Songs like En Trance by David Binney
Based on a tempo of (+/- 10%) and a similar genre
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David Binney
En Trance
69 bpm • A min • 01:58 • -11.8db
1% Popularity • 23% Danceability • 37% Energy • 57% Liveness
87% Instrumentalness • 7% Positiveness
1% Popularity • 23% Danceability • 37% Energy • 57% Liveness
87% Instrumentalness • 7% Positiveness
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Outside World
Street Cleaner
69 bpm • C# Maj • 02:51 • -13.75db
17% Popularity • 47% Danceability • 52% Energy • 12% Liveness
94% Instrumentalness • 41% Positiveness
17% Popularity • 47% Danceability • 52% Energy • 12% Liveness
94% Instrumentalness • 41% Positiveness
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Larry Goldings
Chinwag
68 bpm • C# Maj • 02:04 • -14.35db
12% Popularity • 33% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 33% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Tom Berkmann
Troubled Sleep
70 bpm • A# min • 04:32 • -12.55db
18% Popularity • 33% Danceability • 42% Energy • 34% Liveness
94% Instrumentalness • 38% Positiveness
18% Popularity • 33% Danceability • 42% Energy • 34% Liveness
94% Instrumentalness • 38% Positiveness
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Jakob Bro
White
70 bpm • E min • 05:09 • -22.88db
11% Popularity • 41% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 41% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Marco Papa Emil Buchholtz
Brainstorming (second session) III
68 bpm • A min • 02:15 • -30.24db
21% Popularity • 30% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
21% Popularity • 30% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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David Binney
Months Like Mirrors
69 bpm • G min • 05:48 • -16.58db
6% Popularity • 18% Danceability • 27% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
6% Popularity • 18% Danceability • 27% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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Alexander Falkebring
Lude
70 bpm • A min • 02:55 • -12.61db
20% Popularity • 22% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
20% Popularity • 22% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
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Luke Sellick
Northwest Passage
71 bpm • D Maj • 04:08 • -19.39db
15% Popularity • 25% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
15% Popularity • 25% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Elektrik Jazz Mantra
The Silent Song
71 bpm • B min • 03:30 • -18.66db
8% Popularity • 6% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 6% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Adam Ratner
Phaser
66 bpm • A Maj • 04:37 • -11.42db
6% Popularity • 50% Danceability • 24% Energy • 25% Liveness
12% Instrumentalness • 12% Positiveness
6% Popularity • 50% Danceability • 24% Energy • 25% Liveness
12% Instrumentalness • 12% Positiveness
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David Binney Quartet
Craig 2
66 bpm • D Maj • 01:49 • -22.99db
1% Popularity • 24% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 28% Positiveness
1% Popularity • 24% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 28% Positiveness
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David Binney
From Above
70 bpm • C# Maj • 04:35 • -18.66db
2% Popularity • 7% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
2% Popularity • 7% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Rotem Sivan
Sun & Stars
66 bpm • G# Maj • 01:02 • -18.16db
23% Popularity • 47% Danceability • 21% Energy • 10% Liveness
58% Instrumentalness • 33% Positiveness
23% Popularity • 47% Danceability • 21% Energy • 10% Liveness
58% Instrumentalness • 33% Positiveness
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Ben Wendel
In Anima
72 bpm • D Maj • 08:02 • -12.38db
8% Popularity • 14% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
8% Popularity • 14% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Cheesy Jazzdaddy
Lot of Questions
72 bpm • C# Maj • 01:51 • -21.84db
9% Popularity • 14% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Lennart Ginman
Autumn Rhythm
73 bpm • E min • 02:36 • -28.14db
15% Popularity • 40% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
15% Popularity • 40% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
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Agua Dulce Ensamble
Hay Esperanza
