Songs like Emiti Rati Se Je Abhula by Aravinda Dutta
Based on a tempo of (+/- 10%) and a similar genre
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Kumar Sanu
Kaney Kaney Boli
147 bpm • F min • 05:36 • -10db
20% Popularity • 56% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 56% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Rajkumar
Arithavanu Neenu
147 bpm • G min • 05:42 • -4.7db
2% Popularity • 65% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
2% Popularity • 65% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Brahma Kumaris
Nile Gagan Ki Chilman Se
147 bpm • G min • 04:51 • -9.05db
13% Popularity • 47% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 47% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Narendra Singh Negi
Hari Tori Kakhari
147 bpm • F# Maj • 07:26 • -14.74db
7% Popularity • 64% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 64% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Aravinda Dutta
Tame Kou Tonic Khaucha
147 bpm • C# Maj • 05:08 • -4.93db
0% Popularity • 57% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 57% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Anuradha Paudwal
Tume Hi Swarga Mora
147 bpm • G# Maj • 04:16 • -12.51db
9% Popularity • 46% Danceability • 40% Energy • 48% Liveness
41% Instrumentalness • 61% Positiveness
9% Popularity • 46% Danceability • 40% Energy • 48% Liveness
41% Instrumentalness • 61% Positiveness
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T.Shourie
Sheetalo Aji Jaluchi
148 bpm • E Maj • 04:33 • -3.84db
19% Popularity • 40% Danceability • 60% Energy • 59% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 40% Danceability • 60% Energy • 59% Liveness
0% Instrumentalness • 64% Positiveness
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Anjali Mishra
Saante Ho..
148 bpm • A min • 03:52 • -5.95db
8% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Sahab Singh Ramola
Sarule Sira Laai Bendi
146 bpm • G min • 06:47 • -6.49db
12% Popularity • 53% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 53% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 92% Positiveness
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Hari Om Sharan
Dhanya Awadh Saryusarit (Shlok), Hriday ...
149 bpm • G min • 07:07 • -10.43db
11% Popularity • 46% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 46% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Aravinda Dutta
Alo Mo Ganja Ku Tora Kukuda
149 bpm • G# Maj • 05:11 • -2.81db
0% Popularity • 65% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 65% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Sadhu Akshareshdas
Mane Pyari Lage Murti
145 bpm • B Maj • 05:19 • -9db
14% Popularity • 51% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 51% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Anuradha Paudwal
Aye Ri Main To Prem Diwani
148 bpm • F# min • 06:19 • -6.24db
14% Popularity • 56% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 56% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Brahma Kumaris
Antar man mein Jyoti jagalo
150 bpm • G# min • 04:14 • -11db
26% Popularity • 49% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 49% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Narendra Kumar
Re Baia Mana Michhe
150 bpm • C# Maj • 05:36 • -5.09db
21% Popularity • 59% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 59% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Abhijit Majumdar
Are Bodyku Body
150 bpm • F Maj • 04:19 • -0.89db
17% Popularity • 68% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 68% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Anusuya
Jhia Janaba
150 bpm • A# min • 06:51 • -12.5db
10% Popularity • 49% Danceability • 68% Energy • 28% Liveness
1% Instrumentalness • 79% Positiveness
10% Popularity • 49% Danceability • 68% Energy • 28% Liveness
1% Instrumentalness • 79% Positiveness
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Barun Mishra
Phulara Sahare Jadi Ghara Karibi
144 bpm • G# min • 06:41 • -8.88db
8% Popularity • 60% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 60% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Kumari Tina
Pabana Kahinki Bahuchi
150 bpm • D Maj • 04:59 • -5.44db
13% Popularity • 59% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 59% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Rajesh Rajnish
Lakhon Mein Ek Bahurani
150 bpm • G Maj • 04:05 • -3.98db
34% Popularity • 58% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 58% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Adarsh Shinde
Mhalsa Baanu Laaglyaat Bhandu
150 bpm • E Maj • 05:47 • -6.51db
3% Popularity • 67% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
3% Popularity • 67% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Humane Sagar
Mate Chhadi Jaana Aalo Mo Suna
150 bpm • A min • 04:56 • -4.89db
30% Popularity • 66% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 66% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Tijan Patel
Sanan Na Lage Re Gory-
144 bpm • E Maj • 05:23 • -4.31db
7% Popularity • 62% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 62% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
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Shalini Sharma
Shyam Stuti
144 bpm • G Maj • 04:17 • -4.01db
22% Popularity • 71% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 71% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Somnath
Hauchi Mu Chhta Pata
144 bpm • B min • 05:19 • -3.8db
19% Popularity • 66% Danceability • 97% Energy • 50% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 66% Danceability • 97% Energy • 50% Liveness
0% Instrumentalness • 64% Positiveness
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Anuj Sharma
Man Ke Kora Kagaj
144 bpm • F min • 05:13 • -7.32db
