Songs like Encore: Bowlegged Woman Knock Kneed Man With David Bromberg (2006-06-25 The Stone Pony, Asbury Park, NJ) by Hot Tuna
Based on a tempo of (+/- 10%) and a similar genre
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Buffalo Springfield
A Child's Claim to Fame
81 bpm • G Maj • 02:13 • -13db
46% Popularity • 62% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 62% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Hot Tuna
Keep Your Lamps Trimmed and Burning
81 bpm • D Maj • 03:48 • -15.86db
15% Popularity • 38% Danceability • 31% Energy • 62% Liveness
1% Instrumentalness • 56% Positiveness
15% Popularity • 38% Danceability • 31% Energy • 62% Liveness
1% Instrumentalness • 56% Positiveness
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Blind Faith
Had To Cry Today / Outro - Live: Hyde Pa...
82 bpm • E Maj • 07:39 • -13.77db
19% Popularity • 40% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 40% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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John Mayall & The Bluesbreakers
Double Crossin' Time
82 bpm • G Maj • 03:04 • -9.88db
36% Popularity • 63% Danceability • 43% Energy • 18% Liveness
3% Instrumentalness • 49% Positiveness
36% Popularity • 63% Danceability • 43% Energy • 18% Liveness
3% Instrumentalness • 49% Positiveness
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The Radiators
Suck The Head
80 bpm • B min • 03:12 • -11.48db
25% Popularity • 79% Danceability • 62% Energy • 18% Liveness
30% Instrumentalness • 88% Positiveness
25% Popularity • 79% Danceability • 62% Energy • 18% Liveness
30% Instrumentalness • 88% Positiveness
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Ten Years After
Portable People
82 bpm • A Maj • 02:15 • -17.12db
20% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Robert Palmer
How Much Fun
80 bpm • A Maj • 03:08 • -13.53db
28% Popularity • 65% Danceability • 45% Energy • 22% Liveness
5% Instrumentalness • 96% Positiveness
28% Popularity • 65% Danceability • 45% Energy • 22% Liveness
5% Instrumentalness • 96% Positiveness
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Hot Tuna
Sunrise Dance with the Devil
80 bpm • F min • 04:27 • -6.23db
9% Popularity • 24% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 24% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Chris Robinson Brotherhood
Rosalee
79 bpm • D Maj • 10:15 • -13db
30% Popularity • 31% Danceability • 42% Energy • 56% Liveness
1% Instrumentalness • 52% Positiveness
30% Popularity • 31% Danceability • 42% Energy • 56% Liveness
1% Instrumentalness • 52% Positiveness
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John Mayall & The Bluesbreakers
Little Girl
83 bpm • C Maj • 02:37 • -8.79db
35% Popularity • 48% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 48% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Blodwyn Pig
Dear Jill - 2006 Remaster
83 bpm • D Maj • 05:19 • -13.49db
34% Popularity • 62% Danceability • 29% Energy • 40% Liveness
26% Instrumentalness • 20% Positiveness
34% Popularity • 62% Danceability • 29% Energy • 40% Liveness
26% Instrumentalness • 20% Positiveness
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The Radiators
Holiday
83 bpm • G min • 03:59 • -12.15db
17% Popularity • 69% Danceability • 62% Energy • 6% Liveness
8% Instrumentalness • 91% Positiveness
17% Popularity • 69% Danceability • 62% Energy • 6% Liveness
8% Instrumentalness • 91% Positiveness
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Dickey Betts
Duane's Tune
78 bpm • E min • 06:36 • -9.27db
34% Popularity • 29% Danceability • 66% Energy • 43% Liveness
40% Instrumentalness • 45% Positiveness
34% Popularity • 29% Danceability • 66% Energy • 43% Liveness
40% Instrumentalness • 45% Positiveness
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Hot Tuna
Genesis - Live Version
79 bpm • E Maj • 04:24 • -8.87db
12% Popularity • 34% Danceability • 59% Energy • 70% Liveness
9% Instrumentalness • 29% Positiveness
12% Popularity • 34% Danceability • 59% Energy • 70% Liveness
9% Instrumentalness • 29% Positiveness
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Lowell George
