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End of the Journey
Songs like
End of the Journey
by
James Graydon
Based on a tempo of (+/- 10%) and a similar genre
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Jim Plamondon
Mist the Mark
145 bpm • C Maj • 04:05 • -10.94db
10% Popularity • 58% Danceability • 37% Energy • 11% Liveness
53% Instrumentalness • 19% Positiveness
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Steve Smith
Crash Course
145 bpm • F# Maj • 07:00 • -8db
20% Popularity • 52% Danceability • 65% Energy • 7% Liveness
86% Instrumentalness • 34% Positiveness
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Brett Garsed
Colliding Chimps
145 bpm • D Maj • 06:16 • -6db
14% Popularity • 54% Danceability • 84% Energy • 25% Liveness
38% Instrumentalness • 73% Positiveness
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The Aristocrats
Get It Like That
145 bpm • D min • 07:46 • -9db
30% Popularity • 47% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
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Pete Thorn
Homage
146 bpm • E Maj • 03:12 • -4.46db
22% Popularity • 45% Danceability • 89% Energy • 10% Liveness
74% Instrumentalness • 46% Positiveness
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Cristiano Parato
Pillow
144 bpm • A Maj • 01:45 • -21db
33% Popularity • 39% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Nili Brosh
Cartagena
144 bpm • A min • 02:06 • -12.79db
12% Popularity • 68% Danceability • 58% Energy • 15% Liveness
79% Instrumentalness • 86% Positiveness
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Jan Cyrka
Heart of Mine
144 bpm • G Maj • 01:56 • -7db
35% Popularity • 60% Danceability • 50% Energy • 10% Liveness
71% Instrumentalness • 61% Positiveness
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Paul Gilbert
I Own A Building
144 bpm • F# min • 04:52 • -9db
24% Popularity • 35% Danceability • 62% Energy • 9% Liveness
95% Instrumentalness • 55% Positiveness
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Greg Howe
Desiderata
144 bpm • F# min • 02:56 • -21.6db
19% Popularity • 36% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 49% Positiveness
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Matteo Mancuso
The Journey
143 bpm • D Maj • 04:24 • -18.72db
30% Popularity • 53% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 24% Positiveness
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Lee Ritenour
Abbot Kinney
142 bpm • B min • 03:13 • -7.83db
20% Popularity • 46% Danceability • 33% Energy • 13% Liveness
89% Instrumentalness • 33% Positiveness
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Mr. Fastfinger
Beach at Night (1985)
148 bpm • G# Maj • 03:48 • -7.86db
25% Popularity • 66% Danceability • 63% Energy • 23% Liveness
81% Instrumentalness • 66% Positiveness
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Daniele Gottardo
Marrakech Market
148 bpm • G min • 04:30 • -4.56db
26% Popularity • 27% Danceability • 69% Energy • 40% Liveness
61% Instrumentalness • 42% Positiveness
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Paul Gilbert
Blues For Rabbit
144 bpm • D Maj • 05:18 • -7db
22% Popularity • 39% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 70% Positiveness
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Steve Smith
Dangerous Curves
142 bpm • F# min • 06:39 • -9.49db
10% Popularity • 54% Danceability • 88% Energy • 13% Liveness
78% Instrumentalness • 47% Positiveness
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Jack Thammarat
Lonesome Night
142 bpm • A min • 04:36 • -8db
20% Popularity • 50% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
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Frank Gambale
Up In Beachwood
142 bpm • D Maj • 06:55 • -10db
23% Popularity • 58% Danceability • 55% Energy • 27% Liveness
27% Instrumentalness • 65% Positiveness
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Pete Thorn
Revenge Of The Nerd
141 bpm • F# Maj • 04:34 • -4.07db
23% Popularity • 52% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 54% Positiveness
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Tim Pierce
I Made It So
149 bpm • F Maj • 06:19 • -11.9db
