Songs like Endings by Nick Leng
Based on a tempo of (+/- 10%) and a similar genre
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tomcbumpz
braincells
164 bpm • D# Maj • 00:59 • -23.83db
60% Popularity • 26% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
60% Popularity • 26% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Nick Leng
Endings
164 bpm • F Maj • 02:55 • -10.84db
19% Popularity • 38% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
19% Popularity • 38% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
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Arcade Fire
Dimensions
164 bpm • D# Maj • 05:39 • -24.81db
48% Popularity • 22% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
48% Popularity • 22% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Loving
Stranger To Yourself
164 bpm • G Maj • 02:15 • -10.73db
50% Popularity • 49% Danceability • 41% Energy • 24% Liveness
59% Instrumentalness • 15% Positiveness
50% Popularity • 49% Danceability • 41% Energy • 24% Liveness
59% Instrumentalness • 15% Positiveness
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Oracle Sisters
High Moon
166 bpm • C# Maj • 03:46 • -12.09db
40% Popularity • 47% Danceability • 30% Energy • 38% Liveness
45% Instrumentalness • 40% Positiveness
40% Popularity • 47% Danceability • 30% Energy • 38% Liveness
45% Instrumentalness • 40% Positiveness
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runo plum
flip your pillow
166 bpm • E Maj • 02:14 • -12.03db
50% Popularity • 50% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 50% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Lake Isabel
Cruising Altitude
161 bpm • C Maj • 02:31 • -23.79db
21% Popularity • 39% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 47% Positiveness
21% Popularity • 39% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 47% Positiveness
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Stephen Rennicks
A Quick Getaway
160 bpm • A min • 01:36 • -29.17db
52% Popularity • 26% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
52% Popularity • 26% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
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Seoul
I Become a Shade
167 bpm • E Maj • 01:56 • -12db
19% Popularity • 13% Danceability • 27% Energy • 16% Liveness
97% Instrumentalness • 12% Positiveness
19% Popularity • 13% Danceability • 27% Energy • 16% Liveness
97% Instrumentalness • 12% Positiveness
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Nick Leng
Computer Madness
160 bpm • B Maj • 02:23 • -7.54db
11% Popularity • 77% Danceability • 70% Energy • 34% Liveness
10% Instrumentalness • 90% Positiveness
11% Popularity • 77% Danceability • 70% Energy • 34% Liveness
10% Instrumentalness • 90% Positiveness
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Golden Daze
Amber
160 bpm • D Maj • 03:17 • -7.42db
32% Popularity • 52% Danceability • 65% Energy • 8% Liveness
7% Instrumentalness • 42% Positiveness
32% Popularity • 52% Danceability • 65% Energy • 8% Liveness
7% Instrumentalness • 42% Positiveness
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Jaguar Sun
Make It Out
160 bpm • D Maj • 04:04 • -11db
40% Popularity • 64% Danceability • 61% Energy • 12% Liveness
84% Instrumentalness • 50% Positiveness
40% Popularity • 64% Danceability • 61% Energy • 12% Liveness
84% Instrumentalness • 50% Positiveness
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Frédéric Schubert
L'autre Valse D'amélie
168 bpm • C# Maj • 01:05 • -16db
62% Popularity • 26% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
62% Popularity • 26% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Borrtex
Back in Time
160 bpm • G# min • 01:25 • -26.47db
64% Popularity • 52% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
64% Popularity • 52% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Far Caspian
Get Along
159 bpm • A# Maj • 03:22 • -5.34db
35% Popularity • 48% Danceability • 93% Energy • 10% Liveness
82% Instrumentalness • 96% Positiveness
35% Popularity • 48% Danceability • 93% Energy • 10% Liveness
82% Instrumentalness • 96% Positiveness
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Nick Leng
In a Book (Back to Me)
159 bpm • B Maj • 04:27 • -13.32db
23% Popularity • 55% Danceability • 37% Energy • 11% Liveness
46% Instrumentalness • 35% Positiveness
23% Popularity • 55% Danceability • 37% Energy • 11% Liveness
46% Instrumentalness • 35% Positiveness
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Sarah Kinsley
I'm Not A Mountain
170 bpm • E min • 03:51 • -12db
49% Popularity • 24% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
74% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Lullatone
Falling Asleep with a Book on Your Chest...
