Songs like Empty Bed Blues by Maria Muldaur
Based on a tempo of (+/- 10%) and a similar genre
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Jackson Browne
Jamaica Say You Will - Remastered
73 bpm • E Maj • 03:25 • -10.36db
41% Popularity • 57% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 57% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Dillard & Clark
Don't Let Me Down
74 bpm • B Maj • 03:52 • -13db
44% Popularity • 54% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 63% Positiveness
44% Popularity • 54% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 63% Positiveness
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Keith
98.6
75 bpm • G Maj • 03:07 • -10.29db
37% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Rickie Lee Jones
Mack the Knife
75 bpm • F Maj • 03:19 • -9.28db
1% Popularity • 62% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
1% Popularity • 62% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Garland Jeffreys
New York Skyline
71 bpm • A Maj • 03:31 • -11.79db
10% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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k.d. lang
Smoke Rings
71 bpm • G# Maj • 03:36 • -13.15db
17% Popularity • 48% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 48% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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David Essex
Rock On
75 bpm • B Maj • 03:24 • -14db
51% Popularity • 68% Danceability • 29% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
51% Popularity • 68% Danceability • 29% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Simon
Something so Right
75 bpm • F Maj • 04:36 • -15.1db
38% Popularity • 60% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
38% Popularity • 60% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Brook Benton
Rainy Night in Georgia
75 bpm • E min • 03:53 • -19db
50% Popularity • 30% Danceability • 31% Energy • 13% Liveness
8% Instrumentalness • 38% Positiveness
50% Popularity • 30% Danceability • 31% Energy • 13% Liveness
8% Instrumentalness • 38% Positiveness
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Lee Dorsey
Ya Ya
70 bpm • F Maj • 02:26 • -10.11db
36% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Simon & Garfunkel
The 59th Street Bridge Song (Feelin' Gro...
76 bpm • C min • 01:43 • -13.27db
63% Popularity • 47% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 47% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Eilen Jewell
Crazy Mixed Up World
76 bpm • A# min • 02:28 • -10.58db
40% Popularity • 80% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
40% Popularity • 80% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Maria Muldaur
Loan Me Your Husband
76 bpm • D# Maj • 04:11 • -9.19db
7% Popularity • 56% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 56% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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k.d. lang
Black Coffee
69 bpm • C Maj • 03:20 • -12.86db
25% Popularity • 41% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 41% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Spanky & Our Gang
Like To Get To Know You
77 bpm • D min • 02:14 • -11.19db
25% Popularity • 40% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 40% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Daryl Hall & John Oates
She's Gone
77 bpm • E Maj • 05:13 • -14.03db
65% Popularity • 52% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 52% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
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Lou Johnson
There's Always Something There to Remind...
78 bpm • A# Maj • 03:13 • -8db
35% Popularity • 56% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 56% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Irma Thomas
I Need Your Love So Bad
78 bpm • C Maj • 03:16 • -16db
40% Popularity • 56% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 56% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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Maria Muldaur
Trombone Man Blues
77 bpm • D# Maj • 03:27 • -8.64db
7% Popularity • 49% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 31% Positiveness
7% Popularity • 49% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 31% Positiveness
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Lowell George
I Can't Stand the Rain
78 bpm • D# Maj • 03:21 • -13db
30% Popularity • 62% Danceability • 41% Energy • 6% Liveness
3% Instrumentalness • 83% Positiveness
30% Popularity • 62% Danceability • 41% Energy • 6% Liveness
3% Instrumentalness • 83% Positiveness
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Sugar Pie DeSanto
Slip-In Mules
79 bpm • B Maj • 02:47 • -8.66db
43% Popularity • 81% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 81% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Neil Diamond
Solitary Man
79 bpm • E min • 02:33 • -5.83db
53% Popularity • 59% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
53% Popularity • 59% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Michael Franks
Monkey See-Monkey Do
79 bpm • A Maj • 03:35 • -14db
