carmen, WD 31: Habanera
99 bpm • D Maj • 02:02 • -26db
29% Popularity • 49% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 37% Positiveness
29% Popularity • 49% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 37% Positiveness
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Scott Hayden
Kismet Rag
101 bpm • C Maj • 03:04 • -25db
8% Popularity • 45% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 93% Positiveness
8% Popularity • 45% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 93% Positiveness
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Jascha Heifetz
Godowsky: Triakontameron: No. 11, Alt-Wi...
99 bpm • G Maj • 02:19 • -15.1db
2% Popularity • 25% Danceability • 24% Energy • 34% Liveness
5% Instrumentalness • 18% Positiveness
2% Popularity • 25% Danceability • 24% Energy • 34% Liveness
5% Instrumentalness • 18% Positiveness
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Henryk Wieniawski
Polonaise brillante No. 1 in D Major, Op...
99 bpm • D Maj • 05:26 • -18.42db
20% Popularity • 43% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
20% Popularity • 43% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
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Pablo de Sarasate
Navarra, Op. 33
101 bpm • A Maj • 06:11 • -15.08db
28% Popularity • 50% Danceability • 25% Energy • 16% Liveness
75% Instrumentalness • 58% Positiveness
28% Popularity • 50% Danceability • 25% Energy • 16% Liveness
75% Instrumentalness • 58% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
101 bpm • E Maj • 04:19 • -16.24db
49% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
49% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
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Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
101 bpm • G Maj • 09:37 • -22db
6% Popularity • 32% Danceability • 12% Energy • 37% Liveness
66% Instrumentalness • 10% Positiveness
6% Popularity • 32% Danceability • 12% Energy • 37% Liveness
66% Instrumentalness • 10% Positiveness
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Itzhak Perlman
3 Violin Duets (1996 Digital Remaster): ...
99 bpm • D Maj • 02:42 • -16.37db
8% Popularity • 54% Danceability • 16% Energy • 6% Liveness
3% Instrumentalness • 51% Positiveness
8% Popularity • 54% Danceability • 16% Energy • 6% Liveness
3% Instrumentalness • 51% Positiveness
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Ludwig van Beethoven
Beethoven: Romance for Violin and Orches...
99 bpm • F Maj • 08:52 • -22db
22% Popularity • 23% Danceability • 9% Energy • 28% Liveness
43% Instrumentalness • 10% Positiveness
22% Popularity • 23% Danceability • 9% Energy • 28% Liveness
43% Instrumentalness • 10% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 10 in ...
101 bpm • G min • 02:24 • -18.27db
25% Popularity • 65% Danceability • 41% Energy • 11% Liveness
89% Instrumentalness • 78% Positiveness
25% Popularity • 65% Danceability • 41% Energy • 11% Liveness
89% Instrumentalness • 78% Positiveness
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Darius Milhaud
Scaramouche, Suite for 2 Pianos: 3. Braz...
99 bpm • F Maj • 02:35 • -25.88db
17% Popularity • 42% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 45% Positiveness
17% Popularity • 42% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 45% Positiveness
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Jascha Heifetz
Ravel / Arr. Heifetz: Valses nobles et s...
101 bpm • B min • 03:42 • -16.53db
3% Popularity • 32% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 9% Positiveness
3% Popularity • 32% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 9% Positiveness
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Scott Joplin
The Rag-Time Dance - 1986 Remastered Ver...
101 bpm • D# Maj • 03:09 • -11.83db
10% Popularity • 74% Danceability • 39% Energy • 16% Liveness
91% Instrumentalness • 63% Positiveness
10% Popularity • 74% Danceability • 39% Energy • 16% Liveness
91% Instrumentalness • 63% Positiveness
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Itzhak Perlman
Suite populaire espagnole (1990 Digital ...
101 bpm • G Maj • 01:31 • -17.55db
13% Popularity • 43% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 43% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Louis Moreau Gottschalk
Souvenir de Porto Rico (Marcha De Los Ji...