73 bpm • C# Maj • 06:21 • -15.7db
23% Popularity • 22% Danceability • 22% Energy • 76% Liveness
79% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 22% Energy • 76% Liveness
79% Instrumentalness • 4% Positiveness
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David Binney
The Day I Waited
66 bpm • C min • 06:49 • -20.21db
2% Popularity • 7% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
2% Popularity • 7% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Hekura
Vane
73 bpm • D# Maj • 02:21 • -16.36db
11% Popularity • 37% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
11% Popularity • 37% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Adam Ratner
Out of Stars
73 bpm • B Maj • 03:46 • -10.46db
7% Popularity • 25% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 26% Positiveness
7% Popularity • 25% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 26% Positiveness
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Larry Goldings
Laugh Clown Laugh
73 bpm • C Maj • 03:31 • -12.39db
9% Popularity • 40% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
9% Popularity • 40% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Adrian Knight
Golden Boy
73 bpm • F Maj • 09:29 • -15.68db
10% Popularity • 21% Danceability • 1% Energy • 9% Liveness
39% Instrumentalness • 12% Positiveness
10% Popularity • 21% Danceability • 1% Energy • 9% Liveness
39% Instrumentalness • 12% Positiveness
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Alexis Valet
Laika
73 bpm • F min • 06:36 • -18.29db
19% Popularity • 35% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
19% Popularity • 35% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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Tomohiro Mori
Raccoon
74 bpm • A Maj • 07:06 • -7.77db
8% Popularity • 32% Danceability • 66% Energy • 9% Liveness
72% Instrumentalness • 43% Positiveness
8% Popularity • 32% Danceability • 66% Energy • 9% Liveness
72% Instrumentalness • 43% Positiveness
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Steve Swallow
Some Echoes
74 bpm • D Maj • 05:35 • -16.75db
13% Popularity • 37% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
13% Popularity • 37% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Simio
A Beautiful Thing
74 bpm • G min • 05:53 • -20.4db
13% Popularity • 49% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
13% Popularity • 49% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Tomasz DÄ…browski
Bataty
75 bpm • G min • 07:22 • -14.03db
20% Popularity • 22% Danceability • 35% Energy • 11% Liveness
64% Instrumentalness • 7% Positiveness
20% Popularity • 22% Danceability • 35% Energy • 11% Liveness
64% Instrumentalness • 7% Positiveness
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David Binney
Trusting the Future
64 bpm • D# min • 05:56 • -16.12db
2% Popularity • 6% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
2% Popularity • 6% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Eve Risser
Sa (Snake in Bambara)
76 bpm • B Maj • 04:00 • -10.12db
7% Popularity • 30% Danceability • 63% Energy • 11% Liveness
44% Instrumentalness • 12% Positiveness
7% Popularity • 30% Danceability • 63% Energy • 11% Liveness
44% Instrumentalness • 12% Positiveness
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Rui Hallvares Andrade Paes
Gå hemåt
76 bpm • G# min • 05:22 • -18.43db
10% Popularity • 35% Danceability • 21% Energy • 16% Liveness
39% Instrumentalness • 20% Positiveness
10% Popularity • 35% Danceability • 21% Energy • 16% Liveness
39% Instrumentalness • 20% Positiveness
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Melissa Aldana
Echoes Of The Inner Prophet
63 bpm • B Maj • 02:57 • -18.25db
27% Popularity • 24% Danceability • 26% Energy • 8% Liveness
73% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 26% Energy • 8% Liveness
73% Instrumentalness • 8% Positiveness
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Thomas Carbou
Mademoiselle Elle
76 bpm • B min • 04:21 • -11.03db
1% Popularity • 60% Danceability • 45% Energy • 11% Liveness
15% Instrumentalness • 36% Positiveness
1% Popularity • 60% Danceability • 45% Energy • 11% Liveness
15% Instrumentalness • 36% Positiveness
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David Binney Quartet
Group
76 bpm • F# min • 01:26 • -14.49db
2% Popularity • 61% Danceability • 11% Energy • 13% Liveness
72% Instrumentalness • 32% Positiveness
2% Popularity • 61% Danceability • 11% Energy • 13% Liveness
