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Emily
Songs like
Emily
by
Clean Cut Kid
Based on a tempo of (+/- 10%) and a similar genre
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Jane's Party
Change Her Mind
123 bpm • A Maj • 03:24 • -4.66db
14% Popularity • 62% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Red Rum Club
Would You Rather Be Lonely
123 bpm • F# Maj • 02:34 • -5.42db
43% Popularity • 57% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Solomon Crook
Love Juice
123 bpm • F# Maj • 03:21 • -13.69db
35% Popularity • 68% Danceability • 42% Energy • 52% Liveness
0% Instrumentalness • 60% Positiveness
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Clean Cut Kid
Emily
123 bpm • B Maj • 04:16 • -8.84db
35% Popularity • 62% Danceability • 62% Energy • 19% Liveness
8% Instrumentalness • 76% Positiveness
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The Brook & The Bluff
Doobie Bronson
122 bpm • D Maj • 03:23 • -4.63db
36% Popularity • 55% Danceability • 83% Energy • 23% Liveness
7% Instrumentalness • 30% Positiveness
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Carla Geneve
The Right Reasons
124 bpm • D Maj • 03:33 • -10.75db
31% Popularity • 78% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Cj Pandit
Right Person, Wrong Time
124 bpm • G Maj • 03:30 • -10.07db
20% Popularity • 74% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Del Water Gap
Distance
124 bpm • C Maj • 03:47 • -5.64db
33% Popularity • 66% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Goodnight Goodbye
Dad Dancing
122 bpm • D Maj • 03:58 • -10.03db
28% Popularity • 70% Danceability • 69% Energy • 12% Liveness
36% Instrumentalness • 78% Positiveness
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Clean Cut Kid
You, a Part of Me
124 bpm • C Maj • 04:00 • -11.76db
9% Popularity • 74% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
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Liz Lawrence
Navigator
122 bpm • D Maj • 03:19 • -8.99db
27% Popularity • 75% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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KAWALA
Do It Like You Do
124 bpm • G# min • 03:19 • -8db
46% Popularity • 65% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Adam Melchor
Hold On For Dear Life
124 bpm • G Maj • 03:47 • -4.07db
41% Popularity • 49% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Cassia
Under the Sun
122 bpm • B Maj • 03:29 • -7.75db
15% Popularity • 73% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Ten Tonnes
Forget It
122 bpm • F Maj • 02:23 • -6.08db
13% Popularity • 71% Danceability • 71% Energy • 28% Liveness
1% Instrumentalness • 85% Positiveness
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Yenkee
Cannibal Tree
122 bpm • C Maj • 03:58 • -8.76db
31% Popularity • 89% Danceability • 48% Energy • 7% Liveness
12% Instrumentalness • 77% Positiveness
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Gang of Youths
Evangelists
122 bpm • D Maj • 04:13 • -9.08db
39% Popularity • 62% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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The Magic Gang
Lady, Please
122 bpm • E Maj • 02:54 • -5.33db
23% Popularity • 67% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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Clean Cut Kid
Time To Let You Go
122 bpm • F# Maj • 03:05 • -5.97db
6% Popularity • 61% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Kean Kavanagh
Summer Nights
122 bpm • A Maj • 03:35 • -7.8db
24% Popularity • 60% Danceability • 58% Energy • 32% Liveness
47% Instrumentalness • 84% Positiveness
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Bombay Bicycle Club
Good Day
122 bpm • C# Maj • 03:52 • -12db
40% Popularity • 82% Danceability • 50% Energy • 9% Liveness
8% Instrumentalness • 15% Positiveness
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The Money War
Right Kind Of Love
122 bpm • C Maj • 03:16 • -4.11db
18% Popularity • 43% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Matilda Mann
Happy Anniversary, Stranger
124 bpm • E Maj • 02:54 • -7db
30% Popularity • 73% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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The Magic Gang
What Have You Got To Lose
122 bpm • D min • 03:51 • -4.74db
26% Popularity • 70% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Sjowgren
Dreams
124 bpm • C# Maj • 02:55 • -7.15db
38% Popularity • 73% Danceability • 77% Energy • 7% Liveness
34% Instrumentalness • 74% Positiveness
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Big Wheels
Chain of Fire
122 bpm • D Maj • 04:05 • -4.94db
15% Popularity • 49% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Geowulf
He's 31
122 bpm • F Maj • 04:28 • -6.12db
18% Popularity • 54% Danceability • 65% Energy • 20% Liveness
1% Instrumentalness • 31% Positiveness
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Willie J Healey
Subterraneans
121 bpm • G Maj • 05:51 • -9.78db
30% Popularity • 52% Danceability • 33% Energy • 10% Liveness
23% Instrumentalness • 55% Positiveness
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Housewife
New Girl
125 bpm • D Maj • 02:34 • -7db
25% Popularity • 65% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Magic Gang
Just a Minute
124 bpm • C Maj • 03:51 • -5.77db
32% Popularity • 65% Danceability • 57% Energy • 9% Liveness
4% Instrumentalness • 28% Positiveness
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Clean Cut Kid
Runaway - 2017 Version
125 bpm • C# Maj • 03:24 • -5db
12% Popularity • 60% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