101 bpm • D# min • 06:22 • -18.35db
13% Popularity • 48% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
13% Popularity • 48% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
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John Williams
Theme From Schindler's List
99 bpm • D min • 04:15 • -25.36db
62% Popularity • 14% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
62% Popularity • 14% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Antonio Bazzini
Bazzini: Scherzo fantastique, Op. 25, "L...
101 bpm • E min • 04:42 • -14.16db
11% Popularity • 65% Danceability • 41% Energy • 8% Liveness
39% Instrumentalness • 88% Positiveness
11% Popularity • 65% Danceability • 41% Energy • 8% Liveness
39% Instrumentalness • 88% Positiveness
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Robert Schumann
Schumann/ Arr Kreisler: Romance in A Maj...
99 bpm • A Maj • 04:12 • -17.09db
9% Popularity • 23% Danceability • 25% Energy • 8% Liveness
10% Instrumentalness • 27% Positiveness
9% Popularity • 23% Danceability • 25% Energy • 8% Liveness
10% Instrumentalness • 27% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
99 bpm • D# Maj • 08:21 • -16.9db
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Violin Concerto No. 1 in B-Flat Major, K...
98 bpm • D# Maj • 08:16 • -23.01db
22% Popularity • 24% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 11% Positiveness
22% Popularity • 24% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 11% Positiveness
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Henri Vieuxtemps
Vieuxtemps: Violin Concerto No. 4 in D M...
98 bpm • A# Maj • 09:57 • -19.01db
13% Popularity • 23% Danceability • 9% Energy • 23% Liveness
27% Instrumentalness • 6% Positiveness
13% Popularity • 23% Danceability • 9% Energy • 23% Liveness
27% Instrumentalness • 6% Positiveness
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Scott Joplin
The Ragtime Dance: Rag-Time Dance, A Sto...
102 bpm • D# Maj • 03:05 • -21db
22% Popularity • 44% Danceability • 28% Energy • 14% Liveness
86% Instrumentalness • 77% Positiveness
22% Popularity • 44% Danceability • 28% Energy • 14% Liveness
86% Instrumentalness • 77% Positiveness
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Claude Debussy
Debussy /Arr. Roques for Violin and Pian...
98 bpm • G Maj • 04:02 • -21.94db
5% Popularity • 23% Danceability • 8% Energy • 25% Liveness
28% Instrumentalness • 13% Positiveness
5% Popularity • 23% Danceability • 8% Energy • 25% Liveness
28% Instrumentalness • 13% Positiveness
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Pablo de Sarasate
Sarasate: Danzas españolas: Romanza and...
98 bpm • C Maj • 04:51 • -14.88db
16% Popularity • 28% Danceability • 17% Energy • 10% Liveness
18% Instrumentalness • 24% Positiveness
16% Popularity • 28% Danceability • 17% Energy • 10% Liveness
18% Instrumentalness • 24% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 1 in E...
102 bpm • E Maj • 01:40 • -17db
35% Popularity • 46% Danceability • 32% Energy • 29% Liveness
81% Instrumentalness • 78% Positiveness
35% Popularity • 46% Danceability • 32% Energy • 29% Liveness
81% Instrumentalness • 78% Positiveness
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Max Bruch
8 Pieces, Op. 83 (Arr. for Violin, Viola...
102 bpm • B min • 02:39 • -23db
45% Popularity • 22% Danceability • 8% Energy • 10% Liveness
73% Instrumentalness • 15% Positiveness
45% Popularity • 22% Danceability • 8% Energy • 10% Liveness
73% Instrumentalness • 15% Positiveness
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Julius Conus
Conus: Violin Concerto in E Minor: I. Al...
