Songs like En me revenant by Anonymous
Based on a tempo of (+/- 10%) and a similar genre
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"The Orthodox Singers" Male Choir
How Glorious Is Our Lord In Zion
128 bpm • F Maj • 04:35 • -19.88db
10% Popularity • 18% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 18% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
28% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
28% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Cherubika
Sophronievskaia Cherubic Hymn, Russian C...
128 bpm • D min • 05:22 • -18db
21% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Office des laudes : Respons vidi angelum
128 bpm • F# Maj • 04:13 • -29db
37% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
37% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
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Moscow Cathedral Choir
O Gentle Light
127 bpm • B Maj • 03:25 • -20.17db
21% Popularity • 18% Danceability • 17% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 17% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Coro De La AbadÃa De San Florián Y La Iglesia De Santa Rita
Sederunt PrÃncipes
128 bpm • E Maj • 03:04 • -16db
22% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Christ's resurrection-. (S.Rachmaninov)
127 bpm • D# min • 03:47 • -14db
14% Popularity • 19% Danceability • 23% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 23% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
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Anonymous
O sacrum convivium - Antiphona (tonus mo...
129 bpm • C# Maj • 01:16 • -19.11db
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Monks Of The Abbey Of Notre Dame
Ad Benedictus Sanctissime
127 bpm • C# min • 03:22 • -23db
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Kyrie iii
127 bpm • F min • 02:48 • -32.7db
38% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
38% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Divna Ljubojevic
Defte Lai / Дефте лаи
127 bpm • F min • 01:30 • -11.64db
20% Popularity • 29% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 29% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Théodore Dubois
Adoramus te Christe
127 bpm • C Maj • 02:11 • -30db
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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"The Orthodox Singers" Male Choir
Blessed Is The Man Who Seeks No Councel ...
127 bpm • F Maj • 04:30 • -32.53db
17% Popularity • 17% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 5% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 5% Positiveness
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Anonymous
Veni creator spiritus. Himno (Modo VIII)...
127 bpm • G# min • 02:37 • -18.16db
30% Popularity • 26% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
30% Popularity • 26% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Tikey Zes
Great Entrance and Communion Hymn for Ho...
127 bpm • D Maj • 03:01 • -23.71db
15% Popularity • 17% Danceability • 7% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Jordi Savall
Laudemus Virginem
127 bpm • E min • 02:45 • -15.62db
15% Popularity • 22% Danceability • 26% Energy • 22% Liveness
64% Instrumentalness • 18% Positiveness
15% Popularity • 22% Danceability • 26% Energy • 22% Liveness
64% Instrumentalness • 18% Positiveness
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Harry Hagan OSB
Pange Lingua Gloriosi, Sing of Glory
127 bpm • C Maj • 02:53 • -25.68db
43% Popularity • 22% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 22% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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The Russian State Symphony Cappella
Lord Have Mercy
130 bpm • C Maj • 03:47 • -17.15db
22% Popularity • 17% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
22% Popularity • 17% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Gregorian Chants
Miss De Angelis: V. Agnus Dei
126 bpm • F Maj • 01:18 • -21db
35% Popularity • 24% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
35% Popularity • 24% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Anonymous
Adoro te devote - Hymnus in Honorem SS. ...
129 bpm • D Maj • 04:24 • -20.96db
31% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Alleluia "Assumpta est Maria"
130 bpm • D# Maj • 02:27 • -25.43db
34% Popularity • 19% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
34% Popularity • 19% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Men's Choir of the Valaam ...
He Intricately Prophesied A Lot
126 bpm • B Maj • 02:39 • -23db
12% Popularity • 17% Danceability • 16% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 16% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Song of Cherubs: Izhe Kheruvimi (Cherubi...
