Songs like En svensk Markuspassion: Chorale I: Var inte orolig by Fredrik Sixten
Based on a tempo of (+/- 10%) and a similar genre
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Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
12% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
12% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Peace. Intro
102 bpm • F Maj • 01:34 • -28.38db
19% Popularity • 20% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Einojuhani Rautavaara
Lorca Suite, Op.72: III. La luna asoma (...
102 bpm • C Maj • 02:05 • -36.65db
7% Popularity • 17% Danceability • 2% Energy • 11% Liveness
4% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 2% Energy • 11% Liveness
4% Instrumentalness • 3% Positiveness
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William Croft
Burial Sentences: IV. Man that is Born o...
101 bpm • D# Maj • 01:24 • -22.47db
13% Popularity • 28% Danceability • 7% Energy • 13% Liveness
28% Instrumentalness • 3% Positiveness
13% Popularity • 28% Danceability • 7% Energy • 13% Liveness
28% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Ubi caritas
101 bpm • F# min • 03:44 • -28.7db
27% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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James Whitbourn
Annelies (chamber version): II. The capt...
101 bpm • C min • 03:12 • -19.01db
13% Popularity • 33% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 33% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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Kerensa Briggs
Preces
103 bpm • D Maj • 01:31 • -29.28db
8% Popularity • 19% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Kim André Arnesen
What are children to the Lord?
102 bpm • G# Maj • 04:28 • -32.12db
14% Popularity • 14% Danceability • 1% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Fredrik Sixten
Unforgotten
101 bpm • D Maj • 02:24 • -27.07db
1% Popularity • 20% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Naiskuoro Aava
Pääskynen
104 bpm • G Maj • 01:30 • -20.95db
10% Popularity • 36% Danceability • 10% Energy • 16% Liveness
99% Instrumentalness • 26% Positiveness
10% Popularity • 36% Danceability • 10% Energy • 16% Liveness
99% Instrumentalness • 26% Positiveness
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Arvo Pärt
Arvo Pärt: Bogoróditse Dévo
100 bpm • A Maj • 01:14 • -21db
16% Popularity • 33% Danceability • 11% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
16% Popularity • 33% Danceability • 11% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
14% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Jean Sibelius
6 Partsongs, Op. 18 (Version for Mixed C...
105 bpm • E Maj • 01:41 • -20.96db
3% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
3% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Morley
Burial Service: III. Thou Knowest, Lord,...
105 bpm • G min • 01:42 • -26db
14% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Zero8
Quatre petites prières de saint Franço...
105 bpm • E Maj • 01:24 • -22.29db
11% Popularity • 17% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Edward Elgar
My Love Dwelt in A Northern Land, Op. 18...
105 bpm • A min • 04:01 • -24.76db
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus, LWV 77 No. 15: IV. ...
105 bpm • F min • 02:38 • -18.3db
13% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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University of King's College Chapel Choir
Christ Our Passover
105 bpm • C min • 04:13 • -15db
12% Popularity • 20% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 1. O...
99 bpm • D Maj • 01:49 • -24db
15% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
15% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Ubi Caritas
99 bpm • F# min • 03:17 • -29db
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Accentus
Drömmarna
99 bpm • D# Maj • 01:45 • -29.36db
29% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
29% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Sister Maria Therese Sokol, OCD
Canticle of Love
105 bpm • D Maj • 06:12 • -24db
9% Popularity • 21% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
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Sarah Quartel
Amabile Alleluia
99 bpm • D# Maj • 02:11 • -20.98db
14% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
14% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Oslo Domkor
Å, for djup i Jesu kjærleik
106 bpm • C# Maj • 04:22 • -13.6db
8% Popularity • 24% Danceability • 31% Energy • 12% Liveness
79% Instrumentalness • 24% Positiveness
8% Popularity • 24% Danceability • 31% Energy • 12% Liveness
79% Instrumentalness • 24% Positiveness
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Thomas Morley
Burial Service: I. Man that is Born of a...