38% Popularity • 66% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 66% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Bruce Cockburn
Wondering Where The Lions Are
79 bpm • E Maj • 03:43 • -16.9db
48% Popularity • 69% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 69% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Maria Muldaur
Long Hard Climb
68 bpm • C Maj • 03:03 • -15.62db
21% Popularity • 54% Danceability • 27% Energy • 6% Liveness
1% Instrumentalness • 23% Positiveness
21% Popularity • 54% Danceability • 27% Energy • 6% Liveness
1% Instrumentalness • 23% Positiveness
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Helen Reddy
Angie Baby
80 bpm • G min • 03:30 • -12.63db
42% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Steely Dan
Any Major Dude Will Tell You
80 bpm • D Maj • 03:07 • -15.25db
58% Popularity • 68% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 68% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Mose Allison
Everybody Cryin' Mercy
66 bpm • F min • 02:42 • -17.77db
12% Popularity • 80% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 80% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Fats Domino
Walking To New Orleans
81 bpm • C# Maj • 01:58 • -14.34db
52% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Stevie Wonder
He's Misstra Know-It-All
81 bpm • F# Maj • 05:35 • -10.04db
45% Popularity • 57% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 57% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Impressions
Fool for You
81 bpm • D# min • 02:52 • -8db
38% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
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Marvin Gaye
Ain't That Peculiar - Single Version
81 bpm • A Maj • 02:59 • -9db
42% Popularity • 56% Danceability • 78% Energy • 62% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 56% Danceability • 78% Energy • 62% Liveness
0% Instrumentalness • 83% Positiveness
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Clarence Carter
Patches
81 bpm • E Maj • 03:13 • -12.84db
45% Popularity • 64% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 64% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 79% Positiveness
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Maria Muldaur
Don't You Feel My Leg
81 bpm • G Maj • 03:59 • -7db
16% Popularity • 41% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 41% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Stephen Stills
Johnny's Garden
81 bpm • G Maj • 02:45 • -12.38db
36% Popularity • 53% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 53% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Tommy Tucker
Hi-Heel Sneakers
81 bpm • F Maj • 02:48 • -8db
40% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Robbie Robertson
Somewhere Down The Crazy River
82 bpm • F min • 04:55 • -17.76db
49% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Impressions
It's All Right - Single Version
82 bpm • C# Maj • 02:47 • -15db
48% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Wilson Pickett
Hey Jude
82 bpm • F# Maj • 04:07 • -15.33db
49% Popularity • 56% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Joni Mitchell
Help Me
82 bpm • A min • 03:24 • -10.04db
52% Popularity • 58% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 58% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Nicolette Larson
You Send Me
82 bpm • A min • 03:56 • -17db
33% Popularity • 56% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 56% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Maria Muldaur
Me And My Chauffeur Blues
82 bpm • F# Maj • 03:15 • -6.13db
9% Popularity • 80% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 80% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Poco
Crazy Love
82 bpm • D# Maj • 02:56 • -19.38db
57% Popularity • 42% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 42% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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The Byrds
Lay Lady Lay - Alternative Version
82 bpm • C Maj • 03:17 • -9.27db
44% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Crosby, Stills & Nash
You Don't Have to Cry - 2005 Remaster
83 bpm • G Maj • 02:42 • -14.49db
50% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Michael Martin Murphey
Wildfire
84 bpm • E Maj • 04:48 • -15.5db
41% Popularity • 44% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 44% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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O.C. Smith
Little Green Apples
84 bpm • F# Maj • 04:00 • -15.53db
29% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Maria Muldaur
My Tennessee Mountain Home
82 bpm • C Maj • 03:31 • -7.14db
19% Popularity • 52% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 52% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Bread
Make It with You
84 bpm • E Maj • 03:12 • -11.14db
71% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
71% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Herb Alpert
This Guy's in Love with You
84 bpm • C# Maj • 03:57 • -15db
52% Popularity • 64% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