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Sjowgren
Love Has Gone
124 bpm • E Maj • 02:24 • -9.66db
33% Popularity • 64% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Pillow Queens
Be By Your Side
125 bpm • C Maj • 04:54 • -9db
31% Popularity • 45% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Red Rum Club
Vibrate
121 bpm • E min • 04:08 • -4.89db
40% Popularity • 76% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Henry Hall
Edna
125 bpm • C# min • 03:14 • -7db
25% Popularity • 57% Danceability • 70% Energy • 11% Liveness
15% Instrumentalness • 24% Positiveness
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Gabe Goodman
Grand Caravan
121 bpm • D Maj • 02:57 • -13.25db
19% Popularity • 71% Danceability • 32% Energy • 16% Liveness
12% Instrumentalness • 66% Positiveness
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Clean Cut Kid
Good Lord (you’ve Come so Far)
125 bpm • D Maj • 03:38 • -8.83db
22% Popularity • 50% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Zuzu
Skin And Bone
125 bpm • C min • 03:28 • -7db
19% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Sorcha Richardson
The Starlight Lounge
121 bpm • D Maj • 03:34 • -9.94db
29% Popularity • 83% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Matilda Mann
Four Leaf Dream
120 bpm • C# Maj • 02:21 • -5.77db
44% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Beatenberg
The Prince Of The Hanging Gardens
125 bpm • G Maj • 04:44 • -10.78db
32% Popularity • 66% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Another Michael
About
120 bpm • D# Maj • 02:47 • -8db
34% Popularity • 55% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Clean Cut Kid
We Used To Be In Love - Remastered
121 bpm • B Maj • 03:14 • -5db
18% Popularity • 58% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Jack Davies and The Bush Chooks
Vegemite Sandwich
126 bpm • B Maj • 05:00 • -9.49db
35% Popularity • 49% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Fruit Bats
Shane
126 bpm • D Maj • 03:41 • -10.24db
36% Popularity • 68% Danceability • 79% Energy • 32% Liveness
57% Instrumentalness • 73% Positiveness
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Pixey
The Mersey Line
126 bpm • A# Maj • 02:14 • -6.54db
23% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Phoebe Green
Dreaming Of
126 bpm • C Maj • 04:14 • -9db
21% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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SOAK
I Was Blue, Technicolour Too
126 bpm • A Maj • 03:58 • -7db
9% Popularity • 68% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Richy Mitch & The Coal Miners
Cologne
120 bpm • C Maj • 04:06 • -12.77db
36% Popularity • 61% Danceability • 40% Energy • 11% Liveness
25% Instrumentalness • 15% Positiveness
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Jealous of the Birds
Something Holy
120 bpm • D Maj • 03:18 • -5db
28% Popularity • 68% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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CMAT
Every Bottle (Is My Boyfriend)
126 bpm • G Maj • 04:48 • -5.19db
32% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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M Field
Hyenas
120 bpm • A# Maj • 02:58 • -11.72db
17% Popularity • 79% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 65% Positiveness
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River Whyless
Van Dyke Brown
120 bpm • A Maj • 04:07 • -6.9db
34% Popularity • 64% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
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Cassia
100 Times Over
120 bpm • G Maj • 02:52 • -6db
22% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Sundara Karma
Greenhands
120 bpm • D Maj • 03:54 • -6db
29% Popularity • 70% Danceability • 79% Energy • 26% Liveness
1% Instrumentalness • 69% Positiveness
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APRE
Without Your Love - Gran’s Front Room ...
120 bpm • G# Maj • 03:33 • -7db
21% Popularity • 76% Danceability • 64% Energy • 20% Liveness
50% Instrumentalness • 61% Positiveness
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CMAT
No More Virgos
120 bpm • C# min • 04:03 • -6db
41% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Cereus Bright
Wasted Time
120 bpm • G Maj • 04:11 • -12db
34% Popularity • 74% Danceability • 52% Energy • 11% Liveness
39% Instrumentalness • 62% Positiveness
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Beatenberg
Scorpionfish
120 bpm • G# Maj • 03:28 • -11db
41% Popularity • 63% Danceability • 57% Energy • 10% Liveness
12% Instrumentalness • 69% Positiveness
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Cassia
100 Times Over
120 bpm • G Maj • 02:42 • -5db
43% Popularity • 75% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Trudy and the Romance
The Last Rodeo
126 bpm • G Maj • 03:41 • -8db
17% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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M Field
Gargoyle
120 bpm • C# Maj • 03:24 • -7.62db
22% Popularity • 84% Danceability • 50% Energy • 8% Liveness
30% Instrumentalness • 95% Positiveness
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Ten Tonnes
Better Than Me
120 bpm • F# min • 03:20 • -5db
35% Popularity • 71% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Clean Cut Kid
Leaving You Behind
120 bpm • G Maj • 03:21 • -5db
21% Popularity • 58% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Fuzzy Sun
Pretty People
120 bpm • C min • 03:11 • -7db
31% Popularity • 75% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Black Tie Event
