Songs like Emocoes (Brazilian Theme) by Richard Clayderman
Based on a tempo of (+/- 10%) and a similar genre
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Orquesta Romántica de La Habana
Apache
131 bpm • A min • 03:08 • -15.4db
27% Popularity • 57% Danceability • 36% Energy • 14% Liveness
69% Instrumentalness • 77% Positiveness
27% Popularity • 57% Danceability • 36% Energy • 14% Liveness
69% Instrumentalness • 77% Positiveness
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Ronnie Aldrich and his 2 pianos
A Whiter Shade Of Pale
131 bpm • C Maj • 03:36 • -13db
35% Popularity • 44% Danceability • 28% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
35% Popularity • 44% Danceability • 28% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
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The Gino Marinello Orchestra
I Have a Dream
131 bpm • A# Maj • 02:30 • -16.82db
36% Popularity • 48% Danceability • 27% Energy • 13% Liveness
79% Instrumentalness • 54% Positiveness
36% Popularity • 48% Danceability • 27% Energy • 13% Liveness
79% Instrumentalness • 54% Positiveness
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Richard Clayderman
Smoke Gets In Your Eyes
131 bpm • D# Maj • 02:37 • -12.84db
16% Popularity • 42% Danceability • 34% Energy • 9% Liveness
51% Instrumentalness • 22% Positiveness
16% Popularity • 42% Danceability • 34% Energy • 9% Liveness
51% Instrumentalness • 22% Positiveness
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Sergio Ortiz
Aquellos Ojos Verdes
131 bpm • C Maj • 02:16 • -10db
47% Popularity • 30% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 34% Positiveness
47% Popularity • 30% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 34% Positiveness
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Roger Williams
Tchaikovsky Piano Concerto #1
131 bpm • F Maj • 02:58 • -12.79db
31% Popularity • 40% Danceability • 16% Energy • 18% Liveness
30% Instrumentalness • 22% Positiveness
31% Popularity • 40% Danceability • 16% Energy • 18% Liveness
30% Instrumentalness • 22% Positiveness
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Richard Mayner
Historia de un Amor
132 bpm • A min • 03:06 • -20db
36% Popularity • 68% Danceability • 13% Energy • 23% Liveness
67% Instrumentalness • 15% Positiveness
36% Popularity • 68% Danceability • 13% Energy • 23% Liveness
67% Instrumentalness • 15% Positiveness
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Romero Iglesias
El Guardaespaldas - I Will Always Love Y...
130 bpm • E Maj • 04:23 • -14db
30% Popularity • 55% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 26% Positiveness
30% Popularity • 55% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 26% Positiveness
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Glen Lucas
Say You, Say Me
130 bpm • G# Maj • 03:57 • -13db
38% Popularity • 58% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
38% Popularity • 58% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Richard Clayderman
Autumn Leaves
132 bpm • E min • 02:47 • -13.62db
46% Popularity • 33% Danceability • 25% Energy • 10% Liveness
59% Instrumentalness • 9% Positiveness
46% Popularity • 33% Danceability • 25% Energy • 10% Liveness
59% Instrumentalness • 9% Positiveness
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Sergio Ortiz
Sueño Imposible
132 bpm • C Maj • 02:30 • -19db
52% Popularity • 30% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
52% Popularity • 30% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Pop Strings Orchestra
Balada para Adelina
132 bpm • C Maj • 03:34 • -5.97db
27% Popularity • 55% Danceability • 60% Energy • 22% Liveness
81% Instrumentalness • 31% Positiveness
27% Popularity • 55% Danceability • 60% Energy • 22% Liveness
81% Instrumentalness • 31% Positiveness
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Richard Mayner
Las Hojas Muertas
130 bpm • E min • 02:46 • -18db
25% Popularity • 39% Danceability • 14% Energy • 29% Liveness
42% Instrumentalness • 27% Positiveness
25% Popularity • 39% Danceability • 14% Energy • 29% Liveness
42% Instrumentalness • 27% Positiveness
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Pierre Charlon
Plaisir D'amour
130 bpm • F Maj • 02:47 • -13.64db
45% Popularity • 66% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
45% Popularity • 66% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
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Ronnie Aldrich
I've Never Been to Me
133 bpm • C Maj • 03:43 • -16.57db
25% Popularity • 52% Danceability • 19% Energy • 18% Liveness
82% Instrumentalness • 22% Positiveness
25% Popularity • 52% Danceability • 19% Energy • 18% Liveness
82% Instrumentalness • 22% Positiveness
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Richard Clayderman
We've Only Just Begun
132 bpm • A# Maj • 04:02 • -16.07db
