Songs like Encore by Graham Nash
Based on a tempo of (+/- 10%) and a similar genre
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Graham Nash
Better Days
128 bpm • F# Maj • 03:50 • -13.48db
48% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
48% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Jim Croce
Walkin’ Back to Georgia
128 bpm • F# min • 02:51 • -16.17db
71% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
71% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Crosby, Stills & Nash
Lady of the Island - 2005 Remaster
128 bpm • F min • 02:36 • -24.37db
37% Popularity • 44% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 44% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Scott Walker
Duchess
128 bpm • B Maj • 02:48 • -20db
41% Popularity • 31% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 31% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Crazy Horse
I Don't Want to Talk About It
128 bpm • G Maj • 05:18 • -12db
36% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Leonard Cohen
Passing Through - Live
128 bpm • C Maj • 04:05 • -15.17db
33% Popularity • 52% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 52% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 47% Positiveness
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Elton John
Mona Lisas And Mad Hatters
129 bpm • C Maj • 05:00 • -11.22db
60% Popularity • 51% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
60% Popularity • 51% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Van Morrison
The Way Young Lovers Do - 1999 Remaster
127 bpm • A min • 03:17 • -12.24db
43% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Richard & Linda Thompson
A Heart Needs A Home - Alternate Version
127 bpm • A# Maj • 04:03 • -16.2db
9% Popularity • 38% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 19% Positiveness
9% Popularity • 38% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 19% Positiveness
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Dave Mason
Sad And Deep As You
129 bpm • E min • 03:36 • -20.11db
30% Popularity • 55% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
30% Popularity • 55% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Joan Armatrading
Spend A Little Time - 2015 Remastered Ve...
129 bpm • A# Maj • 02:24 • -9.96db
32% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Graham Nash
Better Days - 2008 Stereo Mix
127 bpm • F# Maj • 03:52 • -7.79db
17% Popularity • 55% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 55% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Elton John
Amoreena
129 bpm • C Maj • 05:02 • -10db
45% Popularity • 56% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 56% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Van Morrison
Cyprus Avenue - 1999 Remaster
127 bpm • A# Maj • 06:59 • -14.63db
43% Popularity • 48% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 48% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Badfinger
I Don't Mind - Remastered 2010
127 bpm • D Maj • 03:13 • -11.04db
31% Popularity • 57% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 57% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Bruce Springsteen
Nebraska
129 bpm • F# Maj • 04:29 • -15.9db
46% Popularity • 38% Danceability • 7% Energy • 38% Liveness
2% Instrumentalness • 15% Positiveness
46% Popularity • 38% Danceability • 7% Energy • 38% Liveness
2% Instrumentalness • 15% Positiveness
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Jimmie Spheeris
Come Back
126 bpm • F# Maj • 04:25 • -16.35db
11% Popularity • 56% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 34% Positiveness
11% Popularity • 56% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 34% Positiveness
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Gerry Rafferty
Mattie's Rag
126 bpm • D min • 03:26 • -14db
35% Popularity • 65% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 65% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Duncan Browne
My Only Son - 2002 Remaster
130 bpm • D Maj • 04:12 • -13db
15% Popularity • 60% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
15% Popularity • 60% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
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Van Morrison
Almost Independence Day
127 bpm • C Maj • 10:07 • -12.54db
29% Popularity • 51% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 51% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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The Flying Burrito Brothers
Wild Horses
130 bpm • G Maj • 06:20 • -12.2db
44% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Graham Nash
Simple Man - 2008 Stereo Mix
130 bpm • C Maj • 02:21 • -11db
21% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Carole King
Smackwater Jack
126 bpm • G Maj • 03:41 • -8.88db
45% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Jim Croce
Operator (That's Not the Way It Feels)