Bad Conversations
120 bpm • B Maj • 03:05 • -5.51db
15% Popularity • 81% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Red Rum Club
Eighteen
120 bpm • F# Maj • 03:02 • -4.5db
34% Popularity • 76% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Winnetka Bowling League
On The 5
120 bpm • B min • 02:59 • -6db
45% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Maggie Rogers
Little Joys
120 bpm • G min • 03:55 • -8.96db
40% Popularity • 58% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Boy & Bear
Hold Your Nerve
120 bpm • C# min • 03:35 • -5db
40% Popularity • 51% Danceability • 79% Energy • 15% Liveness
38% Instrumentalness • 34% Positiveness
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Clean Cut Kid
Carry You
120 bpm • G Maj • 03:11 • -6.26db
15% Popularity • 67% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Leif Erikson
21 Grams
127 bpm • A# Maj • 04:19 • -6.99db
14% Popularity • 54% Danceability • 72% Energy • 11% Liveness
40% Instrumentalness • 38% Positiveness
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Middle Kids
Some People Stay In Our Hearts Forever
127 bpm • G# Maj • 03:06 • -4.72db
26% Popularity • 48% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Toby Sebastian
Real Kicks
127 bpm • C Maj • 04:46 • -7.16db
18% Popularity • 59% Danceability • 84% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
► Preview
Willie J Healey
Fashun
119 bpm • A Maj • 03:04 • -4.96db
27% Popularity • 57% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
SOAK
Scrapyard
127 bpm • E min • 02:44 • -4.58db
9% Popularity • 46% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Clean Cut Kid
We Used to Be in Love - 2015 iPad Demo
120 bpm • B Maj • 03:31 • -2.37db
2% Popularity • 64% Danceability • 86% Energy • 29% Liveness
1% Instrumentalness • 55% Positiveness
► Preview
Prima Queen
Chew My Cheeks
127 bpm • D# min • 03:00 • -8.25db
31% Popularity • 73% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 78% Positiveness
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Riley Pearce
Bottle It Up
119 bpm • E Maj • 03:05 • -9.55db
47% Popularity • 82% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Toby Sebastian
One Day At A Time
119 bpm • C Maj • 04:01 • -6.43db
13% Popularity • 58% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Bad Bad Hats
Walkman
119 bpm • G Maj • 02:57 • -8.09db
40% Popularity • 88% Danceability • 61% Energy • 14% Liveness
2% Instrumentalness • 96% Positiveness
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Boy & Bear
Just To Be Kind
128 bpm • G Maj • 03:42 • -9.21db
33% Popularity • 74% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
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Clean Cut Kid
Goodbye
119 bpm • A Maj • 02:14 • -6.13db
9% Popularity • 64% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Cataldo
Little Heartbeat
128 bpm • C Maj • 03:25 • -5.65db
24% Popularity • 72% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Somebody's Child
Hold Me Like You Wanna - EP Version
128 bpm • A min • 03:58 • -3.26db
31% Popularity • 56% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Magnolian
Indigo
118 bpm • D Maj • 04:32 • -10.28db
26% Popularity • 71% Danceability • 62% Energy • 26% Liveness
19% Instrumentalness • 64% Positiveness
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SUGARTHIEF
Joy Affair
128 bpm • A# Maj • 05:32 • -7db
26% Popularity • 63% Danceability • 56% Energy • 67% Liveness
0% Instrumentalness • 28% Positiveness
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The Magic Gang
Tuning In
118 bpm • F Maj • 03:06 • -5.88db
22% Popularity • 63% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Clean Cut Kid
Stay
128 bpm • G# Maj • 03:12 • -5.09db
10% Popularity • 67% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Red Rum Club
Favourite Record
128 bpm • D min • 02:43 • -11.21db
34% Popularity • 63% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Lionel Boy
Potions
118 bpm • B Maj • 03:29 • -8.69db
19% Popularity • 77% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
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Little Comets
Total Abject Paranoia
118 bpm • G Maj • 04:05 • -9.4db
12% Popularity • 65% Danceability • 47% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
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Jack Kane
Gold
118 bpm • F# min • 02:23 • -6.82db
39% Popularity • 84% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Magic Gang
Take Back The Track
118 bpm • G# Maj • 03:28 • -5.62db
35% Popularity • 68% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 95% Positiveness
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Young Mister
Pasadena
118 bpm • G Maj • 03:46 • -8.84db
39% Popularity • 56% Danceability • 69% Energy • 32% Liveness
94% Instrumentalness • 40% Positiveness
► Preview
Milo Greene
Bringing Me Down
118 bpm • E min • 04:03 • -10.56db
24% Popularity • 62% Danceability • 62% Energy • 10% Liveness
39% Instrumentalness • 67% Positiveness
► Preview
Girlyboi
Stevie Knicks
118 bpm • E min • 02:56 • -7.48db
26% Popularity • 82% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Sure Sure
Giants
118 bpm • B Maj • 04:10 • -5.24db
36% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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TOLEDO
FOMO
118 bpm • A# Maj • 03:39 • -5.45db
28% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Lucia & The Best Boys
Summertime
129 bpm • C# min • 02:58 • -5db
29% Popularity • 54% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Emily