16% Popularity • 47% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 47% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Hari Bharwad
Ramne Samri Le
143 bpm • C# Maj • 07:42 • -6.55db
22% Popularity • 65% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 65% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Aravinda Dutta
Chamkucha Kain Jama
143 bpm • F# Maj • 05:20 • -7.57db
0% Popularity • 71% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 71% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Mohammed Aziz
To Gabhare Rajani Gandha
143 bpm • C min • 04:53 • -7.84db
9% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Ashok Bal
Sukhare Kaliaa
151 bpm • A# Maj • 04:29 • -5.94db
11% Popularity • 44% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 44% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Pankaj Mansi
Puchuki Puchuki
143 bpm • G min • 06:20 • -2.68db
23% Popularity • 67% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 67% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Satyajeet Pradhan
E Keun Sahara
152 bpm • C min • 06:28 • -5.2db
8% Popularity • 46% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 46% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Mohammad Aziz
Rajani Gandhara Basa
152 bpm • C min • 05:57 • -12.14db
10% Popularity • 54% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 54% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Subhas Das
Maa Tu
143 bpm • F Maj • 04:11 • -9.64db
10% Popularity • 57% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 57% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Babul Supriyo
A Ki Chhuan
152 bpm • C min • 04:02 • -4.9db
12% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Anupama
Tori Atariya Pe Aaj
152 bpm • G Maj • 05:33 • -12.22db
10% Popularity • 33% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 33% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Sulekha Basumatary
Mwjang Ja Gajri
152 bpm • G# min • 04:17 • -8.52db
14% Popularity • 55% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
14% Popularity • 55% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
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Sadhu Akhandkirtandas
Ap Vachanana Megh Malhare
152 bpm • G Maj • 06:39 • -5.08db
12% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Laxmi Narya Pandey
Bit Jaye Na Tor Umaria
152 bpm • F# min • 05:07 • -2.82db
25% Popularity • 56% Danceability • 82% Energy • 70% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 56% Danceability • 82% Energy • 70% Liveness
0% Instrumentalness • 77% Positiveness
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Praful Dave
Dhup Ne Dhumade
142 bpm • A Maj • 06:13 • -4.9db
10% Popularity • 37% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 95% Positiveness
10% Popularity • 37% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 95% Positiveness
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Manali Sankhala
Uvasaggaharam Stotra
142 bpm • E Maj • 08:28 • -7db
4% Popularity • 59% Danceability • 53% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 59% Danceability • 53% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Sonu Nigam
Rahija Tike Barsa Mo Priya Asuchi
142 bpm • B min • 06:04 • -4.69db
8% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Tapu Mishra
Maa Deithila Kajala Gara
152 bpm • A# min • 05:31 • -2.48db
8% Popularity • 38% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 38% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Arabinda Muduli
Drulabha Janma Re Thare
152 bpm • B Maj • 06:30 • -5.14db
13% Popularity • 48% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 48% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Arpita Choudhury
Tik Tiki Tik Tiki Huye Mo Chhati
152 bpm • F min • 03:39 • -5.44db
22% Popularity • 59% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 59% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Sibba
Michhei Jhia Hai Michhei Jhia
142 bpm • B min • 05:03 • -3.1db
29% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Sheikh Ameen
Diwana Tor Mar Jahi
142 bpm • D# Maj • 05:31 • -2.98db
27% Popularity • 58% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 58% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Old Sambalpuri
Cham Cham Tor Payal Bajuchhe
153 bpm • B min • 05:36 • -5.49db
14% Popularity • 38% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 38% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Mohammed Aziz
Badlenge Jab Din Inke
153 bpm • C Maj • 04:27 • -10.25db
7% Popularity • 43% Danceability • 65% Energy • 6% Liveness
55% Instrumentalness • 96% Positiveness
7% Popularity • 43% Danceability • 65% Energy • 6% Liveness
55% Instrumentalness • 96% Positiveness
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Aravinda Dutta
Sundari Bhari Sundari
141 bpm • G# Maj • 05:18 • -7.18db
0% Popularity • 84% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 84% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Prafulla Behera
Samia Helani
141 bpm • G min • 05:51 • -5.79db
11% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Asha Bhosle
O Raja
153 bpm • F min • 05:34 • -8.39db
13% Popularity • 58% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 58% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Barun Mishra
Dewana Dewana
141 bpm • B min • 04:54 • -10.92db
0% Popularity • 66% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 66% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Soumyashree Acharya
Suna Sabhajane Gauachhu Ramayana
153 bpm • G min • 05:46 • -2.18db
22% Popularity • 41% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 41% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Akshaya Mohanty
Chahin Thili Janibaku
141 bpm • F# min • 06:46 • -12.63db
8% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Adha Ratira Sathi new odia jatra song
Rama banabasa kahani sesa new odia jatra...