130 bpm • G Maj • 03:49 • -8.85db
73% Popularity • 69% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
73% Popularity • 69% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Roches
Mr. Sellack
131 bpm • D Maj • 04:03 • -19db
30% Popularity • 69% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 69% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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The Rolling Stones
Moonlight Mile - 2009 Mix
131 bpm • G Maj • 05:57 • -6db
53% Popularity • 42% Danceability • 50% Energy • 10% Liveness
9% Instrumentalness • 24% Positiveness
53% Popularity • 42% Danceability • 50% Energy • 10% Liveness
9% Instrumentalness • 24% Positiveness
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Jesse Colin Young
Morning Sun
126 bpm • B Maj • 04:04 • -6db
41% Popularity • 68% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
41% Popularity • 68% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
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Graham Nash
Another Sleep Song
131 bpm • C# min • 04:42 • -23db
22% Popularity • 61% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
22% Popularity • 61% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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Richard & Linda Thompson
Down Where The Drunkards Roll
125 bpm • A# Maj • 04:06 • -14.1db
26% Popularity • 44% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
26% Popularity • 44% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Jackson C. Frank
Cover Me With Roses
125 bpm • D Maj • 02:31 • -12.82db
30% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Tim Buckley
Hong Kong Bar
125 bpm • D Maj • 06:57 • -15.4db
21% Popularity • 75% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
21% Popularity • 75% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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John Martyn
Ballad Of An Elder Woman
131 bpm • G Maj • 02:40 • -10.81db
23% Popularity • 54% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 54% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Steve Miller Band
Dear Mary
131 bpm • C Maj • 03:34 • -21.55db
20% Popularity • 49% Danceability • 16% Energy • 12% Liveness
39% Instrumentalness • 26% Positiveness
20% Popularity • 49% Danceability • 16% Energy • 12% Liveness
39% Instrumentalness • 26% Positiveness
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Graham Nash
Simple Man
131 bpm • C Maj • 02:18 • -14.81db
37% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Neil Young
Birds - Demo
131 bpm • G Maj • 03:36 • -15.87db
21% Popularity • 46% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 46% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Gordon Lightfoot
The Way I Feel
125 bpm • B min • 03:45 • -14.43db
29% Popularity • 63% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 59% Positiveness
29% Popularity • 63% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 59% Positiveness
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Jim Croce
New York's Not My Home
131 bpm • B min • 03:07 • -9.2db
52% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Grin
Everybody's Missin' the Sun
125 bpm • G Maj • 02:41 • -10db
29% Popularity • 69% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 69% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Little Feat
Trouble
125 bpm • G Maj • 02:17 • -8.11db
38% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Eric Clapton
Sign Language
132 bpm • E min • 02:56 • -12.94db
31% Popularity • 66% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 66% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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America
Three Roses
124 bpm • B min • 03:53 • -13db
43% Popularity • 76% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
43% Popularity • 76% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Acoustic Junction
Dancin' For You
132 bpm • E Maj • 03:14 • -12.77db
3% Popularity • 42% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
3% Popularity • 42% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Tim Buckley
Sing a Song for You
132 bpm • F# Maj • 02:41 • -19db
35% Popularity • 36% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 36% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Ronnie Wood
Far East Man
132 bpm • F# min • 04:40 • -13.45db
28% Popularity • 52% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 52% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Pete Townshend
Pure And Easy - Remastered 2017
124 bpm • C Maj • 05:32 • -9db
30% Popularity • 66% Danceability • 73% Energy • 15% Liveness
13% Instrumentalness • 64% Positiveness
30% Popularity • 66% Danceability • 73% Energy • 15% Liveness
13% Instrumentalness • 64% Positiveness
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James Taylor
Hey Mister, That's Me up on the Jukebox ...