12% Popularity • 60% Danceability • 67% Energy • 9% Liveness
79% Instrumentalness • 92% Positiveness
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Chris Hasler
Scoop
140 bpm • A min • 05:19 • -4.56db
8% Popularity • 15% Danceability • 91% Energy • 23% Liveness
88% Instrumentalness • 38% Positiveness
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Mr. Fastfinger
Flight Mode
150 bpm • C Maj • 04:14 • -13.06db
11% Popularity • 47% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
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James Graydon
Pain Barrier
140 bpm • G Maj • 03:26 • -9.87db
0% Popularity • 47% Danceability • 82% Energy • 28% Liveness
83% Instrumentalness • 24% Positiveness
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Harry Valentine
You Gotta
140 bpm • C min • 03:14 • -9.09db
0% Popularity • 58% Danceability • 74% Energy • 10% Liveness
45% Instrumentalness • 43% Positiveness
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Cristiano Parato
Pinball Mania
150 bpm • G Maj • 02:45 • -10.52db
16% Popularity • 62% Danceability • 51% Energy • 10% Liveness
81% Instrumentalness • 71% Positiveness
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Jack Thammarat
Never Again
140 bpm • D Maj • 04:20 • -6.24db
30% Popularity • 24% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Jeremy Godfrey
Mustachio
140 bpm • D Maj • 03:00 • -7.48db
1% Popularity • 66% Danceability • 92% Energy • 9% Liveness
82% Instrumentalness • 98% Positiveness
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Drift Lab
Japanese Experiment
140 bpm • A min • 07:05 • -14.26db
19% Popularity • 58% Danceability • 60% Energy • 5% Liveness
91% Instrumentalness • 44% Positiveness
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James Graydon
The Blow Up
140 bpm • A min • 02:44 • -8.2db
0% Popularity • 48% Danceability • 93% Energy • 27% Liveness
84% Instrumentalness • 26% Positiveness
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Daniele Gottardo
Frenzy of Ecstasy
140 bpm • F Maj • 05:21 • -5.99db
18% Popularity • 38% Danceability • 65% Energy • 21% Liveness
40% Instrumentalness • 26% Positiveness
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Adam Nitti
Antisocialmedia
140 bpm • E min • 06:48 • -8db
22% Popularity • 34% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
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Vinnie Colaiuta
Going Nowhere
140 bpm • E min • 06:16 • -11.23db
13% Popularity • 57% Danceability • 58% Energy • 9% Liveness
16% Instrumentalness • 17% Positiveness
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Steve Vai
And We Are One
140 bpm • D min • 05:22 • -8.89db
15% Popularity • 46% Danceability • 50% Energy • 26% Liveness
4% Instrumentalness • 30% Positiveness
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Greg Howe
Key to Open
139 bpm • G min • 01:50 • -14.06db
21% Popularity • 45% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
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Jason Becker
Blue
139 bpm • E Maj • 04:46 • -12.6db
33% Popularity • 54% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
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Liquid Tension Experiment
Liquid Evolution
139 bpm • B min • 03:22 • -10.8db
31% Popularity • 55% Danceability • 59% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
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Nili Brosh
The Spring Tune
139 bpm • A min • 04:09 • -6.02db
24% Popularity • 23% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
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Guthrie Govan
The Outsider
152 bpm • B min • 05:14 • -7.66db
31% Popularity • 52% Danceability • 54% Energy • 12% Liveness
72% Instrumentalness • 25% Positiveness
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Steve Vai
Hand On Heart
152 bpm • B Maj • 05:25 • -5.97db
28% Popularity • 30% Danceability • 56% Energy • 7% Liveness
74% Instrumentalness • 31% Positiveness
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Alexis Da Rosa
EfÃmero
138 bpm • D min • 01:45 • -13.17db
38% Popularity • 66% Danceability • 41% Energy • 11% Liveness
48% Instrumentalness • 26% Positiveness