I Can't Stand the Rain
78 bpm • D# Maj • 03:21 • -13db
30% Popularity • 62% Danceability • 41% Energy • 6% Liveness
3% Instrumentalness • 83% Positiveness
30% Popularity • 62% Danceability • 41% Energy • 6% Liveness
3% Instrumentalness • 83% Positiveness
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John Mayall & The Bluesbreakers
A Hard Road
83 bpm • G min • 03:11 • -15db
36% Popularity • 73% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 73% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Arlo Guthrie
Anytime
78 bpm • A Maj • 01:50 • -9.12db
30% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Pete Townshend
My Baby Gives It Away
78 bpm • A Maj • 04:00 • -15db
37% Popularity • 67% Danceability • 47% Energy • 8% Liveness
15% Instrumentalness • 89% Positiveness
37% Popularity • 67% Danceability • 47% Energy • 8% Liveness
15% Instrumentalness • 89% Positiveness
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John Prine
Great Rain
84 bpm • B min • 04:08 • -9db
26% Popularity • 63% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 63% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Little
High Roller
84 bpm • G# min • 03:37 • -10.43db
17% Popularity • 74% Danceability • 49% Energy • 8% Liveness
4% Instrumentalness • 69% Positiveness
17% Popularity • 74% Danceability • 49% Energy • 8% Liveness
4% Instrumentalness • 69% Positiveness
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The Ozark Mountain Daredevils
Tidal Wave
85 bpm • G Maj • 04:11 • -9.57db
20% Popularity • 59% Danceability • 71% Energy • 11% Liveness
9% Instrumentalness • 80% Positiveness
20% Popularity • 59% Danceability • 71% Energy • 11% Liveness
9% Instrumentalness • 80% Positiveness
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Taste
If The Day Was Any Longer
85 bpm • G Maj • 02:08 • -16.2db
33% Popularity • 57% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 57% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Jefferson Airplane
Good Shepherd - Remastered
85 bpm • A Maj • 04:21 • -13.11db
21% Popularity • 47% Danceability • 39% Energy • 8% Liveness
42% Instrumentalness • 44% Positiveness
21% Popularity • 47% Danceability • 39% Energy • 8% Liveness
42% Instrumentalness • 44% Positiveness
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Tom Rush
Merrimack County
86 bpm • G Maj • 02:53 • -16.42db
14% Popularity • 48% Danceability • 29% Energy • 28% Liveness
6% Instrumentalness • 58% Positiveness
14% Popularity • 48% Danceability • 29% Energy • 28% Liveness
6% Instrumentalness • 58% Positiveness
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Commander Cody and His Lost Planet Airmen
Willin'
76 bpm • G Maj • 03:38 • -7.7db
33% Popularity • 55% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 55% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Hot Tuna
Candy Man
86 bpm • G Maj • 03:36 • -15.77db
13% Popularity • 36% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 36% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 65% Positiveness
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Buffalo Springfield
Uno Mundo
76 bpm • D Maj • 02:04 • -12.68db
41% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Jenkins
Rollin' Stone
76 bpm • B min • 05:19 • -11.4db
9% Popularity • 61% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 61% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Spirit
I'm Truckin'
86 bpm • A min • 02:25 • -12.47db
10% Popularity • 41% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 41% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Ronnie Wood
Am I Grooving You
87 bpm • D Maj • 03:41 • -10.07db
23% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Ten Years After
Don't Want You Woman
75 bpm • E Maj • 02:35 • -17.22db
22% Popularity • 76% Danceability • 25% Energy • 18% Liveness
3% Instrumentalness • 91% Positiveness
22% Popularity • 76% Danceability • 25% Energy • 18% Liveness
3% Instrumentalness • 91% Positiveness
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Hot Tuna
How Long Blues - Live
86 bpm • D Maj • 03:59 • -19.76db
16% Popularity • 46% Danceability • 16% Energy • 85% Liveness