72% Instrumentalness • 32% Positiveness
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David Binney
Intro To Carpinteria
75 bpm • D Maj • 02:16 • -22.2db
2% Popularity • 28% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
2% Popularity • 28% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
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Walter Smith III
Pup - Pow
76 bpm • A min • 02:34 • -14.08db
22% Popularity • 57% Danceability • 31% Energy • 11% Liveness
81% Instrumentalness • 19% Positiveness
22% Popularity • 57% Danceability • 31% Energy • 11% Liveness
81% Instrumentalness • 19% Positiveness
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Ben Wendel
Speak Joy
76 bpm • G Maj • 07:45 • -11.75db
10% Popularity • 34% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
10% Popularity • 34% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
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GOkU
Freedom Intro
76 bpm • A min • 03:19 • -14.11db
16% Popularity • 23% Danceability • 30% Energy • 32% Liveness
89% Instrumentalness • 14% Positiveness
16% Popularity • 23% Danceability • 30% Energy • 32% Liveness
89% Instrumentalness • 14% Positiveness
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Adam Ratner
Alpenglow
76 bpm • C# min • 06:57 • -9.69db
7% Popularity • 28% Danceability • 69% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
7% Popularity • 28% Danceability • 69% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
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Oded Tzur
Invocation
77 bpm • C min • 01:52 • -17.2db
27% Popularity • 18% Danceability • 17% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
27% Popularity • 18% Danceability • 17% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Ted Olsen
Heart Open Sky (Reprise)
77 bpm • C# Maj • 01:43 • -12db
30% Popularity • 46% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
30% Popularity • 46% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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John Raymond
Where We Grew Up
77 bpm • B min • 08:07 • -8.35db
11% Popularity • 29% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
11% Popularity • 29% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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David Binney Quartet
Dave
77 bpm • G# Maj • 02:34 • -14.53db
0% Popularity • 44% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 44% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Tom Ollendorff
Passing Ships
77 bpm • G Maj • 05:31 • -14.09db
9% Popularity • 32% Danceability • 30% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
9% Popularity • 32% Danceability • 30% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
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Mark de Clive-Lowe
Isan
78 bpm • C min • 01:03 • -16.45db
13% Popularity • 20% Danceability • 37% Energy • 12% Liveness
17% Instrumentalness • 14% Positiveness
13% Popularity • 20% Danceability • 37% Energy • 12% Liveness
17% Instrumentalness • 14% Positiveness
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Sonny Greenwich Jr
I Get By
61 bpm • F min • 03:37 • -8.81db
11% Popularity • 35% Danceability • 74% Energy • 42% Liveness
32% Instrumentalness • 49% Positiveness
11% Popularity • 35% Danceability • 74% Energy • 42% Liveness
32% Instrumentalness • 49% Positiveness
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David Binney
As One Listens To Rain
78 bpm • G Maj • 04:52 • -14.6db
7% Popularity • 9% Danceability • 25% Energy • 7% Liveness
66% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 25% Energy • 7% Liveness
66% Instrumentalness • 4% Positiveness
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Sasha Berliner
My Funny Valentine I
61 bpm • C min • 03:34 • -21.24db
9% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Douglas Brown
Big Bang - Journey to the Outer Galaxies
79 bpm • A Maj • 04:35 • -10.57db
12% Popularity • 40% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
12% Popularity • 40% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Will Vinson
Chorale
79 bpm • C Maj • 04:38 • -10.09db
12% Popularity • 38% Danceability • 41% Energy • 25% Liveness
81% Instrumentalness • 7% Positiveness
12% Popularity • 38% Danceability • 41% Energy • 25% Liveness
81% Instrumentalness • 7% Positiveness
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Adam Ratner
Light Waves
80 bpm • C# Maj • 02:57 • -10.33db