98 bpm • G min • 01:26 • -29.64db
19% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Carl Nielsen
Der er etyndigt land (There is a Lovely ...
98 bpm • F Maj • 01:50 • -22.64db
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
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Finn Mathiassen
Lille Almanak – Little Almanac 3
98 bpm • D# Maj • 01:34 • -31.46db
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
2 Choeurs, Op. 68: No. 2. Les fleurs et ...
106 bpm • E Maj • 01:43 • -19.4db
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Fredrik Sixten
Bliv kvar hos mig
97 bpm • G# Maj • 04:27 • -18.67db
0% Popularity • 16% Danceability • 16% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
0% Popularity • 16% Danceability • 16% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Elfrida Andrée
Ur drömliv I (Arr. for Vocal Ensemble)
97 bpm • C min • 02:02 • -24.21db
17% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Eleanor Daley
In Remembrance
107 bpm • E Maj • 03:07 • -28db
16% Popularity • 16% Danceability • 6% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 6% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Kampin Laulu Chamber Choir
Jaakko Mäntyjärvi: Väinämöinen unek...
97 bpm • D min • 04:33 • -20.79db
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
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Miklós Kocsár
Missa in A Major: IV. Sanctus - Benedict...
108 bpm • C# Maj • 03:07 • -23.88db
12% Popularity • 24% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
108 bpm • D Maj • 04:56 • -24.84db
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
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Fredrik Sixten
Jesus für varlden givit sitt liv
107 bpm • C Maj • 02:17 • -20.29db
0% Popularity • 28% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 28% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Zero8
Hjärtstilla
108 bpm • D# Maj • 04:03 • -19.88db
17% Popularity • 17% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
17% Popularity • 17% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Mårten Jansson
Requiem Novum: VII. Eternal Rest
109 bpm • G# Maj • 01:15 • -26.74db
10% Popularity • 24% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Peter Cornelius
Weihnachtslieder, Op. 8: No. 3, The Thre...
95 bpm • G Maj • 02:42 • -19.34db
16% Popularity • 21% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
16% Popularity • 21% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
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Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: III. Over Hill....
110 bpm • A min • 01:04 • -29.6db
13% Popularity • 28% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 30% Positiveness
13% Popularity • 28% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 30% Positiveness
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Frank La Rocca
Mass of the Americas: II. Kyrie
95 bpm • E min • 04:15 • -23.63db
6% Popularity • 12% Danceability • 12% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
6% Popularity • 12% Danceability • 12% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Florence Beatrice Price
Resignation
94 bpm • F min • 02:42 • -22.49db
14% Popularity • 26% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 26% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Wilhelm Stenhammar
3 Körvisor: No. 2, I seraillets have
111 bpm • F# Maj • 02:06 • -24.31db
9% Popularity • 24% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 24% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Ali Ismael
パレスチナ 革命者
111 bpm • D# Maj • 01:08 • -15.54db
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Fredrik Sixten
Variations for Organ: Vars. 8 & 9
111 bpm • F# min • 01:42 • -33.66db
0% Popularity • 16% Danceability • 1% Energy • 21% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 1% Energy • 21% Liveness
86% Instrumentalness • 4% Positiveness
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Arild Sandvold
Fem Latinske Kirkekor: 1. Jubilate Deo O...
94 bpm • G# Maj • 02:01 • -23.7db
9% Popularity • 17% Danceability • 12% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
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Yuri Alexandrovich Falik
Stranger
111 bpm • A min • 01:53 • -24.38db
14% Popularity • 31% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 31% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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LeoRoads
Angelic Symphony
93 bpm • A min • 02:26 • -18.67db
9% Popularity • 20% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
9% Popularity • 20% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
112 bpm • C# Maj • 02:23 • -28.65db
15% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Phillip Faber
Sommerfugledalen: II. I Brajčinodalens ...
