Songs like Empty House by Abe Parker
Based on a tempo of (+/- 10%) and a similar genre
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Chance Peña
i am not who i was
130 bpm • C Maj • 02:25 • -13.7db
85% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
85% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Abe Parker
numb
130 bpm • B Maj • 04:06 • -4.59db
0% Popularity • 64% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 64% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Jack Harris
Careful What You Wish For (the doctor sa...
130 bpm • B min • 03:13 • -9.72db
70% Popularity • 84% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
70% Popularity • 84% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Caryl
Little Miss Sunshine
130 bpm • F# Maj • 02:50 • -7.22db
24% Popularity • 66% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 66% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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David Kushner
Dead Man
130 bpm • A Maj • 04:34 • -6.48db
70% Popularity • 56% Danceability • 54% Energy • 11% Liveness
60% Instrumentalness • 33% Positiveness
70% Popularity • 56% Danceability • 54% Energy • 11% Liveness
60% Instrumentalness • 33% Positiveness
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Munn
LOVE ME OR LEAVE ME
130 bpm • F# Maj • 02:26 • -8.03db
51% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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GRAHAM
Break My Heart
130 bpm • F# min • 02:10 • -6.7db
57% Popularity • 62% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 62% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Abe Parker
Empty House
130 bpm • D Maj • 02:57 • -9.75db
41% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Rowan Drake
Haunt Me
130 bpm • G Maj • 03:06 • -11.42db
28% Popularity • 49% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 49% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Natalie Jane
Intrusive Thoughts
129 bpm • B Maj • 03:21 • -8.58db
66% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
66% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Caleb Hearn
It's Always Been You
132 bpm • A# Maj • 02:49 • -8.73db
66% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
66% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Dean Lewis
Memories
129 bpm • D Maj • 02:59 • -6.51db
72% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
72% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Abe Parker
Identity Theft - Original Mix
128 bpm • G Maj • 04:02 • -8.85db
16% Popularity • 62% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 62% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Hayd
Don't Go, Don't Leave
132 bpm • A# Maj • 03:15 • -10.57db
48% Popularity • 60% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
48% Popularity • 60% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Brenn!
4runner
128 bpm • C# Maj • 04:25 • -10.65db
63% Popularity • 79% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
63% Popularity • 79% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
55% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
55% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Alexander Stewart
if you only knew
128 bpm • C Maj • 02:42 • -10.66db
68% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chance Peña
Highs & Lows
132 bpm • D# Maj • 03:29 • -10.79db
61% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
61% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Rosie Darling
Reruns
128 bpm • C# Maj • 02:26 • -11db
58% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Forest Blakk
You Were Mine
128 bpm • A Maj • 02:51 • -5.61db
59% Popularity • 54% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 54% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Benson Boone
Beautiful Things - Acoustic
133 bpm • A# Maj • 03:21 • -6.9db
68% Popularity • 51% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 51% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Mark Ambor
Curls In The Wind
128 bpm • E Maj • 02:37 • -5.46db
70% Popularity • 66% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
70% Popularity • 66% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Day
Stranger
133 bpm • A Maj • 02:16 • -11.76db
46% Popularity • 57% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 57% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Shaya Zamora
Unveil
127 bpm • A min • 03:36 • -6.61db
57% Popularity • 38% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 38% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Zach Hood
dopamine
127 bpm • A# Maj • 02:59 • -5.76db
47% Popularity • 66% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 66% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Hanniou
just a name
127 bpm • C# min • 03:14 • -8.53db
52% Popularity • 63% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 63% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Alex Warren
Yard Sale
127 bpm • C Maj • 02:54 • -6.07db
65% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Sky McCreery
i looked into your eyes
134 bpm • A# Maj • 02:28 • -9.55db
60% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Chance Peña
Sleep Deprivation
134 bpm • D Maj • 02:35 • -11db
75% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
75% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
77% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
77% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Thomas Day
Love Me For Another Day
134 bpm • F# Maj • 03:03 • -9.16db
43% Popularity • 54% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 54% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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sombr
in your arms
126 bpm • C Maj • 03:19 • -9.88db
63% Popularity • 40% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 40% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Abe Parker
it is what it is
135 bpm • D# min • 03:15 • -5.73db
72% Popularity • 53% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
72% Popularity • 53% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
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Benson Boone
Better Alone
126 bpm • G Maj • 03:29 • -6.11db
64% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Reagan Beem
Heartache Can Be Beautiful
135 bpm • F Maj • 03:07 • -9.84db
36% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
53% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Matt Hansen
CHEMICALS
135 bpm • C Maj • 03:17 • -5.8db
63% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
63% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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ryman leon
i keep running away
135 bpm • G# min • 02:00 • -11.98db
53% Popularity • 65% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 65% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Abe Parker
Talk
135 bpm • C min • 03:08 • -7.61db
25% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Benson Boone
Be Someone
135 bpm • A Maj • 03:44 • -4.58db
73% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
73% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Camylio
running
135 bpm • D Maj • 03:18 • -7.06db
44% Popularity • 55% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 55% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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David Kushner
oooWooo
125 bpm • B Maj • 03:02 • -8.83db
56% Popularity • 54% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 54% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Ruth B.