15% Popularity • 45% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 21% Positiveness
15% Popularity • 45% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 21% Positiveness
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Adrian Perticone
La Última Noche
129 bpm • G Maj • 02:58 • -15db
41% Popularity • 75% Danceability • 49% Energy • 15% Liveness
74% Instrumentalness • 83% Positiveness
41% Popularity • 75% Danceability • 49% Energy • 15% Liveness
74% Instrumentalness • 83% Positiveness
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Franco Legrand & His Magic Piano
Placer de Amor
129 bpm • F Maj • 02:45 • -8db
20% Popularity • 67% Danceability • 26% Energy • 12% Liveness
70% Instrumentalness • 27% Positiveness
20% Popularity • 67% Danceability • 26% Energy • 12% Liveness
70% Instrumentalness • 27% Positiveness
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Zantalino and his Orchestra
Your Song
134 bpm • E Maj • 03:50 • -13db
23% Popularity • 51% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
23% Popularity • 51% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Giovanni Vivanco
I Will Always Love You
134 bpm • A Maj • 04:11 • -17db
45% Popularity • 67% Danceability • 24% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
45% Popularity • 67% Danceability • 24% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Richard Mayner
Carta a Mi Madre
134 bpm • G min • 02:43 • -15.21db
36% Popularity • 59% Danceability • 25% Energy • 11% Liveness
34% Instrumentalness • 24% Positiveness
36% Popularity • 59% Danceability • 25% Energy • 11% Liveness
34% Instrumentalness • 24% Positiveness
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Discovey Light Orchestra
Bilits
134 bpm • G Maj • 03:24 • -12db
49% Popularity • 55% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 44% Positiveness
49% Popularity • 55% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 44% Positiveness
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BenjamÃn Rojas
Sin Miedo a Nada
128 bpm • C min • 04:46 • -11.25db
31% Popularity • 58% Danceability • 38% Energy • 17% Liveness
93% Instrumentalness • 4% Positiveness
31% Popularity • 58% Danceability • 38% Energy • 17% Liveness
93% Instrumentalness • 4% Positiveness
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Franco Legrand & His Magic Piano
Triste Corazón
128 bpm • E Maj • 02:50 • -9db
25% Popularity • 60% Danceability • 50% Energy • 24% Liveness
95% Instrumentalness • 39% Positiveness
25% Popularity • 60% Danceability • 50% Energy • 24% Liveness
95% Instrumentalness • 39% Positiveness
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Birmingham Light Orchestra
There's a Kind of Hush
128 bpm • D Maj • 03:08 • -12.1db
39% Popularity • 66% Danceability • 56% Energy • 8% Liveness
92% Instrumentalness • 67% Positiveness
39% Popularity • 66% Danceability • 56% Energy • 8% Liveness
92% Instrumentalness • 67% Positiveness
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Richard Clayderman
(Everything I Do) I Do It For You
134 bpm • C Maj • 04:06 • -15.85db
14% Popularity • 59% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
14% Popularity • 59% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Rafael Alejandro
Tema de Nadia
134 bpm • F# min • 03:10 • -9.45db
46% Popularity • 48% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
46% Popularity • 48% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Discovey Light Orchestra
Abrázame
134 bpm • C min • 03:49 • -15db
39% Popularity • 55% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
39% Popularity • 55% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Chemayne
Ballad for Adeline
128 bpm • C Maj • 03:35 • -20db
37% Popularity • 34% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
37% Popularity • 34% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Franco Legrand & His Magic Piano
El Pastor Solitario
134 bpm • D# min • 04:13 • -11.9db
19% Popularity • 26% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
19% Popularity • 26% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Jimmy De León
Somos Novios
134 bpm • D min • 03:27 • -13db
47% Popularity • 82% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
47% Popularity • 82% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
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Richard Clayderman
Unchained Melody
134 bpm • G Maj • 03:06 • -16.12db
25% Popularity • 37% Danceability • 27% Energy • 12% Liveness
15% Instrumentalness • 9% Positiveness
25% Popularity • 37% Danceability • 27% Energy • 12% Liveness
15% Instrumentalness • 9% Positiveness
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Lola & Hauser
Nocturno
128 bpm • A# Maj • 03:32 • -17.11db
44% Popularity • 31% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
44% Popularity • 31% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
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Henri Seroka
