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En passant
Songs like
En passant
by
Dominic Miller
Based on a tempo of (+/- 10%) and a similar genre
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Dominic Miller
David
93 bpm • D Maj • 03:59 • -31.19db
9% Popularity • 51% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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Jonathan Kreisberg
Milagre Dos Peixes
93 bpm • D Maj • 04:20 • -18.04db
11% Popularity • 43% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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John Surman
On Still Waters
93 bpm • C min • 04:45 • -19.32db
12% Popularity • 28% Danceability • 6% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Tore Brunborg
Lost and Found
93 bpm • F# Maj • 03:22 • -22.62db
20% Popularity • 52% Danceability • 5% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
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Tord Gustavsen Quartet
Devotion
93 bpm • E Maj • 04:34 • -19.71db
14% Popularity • 28% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Al Di Meola
Verano Reflections
92 bpm • A min • 04:13 • -12.53db
18% Popularity • 36% Danceability • 37% Energy • 19% Liveness
93% Instrumentalness • 44% Positiveness
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Dominic Miller
En passant
93 bpm • G Maj • 03:46 • -26.03db
17% Popularity • 46% Danceability • 11% Energy • 13% Liveness
54% Instrumentalness • 49% Positiveness
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Jonathan Kreisberg
Canto De Ossanha
93 bpm • G min • 05:11 • -18.9db
36% Popularity • 48% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Myriam Alter
Still In Love
92 bpm • A min • 06:22 • -16db
15% Popularity • 28% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Triosence
Cruise Control
93 bpm • F min • 04:21 • -15.23db
16% Popularity • 54% Danceability • 55% Energy • 9% Liveness
83% Instrumentalness • 62% Positiveness
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Oregon
If
94 bpm • E Maj • 06:58 • -11.7db
14% Popularity • 48% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
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Pat Metheny Trio
We Had a Sister
94 bpm • F# Maj • 05:30 • -24.68db
19% Popularity • 44% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
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Ferenc Snétberger
Cou Cou
92 bpm • G Maj • 02:55 • -22db
27% Popularity • 56% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Dominic Miller
La Petite Reine
94 bpm • B min • 02:13 • -32.26db
39% Popularity • 38% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Oded Tzur
Can't Help Falling In Love
94 bpm • F Maj • 03:33 • -28db
34% Popularity • 25% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Manu Katché
Take Off And Land
94 bpm • C# Maj • 03:59 • -14db
33% Popularity • 77% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 87% Positiveness
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Joachim Kühn
Peace Piece
94 bpm • C Maj • 03:14 • -19.53db
26% Popularity • 50% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Pat Metheny Trio
A Lot of Livin' to Do
92 bpm • D min • 05:29 • -20.96db
16% Popularity • 42% Danceability • 14% Energy • 10% Liveness
83% Instrumentalness • 23% Positiveness
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Valenteano
Die Rinden meiner Zeit
94 bpm • E min • 10:25 • -16.34db
0% Popularity • 35% Danceability • 0% Energy • 33% Liveness
2% Instrumentalness • 75% Positiveness
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Michel Benita
Dervish Diva
92 bpm • A min • 07:56 • -19.41db
8% Popularity • 38% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Arild Andersen
Alfie
92 bpm • G Maj • 07:03 • -20db
17% Popularity • 43% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 17% Positiveness
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Philip Catherine
Toscane
94 bpm • C# min • 03:54 • -23.65db
11% Popularity • 29% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Pat Martino
Two Days Old
91 bpm • B min • 05:18 • -19.63db
9% Popularity • 51% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Antonio Forcione
Waltz for Django
95 bpm • E min • 03:56 • -15.09db
15% Popularity • 44% Danceability • 29% Energy • 12% Liveness
47% Instrumentalness • 50% Positiveness
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Jonathan Kreisberg
Lina Rising
95 bpm • F Maj • 06:43 • -16.7db
17% Popularity • 55% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Eric Legnini Trio