3% Popularity • 24% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 26% Positiveness
3% Popularity • 24% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 26% Positiveness
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Nils Berg
Domino Gold
80 bpm • D Maj • 04:20 • -13.95db
8% Popularity • 22% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
8% Popularity • 22% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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David Binney
Where Infinity Begins
79 bpm • E min • 05:35 • -18.28db
3% Popularity • 14% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
3% Popularity • 14% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Markus Stockhausen
Jasmin
80 bpm • C# Maj • 02:52 • -14.47db
18% Popularity • 24% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 12% Positiveness
18% Popularity • 24% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 12% Positiveness
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DOGFISH
Elastic Bass
80 bpm • G# min • 03:38 • -14.81db
27% Popularity • 70% Danceability • 49% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
27% Popularity • 70% Danceability • 49% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
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Here Comes the Weather
Low Tatras
80 bpm • D# min • 03:25 • -12.26db
10% Popularity • 29% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 23% Positiveness
10% Popularity • 29% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 23% Positiveness
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Leszek Możdżer
Villstad
80 bpm • C# Maj • 08:36 • -15.1db
9% Popularity • 56% Danceability • 47% Energy • 13% Liveness
90% Instrumentalness • 64% Positiveness
9% Popularity • 56% Danceability • 47% Energy • 13% Liveness
90% Instrumentalness • 64% Positiveness
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Emma Rawicz
Xanadu I
81 bpm • F# Maj • 02:16 • -13.93db
12% Popularity • 22% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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David Binney
The Echo Of Your Name
80 bpm • D Maj • 03:31 • -12.24db
0% Popularity • 8% Danceability • 21% Energy • 20% Liveness
88% Instrumentalness • 11% Positiveness
0% Popularity • 8% Danceability • 21% Energy • 20% Liveness
88% Instrumentalness • 11% Positiveness
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Reinier Baas
Squalor II
81 bpm • E min • 06:56 • -11.95db
18% Popularity • 40% Danceability • 41% Energy • 13% Liveness
58% Instrumentalness • 21% Positiveness
18% Popularity • 40% Danceability • 41% Energy • 13% Liveness
58% Instrumentalness • 21% Positiveness
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Peter Nylander Quartet
Eyes Open
81 bpm • G min • 03:05 • -10.17db
13% Popularity • 27% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
13% Popularity • 27% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
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The Near Jazz Experience
Afloat In Dub
82 bpm • D# Maj • 02:49 • -16.3db
19% Popularity • 33% Danceability • 31% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
19% Popularity • 33% Danceability • 31% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
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Mikkel Ploug
Stockholm Night Lights
82 bpm • C# Maj • 05:21 • -13db
10% Popularity • 36% Danceability • 20% Energy • 12% Liveness
68% Instrumentalness • 7% Positiveness
10% Popularity • 36% Danceability • 20% Energy • 12% Liveness
68% Instrumentalness • 7% Positiveness
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Joel Harrison
Blue Eyes Cryin' in the Rain
83 bpm • D Maj • 03:18 • -17.14db
1% Popularity • 40% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
1% Popularity • 40% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
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David Binney
New York Nature
81 bpm • G# Maj • 08:32 • -11.01db
1% Popularity • 48% Danceability • 35% Energy • 7% Liveness
10% Instrumentalness • 33% Positiveness
1% Popularity • 48% Danceability • 35% Energy • 7% Liveness
10% Instrumentalness • 33% Positiveness
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Thomas Carbou
Carpates - Intro
83 bpm • C min • 01:19 • -18.39db
0% Popularity • 40% Danceability • 14% Energy • 14% Liveness
7% Instrumentalness • 20% Positiveness
0% Popularity • 40% Danceability • 14% Energy • 14% Liveness
7% Instrumentalness • 20% Positiveness