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Greg Howe
The Portrait
152 bpm • F# Maj • 03:19 • -17.74db
10% Popularity • 48% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Jeff Kollman
The Mass Exodus
138 bpm • D min • 06:35 • -7.18db
8% Popularity • 47% Danceability • 81% Energy • 42% Liveness
20% Instrumentalness • 30% Positiveness
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James Graydon
Lonely Roads
138 bpm • A min • 03:23 • -13.41db
0% Popularity • 56% Danceability • 42% Energy • 14% Liveness
95% Instrumentalness • 16% Positiveness
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Redtenbacher's Funkestra
Ghostfish - Masterlink Sessions
138 bpm • C Maj • 02:53 • -13.42db
35% Popularity • 70% Danceability • 32% Energy • 20% Liveness
79% Instrumentalness • 41% Positiveness
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Pete Thorn
In Good Company
138 bpm • B min • 04:17 • -8.1db
17% Popularity • 44% Danceability • 81% Energy • 11% Liveness
72% Instrumentalness • 40% Positiveness
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Lee Ritenour's 6 String Theory
Fives
153 bpm • G Maj • 04:33 • -5db
22% Popularity • 43% Danceability • 76% Energy • 7% Liveness
74% Instrumentalness • 52% Positiveness
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Nili Brosh
Silence of Saturday
138 bpm • F# min • 04:55 • -7.61db
30% Popularity • 53% Danceability • 68% Energy • 13% Liveness
88% Instrumentalness • 42% Positiveness
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Wayne Krantz
Lynxpaw
153 bpm • A# Maj • 01:40 • -9.83db
31% Popularity • 53% Danceability • 61% Energy • 22% Liveness
47% Instrumentalness • 79% Positiveness
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Jan Cyrka
Hairy Times
137 bpm • E Maj • 02:17 • -4.32db
30% Popularity • 39% Danceability • 84% Energy • 13% Liveness
78% Instrumentalness • 43% Positiveness
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Michael Lee Firkins
Deja Blues
153 bpm • A Maj • 06:27 • -15.21db
15% Popularity • 36% Danceability • 45% Energy • 12% Liveness
12% Instrumentalness • 25% Positiveness
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Pete Thorn
Promise
154 bpm • D# min • 01:43 • -12.83db
34% Popularity • 44% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
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James Nisbet
Grid Iron
154 bpm • C Maj • 03:08 • -8.39db
0% Popularity • 44% Danceability • 80% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Greg Howe
Emergency Exit
155 bpm • D Maj • 07:31 • -7db
12% Popularity • 35% Danceability • 86% Energy • 8% Liveness
72% Instrumentalness • 57% Positiveness
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Shawn Lane
Maria
135 bpm • A Maj • 05:46 • -10.06db
13% Popularity • 53% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
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Clive Carroll
Bossa Tropicale
154 bpm • E min • 02:19 • -11db
28% Popularity • 80% Danceability • 38% Energy • 10% Liveness
76% Instrumentalness • 65% Positiveness
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James Graydon
Final Showdown
135 bpm • C min • 03:21 • -9.86db
0% Popularity • 58% Danceability • 86% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Michael Lee Firkins
Trinity Road
137 bpm • C Maj • 05:12 • -11.01db
12% Popularity • 53% Danceability • 33% Energy • 19% Liveness
38% Instrumentalness • 19% Positiveness
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Jam Track Central
Time to Let Her Go
135 bpm • G# Maj • 02:01 • -6.27db
30% Popularity • 63% Danceability • 65% Energy • 10% Liveness
5% Instrumentalness • 45% Positiveness
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Pete Thorn
Rosemary
156 bpm • D Maj • 02:05 • -11.54db
22% Popularity • 47% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
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Jack Thammarat
The Sky Was the Limit
156 bpm • A Maj • 04:17 • -4.76db
24% Popularity • 39% Danceability • 95% Energy • 13% Liveness
82% Instrumentalness • 54% Positiveness
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Lucinda Barry
Master of the Game - Instrumental Versio...
156 bpm • F# min • 03:58 • -12.38db
3% Popularity • 61% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Jan Cyrka
Graduation
156 bpm • D Maj • 04:33 • -6.8db
25% Popularity • 16% Danceability • 67% Energy • 16% Liveness
90% Instrumentalness • 44% Positiveness
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Stel Andre
Heartfelt Ballad Solo
156 bpm • D Maj • 02:33 • -2.4db
21% Popularity • 44% Danceability • 77% Energy • 53% Liveness
59% Instrumentalness • 61% Positiveness
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Guthrie Govan
Waves
156 bpm • A Maj • 05:08 • -5db
43% Popularity • 32% Danceability • 94% Energy • 96% Liveness
30% Instrumentalness • 46% Positiveness
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Josh Smith
Fat Hair
134 bpm • A min • 03:42 • -7db
22% Popularity • 64% Danceability • 51% Energy • 7% Liveness
51% Instrumentalness • 41% Positiveness
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James Graydon
Winner Takes All
134 bpm • E min • 03:15 • -8db
0% Popularity • 62% Danceability • 68% Energy • 9% Liveness
66% Instrumentalness • 74% Positiveness
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Cosmosquad
Sangfroid
134 bpm • A min • 05:12 • -7.1db
9% Popularity • 67% Danceability • 80% Energy • 13% Liveness
88% Instrumentalness • 70% Positiveness
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Jack Thammarat
Before Its Too Late
134 bpm • E min • 05:44 • -7.45db
20% Popularity • 51% Danceability • 58% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Luca Mantovanelli
Misty (Guitar arrangement)
133 bpm • C min • 02:06 • -24.66db
30% Popularity • 44% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Tobin Mueller
Moanin' Monk
133 bpm • C min • 04:54 • -5.97db
24% Popularity • 50% Danceability • 72% Energy • 10% Liveness
65% Instrumentalness • 80% Positiveness
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Jeremy Godfrey
Hawaii
158 bpm • E min • 03:16 • -5.96db
0% Popularity • 54% Danceability • 91% Energy • 28% Liveness
91% Instrumentalness • 78% Positiveness
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James Graydon
Sun Catching
133 bpm • D min • 02:34 • -9.24db
0% Popularity • 50% Danceability • 81% Energy • 36% Liveness
77% Instrumentalness • 69% Positiveness
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Bumblefoot
Cintaku
133 bpm • C# min • 04:47 • -6db
28% Popularity • 57% Danceability • 88% Energy • 9% Liveness
44% Instrumentalness • 35% Positiveness
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Cosmosquad
El Perro Vaila
134 bpm • B min • 05:28 • -11db
25% Popularity • 57% Danceability • 83% Energy • 10% Liveness
87% Instrumentalness • 65% Positiveness
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Steve Vai
Warm Regards
133 bpm • C Maj • 04:06 • -9.31db
25% Popularity • 66% Danceability • 57% Energy • 21% Liveness
82% Instrumentalness • 59% Positiveness
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Daniele Gottardo
Hansel & Gretel
132 bpm • F# min • 05:05 • -6.6db
21% Popularity • 42% Danceability • 53% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Scott Henderson
Dolemite
133 bpm • C# Maj • 05:52 • -6db
34% Popularity • 65% Danceability • 91% Energy • 42% Liveness
92% Instrumentalness • 74% Positiveness
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Charles Berthoud
Don't Look Back Again
132 bpm • G Maj • 03:12 • -10.4db
29% Popularity • 69% Danceability • 83% Energy • 11% Liveness
86% Instrumentalness • 90% Positiveness
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Greg Howe
Shady Lane
132 bpm • G# Maj • 05:48 • -7.77db
24% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Aristocrats
Spiritus Cactus
132 bpm • G# min • 05:59 • -8.14db
21% Popularity • 55% Danceability • 80% Energy • 9% Liveness
88% Instrumentalness • 41% Positiveness
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Nick Johnston
Every Drop of Blood, Pt. I
160 bpm • F Maj • 05:27 • -8.61db
20% Popularity • 25% Danceability • 53% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Frank Gambale
Little Charmer
132 bpm • G Maj • 05:38 • -10.35db
25% Popularity • 60% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 76% Positiveness
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Scott Henderson
Church Of Xotic Dance
132 bpm • G Maj • 07:20 • -9.72db
16% Popularity • 57% Danceability • 62% Energy • 17% Liveness
80% Instrumentalness • 21% Positiveness
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Luca Mantovanelli
Dream Part 2
160 bpm • E min • 01:20 • -7.8db
38% Popularity • 57% Danceability • 65% Energy • 13% Liveness
87% Instrumentalness • 59% Positiveness
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Jack Thammarat
Midnight Rain
160 bpm • D Maj • 01:33 • -8.96db
32% Popularity • 46% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Guthrie Trapp
Commodity
160 bpm • B min • 04:24 • -5.94db
27% Popularity • 53% Danceability • 64% Energy • 17% Liveness
78% Instrumentalness • 46% Positiveness
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Max Jeschek
The Inner Track
160 bpm • F# min • 04:46 • -6.51db
11% Popularity • 34% Danceability • 62% Energy • 7% Liveness
73% Instrumentalness • 40% Positiveness
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Shawn Lane
Peace in Mississippi
160 bpm • G Maj • 03:54 • -8db
19% Popularity • 34% Danceability • 77% Energy • 14% Liveness
91% Instrumentalness • 49% Positiveness
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Phil Buckle
Keep It Up
160 bpm • B min • 02:54 • -4.36db
14% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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James Graydon
The Upside
160 bpm • E Maj • 03:02 • -15.11db
0% Popularity • 67% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 98% Positiveness
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Jack Thammarat
Awakening
160 bpm • F# min • 04:10 • -6.59db
23% Popularity • 30% Danceability • 82% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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Kiko Loureiro
No Gravity
160 bpm • E Maj • 04:23 • -6.23db
34% Popularity • 49% Danceability • 82% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
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Virgil Donati
Red Air
160 bpm • F# Maj • 05:51 • -4.55db
20% Popularity • 52% Danceability • 84% Energy • 13% Liveness
83% Instrumentalness • 42% Positiveness
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Patrik Carlsson
Oriental Touch
160 bpm • E min • 04:07 • -5.39db
11% Popularity • 57% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 85% Positiveness
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Nili Brosh
A Matter of Perception
160 bpm • A# Maj • 05:31 • -5.71db
23% Popularity • 40% Danceability • 86% Energy • 35% Liveness
88% Instrumentalness • 52% Positiveness
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Alain Caron
Cross Checking
160 bpm • G Maj • 04:08 • -10db
11% Popularity • 44% Danceability • 80% Energy • 40% Liveness
94% Instrumentalness • 85% Positiveness
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Jack Thammarat
Back to the Start
160 bpm • E min • 03:50 • -9.89db
28% Popularity • 42% Danceability • 63% Energy • 18% Liveness
92% Instrumentalness • 62% Positiveness
► Preview
Nick Johnston
Silver Tongued Devil
130 bpm • C# min • 08:14 • -5db
21% Popularity • 39% Danceability • 90% Energy • 26% Liveness
80% Instrumentalness • 38% Positiveness
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Niacin
I Miss You (Like I Miss The Sun) - Instr...
130 bpm • E min • 04:53 • -10db
12% Popularity • 70% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
James Graydon
Big Road to Nowhere
130 bpm • D Maj • 03:33 • -8.78db
0% Popularity • 60% Danceability • 64% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
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End of the Journey