10% Instrumentalness • 50% Positiveness
16% Popularity • 46% Danceability • 16% Energy • 85% Liveness
10% Instrumentalness • 50% Positiveness
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Crazy Horse
Dance, Dance, Dance
76 bpm • A Maj • 02:11 • -10.14db
29% Popularity • 59% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 59% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Richard Betts
Kissimmee Kid
87 bpm • A Maj • 03:13 • -5.76db
23% Popularity • 54% Danceability • 75% Energy • 13% Liveness
50% Instrumentalness • 53% Positiveness
23% Popularity • 54% Danceability • 75% Energy • 13% Liveness
50% Instrumentalness • 53% Positiveness
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Spirit
Animal Zoo
87 bpm • B Maj • 03:10 • -11.4db
28% Popularity • 61% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 61% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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The Gregg Allman Band
Come And Go Blues
87 bpm • G Maj • 04:48 • -11db
36% Popularity • 56% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
36% Popularity • 56% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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Johnny Jenkins
Rollin' Stone
75 bpm • E Maj • 05:03 • -17.68db
21% Popularity • 62% Danceability • 19% Energy • 9% Liveness
32% Instrumentalness • 39% Positiveness
21% Popularity • 62% Danceability • 19% Energy • 9% Liveness
32% Instrumentalness • 39% Positiveness
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The Marshall Tucker Band
Jimi
75 bpm • A Maj • 02:14 • -17.04db
31% Popularity • 42% Danceability • 37% Energy • 5% Liveness
94% Instrumentalness • 52% Positiveness
31% Popularity • 42% Danceability • 37% Energy • 5% Liveness
94% Instrumentalness • 52% Positiveness
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Blind Faith
Can’t Find My Way Home - Live: Hyde Pa...
88 bpm • C# Maj • 06:13 • -14.04db
31% Popularity • 32% Danceability • 55% Energy • 60% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 32% Danceability • 55% Energy • 60% Liveness
0% Instrumentalness • 60% Positiveness
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Warren Zevon
Mohammed's Radio
74 bpm • G Maj • 03:43 • -13.75db
40% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Quicksilver Messenger Service
Shady Grove
89 bpm • B min • 02:59 • -8.31db
27% Popularity • 32% Danceability • 79% Energy • 12% Liveness
6% Instrumentalness • 23% Positiveness
27% Popularity • 32% Danceability • 79% Energy • 12% Liveness
6% Instrumentalness • 23% Positiveness
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The Gregg Allman Band
One More Try
74 bpm • F Maj • 03:53 • -11.05db
26% Popularity • 50% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 50% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Radiators
Law Of The Fish
74 bpm • F Maj • 00:59 • -15.52db
43% Popularity • 73% Danceability • 51% Energy • 17% Liveness
41% Instrumentalness • 67% Positiveness
43% Popularity • 73% Danceability • 51% Energy • 17% Liveness
41% Instrumentalness • 67% Positiveness
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Blodwyn Pig
It's Only Love
73 bpm • D# Maj • 03:22 • -4db
27% Popularity • 34% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 34% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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North Mississippi Allstars
Away, Way Too Long
89 bpm • A Maj • 03:04 • -10.46db
35% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Manassas
Like a Fox
90 bpm • G Maj • 02:58 • -7.69db
17% Popularity • 52% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 52% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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The Marshall Tucker Band
Southern Woman
72 bpm • D Maj • 07:54 • -6.88db
26% Popularity • 53% Danceability • 56% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
26% Popularity • 53% Danceability • 56% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
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Hot Tuna
Corners Without Exits - 1998 Remastered ...