141 bpm • C# Maj • 03:39 • -3.18db
11% Popularity • 32% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 32% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Subas Das
Aete Dela Pare
154 bpm • E Maj • 04:47 • -4.2db
10% Popularity • 36% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 36% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Aravinda Dutta
Dina Bite Mora Khali
154 bpm • C# min • 06:08 • -5.98db
0% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Bhakta Raj Acharya
Mayalu Ma Timilai
140 bpm • D# min • 04:16 • -6.33db
8% Popularity • 36% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 36% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Bibhu Kishore
Lekhilu Jadi Naa Ti Mora
140 bpm • A min • 04:26 • -4.91db
15% Popularity • 75% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 75% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Ira Mohanty
Premaku Kalu Swikara
140 bpm • A# min • 05:02 • -2.68db
16% Popularity • 57% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 57% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Mohammed Aziz
Dhari Ranga Pichkari
140 bpm • F# min • 04:45 • -6.58db
9% Popularity • 44% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 44% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Suresh Wadkar
Sindoora Nauchi
155 bpm • F min • 05:45 • -8.69db
21% Popularity • 53% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 53% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Sonu Nigam
Bhole Shankar Ki Man Se Jo Pooja Karein
140 bpm • B min • 05:31 • -12.67db
8% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Anuradha Paudwal
Sahe Aatha Belapatra
155 bpm • F min • 05:20 • -12.39db
12% Popularity • 53% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 53% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Umakanta
Gala Aayela Bele
155 bpm • G# Maj • 06:44 • -7.8db
14% Popularity • 47% Danceability • 76% Energy • 50% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 47% Danceability • 76% Energy • 50% Liveness
0% Instrumentalness • 96% Positiveness
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Kumar Bapi
Sakha Hey
155 bpm • G# Maj • 07:01 • -5.51db
32% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Narendra Kumar
Mandira Kahuchi Siba
139 bpm • G Maj • 05:41 • -1.95db
16% Popularity • 60% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 60% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 76% Positiveness
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Brahma Kumaris
Manva Mora Milan Mei
139 bpm • F# min • 07:08 • -12.13db
22% Popularity • 50% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 50% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Narendra Chanchal
Prathana
139 bpm • D# min • 09:18 • -4.58db
28% Popularity • 46% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 46% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Tanisha Panda
Gora Ranga Mo Ne
139 bpm • F# min • 03:57 • -2.72db
22% Popularity • 46% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 46% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Aravinda Dutta
A Janha Kebethu Ratira
155 bpm • E min • 06:18 • -4.97db
0% Popularity • 51% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 51% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Namita Agrawal
Rupeli Nai Dhaara
156 bpm • C# Maj • 05:22 • -5.64db
12% Popularity • 58% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 58% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Rajkumar
JEEVA KOGILE INCHARA
139 bpm • A Maj • 05:12 • -7.8db
15% Popularity • 61% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 61% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Hemant Chauhan
Morli Vaji Mukhethi Morli
139 bpm • C# Maj • 01:54 • -9.14db
11% Popularity • 48% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 48% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Bappi Lahiri
Hare Krishna Hare Krishna
156 bpm • F# Maj • 07:15 • -8.26db
15% Popularity • 38% Danceability • 70% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 38% Danceability • 70% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
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Kumar Sanu
Ki Holo Ki Hobe
139 bpm • F min • 03:50 • -8.61db
25% Popularity • 72% Danceability • 80% Energy • 78% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 72% Danceability • 80% Energy • 78% Liveness
0% Instrumentalness • 89% Positiveness
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Anuradha Paudwal
Nenthi Nenthi
156 bpm • F# min • 05:44 • -13.29db
9% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Aravinda Dutta
Rati Jaye Sari Nisha
156 bpm • G min • 04:47 • -6.14db
0% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Krishna Beuraa
Lage Eka Eka(M)
156 bpm • F Maj • 05:24 • -4.06db
21% Popularity • 43% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 43% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Bhikari Bal
Jaga Kaliaa Re
156 bpm • F# Maj • 03:35 • -6.87db
15% Popularity • 55% Danceability • 66% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 55% Danceability • 66% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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Ira Mohanty
Kakata Pure Tu Maa Mangala ( From Maa Ma...