Easy Go
134 bpm • D Maj • 03:02 • -18db
52% Popularity • 30% Danceability • 13% Energy • 14% Liveness
82% Instrumentalness • 17% Positiveness
52% Popularity • 30% Danceability • 13% Energy • 14% Liveness
82% Instrumentalness • 17% Positiveness
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Percy Faith
Love Theme from the Godfather
135 bpm • D# min • 03:26 • -11.45db
29% Popularity • 23% Danceability • 42% Energy • 7% Liveness
30% Instrumentalness • 14% Positiveness
29% Popularity • 23% Danceability • 42% Energy • 7% Liveness
30% Instrumentalness • 14% Positiveness
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Franco Legrand & His Magic Piano
Cajita Musical
128 bpm • C# Maj • 03:17 • -10db
36% Popularity • 53% Danceability • 59% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
36% Popularity • 53% Danceability • 59% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
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Giovanni Vivanco
La Vida Sin Ti
135 bpm • D min • 04:23 • -11.57db
40% Popularity • 60% Danceability • 53% Energy • 30% Liveness
5% Instrumentalness • 15% Positiveness
40% Popularity • 60% Danceability • 53% Energy • 30% Liveness
5% Instrumentalness • 15% Positiveness
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Richard Clayderman
Eléana (Piano Solo)
134 bpm • F min • 03:39 • -19.69db
5% Popularity • 33% Danceability • 20% Energy • 13% Liveness
96% Instrumentalness • 24% Positiveness
5% Popularity • 33% Danceability • 20% Energy • 13% Liveness
96% Instrumentalness • 24% Positiveness
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Johnny Pearson Y Su Orquesta
Ata una cinta amarilla al viejo roble
135 bpm • C Maj • 03:30 • -15db
40% Popularity • 56% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
40% Popularity • 56% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
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Marco Vinicio
Pastor Solitario (Panpipe version)
127 bpm • E min • 04:20 • -6.56db
39% Popularity • 27% Danceability • 58% Energy • 28% Liveness
33% Instrumentalness • 11% Positiveness
39% Popularity • 27% Danceability • 58% Energy • 28% Liveness
33% Instrumentalness • 11% Positiveness
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Pepito Ros e A.M.P.
Body Guard
136 bpm • E Maj • 03:48 • -12db
28% Popularity • 37% Danceability • 26% Energy • 15% Liveness
28% Instrumentalness • 16% Positiveness
28% Popularity • 37% Danceability • 26% Energy • 15% Liveness
28% Instrumentalness • 16% Positiveness
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Zantalino and his Orchestra
Tender Love
136 bpm • D# Maj • 02:55 • -13db
28% Popularity • 23% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 17% Positiveness
28% Popularity • 23% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 17% Positiveness
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Giovanni Vivanco
Si Tu Te Vas
135 bpm • B Maj • 04:30 • -11.47db
40% Popularity • 66% Danceability • 41% Energy • 28% Liveness
39% Instrumentalness • 13% Positiveness
40% Popularity • 66% Danceability • 41% Energy • 28% Liveness
39% Instrumentalness • 13% Positiveness
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Richard Clayderman
Lettre à ma Mère
135 bpm • F min • 02:44 • -13.38db
50% Popularity • 46% Danceability • 21% Energy • 12% Liveness
70% Instrumentalness • 15% Positiveness
50% Popularity • 46% Danceability • 21% Energy • 12% Liveness
70% Instrumentalness • 15% Positiveness
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Henry Dubois
Balada para Adelina
136 bpm • C Maj • 02:41 • -13.7db
50% Popularity • 55% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
50% Popularity • 55% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
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Rahul Sharma
Forbidden Dreams - Instrumental
136 bpm • C Maj • 07:02 • -13.1db
12% Popularity • 67% Danceability • 97% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
12% Popularity • 67% Danceability • 97% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
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Discovey Light Orchestra
El Amor
126 bpm • B min • 03:10 • -15.49db
27% Popularity • 57% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
27% Popularity • 57% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Ronnie Aldrich
Always on My Mind
137 bpm • D Maj • 04:04 • -13db
20% Popularity • 31% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
20% Popularity • 31% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
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Pierre Charlon
Noelle's Theme
126 bpm • D# Maj • 03:40 • -12.5db
32% Popularity • 29% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
32% Popularity • 29% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Richard Clayderman
Do You Know Where You're Going To ? - Th...