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Hugo Diaz
Le choral de l'omble
83 bpm • D min • 05:40 • -15.36db
22% Popularity • 33% Danceability • 33% Energy • 22% Liveness
93% Instrumentalness • 14% Positiveness
22% Popularity • 33% Danceability • 33% Energy • 22% Liveness
93% Instrumentalness • 14% Positiveness
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Ben van Gelder
Deo Volente
83 bpm • E min • 04:10 • -13.61db
8% Popularity • 20% Danceability • 26% Energy • 20% Liveness
73% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 26% Energy • 20% Liveness
73% Instrumentalness • 6% Positiveness
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Maurizio Minardi
Au Bord De L'Eau
83 bpm • A# Maj • 05:26 • -17.39db
4% Popularity • 53% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
4% Popularity • 53% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
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Hvalfugl
Mønstre I Verden
83 bpm • D Maj • 04:43 • -16.19db
15% Popularity • 44% Danceability • 26% Energy • 20% Liveness
89% Instrumentalness • 9% Positiveness
15% Popularity • 44% Danceability • 26% Energy • 20% Liveness
89% Instrumentalness • 9% Positiveness
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David Binney
Late Day Acoma
83 bpm • B min • 09:59 • -19.26db
1% Popularity • 8% Danceability • 18% Energy • 16% Liveness
78% Instrumentalness • 4% Positiveness
1% Popularity • 8% Danceability • 18% Energy • 16% Liveness
78% Instrumentalness • 4% Positiveness
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Will Vinson
Northbound
83 bpm • C Maj • 06:48 • -11.14db
14% Popularity • 63% Danceability • 45% Energy • 12% Liveness
63% Instrumentalness • 34% Positiveness
14% Popularity • 63% Danceability • 45% Energy • 12% Liveness
63% Instrumentalness • 34% Positiveness
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Daniel Louis White
Interlude No. 1
83 bpm • B Maj • 01:32 • -15.4db
0% Popularity • 43% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
0% Popularity • 43% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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aesthetrix
heart throb major
83 bpm • D# Maj • 01:20 • -13.54db
28% Popularity • 44% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
28% Popularity • 44% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Kit Downes
EB
84 bpm • E Maj • 01:41 • -13.69db
27% Popularity • 40% Danceability • 61% Energy • 7% Liveness
72% Instrumentalness • 52% Positiveness
27% Popularity • 40% Danceability • 61% Energy • 7% Liveness
72% Instrumentalness • 52% Positiveness
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Ralph Towner
Nimbus
84 bpm • G min • 06:25 • -15.26db
29% Popularity • 23% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 22% Positiveness
29% Popularity • 23% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 22% Positiveness
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David Binney
Los Angeles 2am
83 bpm • G min • 05:34 • -14.48db
1% Popularity • 9% Danceability • 28% Energy • 9% Liveness
99% Instrumentalness • 5% Positiveness
1% Popularity • 9% Danceability • 28% Energy • 9% Liveness
99% Instrumentalness • 5% Positiveness
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SFJAZZ Collective
October In San Francisco
84 bpm • D min • 05:17 • -10.63db
9% Popularity • 28% Danceability • 41% Energy • 8% Liveness
7% Instrumentalness • 8% Positiveness
9% Popularity • 28% Danceability • 41% Energy • 8% Liveness
7% Instrumentalness • 8% Positiveness
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Jakob Bro
Dear Old South
84 bpm • F Maj • 01:31 • -21.89db
19% Popularity • 38% Danceability • 2% Energy • 11% Liveness
62% Instrumentalness • 10% Positiveness
19% Popularity • 38% Danceability • 2% Energy • 11% Liveness
62% Instrumentalness • 10% Positiveness
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John Zorn
Three Forms of First Thought
85 bpm • C Maj • 02:07 • -21.19db
15% Popularity • 47% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
15% Popularity • 47% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Janek Gwizdala
The End of the Story
85 bpm • D# min • 03:55 • -17.07db
8% Popularity • 42% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
8% Popularity • 42% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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AGE
Valse Bancale
85 bpm • C# min • 04:39 • -14.1db
9% Popularity • 50% Danceability • 19% Energy • 12% Liveness