98 bpm • E min • 05:23 • -17.31db
10% Popularity • 31% Danceability • 18% Energy • 37% Liveness
14% Instrumentalness • 20% Positiveness
10% Popularity • 31% Danceability • 18% Energy • 37% Liveness
14% Instrumentalness • 20% Positiveness
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Jascha Heifetz
3 Preludes (arr. J. Heifetz): No. 1. All...
102 bpm • C min • 01:23 • -17db
29% Popularity • 36% Danceability • 32% Energy • 16% Liveness
54% Instrumentalness • 49% Positiveness
29% Popularity • 36% Danceability • 32% Energy • 16% Liveness
54% Instrumentalness • 49% Positiveness
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Joseph Achron
Achron: Hebrew Melody in A Minor, Op. 33
98 bpm • A min • 05:41 • -19.3db
5% Popularity • 22% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
5% Popularity • 22% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Pablo de Sarasate
Sarasate: Zigeunerweisen, Op. 20
102 bpm • C min • 08:44 • -21.69db
7% Popularity • 31% Danceability • 14% Energy • 9% Liveness
31% Instrumentalness • 6% Positiveness
7% Popularity • 31% Danceability • 14% Energy • 9% Liveness
31% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Vivaldi: L'estro armonico, Violin Concer...
98 bpm • A min • 03:22 • -15db
27% Popularity • 54% Danceability • 25% Energy • 7% Liveness
16% Instrumentalness • 78% Positiveness
27% Popularity • 54% Danceability • 25% Energy • 7% Liveness
16% Instrumentalness • 78% Positiveness
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Giovanni Bottesini
Bottesini: Double Bass Concerto in B Min...
102 bpm • E min • 06:06 • -16.36db
26% Popularity • 30% Danceability • 18% Energy • 13% Liveness
87% Instrumentalness • 29% Positiveness
26% Popularity • 30% Danceability • 18% Energy • 13% Liveness
87% Instrumentalness • 29% Positiveness
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John Williams
Main Theme
98 bpm • D min • 03:34 • -22db
30% Popularity • 15% Danceability • 15% Energy • 8% Liveness
59% Instrumentalness • 11% Positiveness
30% Popularity • 15% Danceability • 15% Energy • 8% Liveness
59% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Piano Trio No. 1 in D Minor, Op. 49: I. ...
98 bpm • D min • 10:08 • -20.77db
18% Popularity • 24% Danceability • 11% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
18% Popularity • 24% Danceability • 11% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
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Hermione Gingold
Rachmaninov / Arr. Press & Gingold for V...
98 bpm • E min • 04:57 • -18.3db
5% Popularity • 19% Danceability • 18% Energy • 8% Liveness
65% Instrumentalness • 11% Positiveness
5% Popularity • 19% Danceability • 18% Energy • 8% Liveness
65% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
Dvorák: Romance in F Minor, Op.11, B. 3...
98 bpm • C# Maj • 13:11 • -16.92db
23% Popularity • 16% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Johannes Brahms
Brahms: Violin Sonata No. 3 in D Minor, ...
98 bpm • D Maj • 04:51 • -24.19db
14% Popularity • 15% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 5% Positiveness
14% Popularity • 15% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 5% Positiveness
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Charles-Auguste de Bériot
Bériot: Scène de ballet, Op. 100
102 bpm • A Maj • 09:55 • -16.99db
19% Popularity • 34% Danceability • 18% Energy • 14% Liveness
39% Instrumentalness • 28% Positiveness
19% Popularity • 34% Danceability • 18% Energy • 14% Liveness
39% Instrumentalness • 28% Positiveness
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John Williams
I Could Have Done More
102 bpm • D min • 05:52 • -23.65db
39% Popularity • 15% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
On Wings of Song, Op. 34, No. 2
98 bpm • G# Maj • 03:00 • -16db
11% Popularity • 25% Danceability • 22% Energy • 12% Liveness
71% Instrumentalness • 15% Positiveness
11% Popularity • 25% Danceability • 22% Energy • 12% Liveness
71% Instrumentalness • 15% Positiveness
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Luiz Bonfá
Black Orpheus: Manha de Carnaval
97 bpm • G min • 04:13 • -23.37db
33% Popularity • 23% Danceability • 11% Energy • 10% Liveness
63% Instrumentalness • 19% Positiveness
33% Popularity • 23% Danceability • 11% Energy • 10% Liveness
63% Instrumentalness • 19% Positiveness
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AntonÃn Dvořák
Dvorák: Violin Concerto in A Minor, Op....