91 bpm • E Maj • 03:37 • -11.85db
14% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Lowell George
Two Trains
91 bpm • D Maj • 04:36 • -12.85db
29% Popularity • 65% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 65% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Captain Beyond
Sufficiently Breathless
91 bpm • A min • 05:15 • -9db
29% Popularity • 45% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 45% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Little
Down Below the Borderline
91 bpm • C Maj • 03:45 • -17.48db
22% Popularity • 72% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
22% Popularity • 72% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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Little
Spanish Moon
91 bpm • G# min • 02:41 • -8.62db
32% Popularity • 60% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 80% Positiveness
32% Popularity • 60% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 80% Positiveness
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Canned Heat
I Don't Care What You Tell Me
92 bpm • C# min • 03:56 • -15.86db
25% Popularity • 70% Danceability • 52% Energy • 16% Liveness
95% Instrumentalness • 75% Positiveness
25% Popularity • 70% Danceability • 52% Energy • 16% Liveness
95% Instrumentalness • 75% Positiveness
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Quicksilver Messenger Service
Who Do You Love (Part 1) - Remastered
92 bpm • E Maj • 05:40 • -9db
24% Popularity • 48% Danceability • 69% Energy • 9% Liveness
81% Instrumentalness • 86% Positiveness
24% Popularity • 48% Danceability • 69% Energy • 9% Liveness
81% Instrumentalness • 86% Positiveness
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John Mayall
Sitting In The Rain
92 bpm • G# min • 02:55 • -20.73db
28% Popularity • 84% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 84% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Paul Kantner
Have You Seen the Stars Tonite
93 bpm • F Maj • 03:42 • -18db
29% Popularity • 49% Danceability • 24% Energy • 22% Liveness
54% Instrumentalness • 27% Positiveness
29% Popularity • 49% Danceability • 24% Energy • 22% Liveness
54% Instrumentalness • 27% Positiveness
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Little
Mercenary Territory
92 bpm • B min • 04:26 • -8.76db
24% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Merl Saunders & Friends
Save Mother Earth
93 bpm • D min • 07:34 • -14.27db
10% Popularity • 58% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 78% Positiveness
10% Popularity • 58% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 78% Positiveness
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Blind Faith
Means To An End - Live: Hyde Park, Londo...
93 bpm • C# min • 04:21 • -13.92db
25% Popularity • 35% Danceability • 61% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 35% Danceability • 61% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
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Quicksilver Messenger Service
Who Do You Love - Pt. 1
93 bpm • E Maj • 03:32 • -13db
45% Popularity • 64% Danceability • 56% Energy • 50% Liveness
79% Instrumentalness • 83% Positiveness
45% Popularity • 64% Danceability • 56% Energy • 50% Liveness
79% Instrumentalness • 83% Positiveness
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John Mayall
The Bear
93 bpm • D# Maj • 04:39 • -18.59db
14% Popularity • 62% Danceability • 40% Energy • 9% Liveness
16% Instrumentalness • 62% Positiveness
14% Popularity • 62% Danceability • 40% Energy • 9% Liveness
16% Instrumentalness • 62% Positiveness
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Hot Tuna
Walkin' Blues
94 bpm • G Maj • 05:22 • -13.81db
12% Popularity • 58% Danceability • 57% Energy • 9% Liveness
3% Instrumentalness • 56% Positiveness
12% Popularity • 58% Danceability • 57% Energy • 9% Liveness
3% Instrumentalness • 56% Positiveness
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Peter Green
Last Train to San Antone
94 bpm • E min • 05:30 • -8.64db
19% Popularity • 44% Danceability • 74% Energy • 5% Liveness
14% Instrumentalness • 53% Positiveness
19% Popularity • 44% Danceability • 74% Energy • 5% Liveness
14% Instrumentalness • 53% Positiveness
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Jerry Garcia & Howard Wales
She Once Lived Here
94 bpm • D Maj • 04:46 • -9.88db
13% Popularity • 46% Danceability • 41% Energy • 51% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 46% Danceability • 41% Energy • 51% Liveness
0% Instrumentalness • 32% Positiveness
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The Doobie Brothers
Slippery St. Paul
94 bpm • C Maj • 02:14 • -13.46db
34% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Quicksilver Messenger Service
Who Do You Love - Pt. 2
94 bpm • E Maj • 05:51 • -17.28db
24% Popularity • 30% Danceability • 36% Energy • 78% Liveness
5% Instrumentalness • 44% Positiveness
24% Popularity • 30% Danceability • 36% Energy • 78% Liveness
5% Instrumentalness • 44% Positiveness
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Pete Townshend
Sheraton Gibson - Remastered 2017
94 bpm • B min • 02:36 • -10db
32% Popularity • 36% Danceability • 42% Energy • 17% Liveness
5% Instrumentalness • 42% Positiveness
32% Popularity • 36% Danceability • 42% Energy • 17% Liveness
5% Instrumentalness • 42% Positiveness
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Hot Tuna
I See the Light - 1998 Remastered Versio...