156 bpm • B min • 06:10 • -11.03db
18% Popularity • 46% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 46% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Brahma Kumaris
Man Veena Ke Taar Bole
138 bpm • F Maj • 04:40 • -10.46db
10% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Prabhupada Mohanty
Anya Eka Biswarupa
138 bpm • C min • 04:20 • -4.01db
12% Popularity • 67% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 67% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Anupama
Sun Lo Meri Sada Saibaba
157 bpm • A# Maj • 09:09 • -9.98db
11% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Roma Karmakar
Bonomali Go Poro Jonome Hoyo Radha
138 bpm • F min • 06:24 • -5.58db
8% Popularity • 34% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 34% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Shailendra Bharti
Hari Tara Chhe Hajar Naam
157 bpm • F Maj • 03:42 • -8.82db
19% Popularity • 79% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 79% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Rani Varma
Ya Chimanyanno
157 bpm • F# Maj • 02:25 • -13.6db
9% Popularity • 67% Danceability • 39% Energy • 26% Liveness
14% Instrumentalness • 89% Positiveness
9% Popularity • 67% Danceability • 39% Energy • 26% Liveness
14% Instrumentalness • 89% Positiveness
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Pankaj Jal
One Plus One Two
137 bpm • A Maj • 06:34 • -2.65db
7% Popularity • 53% Danceability • 98% Energy • 15% Liveness
1% Instrumentalness • 47% Positiveness
7% Popularity • 53% Danceability • 98% Energy • 15% Liveness
1% Instrumentalness • 47% Positiveness
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Ravindra Jain
Parvat Par Mata Mata
137 bpm • D Maj • 04:54 • -4.91db
13% Popularity • 66% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 66% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Arvind Dutta
Sapanara Ara Pari Gaan
157 bpm • G min • 05:25 • -9.29db
23% Popularity • 55% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 55% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Bhikhari Bala
Jagannatha Mahima Sahe Nahin Badima
159 bpm • C min • 04:36 • -5.61db
16% Popularity • 42% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 42% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Tanisha Panda
Kalia Heijiba Kaale Tikie Gora
159 bpm • E min • 03:36 • -2.98db
19% Popularity • 47% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 47% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
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Md. Aziz
Ketedina (M)
159 bpm • C# min • 04:44 • -4.32db
25% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Bhikari Bal
Kalia Doudi
159 bpm • C Maj • 05:20 • -11.18db
11% Popularity • 34% Danceability • 55% Energy • 30% Liveness
19% Instrumentalness • 67% Positiveness
11% Popularity • 34% Danceability • 55% Energy • 30% Liveness
19% Instrumentalness • 67% Positiveness
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Abhijeet
Na Barasaku
136 bpm • B min • 04:50 • -2.48db
13% Popularity • 62% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 62% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Udit Narayan
Jie Mote Athaya
136 bpm • A Maj • 04:38 • -2.88db
20% Popularity • 65% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 65% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Asha Bhosle
Nijer Dike Chaite Pare
159 bpm • D Maj • 04:44 • -5.63db
14% Popularity • 53% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 53% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