132 bpm • G min • 03:48 • -16.33db
29% Popularity • 53% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 53% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Warren Zevon
Hasten Down the Wind
133 bpm • F Maj • 02:59 • -10.21db
28% Popularity • 50% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 50% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Van Morrison
Purple Heather
124 bpm • G Maj • 05:43 • -11.15db
38% Popularity • 61% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
38% Popularity • 61% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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The Ozark Mountain Daredevils
It Could Be Better
133 bpm • A Maj • 04:23 • -18.04db
19% Popularity • 53% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 32% Positiveness
19% Popularity • 53% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 32% Positiveness
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Iain Matthews
Hearts
133 bpm • A Maj • 03:01 • -14.35db
12% Popularity • 60% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 60% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Eric Andersen
Thirsty Boots
133 bpm • B Maj • 05:13 • -14.81db
23% Popularity • 57% Danceability • 40% Energy • 12% Liveness
9% Instrumentalness • 74% Positiveness
23% Popularity • 57% Danceability • 40% Energy • 12% Liveness
9% Instrumentalness • 74% Positiveness
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Derek & The Dominos
Bell Bottom Blues
133 bpm • D Maj • 05:01 • -6.16db
55% Popularity • 40% Danceability • 70% Energy • 16% Liveness
4% Instrumentalness • 65% Positiveness
55% Popularity • 40% Danceability • 70% Energy • 16% Liveness
4% Instrumentalness • 65% Positiveness
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Graham Nash
There's Only One
123 bpm • D Maj • 04:01 • -14.78db
24% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Pete Townshend
Till The Rivers All Run Dry
123 bpm • E Maj • 03:52 • -22db
34% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
34% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
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Big Star
Try Again
133 bpm • G Maj • 03:32 • -11.45db
27% Popularity • 46% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 46% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Warren Zevon
Studebaker
134 bpm • G Maj • 02:26 • -13.06db
13% Popularity • 52% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
13% Popularity • 52% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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RodrÃguez
It Started Out So Nice
134 bpm • C Maj • 04:01 • -8.45db
36% Popularity • 49% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 49% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Bonnie Raitt
That Song About the Midway - 2008 Remast...
123 bpm • A Maj • 04:44 • -10.04db
28% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Graham Nash
Horses Through a Rainstorm (Demo) - 2021...
123 bpm • C# Maj • 03:51 • -13.51db
19% Popularity • 79% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 79% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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The Beach Boys
Long Promised Road - Remastered 2009
122 bpm • C Maj • 03:32 • -11.44db
36% Popularity • 58% Danceability • 39% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 58% Danceability • 39% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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Van Morrison
Slim Slow Slider - 1999 Remaster
134 bpm • G Maj • 03:17 • -18db
36% Popularity • 46% Danceability • 13% Energy • 23% Liveness
2% Instrumentalness • 18% Positiveness
36% Popularity • 46% Danceability • 13% Energy • 23% Liveness
2% Instrumentalness • 18% Positiveness
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Lou Reed
Crazy Feeling
122 bpm • G Maj • 02:54 • -6db
43% Popularity • 80% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 80% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Melanie
Ring the Living Bell
134 bpm • A# Maj • 05:04 • -11.85db
28% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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The Flying Burrito Brothers
I Shall Be Released
134 bpm • F# Maj • 01:33 • -16.66db
42% Popularity • 59% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 59% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Graham Nash
There's Only One - 2008 Stereo Mix
123 bpm • D Maj • 03:57 • -6.12db
9% Popularity • 55% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 55% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Buffalo Springfield
Bluebird
122 bpm • G Maj • 04:35 • -10.85db
42% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Van Morrison
Madame George - 1999 Remaster
134 bpm • G Maj • 09:45 • -16db
40% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Karen Dalton
Reason to Believe
134 bpm • G Maj • 02:24 • -21db
43% Popularity • 36% Danceability • 7% Energy • 15% Liveness
59% Instrumentalness • 24% Positiveness
43% Popularity • 36% Danceability • 7% Energy • 15% Liveness
59% Instrumentalness • 24% Positiveness
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Dillard & Clark
Train Leaves Here This Mornin
122 bpm • B Maj • 03:48 • -13.62db
32% Popularity • 59% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 59% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Faces
Love Lives Here
135 bpm • A# Maj • 03:06 • -9.93db
34% Popularity • 51% Danceability • 43% Energy • 8% Liveness
38% Instrumentalness • 40% Positiveness
34% Popularity • 51% Danceability • 43% Energy • 8% Liveness
38% Instrumentalness • 40% Positiveness
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Graham Nash
And so It Goes
135 bpm • F Maj • 04:48 • -16.72db
20% Popularity • 58% Danceability • 38% Energy • 26% Liveness
18% Instrumentalness • 48% Positiveness