Amarone
95 bpm • E min • 02:20 • -19.23db
40% Popularity • 41% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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Enrico Rava
The Man I Love
95 bpm • D# Maj • 05:55 • -23db
18% Popularity • 42% Danceability • 1% Energy • 17% Liveness
79% Instrumentalness • 14% Positiveness
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Manu Katché
Morning Joy
91 bpm • C min • 05:27 • -22.49db
13% Popularity • 41% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Bobo Stenson
Send In The Clowns
91 bpm • C Maj • 04:14 • -25db
27% Popularity • 34% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 16% Positiveness
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Tingvall Trio
Vag In
95 bpm • B min • 02:30 • -20db
28% Popularity • 46% Danceability • 14% Energy • 17% Liveness
8% Instrumentalness • 20% Positiveness
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Wolfgang Haffner
Between a Smile and a Tear
95 bpm • D min • 05:07 • -15.44db
15% Popularity • 55% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Dominic Miller
Mixed Blessing
95 bpm • E min • 04:47 • -24db
27% Popularity • 47% Danceability • 15% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
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Dave Liebman
Siciliana
95 bpm • G min • 04:31 • -15.91db
14% Popularity • 33% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Aldo Romano
Rosario
95 bpm • C min • 03:19 • -17db
42% Popularity • 42% Danceability • 27% Energy • 7% Liveness
26% Instrumentalness • 37% Positiveness
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Marc Johnson
Porch Swing
91 bpm • F Maj • 04:11 • -18.85db
22% Popularity • 49% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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Cesare Picco
Adagio
96 bpm • D# Maj • 05:31 • -25.86db
8% Popularity • 42% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Bill Connors
Survive
96 bpm • D min • 02:11 • -28.73db
22% Popularity • 30% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Dominic Miller
Bicycle
96 bpm • A# min • 03:51 • -19.22db
34% Popularity • 45% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 31% Positiveness
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Triosence
Jasmine
90 bpm • F# Maj • 04:33 • -16.89db
14% Popularity • 48% Danceability • 44% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Anat Fort
Just Now, Var. I
96 bpm • F min • 04:14 • -26.17db
13% Popularity • 46% Danceability • 8% Energy • 8% Liveness
31% Instrumentalness • 14% Positiveness
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Charles Lloyd
The Water Is Wide
96 bpm • F Maj • 05:00 • -16.06db
29% Popularity • 46% Danceability • 18% Energy • 10% Liveness
39% Instrumentalness • 35% Positiveness
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Marcin Wasilewski
An den kleinen Radioapparat
97 bpm • F# Maj • 04:30 • -26.67db
22% Popularity • 29% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Cesare Picco
Neve
89 bpm • C min • 05:36 • -23.6db
10% Popularity • 73% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 12% Positiveness
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Dominic Miller
Absinthe
89 bpm • C Maj • 05:28 • -16.28db
22% Popularity • 54% Danceability • 15% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
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Ferenc Snétberger
Titok
97 bpm • C Maj • 02:20 • -25.11db
24% Popularity • 38% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Gilad Hekselman
Last Train Home
97 bpm • A# Maj • 05:28 • -20db
23% Popularity • 57% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
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Julia Hülsmann Trio
From Afar
98 bpm • C min • 03:40 • -24.6db
24% Popularity • 33% Danceability • 16% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
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Marcin Wasilewski
Faithful
89 bpm • F Maj • 07:16 • -22.03db
13% Popularity • 28% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Aaron Parks
Doors Open
98 bpm • E Maj • 02:58 • -17db
45% Popularity • 56% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Dominic Miller
Cruel But Fair
89 bpm • G Maj • 04:16 • -27.51db
28% Popularity • 37% Danceability • 3% Energy • 34% Liveness
75% Instrumentalness • 4% Positiveness
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Mats Eilertsen
After The Rain
98 bpm • D min • 02:20 • -28db