130 bpm • A Maj • 04:43 • -20db
23% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Jordi Savall
Mariam matrem Virginem
130 bpm • F Maj • 08:09 • -17.67db
20% Popularity • 24% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
20% Popularity • 24% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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Gregorian Chants
Missa Kyrie fons bonitatisV. Agnus Dei
130 bpm • D# Maj • 01:50 • -16db
24% Popularity • 24% Danceability • 15% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 15% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
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Anonymous
O Spem MÃram
126 bpm • D Maj • 03:35 • -23.38db
33% Popularity • 26% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 26% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Notre Dame Liturgical Choir
Sacris solemniis
130 bpm • C# min • 03:07 • -32.23db
12% Popularity • 22% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Manifestazione. Responsorio:...
126 bpm • F# Maj • 03:24 • -25db
24% Popularity • 23% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 23% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Introït "Dignus est Agnus"
126 bpm • F# Maj • 01:42 • -20db
42% Popularity • 29% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
42% Popularity • 29% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Wierni
Credo In Unum Deum
131 bpm • D# Maj • 04:51 • -18.15db
30% Popularity • 25% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
30% Popularity • 25% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
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Choir Of St. Abuscus
Hosanna filio David Antiphona (Palmsonnt...
131 bpm • D# Maj • 02:23 • -17db
35% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Anonymous
Pied du cheval
129 bpm • G Maj • 03:17 • -25.07db
13% Popularity • 32% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 45% Positiveness
13% Popularity • 32% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 45% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Vivaldi: Laetatus Sum, RV 607
125 bpm • F Maj • 03:37 • -15.39db
14% Popularity • 32% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 32% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Choir of Beirut
Hymnus, Ave Maria
125 bpm • C Maj • 01:07 • -26.53db
46% Popularity • 29% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 29% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Steppe, Endless Steppe
131 bpm • A# Maj • 02:48 • -21.5db
25% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ambrosian Chant,
Cantus Officiorum: Responsorium: Tenebra...
131 bpm • D# Maj • 03:48 • -25db
29% Popularity • 22% Danceability • 7% Energy • 13% Liveness
22% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 13% Liveness
22% Instrumentalness • 6% Positiveness
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Anonymous
Dominus vobiscum ... Deus, qui populo tu...
130 bpm • G Maj • 01:09 • -26.53db
29% Popularity • 25% Danceability • 6% Energy • 33% Liveness
8% Instrumentalness • 5% Positiveness
29% Popularity • 25% Danceability • 6% Energy • 33% Liveness
8% Instrumentalness • 5% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Canto Al...
131 bpm • F Maj • 02:38 • -23db
22% Popularity • 18% Danceability • 6% Energy • 10% Liveness
28% Instrumentalness • 11% Positiveness
22% Popularity • 18% Danceability • 6% Energy • 10% Liveness
28% Instrumentalness • 11% Positiveness
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The Orthodox Church Music Ensemble
Noble Joseph
125 bpm • E Maj • 02:21 • -31.32db
21% Popularity • 17% Danceability • 9% Energy • 16% Liveness
99% Instrumentalness • 9% Positiveness
21% Popularity • 17% Danceability • 9% Energy • 16% Liveness
99% Instrumentalness • 9% Positiveness
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Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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Monks Of The Benedictine Abbey
Christe Redemptor
131 bpm • E min • 02:29 • -21.74db
14% Popularity • 27% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 27% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Memorare
131 bpm • F Maj • 02:00 • -28db
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
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Anonymous
Ave Maria - Antiphona in Honorem Beatae ...
130 bpm • D Maj • 01:07 • -21db
29% Popularity • 22% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 22% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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authentic Kiev chant
Bless is the man (authentic Kiev chant)
132 bpm • A min • 02:28 • -16db
13% Popularity • 23% Danceability • 26% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 23% Danceability • 26% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Bogorodice, Devo, Radujsa
124 bpm • F Maj • 02:24 • -24.96db
19% Popularity • 17% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Monks Of The Benedictine Abbey
Hodie Christus Natus Est
131 bpm • A min • 01:02 • -21db
31% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Jaufre Rudel
Lanquan li jorn
132 bpm • B min • 05:22 • -20db
9% Popularity • 17% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Anonymous
Victimae paschali laudes - Sequentia Tem...