52% Popularity • 64% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Little Richard
I Don't Know What You Got
85 bpm • D# Maj • 04:46 • -5.84db
30% Popularity • 53% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 53% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Danny O'Keefe
Good Time Charlie's Got the Blues
85 bpm • G Maj • 03:00 • -13db
42% Popularity • 55% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
42% Popularity • 55% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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Crystal Gayle
Don't It Make My Brown Eyes Blue
85 bpm • F# Maj • 02:37 • -13.47db
65% Popularity • 74% Danceability • 32% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
65% Popularity • 74% Danceability • 32% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
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Maria Muldaur
I Belong To The Band
83 bpm • B Maj • 04:18 • -7.34db
1% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
1% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Mitch Woods
Empty Bed Blues
85 bpm • G Maj • 04:53 • -7.7db
3% Popularity • 43% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
3% Popularity • 43% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Dave Mason
We Just Disagree
86 bpm • E Maj • 03:00 • -8.47db
54% Popularity • 62% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 62% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Leon & Mary Russell
Rainbow in Your Eyes
87 bpm • G Maj • 04:12 • -8.09db
17% Popularity • 28% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 28% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Jim Kweskin
Chevrolet
88 bpm • G Maj • 03:55 • -14.15db
4% Popularity • 73% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
4% Popularity • 73% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Atlanta Rhythm Section
So Into You
86 bpm • F min • 04:20 • -13.48db
61% Popularity • 62% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
61% Popularity • 62% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
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Maria Muldaur
Don't You Make Me High - Don't You Feel ...
86 bpm • A# Maj • 02:48 • -11db
18% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jesse Winchester
Rhumba Man
88 bpm • D Maj • 03:32 • -9.42db
13% Popularity • 70% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 70% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Eric Bibb
Gotta Serve Somebody
89 bpm • D min • 05:32 • -12.31db
17% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Seals and Crofts
Summer Breeze
89 bpm • F Maj • 03:25 • -6.57db
68% Popularity • 49% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
68% Popularity • 49% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
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Jim Kweskin
I'm A Woman
88 bpm • G min • 03:55 • -13.62db
3% Popularity • 57% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
3% Popularity • 57% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Lena Horne
Rocky Raccoon
89 bpm • D Maj • 03:30 • -11.85db
14% Popularity • 71% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 71% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Maria Muldaur
I'm Goin' Back Home
87 bpm • A# min • 02:58 • -8.55db
3% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Danny O'Keefe
Good Time Charlie's Got the Blues
90 bpm • G Maj • 02:43 • -10.04db
35% Popularity • 51% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 51% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Doobie Brothers
Toulouse Street
90 bpm • G Maj • 03:20 • -14db
47% Popularity • 51% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 51% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Three Dog Night
Easy To Be Hard - Single Version
90 bpm • E min • 03:12 • -9db
39% Popularity • 32% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 32% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Melissa Manchester
Midnight Blue
90 bpm • C Maj • 03:55 • -12.15db
43% Popularity • 45% Danceability • 38% Energy • 6% Liveness
43% Instrumentalness • 32% Positiveness
43% Popularity • 45% Danceability • 38% Energy • 6% Liveness
43% Instrumentalness • 32% Positiveness
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Melanie
Lay Down (Candles in the Rain)
92 bpm • G Maj • 07:41 • -4.87db
17% Popularity • 31% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 31% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Maria Muldaur
I Never Did Sing You a Love Song
88 bpm • A Maj • 02:49 • -17.37db
13% Popularity • 38% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 38% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Ruby And The Romantics
Our Day Will Come
92 bpm • G# Maj • 02:34 • -7.72db
43% Popularity • 54% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 54% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Rickie Lee Jones
The Moon Is Made of Gold
92 bpm • E min • 03:00 • -16.3db
55% Popularity • 65% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 65% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Eric Bibb
Don't Ever Let Nobody Drag Your Spirit D...