135 bpm • C min • 03:33 • -13.62db
10% Popularity • 38% Danceability • 28% Energy • 17% Liveness
6% Instrumentalness • 9% Positiveness
10% Popularity • 38% Danceability • 28% Energy • 17% Liveness
6% Instrumentalness • 9% Positiveness
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Henry Dubois
Historia de amor
137 bpm • A min • 03:02 • -12.15db
51% Popularity • 43% Danceability • 42% Energy • 9% Liveness
97% Instrumentalness • 15% Positiveness
51% Popularity • 43% Danceability • 42% Energy • 9% Liveness
97% Instrumentalness • 15% Positiveness
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Alfred Hause
Sonate Nr. 15 C-Dur KV 545
125 bpm • C Maj • 03:27 • -12db
34% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
34% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
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Roger Williams
Nadia's Theme - Re-Recorded In Stereo
137 bpm • F# min • 03:35 • -17db
26% Popularity • 21% Danceability • 24% Energy • 11% Liveness
22% Instrumentalness • 12% Positiveness
26% Popularity • 21% Danceability • 24% Energy • 11% Liveness
22% Instrumentalness • 12% Positiveness
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Ronald Valentino
Amor de Verdad
125 bpm • D min • 03:13 • -9.66db
34% Popularity • 72% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 67% Positiveness
34% Popularity • 72% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 67% Positiveness
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Pierre Charlon
Balada Para Adelina
137 bpm • C Maj • 02:40 • -9.41db
54% Popularity • 36% Danceability • 40% Energy • 13% Liveness
37% Instrumentalness • 39% Positiveness
54% Popularity • 36% Danceability • 40% Energy • 13% Liveness
37% Instrumentalness • 39% Positiveness
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Richard Mayner
El Mar
137 bpm • G Maj • 03:13 • -20.33db
27% Popularity • 56% Danceability • 21% Energy • 16% Liveness
60% Instrumentalness • 51% Positiveness
27% Popularity • 56% Danceability • 21% Energy • 16% Liveness
60% Instrumentalness • 51% Positiveness
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Richard Clayderman
From This Moment
136 bpm • D Maj • 03:51 • -13.82db
43% Popularity • 64% Danceability • 29% Energy • 7% Liveness
78% Instrumentalness • 10% Positiveness
43% Popularity • 64% Danceability • 29% Energy • 7% Liveness
78% Instrumentalness • 10% Positiveness
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The Gino Marinello Orchestra
Just the Way You Are
125 bpm • D Maj • 04:39 • -12.96db
16% Popularity • 54% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 37% Positiveness
16% Popularity • 54% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 37% Positiveness
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Sergio Ortiz
Por una Cabeza
138 bpm • D min • 01:47 • -13.07db
51% Popularity • 25% Danceability • 30% Energy • 31% Liveness
93% Instrumentalness • 36% Positiveness
51% Popularity • 25% Danceability • 30% Energy • 31% Liveness
93% Instrumentalness • 36% Positiveness
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Orquesta Romántica de La Habana
Balada Para Adelina
137 bpm • C Maj • 02:39 • -14db
39% Popularity • 34% Danceability • 33% Energy • 6% Liveness
27% Instrumentalness • 44% Positiveness
39% Popularity • 34% Danceability • 33% Energy • 6% Liveness
27% Instrumentalness • 44% Positiveness
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Pierre Charlon
Nadia's Theme
137 bpm • E Maj • 03:01 • -14.53db
35% Popularity • 29% Danceability • 27% Energy • 8% Liveness
43% Instrumentalness • 6% Positiveness
35% Popularity • 29% Danceability • 27% Energy • 8% Liveness
43% Instrumentalness • 6% Positiveness
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Golden Strings Orchestra
Aria En Re
124 bpm • D Maj • 03:13 • -16.92db
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Richard Clayderman
I Will Always Love You
136 bpm • E Maj • 04:10 • -13.85db
21% Popularity • 54% Danceability • 28% Energy • 12% Liveness
75% Instrumentalness • 9% Positiveness
21% Popularity • 54% Danceability • 28% Energy • 12% Liveness
75% Instrumentalness • 9% Positiveness
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Richard Mayner
Romeo y Julieta
138 bpm • C min • 02:20 • -20db
38% Popularity • 62% Danceability • 12% Energy • 10% Liveness
39% Instrumentalness • 42% Positiveness
38% Popularity • 62% Danceability • 12% Energy • 10% Liveness
39% Instrumentalness • 42% Positiveness
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Luis Siu Riveron
Siboney - Instrumental
124 bpm • C Maj • 02:17 • -13db
42% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
42% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
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Jorge Espinoza Y Su Violin
Que Sera
124 bpm • C Maj • 03:45 • -12.22db
36% Popularity • 46% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
36% Popularity • 46% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
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Pierre Charlon
A Como Amor
138 bpm • A# min • 03:13 • -12.66db
46% Popularity • 41% Danceability • 34% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
46% Popularity • 41% Danceability • 34% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
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Francis Pourcel Orchestra
El Solitario
124 bpm • D min • 04:23 • -14.11db
24% Popularity • 32% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
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Richard Clayderman
Hello
125 bpm • A min • 03:09 • -17.23db
13% Popularity • 50% Danceability • 21% Energy • 13% Liveness
81% Instrumentalness • 10% Positiveness
13% Popularity • 50% Danceability • 21% Energy • 13% Liveness
81% Instrumentalness • 10% Positiveness
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Johnny Pearson Y Su Orquesta
Concierto de Aranjuez
139 bpm • B min • 04:40 • -11db
31% Popularity • 28% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
31% Popularity • 28% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Henry Dubois
Romeo y Julieta
139 bpm • G# Maj • 02:20 • -12.22db
54% Popularity • 66% Danceability • 17% Energy • 16% Liveness
50% Instrumentalness • 27% Positiveness
54% Popularity • 66% Danceability • 17% Energy • 16% Liveness
50% Instrumentalness • 27% Positiveness
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Ronnie Aldrich
California Dreamin'
123 bpm • A min • 02:40 • -13db
33% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
33% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
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BenjamÃn Rojas
Por Ti Volaré
139 bpm • G Maj • 03:57 • -14db
29% Popularity • 24% Danceability • 14% Energy • 28% Liveness
88% Instrumentalness • 11% Positiveness
29% Popularity • 24% Danceability • 14% Energy • 28% Liveness
88% Instrumentalness • 11% Positiveness
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Franco Legrand & His Magic Piano
"A" Como en Amor
139 bpm • A# min • 03:09 • -8db
35% Popularity • 51% Danceability • 45% Energy • 13% Liveness
97% Instrumentalness • 11% Positiveness
35% Popularity • 51% Danceability • 45% Energy • 13% Liveness
97% Instrumentalness • 11% Positiveness
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Richard Clayderman
Love Story - Theme from "Love Story"
137 bpm • A min • 03:02 • -14.32db
28% Popularity • 35% Danceability • 30% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
28% Popularity • 35% Danceability • 30% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
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Danny Wright
Forrest Gump Suite
140 bpm • G Maj • 02:40 • -16.92db
43% Popularity • 34% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
43% Popularity • 34% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Jacarmony
Every Day
140 bpm • D# Maj • 01:28 • -11.7db
18% Popularity • 74% Danceability • 28% Energy • 16% Liveness
90% Instrumentalness • 52% Positiveness
18% Popularity • 74% Danceability • 28% Energy • 16% Liveness
90% Instrumentalness • 52% Positiveness
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Orquesta Romanticos de La Habana
Amore Grande Amore Libero
123 bpm • F Maj • 03:36 • -13.94db
42% Popularity • 42% Danceability • 24% Energy • 15% Liveness
13% Instrumentalness • 11% Positiveness
42% Popularity • 42% Danceability • 24% Energy • 15% Liveness
13% Instrumentalness • 11% Positiveness
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Giovanni Vivanco
Contigo en la Distancia
140 bpm • G Maj • 03:40 • -18.2db
45% Popularity • 70% Danceability • 23% Energy • 27% Liveness
89% Instrumentalness • 13% Positiveness
45% Popularity • 70% Danceability • 23% Energy • 27% Liveness
89% Instrumentalness • 13% Positiveness
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Discovey Light Orchestra
A Mi Manera
140 bpm • F Maj • 02:56 • -13db
51% Popularity • 40% Danceability • 38% Energy • 15% Liveness
97% Instrumentalness • 23% Positiveness
51% Popularity • 40% Danceability • 38% Energy • 15% Liveness
97% Instrumentalness • 23% Positiveness
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Richard Clayderman
La Mer
137 bpm • G Maj • 03:16 • -14.4db
21% Popularity • 49% Danceability • 31% Energy • 11% Liveness