20% Popularity • 58% Danceability • 38% Energy • 26% Liveness
18% Instrumentalness • 48% Positiveness
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Pete Townshend
Keep Me Turning
121 bpm • G Maj • 03:46 • -17.56db
21% Popularity • 68% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 68% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Van Morrison
Ballerina - 1999 Remaster
135 bpm • G Maj • 07:03 • -15db
35% Popularity • 44% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 44% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Spirit
Why Can't I Be Free
121 bpm • D Maj • 01:05 • -14.51db
32% Popularity • 37% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 37% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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John Prine
Hello in There
135 bpm • C Maj • 04:32 • -17db
48% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
48% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Al Stewart
In Brooklyn - 2007 Remaster
121 bpm • D Maj • 03:43 • -10.65db
11% Popularity • 47% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 47% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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The Flying Burrito Brothers
Colorado
135 bpm • B Maj • 04:52 • -13db
34% Popularity • 46% Danceability • 43% Energy • 20% Liveness
13% Instrumentalness • 38% Positiveness
34% Popularity • 46% Danceability • 43% Energy • 20% Liveness
13% Instrumentalness • 38% Positiveness
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John Martyn
Golden Girl
135 bpm • F Maj • 02:30 • -14.14db
27% Popularity • 47% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 47% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Tim Buckley
Buzzin' Fly
121 bpm • F Maj • 06:04 • -13db
41% Popularity • 46% Danceability • 32% Energy • 20% Liveness
3% Instrumentalness • 42% Positiveness
41% Popularity • 46% Danceability • 32% Energy • 20% Liveness
3% Instrumentalness • 42% Positiveness
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Pete Townshend
Street In The City
136 bpm • G Maj • 06:08 • -21.09db
18% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Van Morrison
Redwood Tree
120 bpm • D Maj • 03:05 • -9db
43% Popularity • 60% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 60% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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The Stills-Young Band
Fontainebleau
120 bpm • C Maj • 03:59 • -10.03db
21% Popularity • 48% Danceability • 55% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
21% Popularity • 48% Danceability • 55% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
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Graham Nash
Military Madness
120 bpm • C Maj • 02:56 • -11db
37% Popularity • 58% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 58% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Ronnie Wood
Mystifies Me
136 bpm • A Maj • 03:19 • -11.47db
30% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Tim Buckley
Once I Was
121 bpm • C# Maj • 03:23 • -10db
47% Popularity • 34% Danceability • 43% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
47% Popularity • 34% Danceability • 43% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
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Steve Forbert
Goin' Down to Laurel
120 bpm • D Maj • 05:00 • -13db
28% Popularity • 64% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 64% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Fred Neil
Everybody's Talkin'
120 bpm • D Maj • 02:44 • -13db
45% Popularity • 67% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 67% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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James Taylor
Sunny Skies - 2019 Remaster
120 bpm • C Maj • 02:21 • -21.28db
46% Popularity • 81% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 81% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Graham Nash
Military Madness - 2008 Stereo Mix
120 bpm • C Maj • 03:30 • -6.16db
17% Popularity • 58% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 58% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Ellen McIlwaine
All To You
137 bpm • F# Maj • 03:05 • -10.51db
21% Popularity • 54% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 54% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Nesmith
Different Drum
137 bpm • G Maj • 03:01 • -14.39db
22% Popularity • 49% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 49% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Jackson C. Frank
Spanish Moss
120 bpm • E Maj • 04:30 • -14db
26% Popularity • 65% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 65% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Crosby, Stills, Nash & Young
Deja Vu
137 bpm • B min • 04:12 • -15.92db
47% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
47% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
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Jesse Colin Young
Ridgetop
119 bpm • D Maj • 07:02 • -5.74db
37% Popularity • 65% Danceability • 82% Energy • 22% Liveness
4% Instrumentalness • 78% Positiveness
37% Popularity • 65% Danceability • 82% Energy • 22% Liveness
4% Instrumentalness • 78% Positiveness
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Buffalo Springfield
On the Way Home
119 bpm • F Maj • 02:30 • -12db
49% Popularity • 66% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 66% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Graham Nash
Wild Tales
137 bpm • G Maj • 02:20 • -15.22db
30% Popularity • 66% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 66% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Melanie
Steppin'
119 bpm • A Maj • 03:27 • -15.3db
22% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Robert Lester Folsom
Biding My Time
138 bpm • A Maj • 03:28 • -12.6db
21% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