28 with Dean Lewis - Slowed + Reverb
135 bpm • A# Maj • 03:51 • -8.65db
50% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jared Benjamin
Snake Bite
125 bpm • G# Maj • 03:27 • -11.68db
50% Popularity • 75% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 75% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Abe Parker
Seventeen
135 bpm • G Maj • 03:24 • -5.85db
26% Popularity • 72% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 72% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Alex Warren
How Could You (Be OK)
125 bpm • C Maj • 03:17 • -5.36db
52% Popularity • 73% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 73% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Camylio
strangers
125 bpm • C Maj • 02:52 • -10.08db
53% Popularity • 48% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
53% Popularity • 48% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
74% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
74% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Matt Hansen
lifejacket
125 bpm • D Maj • 03:23 • -6.43db
58% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sara Kays
Miss Me the Same
136 bpm • C Maj • 03:36 • -8.54db
47% Popularity • 62% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 62% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 25% Positiveness
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Abe Parker
Dance with Me
125 bpm • C Maj • 03:48 • -5.13db
20% Popularity • 74% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 74% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Alex Warren
Save You a Seat
136 bpm • F# Maj • 03:17 • -6.29db
77% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
77% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jessie Murph
If I Died Last Night
124 bpm • C# min • 02:44 • -8.02db
65% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
65% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Forest Blakk
Long Story Short
124 bpm • A Maj • 02:40 • -6.92db
50% Popularity • 66% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 66% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Matt Hansen
GRAVITY
136 bpm • D Maj • 02:54 • -9.12db
72% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
72% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Austin Giorgio
She's an Actor
124 bpm • D Maj • 03:08 • -10.07db
50% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
50% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
59% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Clinton Kane
PANIC ATTACK
124 bpm • E Maj • 02:27 • -4.06db
48% Popularity • 68% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 68% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
75% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
75% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Marcagi
The Other Side
124 bpm • E Maj • 02:44 • -9.98db
77% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
77% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Rowan Drake
Still as the Night
124 bpm • C# min • 03:17 • -12.52db
43% Popularity • 38% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 38% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Jake Clark
deserve
137 bpm • D# Maj • 02:49 • -9.12db
52% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Day
The End
137 bpm • D Maj • 02:58 • -6db
48% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
48% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Caleb Hearn
Little Bit Better
137 bpm • G# min • 03:47 • -9.38db
77% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
77% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Jessie Murph
Always Been You
137 bpm • D# min • 02:11 • -7.67db
72% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
72% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Munn
Religion's Epitome
123 bpm • F# min • 02:30 • -6db
46% Popularity • 68% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 68% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Sara Kays
Show Me Off
123 bpm • G# Maj • 02:55 • -9.48db
45% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Camylio
better love
123 bpm • C# Maj • 02:40 • -9.99db
45% Popularity • 65% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 65% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Song House
Drunk Again
123 bpm • G# Maj • 03:21 • -9.25db
52% Popularity • 46% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 46% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jonah Kagen
Pollution
138 bpm • F# min • 03:54 • -9.81db
42% Popularity • 43% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 43% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Myles Smith
Solo
123 bpm • C Maj • 03:19 • -7.99db
81% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Shaya Zamora
Please Don't Leave
123 bpm • C Maj • 02:21 • -9.11db
64% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Hanniou
losing you
138 bpm • C Maj • 03:41 • -9.13db
47% Popularity • 41% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 41% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Alexander Stewart
broken by you
138 bpm • C# Maj • 02:52 • -4.65db
67% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
67% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Croixx_
I Cant Stay
138 bpm • A Maj • 03:20 • -7.8db
27% Popularity • 54% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 54% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Lauren Spencer Smith
Flowers
138 bpm • D# Maj • 02:37 • -9.67db
73% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Livingston
Last Man Standing
138 bpm • C# Maj • 03:03 • -5.76db
69% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Dylan Brady
How Are You? (ROSIE Rewrite)
138 bpm • C# Maj • 03:03 • -7.03db
46% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sam MacPherson
I Don’t Wanna See You Try
122 bpm • B Maj • 02:43 • -8.39db
49% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Myles Smith
Behind
122 bpm • C min • 03:18 • -7.77db
62% Popularity • 59% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
62% Popularity • 59% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Munn
Empty Eyes
122 bpm • G# Maj • 03:07 • -8db
51% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
51% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jared Benjamin
Flatline
122 bpm • B min • 02:17 • -12.19db
61% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
61% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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NERIAH
Good Guys Don't Change
139 bpm • C# Maj • 01:07 • -7.77db
56% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Britton
To My Younger Self
139 bpm • G# min • 02:52 • -10.38db
56% Popularity • 63% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 63% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Benson Boone
Friend
121 bpm • G Maj • 03:10 • -6.82db
68% Popularity • 51% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 51% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Dylan Brady
How Are You?
139 bpm • C# Maj • 02:49 • -6.76db
54% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Livingston
Half Life
121 bpm • D Maj • 03:06 • -6.44db
64% Popularity • 71% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
64% Popularity • 71% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Abe Parker
Self Sabotage
121 bpm • A# Maj • 03:03 • -5.33db
46% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Camylio
i tried
140 bpm • G min • 02:40 • -9.63db
59% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Day
not my job anymore
140 bpm • B Maj • 03:08 • -7.34db
58% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
58% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Chance Peña
Bleeding Out
121 bpm • A min • 03:28 • -12.41db
73% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
73% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Dean Lewis
The Last Bit Of Us
120 bpm • G Maj • 03:22 • -9.5db
71% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
71% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Livingston
Shadow
140 bpm • D Maj • 02:37 • -4.53db
78% Popularity • 72% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
78% Popularity • 72% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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JESSIA
Care About Me
140 bpm • E Maj • 02:45 • -5.05db
59% Popularity • 48% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 13% Positiveness
59% Popularity • 48% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 13% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Hayd
Burning Out
140 bpm • G Maj • 03:51 • -9.03db
45% Popularity • 53% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 53% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