131 bpm • E min • 01:50 • -25db
35% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Dom Le Feuvre
Dans la joie de Pâques : Antienne Vidi ...
132 bpm • F# Maj • 03:58 • -21db
32% Popularity • 23% Danceability • 8% Energy • 11% Liveness
71% Instrumentalness • 8% Positiveness
32% Popularity • 23% Danceability • 8% Energy • 11% Liveness
71% Instrumentalness • 8% Positiveness
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Nova Schola Gregoriana
Missa cum iubilo - Sanctus
132 bpm • D# Maj • 01:44 • -20db
38% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
38% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Jordi Savall
Imperayritz de la ciutat joyosa
132 bpm • A min • 05:14 • -13.74db
14% Popularity • 26% Danceability • 30% Energy • 22% Liveness
5% Instrumentalness • 34% Positiveness
14% Popularity • 26% Danceability • 30% Energy • 22% Liveness
5% Instrumentalness • 34% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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Anonymous
Les mystères douloureux : Stabat Mater ...
125 bpm • F Maj • 02:41 • -26.53db
35% Popularity • 30% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 11% Positiveness
35% Popularity • 30% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 11% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 13, ...
133 bpm • F# Maj • 02:51 • -29.57db
16% Popularity • 20% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
16% Popularity • 20% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
132 bpm • A min • 06:37 • -19.58db
19% Popularity • 20% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Landini
Non avra ma'pieta questa mia donna
133 bpm • C Maj • 04:18 • -15db
9% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Choir Of St. Abuscus
Benedictus Hymnus (4. Adventssonnabend)
133 bpm • D# Maj • 06:58 • -15db
29% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
29% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Monks Of The Abbey Of Notre Dame
Audi Filia
133 bpm • F min • 03:50 • -26db
44% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Anonymous
March of the Bey's soldiers when besiegi...
132 bpm • E min • 01:23 • -10.94db
36% Popularity • 53% Danceability • 32% Energy • 47% Liveness
92% Instrumentalness • 50% Positiveness
36% Popularity • 53% Danceability • 32% Energy • 47% Liveness
92% Instrumentalness • 50% Positiveness
► Preview
Gregorian Chants
Miss De Angelis: I. Kyrie
133 bpm • D Maj • 01:53 • -18.12db
25% Popularity • 24% Danceability • 12% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
25% Popularity • 24% Danceability • 12% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
► Preview
Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Antifona...
133 bpm • G Maj • 03:33 • -29.09db
24% Popularity • 18% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Officium Ensemble
Jubilus rhythmicus de nomini Jesu (2)
133 bpm • A# min • 02:17 • -25.76db
9% Popularity • 28% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
The Russian State Symphony Cappella
Amen, Alleluia
133 bpm • F Maj • 01:05 • -19.65db
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Alfonso X El Sabio
Cantigas de Santa Maria: Nenbressete Mad...
123 bpm • A# min • 01:55 • -20.69db
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Anonymous
Ave verum Corpus - Sequentia in Honorem ...
124 bpm • G Maj • 01:34 • -26.73db
29% Popularity • 24% Danceability • 2% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
29% Popularity • 24% Danceability • 2% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
► Preview
Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Monks Of The Abbey Of Notre Dame
Regina Mundi
133 bpm • B Maj • 01:31 • -24db
42% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Blondel De Nesle
A l'entrant d'este
133 bpm • C Maj • 04:09 • -27.52db
11% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
11% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
► Preview
Choir Of St. Abuscus
Te Deum laudamus Hymnus (Dankgottesdiens...
134 bpm • D Maj • 06:21 • -19db
30% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
30% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Cappella Romana
Prokeimenon
133 bpm • E Maj • 05:23 • -18.2db
20% Popularity • 22% Danceability • 23% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 23% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Anonymous
Marian Antiphons. Alma Redemptoris. Ave ...