94 bpm • D Maj • 04:16 • -10.02db
18% Popularity • 52% Danceability • 73% Energy • 24% Liveness
1% Instrumentalness • 59% Positiveness
18% Popularity • 52% Danceability • 73% Energy • 24% Liveness
1% Instrumentalness • 59% Positiveness
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Robert Palmer
Sailing Shoes
95 bpm • A Maj • 02:42 • -13.02db
43% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Little
Cat Fever
69 bpm • C Maj • 04:35 • -10.21db
21% Popularity • 37% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 37% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Amazing Rhythm Aces
Typical American Boy - Remastered
95 bpm • G min • 03:28 • -12.27db
31% Popularity • 60% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
31% Popularity • 60% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
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Jethro Tull
Cat's Squirrel - 2001 Remaster
95 bpm • E Maj • 05:42 • -11.61db
19% Popularity • 30% Danceability • 81% Energy • 28% Liveness
65% Instrumentalness • 15% Positiveness
19% Popularity • 30% Danceability • 81% Energy • 28% Liveness
65% Instrumentalness • 15% Positiveness
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Elvin Bishop & Charlie Musselwhite
What The Hell?
95 bpm • C Maj • 03:06 • -2.6db
26% Popularity • 57% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 57% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Hot Tuna
Sunny Day Strut
94 bpm • A min • 03:16 • -13.48db
17% Popularity • 41% Danceability • 65% Energy • 15% Liveness
83% Instrumentalness • 58% Positiveness
17% Popularity • 41% Danceability • 65% Energy • 15% Liveness
83% Instrumentalness • 58% Positiveness
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Lowell George
Find a River
95 bpm • D Maj • 03:44 • -16.41db
21% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Quicksilver Messenger Service
Maiden Of The Cancer Moon
95 bpm • A Maj • 02:51 • -14.4db
27% Popularity • 37% Danceability • 36% Energy • 61% Liveness
86% Instrumentalness • 27% Positiveness
27% Popularity • 37% Danceability • 36% Energy • 61% Liveness
86% Instrumentalness • 27% Positiveness
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Duane Allman
No Money Down
96 bpm • C Maj • 03:27 • -13.28db
25% Popularity • 53% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 53% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Mudcrutch
June Apple
96 bpm • C Maj • 02:25 • -10.18db
24% Popularity • 48% Danceability • 74% Energy • 32% Liveness
93% Instrumentalness • 97% Positiveness
24% Popularity • 48% Danceability • 74% Energy • 32% Liveness
93% Instrumentalness • 97% Positiveness
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Johnny Jenkins
Down Along The Cove
96 bpm • C Maj • 03:04 • -9.94db
30% Popularity • 64% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
30% Popularity • 64% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Hot Tuna
Watch the North Wind Rise
94 bpm • F# Maj • 04:39 • -11.73db
12% Popularity • 38% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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John Mayall
Took The Car
97 bpm • A# min • 04:08 • -10.26db
11% Popularity • 60% Danceability • 60% Energy • 14% Liveness
43% Instrumentalness • 90% Positiveness
11% Popularity • 60% Danceability • 60% Energy • 14% Liveness
43% Instrumentalness • 90% Positiveness
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Stephen Stills
Go Back Home
96 bpm • G Maj • 05:54 • -10.12db
38% Popularity • 65% Danceability • 54% Energy • 18% Liveness
56% Instrumentalness • 60% Positiveness
38% Popularity • 65% Danceability • 54% Energy • 18% Liveness
56% Instrumentalness • 60% Positiveness
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The Radiators
Zigzagging Through Ghostland
97 bpm • B min • 03:41 • -10.31db
28% Popularity • 56% Danceability • 73% Energy • 8% Liveness
5% Instrumentalness • 86% Positiveness
28% Popularity • 56% Danceability • 73% Energy • 8% Liveness
5% Instrumentalness • 86% Positiveness