57% Instrumentalness • 32% Positiveness
21% Popularity • 49% Danceability • 31% Energy • 11% Liveness
57% Instrumentalness • 32% Positiveness
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Yanni
Reflections of Passion
140 bpm • D Maj • 04:32 • -17db
46% Popularity • 43% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
46% Popularity • 43% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Johnny Pearson Y Su Orquesta
La manana ha roto
140 bpm • C Maj • 03:10 • -12db
29% Popularity • 43% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Pop Strings Orchestra
El Padrino
141 bpm • F min • 03:08 • -9db
34% Popularity • 61% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
34% Popularity • 61% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
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Ronald Valentino
Marcha Turca
122 bpm • A min • 02:35 • -6db
46% Popularity • 65% Danceability • 69% Energy • 23% Liveness
77% Instrumentalness • 97% Positiveness
46% Popularity • 65% Danceability • 69% Energy • 23% Liveness
77% Instrumentalness • 97% Positiveness
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Orquesta Romántica de La Habana
La Cancion de Annie
122 bpm • D Maj • 03:36 • -15.9db
25% Popularity • 31% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 44% Positiveness
25% Popularity • 31% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 44% Positiveness
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Richard Clayderman
Romeo and Julia
138 bpm • G# Maj • 02:22 • -16.2db
55% Popularity • 54% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
55% Popularity • 54% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
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Saxo
Emmanuelle
122 bpm • C min • 02:59 • -18db
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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Henry Salomon y su Orquesta
Emmanuelle - De "Emmanuelle"
121 bpm • C min • 03:02 • -14db
52% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
52% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
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Zantalino and his Orchestra
Love Is Blue
121 bpm • G# Maj • 03:22 • -15.46db
26% Popularity • 48% Danceability • 40% Energy • 13% Liveness
28% Instrumentalness • 45% Positiveness
26% Popularity • 48% Danceability • 40% Energy • 13% Liveness
28% Instrumentalness • 45% Positiveness
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Jorge Espinoza Y Su Violin
2 Mov. Concierto De Mozart N. 21 Frag
142 bpm • F Maj • 03:40 • -8.19db
40% Popularity • 15% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
40% Popularity • 15% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Orquesta Romántica de La Habana
Emmanuelle
122 bpm • C min • 03:03 • -20.32db
46% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
46% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Richard Clayderman
The Way We Were
142 bpm • A Maj • 02:47 • -14.23db
17% Popularity • 45% Danceability • 31% Energy • 10% Liveness
48% Instrumentalness • 22% Positiveness
17% Popularity • 45% Danceability • 31% Energy • 10% Liveness
48% Instrumentalness • 22% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Volare
121 bpm • C Maj • 03:04 • -12.12db
41% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
41% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
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Zariz
La Mañana Ha Llegado
121 bpm • C Maj • 03:29 • -12.08db
19% Popularity • 58% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 36% Positiveness
19% Popularity • 58% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 36% Positiveness
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Percy Faith
The Song from Moulin Rouge (Alternate Ta...
142 bpm • G Maj • 03:50 • -15.98db
40% Popularity • 17% Danceability • 26% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 26% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
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The Gino Marinello Orchestra
The Most Beautiful Girl
121 bpm • G Maj • 02:40 • -12.68db
21% Popularity • 73% Danceability • 36% Energy • 14% Liveness
60% Instrumentalness • 49% Positiveness
21% Popularity • 73% Danceability • 36% Energy • 14% Liveness
60% Instrumentalness • 49% Positiveness
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Ray Conniff
Bésame Mucho
121 bpm • D min • 02:36 • -14db
57% Popularity • 64% Danceability • 31% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
57% Popularity • 64% Danceability • 31% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