124 bpm • G Maj • 06:20 • -24.28db
29% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Chant Mode III
Pange Lingua Gloriosi: Chant Mode III
123 bpm • C min • 04:33 • -25db
33% Popularity • 31% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 31% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
123 bpm • E min • 01:10 • -24db
26% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
26% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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The Russian State Symphony Cappella
Fervent Supplication
134 bpm • C Maj • 03:49 • -17.31db
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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The Orthodox Church Music Ensemble
Mnogaja Lieta
134 bpm • F# Maj • 02:35 • -16.36db
17% Popularity • 24% Danceability • 26% Energy • 10% Liveness
43% Instrumentalness • 4% Positiveness
17% Popularity • 24% Danceability • 26% Energy • 10% Liveness
43% Instrumentalness • 4% Positiveness
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Traditional
Salve Regina
134 bpm • A Maj • 02:04 • -22.91db
32% Popularity • 20% Danceability • 14% Energy • 16% Liveness
95% Instrumentalness • 6% Positiveness
32% Popularity • 20% Danceability • 14% Energy • 16% Liveness
95% Instrumentalness • 6% Positiveness
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"Drevnerussky Rospev" Male Choir
Joy Of The Celestial Forces
134 bpm • G min • 01:22 • -32db
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Kondak Akafista St. Blz.
134 bpm • E min • 01:48 • -23db
20% Popularity • 30% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
20% Popularity • 30% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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Kiev-Pechersk chant
From my youth-( Kiev-Pechersk chant)
122 bpm • A min • 03:24 • -12.61db
10% Popularity • 23% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 23% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Introit gaudeamu...
134 bpm • F Maj • 02:46 • -31.08db
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
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Schola Gregoriana Mediolanensis & Giovanni Vianini
Stella Splendens In Monte
134 bpm • D Maj • 02:43 • -20.94db
13% Popularity • 20% Danceability • 22% Energy • 15% Liveness
12% Instrumentalness • 19% Positiveness
13% Popularity • 20% Danceability • 22% Energy • 15% Liveness
12% Instrumentalness • 19% Positiveness
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Kamil Przygrodzki
Introibo ad altare Dei
122 bpm • C min • 03:20 • -15.54db
14% Popularity • 26% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
14% Popularity • 26% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Nova Schola Gregoriana
Missa de angelis - Gloria
134 bpm • A Maj • 03:11 • -20db
32% Popularity • 26% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 26% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Monks Of The Abbey Of Notre Dame
Te Joseph
122 bpm • F# min • 02:37 • -23.13db
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Men's Choir of the Valaam ...
The Day Has Passed
135 bpm • G# min • 01:07 • -25db
29% Popularity • 16% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
122 bpm • F# min • 03:30 • -26.6db
4% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Schola Gregoriana Mediolanensis & Giovanni Vianini
Sit Gloria Domini
135 bpm • D Maj • 01:19 • -22db
16% Popularity • 18% Danceability • 11% Energy • 13% Liveness
54% Instrumentalness • 7% Positiveness
16% Popularity • 18% Danceability • 11% Energy • 13% Liveness
54% Instrumentalness • 7% Positiveness
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Anonymous
Ecce venit / Psalm 94
135 bpm • C# min • 09:36 • -26.37db
27% Popularity • 21% Danceability • 4% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 4% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
122 bpm • E min • 01:22 • -28db
14% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Introït "Signum Magnum"
135 bpm • F# min • 03:37 • -25db
27% Popularity • 20% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Gregorian Chants
Dominica Pentecostes: IV. Offertorium (C...
121 bpm • F Maj • 01:53 • -14.88db
33% Popularity • 29% Danceability • 20% Energy • 14% Liveness
56% Instrumentalness • 4% Positiveness
33% Popularity • 29% Danceability • 20% Energy • 14% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