21% Instrumentalness • 19% Positiveness
9% Popularity • 50% Danceability • 19% Energy • 12% Liveness
21% Instrumentalness • 19% Positiveness
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David Binney
On A Summer Plain (Outro)
84 bpm • C# Maj • 03:06 • -23.29db
4% Popularity • 18% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
4% Popularity • 18% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Outside World
Breathing Wish
85 bpm • C Maj • 08:16 • -15.53db
35% Popularity • 36% Danceability • 23% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
35% Popularity • 36% Danceability • 23% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Larry Goldings
Sweet and Lovely
86 bpm • F Maj • 03:00 • -12.93db
7% Popularity • 26% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Giovanni Di Domenico
Minum (reprise)
86 bpm • G Maj • 01:04 • -11.2db
17% Popularity • 32% Danceability • 62% Energy • 49% Liveness
73% Instrumentalness • 27% Positiveness
17% Popularity • 32% Danceability • 62% Energy • 49% Liveness
73% Instrumentalness • 27% Positiveness
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As Is
Save Your Love for Me
86 bpm • F# min • 04:57 • -10.25db
4% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Anthony Fung
Sonny's Blues
86 bpm • F min • 08:29 • -11.04db
0% Popularity • 64% Danceability • 38% Energy • 36% Liveness
41% Instrumentalness • 58% Positiveness
0% Popularity • 64% Danceability • 38% Energy • 36% Liveness
41% Instrumentalness • 58% Positiveness
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David Binney
For My Friends
86 bpm • A# min • 04:43 • -10.54db
7% Popularity • 63% Danceability • 60% Energy • 18% Liveness
4% Instrumentalness • 53% Positiveness
7% Popularity • 63% Danceability • 60% Energy • 18% Liveness
4% Instrumentalness • 53% Positiveness
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André Murraças
Ice Cream Boy
86 bpm • F Maj • 06:46 • -13.98db
11% Popularity • 52% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
11% Popularity • 52% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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DJ T0B1
Nights Out
87 bpm • E min • 01:28 • -19.25db
12% Popularity • 67% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 38% Positiveness
12% Popularity • 67% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 38% Positiveness
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Kabir Dalawari
For Ma
86 bpm • A Maj • 08:47 • -13.77db
9% Popularity • 36% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
9% Popularity • 36% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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David Binney Quartet
Vibe Changer
87 bpm • F Maj • 04:12 • -11.27db
1% Popularity • 44% Danceability • 51% Energy • 6% Liveness
31% Instrumentalness • 52% Positiveness
1% Popularity • 44% Danceability • 51% Energy • 6% Liveness
31% Instrumentalness • 52% Positiveness
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Will Vinson
Ministry of Love
87 bpm • C# Maj • 05:09 • -10.07db
19% Popularity • 53% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 33% Positiveness
19% Popularity • 53% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 33% Positiveness
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Hiruy Tirfe
A CRY FOR HELP
87 bpm • B Maj • 02:21 • -4.68db
12% Popularity • 33% Danceability • 83% Energy • 8% Liveness
58% Instrumentalness • 46% Positiveness
12% Popularity • 33% Danceability • 83% Energy • 8% Liveness
58% Instrumentalness • 46% Positiveness
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BARYL
Vælter
87 bpm • C min • 04:56 • -13.07db
10% Popularity • 39% Danceability • 36% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
10% Popularity • 39% Danceability • 36% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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David Binney
Calabria
88 bpm • D Maj • 03:20 • -12.99db
2% Popularity • 54% Danceability • 68% Energy • 13% Liveness
13% Instrumentalness • 27% Positiveness
2% Popularity • 54% Danceability • 68% Energy • 13% Liveness
13% Instrumentalness • 27% Positiveness
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Ben Wendel
Drawn Away
88 bpm • D Maj • 07:14 • -11.6db
8% Popularity • 45% Danceability • 64% Energy • 18% Liveness
69% Instrumentalness • 22% Positiveness
8% Popularity • 45% Danceability • 64% Energy • 18% Liveness
69% Instrumentalness • 22% Positiveness