103 bpm • A min • 11:19 • -13.98db
25% Popularity • 28% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
25% Popularity • 28% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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Henryk Wieniawski
Violin Concerto No. 2 in D minor Op. 22 ...
97 bpm • A# Maj • 05:05 • -23.09db
16% Popularity • 17% Danceability • 10% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 10% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Introduction et Rondo capriccioso, Op. 2...
103 bpm • A min • 08:56 • -23db
30% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
30% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
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Christian Sinding
Suite for Violin and Orchestra in A Mino...
97 bpm • A min • 01:43 • -14.93db
27% Popularity • 50% Danceability • 43% Energy • 7% Liveness
9% Instrumentalness • 39% Positiveness
27% Popularity • 50% Danceability • 43% Energy • 7% Liveness
9% Instrumentalness • 39% Positiveness
► Preview
Francis Poulenc
L'invitation au château, FP 138: Acte 2...
97 bpm • F min • 01:45 • -23.59db
27% Popularity • 40% Danceability • 4% Energy • 12% Liveness
57% Instrumentalness • 55% Positiveness
27% Popularity • 40% Danceability • 4% Energy • 12% Liveness
57% Instrumentalness • 55% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
► Preview
Felix Mendelssohn
Mendelssohn / Arr. Heifetz for Violin an...
97 bpm • E Maj • 02:49 • -19.41db
5% Popularity • 27% Danceability • 20% Energy • 10% Liveness
53% Instrumentalness • 13% Positiveness
5% Popularity • 27% Danceability • 20% Energy • 10% Liveness
53% Instrumentalness • 13% Positiveness
► Preview
Jascha Heifetz
3 Preludes (arr. J. Heifetz): No. 2. And...
97 bpm • C# Maj • 03:24 • -23.8db
14% Popularity • 19% Danceability • 6% Energy • 10% Liveness
70% Instrumentalness • 7% Positiveness
14% Popularity • 19% Danceability • 6% Energy • 10% Liveness
70% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
Brahms: Violin Sonata, 'F-A-E': III. Sch...
97 bpm • C Maj • 05:13 • -18.72db
10% Popularity • 34% Danceability • 18% Energy • 20% Liveness
22% Instrumentalness • 18% Positiveness
10% Popularity • 34% Danceability • 18% Energy • 20% Liveness
22% Instrumentalness • 18% Positiveness
► Preview
Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
97 bpm • C Maj • 08:14 • -28.5db
11% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Scott Joplin
The Cascades
97 bpm • A# Maj • 02:56 • -24.68db
17% Popularity • 57% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 72% Positiveness
17% Popularity • 57% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 72% Positiveness
► Preview
Sergei Rachmaninoff
Italian Polka
103 bpm • D# Maj • 02:09 • -27db
36% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
36% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
► Preview
Frédéric Chopin
Nocturne in E-Flat Major, Op. 9, No. 2
97 bpm • A# Maj • 04:47 • -17.5db
13% Popularity • 16% Danceability • 22% Energy • 34% Liveness
29% Instrumentalness • 7% Positiveness
13% Popularity • 16% Danceability • 22% Energy • 34% Liveness
29% Instrumentalness • 7% Positiveness
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Robert Schumann
Schumann: Fantasiestücke, Op. 73: I. Za...