113 bpm • C Maj • 01:41 • -21.88db
14% Popularity • 29% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 29% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 6% Positiveness
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Fredrik Sixten
Toccata & Fugue on B-A-C-H
112 bpm • C Maj • 07:34 • -19.85db
0% Popularity • 17% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 4% Positiveness
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Adrian Batten
O Sing Joyfully
113 bpm • G# Maj • 01:46 • -25.68db
9% Popularity • 24% Danceability • 12% Energy • 15% Liveness
18% Instrumentalness • 32% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 15% Liveness
18% Instrumentalness • 32% Positiveness
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François-Joseph Giraud
Cantantibus Organis (Giraud)
92 bpm • B min • 01:23 • -21.74db
18% Popularity • 20% Danceability • 8% Energy • 30% Liveness
38% Instrumentalness • 15% Positiveness
18% Popularity • 20% Danceability • 8% Energy • 30% Liveness
38% Instrumentalness • 15% Positiveness
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Håkan Norlén
Visa vid midsommartid
113 bpm • G Maj • 02:44 • -25.18db
8% Popularity • 32% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
8% Popularity • 32% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
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BBC Radio 4 Daily Service Singers
On A Hill Far Away Stood An Old Rugged C...
92 bpm • A# Maj • 04:05 • -25.24db
7% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Fredrik Sixten
Cantabile for Organ
93 bpm • B min • 03:53 • -33.11db
0% Popularity • 11% Danceability • 0% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
0% Popularity • 11% Danceability • 0% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
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Urmas Sisask
Gloria in excelsis Deo
92 bpm • G Maj • 06:10 • -22.36db
9% Popularity • 21% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jakarta Oratorio Society
Speak to My Heart
113 bpm • F Maj • 02:48 • -28.43db
8% Popularity • 26% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
► Preview
Valentin Silvestrov
Liturgical Chants: O Holy God
92 bpm • C# Maj • 03:21 • -30.97db
15% Popularity • 11% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 3% Positiveness
15% Popularity • 11% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 3% Positiveness
► Preview
Johann Steuerlein
All varlden nu sig glader
91 bpm • A Maj • 01:12 • -23db
18% Popularity • 35% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 35% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Jaakko Mäntyjärvi
Double, Double Toil and Trouble
91 bpm • F# Maj • 03:01 • -23db
13% Popularity • 30% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 30% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Fredrik Sixten
Variations for Organ: Theme - Vars. 1 & ...
93 bpm • E min • 01:30 • -35.26db
0% Popularity • 11% Danceability • 0% Energy • 7% Liveness
44% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 0% Energy • 7% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Owain Park
O Send Out Thy Light
91 bpm • B Maj • 02:33 • -24.18db
19% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Stuart Beatch
The Letter
91 bpm • F Maj • 03:09 • -21.64db
11% Popularity • 15% Danceability • 7% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 7% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
► Preview
Charles Villiers Stanford
Te Deum in B-Flat
91 bpm • A# Maj • 06:11 • -20.35db
8% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
► Preview
Erik Esenvalds
Spring, The Sweet Spring
91 bpm • C min • 03:23 • -31.84db
8% Popularity • 20% Danceability • 5% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Truro Cathedral Choir
Nôtre Père, Op. 14
115 bpm • F Maj • 01:27 • -31.62db
17% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Sure on This Shining Night
91 bpm • A# Maj • 02:18 • -27.29db
13% Popularity • 13% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Giovanni Croce
Laudans exultet gaudio per doppio coro, ...
116 bpm • F Maj • 03:17 • -18.34db
8% Popularity • 21% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
Kim André Arnesen
TUVAYHUN: VI. What is Peace?