93 bpm • C# min • 03:24 • -10.97db
46% Popularity • 82% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 82% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Seals and Crofts
Hummingbird
93 bpm • D min • 04:33 • -10db
43% Popularity • 40% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 40% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Nicolette Larson
Rhumba Girl
93 bpm • A# Maj • 03:52 • -14db
24% Popularity • 82% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 82% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Maria Muldaur
Cajun Moon
89 bpm • A min • 02:55 • -21.66db
1% Popularity • 65% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 65% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Nesmith
Rio
93 bpm • D Maj • 06:10 • -12.63db
29% Popularity • 55% Danceability • 68% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 55% Danceability • 68% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
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Chicago
Tired of Being Alone - from Chicago in ...
93 bpm • D Maj • 04:09 • -6.91db
35% Popularity • 64% Danceability • 60% Energy • 83% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 64% Danceability • 60% Energy • 83% Liveness
0% Instrumentalness • 62% Positiveness
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Marvin Gaye
Ain't Nothing Like The Real Thing
93 bpm • G# Maj • 02:18 • -11db
54% Popularity • 61% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 61% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Jennifer Warnes
Right Time of the Night
94 bpm • A# Maj • 02:53 • -10db
43% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Joan Armatrading
Love And Affection
93 bpm • E Maj • 04:28 • -13.25db
53% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Maria Muldaur
Second Line
91 bpm • G# Maj • 03:39 • -18.62db
0% Popularity • 73% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 73% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Dan Hicks & His Hot Licks
My Old Timey Baby
94 bpm • A Maj • 02:29 • -15.43db
24% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Norton Buffalo
Lovin' In The Valley Of The Moon
94 bpm • G Maj • 02:56 • -12db
13% Popularity • 53% Danceability • 57% Energy • 15% Liveness
13% Instrumentalness • 72% Positiveness
13% Popularity • 53% Danceability • 57% Energy • 15% Liveness
13% Instrumentalness • 72% Positiveness
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Shelby Lynne
How Can I Be Sure
95 bpm • D Maj • 03:37 • -15db
41% Popularity • 66% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
41% Popularity • 66% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
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Traffic
Feelin' Alright?
95 bpm • F Maj • 04:17 • -10.78db
52% Popularity • 47% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 47% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Thunderclap Newman
Something In The Air
94 bpm • G# min • 03:54 • -11.74db
52% Popularity • 51% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 51% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Maria Muldaur
Scat Skunk
93 bpm • C Maj • 03:48 • -7.89db
14% Popularity • 65% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 65% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Chet Atkins
There'll Be Some Changes Made
95 bpm • B min • 06:27 • -18db
33% Popularity • 76% Danceability • 34% Energy • 17% Liveness
3% Instrumentalness • 60% Positiveness
33% Popularity • 76% Danceability • 34% Energy • 17% Liveness
3% Instrumentalness • 60% Positiveness
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Steve Forbert
Romeo's Tune
95 bpm • A Maj • 03:32 • -5.65db
63% Popularity • 57% Danceability • 72% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
63% Popularity • 57% Danceability • 72% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
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Ambrosia
How Much I Feel
95 bpm • E Maj • 04:43 • -7.96db
65% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
65% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Smith
Baby It's You
95 bpm • C# min • 03:27 • -10.63db
44% Popularity • 60% Danceability • 47% Energy • 17% Liveness
13% Instrumentalness • 71% Positiveness
44% Popularity • 60% Danceability • 47% Energy • 17% Liveness
13% Instrumentalness • 71% Positiveness
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Irma Thomas
Time Is On My Side
96 bpm • C Maj • 02:52 • -9db
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
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Maria Muldaur
Handy Andy
94 bpm • G Maj • 04:27 • -8.65db
3% Popularity • 65% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 65% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Association
Never My Love - Remastered Version
96 bpm • F# Maj • 03:07 • -12db
55% Popularity • 44% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
55% Popularity • 44% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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J.J. Cale
Crazy Mama
96 bpm • B Maj • 02:22 • -19.45db
60% Popularity • 83% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 48% Positiveness
60% Popularity • 83% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 48% Positiveness