103 bpm • A min • 03:10 • -23db
8% Popularity • 23% Danceability • 12% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
97 bpm • D Maj • 02:58 • -34.22db
46% Popularity • 13% Danceability • 2% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
46% Popularity • 13% Danceability • 2% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
► Preview
Niccolò Paganini
Paganini: Sonata for Violin and Guitar i...
96 bpm • E min • 03:48 • -16.52db
30% Popularity • 38% Danceability • 24% Energy • 34% Liveness
12% Instrumentalness • 66% Positiveness
30% Popularity • 38% Danceability • 24% Energy • 34% Liveness
12% Instrumentalness • 66% Positiveness
► Preview
Henryk Wieniawski
Violin Concerto No. 2 in D Minor, Op. 22...
104 bpm • A# Maj • 11:33 • -19.42db
18% Popularity • 25% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 9% Positiveness
18% Popularity • 25% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 9% Positiveness
► Preview
Camille Saint-Saëns
Havanaise, Op. 83: Allegro
104 bpm • A Maj • 04:54 • -20.64db
11% Popularity • 32% Danceability • 14% Energy • 61% Liveness
50% Instrumentalness • 12% Positiveness
11% Popularity • 32% Danceability • 14% Energy • 61% Liveness
50% Instrumentalness • 12% Positiveness
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Leopold Godowsky
Triakontameron: No. 11, Alt-Wien (Arr. J...
104 bpm • G Maj • 02:16 • -17db
25% Popularity • 34% Danceability • 13% Energy • 16% Liveness
70% Instrumentalness • 23% Positiveness
25% Popularity • 34% Danceability • 13% Energy • 16% Liveness
70% Instrumentalness • 23% Positiveness
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Claude Debussy
Sonata in G Minor for Violin & Piano, L....
96 bpm • G# Maj • 03:47 • -23.93db
13% Popularity • 43% Danceability • 11% Energy • 58% Liveness
56% Instrumentalness • 20% Positiveness
13% Popularity • 43% Danceability • 11% Energy • 58% Liveness
56% Instrumentalness • 20% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov / Arr. Heifetz for Violi...
96 bpm • A min • 01:20 • -19.15db
10% Popularity • 59% Danceability • 54% Energy • 13% Liveness
78% Instrumentalness • 40% Positiveness
10% Popularity • 59% Danceability • 54% Energy • 13% Liveness
78% Instrumentalness • 40% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • E min • 12:58 • -18db
24% Popularity • 24% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 13% Positiveness
24% Popularity • 24% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Violin Concerto No. 3 in B Minor, Op. 61...
96 bpm • G Maj • 10:57 • -18.6db
14% Popularity • 32% Danceability • 16% Energy • 28% Liveness
43% Instrumentalness • 21% Positiveness
14% Popularity • 32% Danceability • 16% Energy • 28% Liveness
43% Instrumentalness • 21% Positiveness
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John Williams
Chiyo's Prayer
96 bpm • A min • 03:36 • -22.16db
31% Popularity • 14% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
31% Popularity • 14% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Dvorák: Violin Concerto in A Minor, Op....
96 bpm • F Maj • 10:40 • -17.09db
20% Popularity • 16% Danceability • 21% Energy • 8% Liveness
81% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 21% Energy • 8% Liveness
81% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Violin Concerto No. 3 in G Major, K. 216...
96 bpm • D Maj • 08:49 • -24.68db
20% Popularity • 18% Danceability • 7% Energy • 28% Liveness
34% Instrumentalness • 10% Positiveness
20% Popularity • 18% Danceability • 7% Energy • 28% Liveness
34% Instrumentalness • 10% Positiveness
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Claude Debussy
Debussy / Arr. Dushkin for Violin and Pi...
96 bpm • C Maj • 02:51 • -22.53db
3% Popularity • 32% Danceability • 8% Energy • 7% Liveness
39% Instrumentalness • 33% Positiveness
3% Popularity • 32% Danceability • 8% Energy • 7% Liveness
39% Instrumentalness • 33% Positiveness
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Julius Conus
Conus: Violin Concerto in E Minor: II. A...