31% Popularity • 22% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Carsten Dahl
Sailing with No Wind
88 bpm • D min • 05:33 • -16.72db
9% Popularity • 46% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 19% Positiveness
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Andy Sheppard Quartet
Aoidh, Na Dean Cadal Idir - Pt. 1
88 bpm • B min • 04:17 • -25.26db
12% Popularity • 25% Danceability • 13% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
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Marcin Wasilewski
Sister's Song
88 bpm • C# Maj • 05:57 • -17db
13% Popularity • 46% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 23% Positiveness
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Brad Mehldau Trio
Where Do You Start
98 bpm • C# Maj • 04:06 • -23db
45% Popularity • 41% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Anat Fort Trio
Meditation For A New Year
88 bpm • G Maj • 04:47 • -24db
30% Popularity • 46% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Marc Copland
Spartacus Love Theme
98 bpm • A min • 07:53 • -25db
34% Popularity • 38% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
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Dominic Miller
Saint Vincent
98 bpm • B min • 05:27 • -19.55db
16% Popularity • 41% Danceability • 25% Energy • 8% Liveness
70% Instrumentalness • 18% Positiveness
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Pat Metheny Trio
Just Like the Day
98 bpm • G Maj • 04:43 • -18.59db
28% Popularity • 42% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 7% Positiveness
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Trygve Seim
Gloria, Improvisation
98 bpm • F Maj • 01:51 • -11.03db
32% Popularity • 36% Danceability • 24% Energy • 41% Liveness
69% Instrumentalness • 45% Positiveness
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Bobo Stenson Trio
Kingdom of Coldness
88 bpm • C Maj • 07:37 • -24.92db
14% Popularity • 38% Danceability • 13% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
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Anat Fort Trio
It's Your Song
88 bpm • A Maj • 04:16 • -22.4db
32% Popularity • 42% Danceability • 24% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
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John Taylor
Rosslyn
99 bpm • D min • 08:07 • -22db
11% Popularity • 38% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Dominic Miller
Baden
88 bpm • G min • 03:26 • -24.46db
29% Popularity • 58% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
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Tord Gustavsen Quartet
Circling
99 bpm • D min • 04:39 • -23.84db
30% Popularity • 53% Danceability • 4% Energy • 17% Liveness
86% Instrumentalness • 14% Positiveness
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Nicolas Masson
Travelers
99 bpm • F# min • 03:44 • -19.01db
9% Popularity • 37% Danceability • 3% Energy • 14% Liveness
69% Instrumentalness • 13% Positiveness
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Oded Tzur
20 Years
87 bpm • C# Maj • 09:55 • -23.11db
16% Popularity • 31% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 11% Positiveness
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Thomas Fonnesbæk
Winter
99 bpm • B min • 05:04 • -20.43db
8% Popularity • 50% Danceability • 24% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Niclas Knudsen Trio
Waking Dream
99 bpm • D min • 05:02 • -18db
34% Popularity • 57% Danceability • 8% Energy • 12% Liveness
39% Instrumentalness • 17% Positiveness
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Anat Fort Trio
Sun
99 bpm • G# Maj • 02:13 • -28.77db
40% Popularity • 50% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Dino Saluzzi
How My Heart Sings
87 bpm • E min • 05:22 • -25.96db
21% Popularity • 40% Danceability • 3% Energy • 8% Liveness
69% Instrumentalness • 14% Positiveness
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Tord Gustavsen Quartet
Right There
87 bpm • F Maj • 02:53 • -29.7db
42% Popularity • 48% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Aldo Romano
Lontano
87 bpm • E min • 04:26 • -18.04db
34% Popularity • 41% Danceability • 22% Energy • 9% Liveness
46% Instrumentalness • 20% Positiveness
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Makiko Hirabayashi
Surely
100 bpm • C# Maj • 04:14 • -14.12db
23% Popularity • 60% Danceability • 32% Energy • 6% Liveness
94% Instrumentalness • 76% Positiveness
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Enrico Pieranunzi
Sicilyan Dream (D’après Siciliano, BW...