90 bpm • D# Maj • 03:49 • -22.95db
8% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Plainchant
Psalm 148: O Praise the Lord of Heaven
116 bpm • G# Maj • 03:10 • -20.76db
8% Popularity • 30% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 30% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Phoenix Chamber Choir
Deep in the Night
90 bpm • B Maj • 02:40 • -33.18db
18% Popularity • 24% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 24% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Enrique Lacárcel Bautista
I Am in Need of Music - Bonus Track
116 bpm • A# Maj • 03:48 • -21.11db
13% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
13% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Stuart Beatch
The Debate
89 bpm • G# min • 01:36 • -19.48db
13% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Andrew Smith
An Old Irish Blessing
89 bpm • C# Maj • 02:44 • -23.17db
16% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
16% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: I. Salvator M...
89 bpm • G Maj • 01:54 • -35.07db
13% Popularity • 17% Danceability • 2% Energy • 6% Liveness
22% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 6% Liveness
22% Instrumentalness • 4% Positiveness
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Amy Beach
Peace I Leave With You
89 bpm • D# Maj • 01:30 • -32.18db
27% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
89 bpm • G min • 04:25 • -24.47db
8% Popularity • 16% Danceability • 10% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
8% Popularity • 16% Danceability • 10% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
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Fredrik Sixten
Behold the Lamb of God
89 bpm • E min • 03:10 • -15.62db
0% Popularity • 17% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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George Dyson
Magnificat in C Minor
118 bpm • C min • 02:58 • -23.51db
10% Popularity • 28% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 28% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Anders Öhrwall
I denna ljuva sommartid
88 bpm • D# Maj • 02:15 • -20.16db
15% Popularity • 17% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 17% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Genrid Martinez
Sikut Deer
88 bpm • E Maj • 02:47 • -16.92db
30% Popularity • 10% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 10% Positiveness
30% Popularity • 10% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 10% Positiveness
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Sofia Kammarkör
Wintertide
88 bpm • A min • 03:09 • -23.29db
10% Popularity • 10% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
10% Popularity • 10% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: No. 6, Rejoice,...
88 bpm • F Maj • 03:06 • -28.3db
14% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Zoltán Kodály
Stabat mater
118 bpm • D min • 01:50 • -27.08db
11% Popularity • 20% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Croce
Exaudi Deus
88 bpm • D# Maj • 01:22 • -23.41db
21% Popularity • 24% Danceability • 6% Energy • 14% Liveness
24% Instrumentalness • 14% Positiveness
21% Popularity • 24% Danceability • 6% Energy • 14% Liveness
24% Instrumentalness • 14% Positiveness
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Sirkka Rautakoski
Aaria, Sairasten Parantaja (Myrskyn Kesk...
88 bpm • D# Maj • 04:26 • -24.83db
11% Popularity • 11% Danceability • 7% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 7% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
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Akademiska Damkören Lyran
Valravnen
88 bpm • A Maj • 03:19 • -24.2db
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Niccolò Jommelli
Requiem in D Minor, K. 626 (Paris 1804 V...
88 bpm • E min • 02:37 • -33db
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Fredrik Sixten
Narmare Gud till dig
87 bpm • F Maj • 03:31 • -17.92db
1% Popularity • 12% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 11% Positiveness
1% Popularity • 12% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 11% Positiveness
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Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
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Paul Hellmuth
Dypt heller året
87 bpm • G# Maj • 03:08 • -28.56db
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Paros Chamber Choir
Khorhoot Khorin: O, Mystery Deep (Choir)
87 bpm • C min • 02:02 • -24.09db
9% Popularity • 26% Danceability • 9% Energy • 13% Liveness
77% Instrumentalness • 3% Positiveness
9% Popularity • 26% Danceability • 9% Energy • 13% Liveness
77% Instrumentalness • 3% Positiveness
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Carl Michael Bellman
Solen glimmar
120 bpm • F Maj • 01:58 • -17.32db
18% Popularity • 57% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 57% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Paul Hindemith
Six chansons: I. La biche
120 bpm • E Maj • 01:14 • -29.84db
10% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