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Paul Kantner
Walkin' - 2020 Remaster
97 bpm • D Maj • 02:31 • -12.1db
14% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Quicksilver Messenger Service
How You Love
97 bpm • E Maj • 02:45 • -12.94db
29% Popularity • 39% Danceability • 80% Energy • 19% Liveness
81% Instrumentalness • 52% Positiveness
29% Popularity • 39% Danceability • 80% Energy • 19% Liveness
81% Instrumentalness • 52% Positiveness
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Hot Tuna
Watch the North Wind Rise
96 bpm • F# Maj • 04:14 • -10.59db
14% Popularity • 35% Danceability • 70% Energy • 19% Liveness
2% Instrumentalness • 47% Positiveness
14% Popularity • 35% Danceability • 70% Energy • 19% Liveness
2% Instrumentalness • 47% Positiveness
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John Mayall
The Laws Must Change
97 bpm • F Maj • 07:22 • -9db
24% Popularity • 56% Danceability • 82% Energy • 70% Liveness
7% Instrumentalness • 80% Positiveness
24% Popularity • 56% Danceability • 82% Energy • 70% Liveness
7% Instrumentalness • 80% Positiveness
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Ian Hunter
All American Alien Boy
97 bpm • C# Maj • 07:07 • -10db
21% Popularity • 62% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 62% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Lonnie Mack
Oreo Cookie Blues
97 bpm • E Maj • 04:54 • -10db
37% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Dickey Betts
Blue Sky - Live, Bonn, 2008
97 bpm • G Maj • 09:30 • -7.3db
25% Popularity • 46% Danceability • 79% Energy • 39% Liveness
9% Instrumentalness • 46% Positiveness
25% Popularity • 46% Danceability • 79% Energy • 39% Liveness
9% Instrumentalness • 46% Positiveness
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Jefferson Airplane
Third Week in the Chelsea
98 bpm • E Maj • 04:35 • -16.64db
24% Popularity • 42% Danceability • 34% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
24% Popularity • 42% Danceability • 34% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
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Hot Tuna
Let Us Get Together Right Down Here
96 bpm • G Maj • 03:27 • -13.11db
20% Popularity • 53% Danceability • 53% Energy • 28% Liveness
11% Instrumentalness • 84% Positiveness
20% Popularity • 53% Danceability • 53% Energy • 28% Liveness
11% Instrumentalness • 84% Positiveness
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Paul Kantner/Jefferson Starship
Let's Go Together
98 bpm • C# Maj • 04:21 • -11.18db
13% Popularity • 36% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 36% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Pete Townshend
Catmelody
98 bpm • G Maj • 03:13 • -16.61db
15% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Quicksilver Messenger Service
Which Do You Love
98 bpm • F# min • 01:49 • -20.51db
32% Popularity • 60% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 62% Positiveness
32% Popularity • 60% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 62% Positiveness
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Old & In The Way
Land of the Navajo
98 bpm • E min • 07:21 • -17.37db
26% Popularity • 43% Danceability • 32% Energy • 77% Liveness
36% Instrumentalness • 68% Positiveness
26% Popularity • 43% Danceability • 32% Energy • 77% Liveness
36% Instrumentalness • 68% Positiveness
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Danny Gatton
Red Label
98 bpm • A Maj • 05:06 • -8.67db
13% Popularity • 58% Danceability • 90% Energy • 10% Liveness
85% Instrumentalness • 91% Positiveness
13% Popularity • 58% Danceability • 90% Energy • 10% Liveness
85% Instrumentalness • 91% Positiveness
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Hot Tuna
Bar Room Crystal Ball
97 bpm • A# Maj • 06:49 • -5.3db
9% Popularity • 26% Danceability • 83% Energy • 12% Liveness
78% Instrumentalness • 42% Positiveness
9% Popularity • 26% Danceability • 83% Energy • 12% Liveness
78% Instrumentalness • 42% Positiveness