96 bpm • B Maj • 09:53 • -18.07db
8% Popularity • 23% Danceability • 15% Energy • 47% Liveness
3% Instrumentalness • 6% Positiveness
8% Popularity • 23% Danceability • 15% Energy • 47% Liveness
3% Instrumentalness • 6% Positiveness
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Itzhak Perlman
The Devil's Trill
96 bpm • G min • 14:32 • -17.05db
41% Popularity • 33% Danceability • 15% Energy • 12% Liveness
12% Instrumentalness • 24% Positiveness
41% Popularity • 33% Danceability • 15% Energy • 12% Liveness
12% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Concerto for 2 Violins in D Minor, BWV 1...
96 bpm • D min • 05:05 • -14.57db
24% Popularity • 53% Danceability • 38% Energy • 91% Liveness
4% Instrumentalness • 78% Positiveness
24% Popularity • 53% Danceability • 38% Energy • 91% Liveness
4% Instrumentalness • 78% Positiveness
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Henryk Wieniawski
Violin Concerto No. 1 in F Sharp Minor, ...
105 bpm • F# min • 07:09 • -21db
12% Popularity • 34% Danceability • 11% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
12% Popularity • 34% Danceability • 11% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
105 bpm • G Maj • 04:10 • -25.22db
23% Popularity • 33% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
23% Popularity • 33% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
95 bpm • F min • 03:08 • -17db
47% Popularity • 32% Danceability • 17% Energy • 39% Liveness
3% Instrumentalness • 39% Positiveness
47% Popularity • 32% Danceability • 17% Energy • 39% Liveness
3% Instrumentalness • 39% Positiveness
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Sergei Rachmaninoff
Rachmaninov / Arr. Heifetz for Violin an...
105 bpm • B Maj • 01:42 • -18.53db
13% Popularity • 20% Danceability • 17% Energy • 9% Liveness
24% Instrumentalness • 12% Positiveness
13% Popularity • 20% Danceability • 17% Energy • 9% Liveness
24% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: I. Berceuse. Allegr...
95 bpm • E Maj • 02:27 • -28.12db
22% Popularity • 16% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
22% Popularity • 16% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Ludwig van Beethoven
Beethoven: 10 Variations on "Ich bin der...
95 bpm • G min • 02:12 • -29.48db
7% Popularity • 22% Danceability • 1% Energy • 62% Liveness
69% Instrumentalness • 8% Positiveness
7% Popularity • 22% Danceability • 1% Energy • 62% Liveness
69% Instrumentalness • 8% Positiveness
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Max Bruch
Bruch: Scottish Fantasy, Op. 46: I. (a) ...
95 bpm • D# min • 04:07 • -23.62db
9% Popularity • 18% Danceability • 8% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 2 in B...
95 bpm • B min • 02:43 • -16.21db
51% Popularity • 58% Danceability • 28% Energy • 8% Liveness
69% Instrumentalness • 86% Positiveness
51% Popularity • 58% Danceability • 28% Energy • 8% Liveness
69% Instrumentalness • 86% Positiveness
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Anton Arensky
Arensky: 4 Morceaux, Op. 30: II. Sérén...
105 bpm • G Maj • 02:05 • -22.28db
3% Popularity • 40% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 53% Positiveness
3% Popularity • 40% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 53% Positiveness
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Itzhak Perlman
Liebesfreud
105 bpm • F Maj • 03:04 • -19.33db
17% Popularity • 46% Danceability • 17% Energy • 10% Liveness
10% Instrumentalness • 59% Positiveness
17% Popularity • 46% Danceability • 17% Energy • 10% Liveness
10% Instrumentalness • 59% Positiveness
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Zequinha De Abreu
Tico Tico
105 bpm • C min • 01:43 • -21db
31% Popularity • 62% Danceability • 49% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
31% Popularity • 62% Danceability • 49% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness