Songs like End Title - From "Star Trek: First Contact" by Jerry Goldsmith
Based on a tempo of (+/- 10%) and a similar genre
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Dave Grusin
The Goondocks (Goonies Theme)
87 bpm • A Maj • 02:04 • -19.83db
29% Popularity • 14% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
37% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
End Title
87 bpm • F Maj • 05:28 • -17db
26% Popularity • 18% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 7% Positiveness
26% Popularity • 18% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 7% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Samuel Barber
Symphony No. 2, Op. 19: I. Allegro ma no...
87 bpm • D Maj • 12:12 • -23.4db
5% Popularity • 19% Danceability • 9% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
5% Popularity • 19% Danceability • 9% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
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Dennis McCarthy
Kirk's Death
87 bpm • C Maj • 02:45 • -33.83db
16% Popularity • 9% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
16% Popularity • 9% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Rob Lane
Leaving For Philadelphia
87 bpm • D min • 02:20 • -12db
20% Popularity • 24% Danceability • 41% Energy • 15% Liveness
73% Instrumentalness • 12% Positiveness
20% Popularity • 24% Danceability • 41% Energy • 15% Liveness
73% Instrumentalness • 12% Positiveness
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Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
The Trees
86 bpm • A Maj • 06:04 • -21db
23% Popularity • 17% Danceability • 11% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 11% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Symphony No. 10 in E Minor, Op. 93: II. ...
88 bpm • A# min • 04:07 • -12db
33% Popularity • 37% Danceability • 48% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
33% Popularity • 37% Danceability • 48% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
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Stephen Barton
Make It So
86 bpm • F# Maj • 06:02 • -15.65db
28% Popularity • 9% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Brad Fiedel
It's Over - Remastered 2017
88 bpm • A Maj • 04:39 • -15db
33% Popularity • 16% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Bernard Herrmann
Prelude And Rooftop
88 bpm • A# min • 04:43 • -14.37db
28% Popularity • 15% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
28% Popularity • 15% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
Welcome Aboard, Sir
86 bpm • C Maj • 02:11 • -16.73db
24% Popularity • 12% Danceability • 31% Energy • 7% Liveness
70% Instrumentalness • 5% Positiveness
24% Popularity • 12% Danceability • 31% Energy • 7% Liveness
70% Instrumentalness • 5% Positiveness
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Jeff Russo
Walking With Number One
86 bpm • G min • 01:16 • -19.26db
18% Popularity • 20% Danceability • 9% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
18% Popularity • 20% Danceability • 9% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
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Diverse
Rachel'S Surprise / Who Wants To Live Fo...
88 bpm • E min • 04:12 • -21.73db
18% Popularity • 9% Danceability • 12% Energy • 24% Liveness
72% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 12% Energy • 24% Liveness
72% Instrumentalness • 3% Positiveness
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The London Theatre Orchestra
Ride Of The Valkyries (Theme From Apocal...
88 bpm • G Maj • 02:34 • -14db
11% Popularity • 38% Danceability • 24% Energy • 8% Liveness
94% Instrumentalness • 28% Positiveness
11% Popularity • 38% Danceability • 24% Energy • 8% Liveness
94% Instrumentalness • 28% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
29% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Thomas Newman
Wow
88 bpm • F Maj • 02:31 • -25db
47% Popularity • 20% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
47% Popularity • 20% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
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Jerry Goldsmith
The Map
88 bpm • E Maj • 01:30 • -23.38db
13% Popularity • 54% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 10% Positiveness
13% Popularity • 54% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 10% Positiveness
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Marco Beltrami
Radio
86 bpm • E Maj • 02:23 • -22.27db
23% Popularity • 11% Danceability • 7% Energy • 11% Liveness
54% Instrumentalness • 3% Positiveness
23% Popularity • 11% Danceability • 7% Energy • 11% Liveness
54% Instrumentalness • 3% Positiveness
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Christopher Young
Hellraiser
89 bpm • G# Maj • 01:42 • -18.71db
30% Popularity • 20% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Various Artists
Star Trek: Deep Space Nine Main Title - ...
89 bpm • C Maj • 01:54 • -18db
19% Popularity • 25% Danceability • 33% Energy • 16% Liveness
82% Instrumentalness • 16% Positiveness
19% Popularity • 25% Danceability • 33% Energy • 16% Liveness
82% Instrumentalness • 16% Positiveness
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Mark McKenzie
Of My Heart To Thee I Give
85 bpm • C Maj • 01:43 • -18.2db
17% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Alfred Newman
Airport (Main Title)
89 bpm • C min • 03:15 • -12db
16% Popularity • 37% Danceability • 43% Energy • 16% Liveness
93% Instrumentalness • 57% Positiveness
16% Popularity • 37% Danceability • 43% Energy • 16% Liveness
93% Instrumentalness • 57% Positiveness
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Jerry Goldsmith
No Security
86 bpm • D Maj • 03:08 • -25.84db
10% Popularity • 9% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Jeff Russo
Season 2 Main Title
89 bpm • D Maj • 01:59 • -10.8db
18% Popularity • 13% Danceability • 48% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 48% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Sign Off - Star Trek VI/Soundtrack Versi...
89 bpm • C min • 03:12 • -20.6db
22% Popularity • 12% Danceability • 4% Energy • 42% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 42% Liveness
86% Instrumentalness • 4% Positiveness
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Gottfried Huppertz
Metropolis: I. Auftakt: Die Ewigen Garte...
89 bpm • B Maj • 02:22 • -19.83db
17% Popularity • 16% Danceability • 18% Energy • 28% Liveness
88% Instrumentalness • 14% Positiveness
17% Popularity • 16% Danceability • 18% Energy • 28% Liveness
88% Instrumentalness • 14% Positiveness
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Ron Goodwin
Battle of Britain (Film Theme) - 2003 Re...
85 bpm • D# Maj • 02:20 • -11db
18% Popularity • 28% Danceability • 57% Energy • 35% Liveness
97% Instrumentalness • 13% Positiveness
18% Popularity • 28% Danceability • 57% Energy • 35% Liveness
97% Instrumentalness • 13% Positiveness
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George Fenton
Resolution
85 bpm • F Maj • 01:08 • -29.34db
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Brian Tyler
True Valor - Score
85 bpm • C Maj • 01:02 • -21.81db
10% Popularity • 11% Danceability • 13% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 13% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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Max Steiner
Tara
89 bpm • G Maj • 02:14 • -13db
22% Popularity • 20% Danceability • 28% Energy • 14% Liveness
88% Instrumentalness • 26% Positiveness
22% Popularity • 20% Danceability • 28% Energy • 14% Liveness
88% Instrumentalness • 26% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
85 bpm • C# Maj • 07:29 • -21.88db
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Joe Kraemer
Meet the IMF
90 bpm • A min • 01:47 • -14db
34% Popularity • 18% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Rob Lane
The Declaration Of Independence
84 bpm • D min • 06:05 • -17.56db
16% Popularity • 11% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
16% Popularity • 11% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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George Fenton
Ever After Main Title
89 bpm • G min • 03:32 • -20.45db
33% Popularity • 16% Danceability • 7% Energy • 22% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 7% Energy • 22% Liveness
90% Instrumentalness • 4% Positiveness
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Stephen Barton
Legacy And Future
90 bpm • D Maj • 01:44 • -13.15db
25% Popularity • 10% Danceability • 17% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 17% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Act 1 - Spain: The Great Sea
84 bpm • B min • 01:38 • -17db
17% Popularity • 21% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Samuel Barber
Souvenirs, Op. 28 (version for orchestra...
90 bpm • D# Maj • 02:25 • -27.54db
10% Popularity • 34% Danceability • 6% Energy • 34% Liveness
81% Instrumentalness • 41% Positiveness
10% Popularity • 34% Danceability • 6% Energy • 34% Liveness
81% Instrumentalness • 41% Positiveness
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Jerry Goldsmith
A New Life
84 bpm • A# Maj • 04:53 • -22.42db
21% Popularity • 14% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
21% Popularity • 14% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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Joel McNeely
Main Theme From Star Wars And Leia's Nig...
84 bpm • A# Maj • 03:47 • -16db
15% Popularity • 10% Danceability • 28% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
15% Popularity • 10% Danceability • 28% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Thomas Newman
Grand Bazaar, Istanbul
91 bpm • C min • 05:14 • -13db
30% Popularity • 25% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 25% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Samuel Barber
Cello Concerto, Op. 22: III. Molto alleg...
84 bpm • C Maj • 09:18 • -25db
8% Popularity • 18% Danceability • 6% Energy • 29% Liveness
62% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 29% Liveness
62% Instrumentalness • 6% Positiveness
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Los Angeles Philharmonic
Main Title: Theme From Battlestar Galict...
91 bpm • C Maj • 01:31 • -9.96db
32% Popularity • 18% Danceability • 37% Energy • 14% Liveness
77% Instrumentalness • 15% Positiveness
32% Popularity • 18% Danceability • 37% Energy • 14% Liveness
77% Instrumentalness • 15% Positiveness
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Ron Goodwin
The Battle of Britain Suite: VI. Epilogu...
83 bpm • D# Maj • 03:17 • -18.58db
13% Popularity • 16% Danceability • 26% Energy • 10% Liveness
63% Instrumentalness • 7% Positiveness
13% Popularity • 16% Danceability • 26% Energy • 10% Liveness
63% Instrumentalness • 7% Positiveness
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Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Ludwig Göransson
The Mandalorian - Orchestral Version
83 bpm • D min • 02:20 • -13db
44% Popularity • 48% Danceability • 24% Energy • 29% Liveness
70% Instrumentalness • 12% Positiveness
44% Popularity • 48% Danceability • 24% Energy • 29% Liveness
70% Instrumentalness • 12% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Leonard Rosenman
Company Of The Ring
83 bpm • B min • 01:39 • -14.68db
13% Popularity • 11% Danceability • 28% Energy • 15% Liveness
83% Instrumentalness • 12% Positiveness
13% Popularity • 11% Danceability • 28% Energy • 15% Liveness
83% Instrumentalness • 12% Positiveness
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Samuel Barber
Serenade, Op. 1: II. Andante con moto
83 bpm • C# Maj • 02:40 • -35db
15% Popularity • 14% Danceability • 2% Energy • 13% Liveness
56% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 2% Energy • 13% Liveness
56% Instrumentalness • 4% Positiveness
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Joe Kraemer
Suite from Jack Reacher (Digital Bonus T...
83 bpm • E min • 06:48 • -19.62db
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Diverse
The Highlander Theme Highlander - The Fi...
83 bpm • D min • 05:22 • -20.96db
29% Popularity • 20% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Main Title
91 bpm • A Maj • 03:35 • -15db
25% Popularity • 13% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
25% Popularity • 13% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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John Powell
New Tail
83 bpm • G Maj • 02:48 • -13.4db
49% Popularity • 13% Danceability • 26% Energy • 6% Liveness
82% Instrumentalness • 9% Positiveness
49% Popularity • 13% Danceability • 26% Energy • 6% Liveness
82% Instrumentalness • 9% Positiveness
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Melbourne Symphony Orchestra
This is a Tale
92 bpm • D min • 04:21 • -15db
17% Popularity • 15% Danceability • 19% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 19% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Max Steiner
Casablanca - Suite
83 bpm • D# Maj • 06:54 • -17db
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Wojciech Kilar
End Credits
83 bpm • F Maj • 06:42 • -31.58db
25% Popularity • 11% Danceability • 1% Energy • 10% Liveness
38% Instrumentalness • 3% Positiveness
25% Popularity • 11% Danceability • 1% Energy • 10% Liveness
38% Instrumentalness • 3% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
The Parachutes
92 bpm • C Maj • 02:09 • -17.64db
12% Popularity • 17% Danceability • 19% Energy • 15% Liveness
56% Instrumentalness • 16% Positiveness
12% Popularity • 17% Danceability • 19% Energy • 15% Liveness
56% Instrumentalness • 16% Positiveness
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Rachel Portman
Theme
92 bpm • G Maj • 02:59 • -21.8db
44% Popularity • 16% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 16% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Mark Isham
A River Runs Through It
82 bpm • G Maj • 02:23 • -16db
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
► Preview
Samuel Barber
Souvenirs, Op. 28 (version for orchestra...
82 bpm • E Maj • 02:47 • -25db
10% Popularity • 23% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 42% Positiveness
10% Popularity • 23% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 42% Positiveness
► Preview
Anton Bruckner
Symphony No. 7 in E Major, WAB 107 (orig...
92 bpm • B Maj • 12:53 • -20.4db
6% Popularity • 15% Danceability • 4% Energy • 21% Liveness
34% Instrumentalness • 5% Positiveness
6% Popularity • 15% Danceability • 4% Energy • 21% Liveness
34% Instrumentalness • 5% Positiveness
► Preview
Harald Kloser
Alien vs. Predator Main Theme
82 bpm • A# Maj • 03:29 • -13.77db
17% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
► Preview
Michael Kamen
Band Of Brothers Suite One - Instrumenta...
92 bpm • D Maj • 06:31 • -15.19db
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
► Preview
Leonard Rosenman
Crash-Whale Fugue
81 bpm • G Maj • 08:15 • -17.06db
10% Popularity • 12% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Mutations from Bach
92 bpm • A# Maj • 05:38 • -19db
10% Popularity • 11% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Dennis McCarthy
Star Trek: Generations: Overture
81 bpm • C min • 03:51 • -14.83db
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Don Davis
Logos / The Matrix Main Title
81 bpm • F Maj • 00:53 • -17.84db
40% Popularity • 8% Danceability • 34% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
40% Popularity • 8% Danceability • 34% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
► Preview
Christopher Lennertz
Casualties Of war
81 bpm • G# Maj • 01:40 • -19.54db
20% Popularity • 20% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Jerry Goldsmith
The Enterprise
93 bpm • F Maj • 06:03 • -17.16db
25% Popularity • 14% Danceability • 20% Energy • 8% Liveness
61% Instrumentalness • 6% Positiveness
25% Popularity • 14% Danceability • 20% Energy • 8% Liveness
61% Instrumentalness • 6% Positiveness
► Preview
Samuel Barber
Medea Suite, Op. 23: III. The Young Prin...
81 bpm • C Maj • 03:26 • -24.76db
19% Popularity • 23% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 10% Positiveness
19% Popularity • 23% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
The Starlite Orchestra & Singers
The Patriot (Main Theme)
81 bpm • C Maj • 06:35 • -13.17db
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
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Rob Lane
Merlin's Arrival at Camelot
94 bpm • G# Maj • 03:08 • -16db
35% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
35% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
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John Powell
The Bourne Identity Main Title
81 bpm • G Maj • 04:19 • -18.5db
37% Popularity • 57% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
37% Popularity • 57% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
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Bear McCreary
Colonial Anthem (Theme from Battlestar G...
94 bpm • C Maj • 04:02 • -14.67db
22% Popularity • 25% Danceability • 43% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 25% Danceability • 43% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
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Cliff Eidelman
The Battle For Peace - Star Trek VI/Soun...
80 bpm • G# Maj • 08:02 • -21.56db
19% Popularity • 16% Danceability • 10% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 10% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Samuel Barber
Medea Suite, Op. 23: IV. Choros
93 bpm • A min • 03:32 • -39.54db
7% Popularity • 11% Danceability • 0% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
7% Popularity • 11% Danceability • 0% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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HeimburgerMusic
Stargate Overture
80 bpm • A min • 02:58 • -17.16db
16% Popularity • 12% Danceability • 21% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 21% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Suite From Mulan
94 bpm • C Maj • 07:06 • -20db
46% Popularity • 15% Danceability • 10% Energy • 27% Liveness
90% Instrumentalness • 8% Positiveness
46% Popularity • 15% Danceability • 10% Energy • 27% Liveness
90% Instrumentalness • 8% Positiveness
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Christopher Lennertz
Hymn to Brothers Lost
80 bpm • F Maj • 02:57 • -16.79db
9% Popularity • 20% Danceability • 13% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 13% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Will Rides In
80 bpm • C Maj • 01:05 • -19.94db
28% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
28% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis (ex...
80 bpm • C min • 06:24 • -26.06db
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
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Max Steiner
I'll Never Be Hungry Again!
80 bpm • C Maj • 06:08 • -14db
16% Popularity • 7% Danceability • 25% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 25% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Anton Bruckner
Symphony No. 00 in F Minor, WAB 99 Study...
95 bpm • D# Maj • 12:35 • -30.34db
5% Popularity • 12% Danceability • 1% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
5% Popularity • 12% Danceability • 1% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
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Mark Isham
In Half-Light of the Canyon
80 bpm • F Maj • 02:47 • -15db
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Dave Grusin
Fratelli Chase
80 bpm • D min • 02:47 • -13db
36% Popularity • 74% Danceability • 44% Energy • 12% Liveness
34% Instrumentalness • 48% Positiveness
36% Popularity • 74% Danceability • 44% Energy • 12% Liveness
34% Instrumentalness • 48% Positiveness
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Andrew Lockington
The Center Of The Earth
80 bpm • G Maj • 04:44 • -24.26db
13% Popularity • 10% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Harald Kloser
Hall's Plan
95 bpm • D# Maj • 00:53 • -26.62db
40% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