87 bpm • F Maj • 04:37 • -17db
32% Popularity • 32% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
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Antonio Forcione
Spanish Breeze
87 bpm • F# min • 04:58 • -12.72db
15% Popularity • 63% Danceability • 36% Energy • 11% Liveness
53% Instrumentalness • 34% Positiveness
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Tord Gustavsen
The Way You Play My Heart
100 bpm • B Maj • 03:01 • -23.49db
36% Popularity • 54% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Chick Corea
Song For Sally
100 bpm • A min • 03:49 • -22.35db
12% Popularity • 31% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 30% Positiveness
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Dominic Miller
All Change
100 bpm • E min • 02:55 • -17.71db
34% Popularity • 45% Danceability • 38% Energy • 35% Liveness
95% Instrumentalness • 7% Positiveness
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Aldo Romano
La belle vie pour maurice
100 bpm • E Maj • 05:56 • -12db
15% Popularity • 43% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 16% Positiveness
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Florian Weber
Brilliant Waters
86 bpm • C Maj • 02:07 • -35.57db
30% Popularity • 30% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 14% Positiveness
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Marc Johnson
In A Quiet Place
86 bpm • C Maj • 05:17 • -21db
16% Popularity • 40% Danceability • 10% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
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Tord Gustavsen Quartet
The Prodigal Song
101 bpm • A min • 06:23 • -25.69db
14% Popularity • 46% Danceability • 6% Energy • 11% Liveness
67% Instrumentalness • 7% Positiveness
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Esbjörn Svensson Trio
Behind the Stars
101 bpm • D min • 03:42 • -21.9db
29% Popularity • 49% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Valenteano
Salz auf deiner Haut
101 bpm • E min • 03:28 • -10.6db
0% Popularity • 81% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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Aldo Romano
Favela
101 bpm • E min • 02:19 • -19.14db
45% Popularity • 38% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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Antonio Forcione
Tears of Joy
101 bpm • D Maj • 05:19 • -16.86db
25% Popularity • 48% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Jan Garbarek
Without A Visible Sign
85 bpm • F Maj • 04:59 • -13.41db
13% Popularity • 15% Danceability • 15% Energy • 9% Liveness
56% Instrumentalness • 6% Positiveness
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Eric Legnini Trio
Trastevere
101 bpm • C Maj • 02:27 • -16.47db
44% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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John Abercrombie
Memoir
85 bpm • D min • 03:14 • -25.29db
24% Popularity • 26% Danceability • 5% Energy • 28% Liveness
87% Instrumentalness • 9% Positiveness
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Anders Jormin
Doubt Thou the Stars
101 bpm • G min • 03:11 • -27db
31% Popularity • 27% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Trygve Seim
Responsorium
102 bpm • C# Maj • 04:08 • -24db
14% Popularity • 19% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Manu Katché
Springtime Dancing
102 bpm • D min • 04:10 • -13.81db
28% Popularity • 44% Danceability • 25% Energy • 5% Liveness
14% Instrumentalness • 15% Positiveness
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Tingvall Trio
In Memory
102 bpm • F Maj • 05:18 • -19db
35% Popularity • 42% Danceability • 11% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
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Bill Bruford
Thistledown
102 bpm • C Maj • 04:14 • -20.32db
20% Popularity • 58% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 52% Positiveness
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Bobo Stenson Trio
Wedding Song From Poniky
102 bpm • A# Maj • 07:26 • -25.95db
17% Popularity • 43% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Jacob Karlzon
Bubbles
102 bpm • A# min • 05:06 • -24.55db
37% Popularity • 57% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
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Aldo Romano
Annobon
102 bpm • A Maj • 03:47 • -17.97db
32% Popularity • 48% Danceability • 19% Energy • 15% Liveness
80% Instrumentalness • 14% Positiveness
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Mats Eilertsen
The Void
85 bpm • E min • 06:32 • -26db
21% Popularity • 36% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
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Esbjörn Svensson Trio
Believe, Beleft, Below
102 bpm • A# Maj • 04:51 • -21.2db
42% Popularity • 65% Danceability • 5% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
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