170 bpm • G Maj • 03:05 • -28.58db
53% Popularity • 44% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
53% Popularity • 44% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
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Runnner
Colors
170 bpm • F# Maj • 01:56 • -7.81db
43% Popularity • 45% Danceability • 75% Energy • 12% Liveness
81% Instrumentalness • 91% Positiveness
43% Popularity • 45% Danceability • 75% Energy • 12% Liveness
81% Instrumentalness • 91% Positiveness
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Pleasure Systems
Blur
170 bpm • D Maj • 02:59 • -18.35db
43% Popularity • 47% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 53% Positiveness
43% Popularity • 47% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 53% Positiveness
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Nick Leng
Tunnels and Planes
170 bpm • G Maj • 04:11 • -6.97db
35% Popularity • 57% Danceability • 60% Energy • 16% Liveness
16% Instrumentalness • 6% Positiveness
35% Popularity • 57% Danceability • 60% Energy • 16% Liveness
16% Instrumentalness • 6% Positiveness
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Savoir Adore
image no. 4
170 bpm • F Maj • 02:05 • -19.09db
36% Popularity • 45% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 50% Positiveness
36% Popularity • 45% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 50% Positiveness
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Emile Mosseri
Grandma Picked a Good Spot
170 bpm • F# Maj • 03:30 • -15.06db
41% Popularity • 25% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
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Jaguar Sun
Forever and More
157 bpm • B Maj • 04:22 • -11.91db
43% Popularity • 49% Danceability • 61% Energy • 14% Liveness
22% Instrumentalness • 16% Positiveness
43% Popularity • 49% Danceability • 61% Energy • 14% Liveness
22% Instrumentalness • 16% Positiveness
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Far Caspian
Warning Sign - Alt Version
156 bpm • G min • 02:59 • -14.96db
29% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Justice Der
Seigfried
156 bpm • E min • 06:13 • -22.64db
44% Popularity • 37% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
44% Popularity • 37% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Nick Leng
Waste My Time
158 bpm • G# Maj • 02:07 • -13.53db
18% Popularity • 77% Danceability • 49% Energy • 15% Liveness
77% Instrumentalness • 92% Positiveness
18% Popularity • 77% Danceability • 49% Energy • 15% Liveness
77% Instrumentalness • 92% Positiveness
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Baird
Lightning Of July
156 bpm • F# Maj • 02:56 • -8db
44% Popularity • 46% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
44% Popularity • 46% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Zeph
Forever & Always
155 bpm • G# min • 04:09 • -24db
59% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
59% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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filous
Great Big Warm House
155 bpm • E Maj • 02:22 • -7.04db
33% Popularity • 48% Danceability • 46% Energy • 21% Liveness
1% Instrumentalness • 21% Positiveness
33% Popularity • 48% Danceability • 46% Energy • 21% Liveness
1% Instrumentalness • 21% Positiveness
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Lomelda
Bust
155 bpm • C Maj • 01:31 • -18db
47% Popularity • 52% Danceability • 27% Energy • 11% Liveness
31% Instrumentalness • 5% Positiveness
47% Popularity • 52% Danceability • 27% Energy • 11% Liveness
31% Instrumentalness • 5% Positiveness
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runo plum
Arms Open Wide
174 bpm • F Maj • 03:07 • -11.09db
37% Popularity • 33% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 33% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Matt Maltese
Krakow (unsung)
174 bpm • A# Maj • 02:32 • -20.53db
32% Popularity • 53% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
32% Popularity • 53% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Ritt Momney
Wormwood
175 bpm • C Maj • 02:59 • -10db
42% Popularity • 45% Danceability • 41% Energy • 26% Liveness
9% Instrumentalness • 37% Positiveness
42% Popularity • 45% Danceability • 41% Energy • 26% Liveness
9% Instrumentalness • 37% Positiveness
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Matty
Warm You
154 bpm • C Maj • 04:28 • -17.12db
36% Popularity • 41% Danceability • 30% Energy • 20% Liveness
43% Instrumentalness • 22% Positiveness
36% Popularity • 41% Danceability • 30% Energy • 20% Liveness
43% Instrumentalness • 22% Positiveness
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Vanilla
Past, Present & Future - Intro
177 bpm • D# Maj • 01:00 • -20db
58% Popularity • 34% Danceability • 28% Energy • 13% Liveness
50% Instrumentalness • 30% Positiveness
58% Popularity • 34% Danceability • 28% Energy • 13% Liveness
50% Instrumentalness • 30% Positiveness
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Jaguar Sun
One Day
152 bpm • B Maj • 03:03 • -9.72db
28% Popularity • 49% Danceability • 48% Energy • 21% Liveness
96% Instrumentalness • 35% Positiveness
28% Popularity • 49% Danceability • 48% Energy • 21% Liveness
96% Instrumentalness • 35% Positiveness
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Dreams We've Had
News From The War
152 bpm • B min • 04:44 • -4.63db
40% Popularity • 49% Danceability • 86% Energy • 14% Liveness
82% Instrumentalness • 42% Positiveness
40% Popularity • 49% Danceability • 86% Energy • 14% Liveness
82% Instrumentalness • 42% Positiveness
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Matt Maltese
Krystal
154 bpm • D# Maj • 03:40 • -8.06db
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Boy Willows
Quick Stop By
150 bpm • E Maj • 03:15 • -10.97db
21% Popularity • 51% Danceability • 46% Energy • 14% Liveness
6% Instrumentalness • 17% Positiveness
21% Popularity • 51% Danceability • 46% Energy • 14% Liveness
6% Instrumentalness • 17% Positiveness
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Novo Amor
Lucky for You
178 bpm • A# Maj • 02:16 • -12.16db
63% Popularity • 53% Danceability • 31% Energy • 10% Liveness
51% Instrumentalness • 73% Positiveness
63% Popularity • 53% Danceability • 31% Energy • 10% Liveness
51% Instrumentalness • 73% Positiveness
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LAUNDRY DAY
Evening News
150 bpm • A Maj • 05:27 • -11.13db
43% Popularity • 59% Danceability • 31% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
43% Popularity • 59% Danceability • 31% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
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Eleni Drake
King Street
150 bpm • E Maj • 03:38 • -11.58db
47% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Ark Patrol
Refusal
150 bpm • F Maj • 02:14 • -31.96db
41% Popularity • 38% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
41% Popularity • 38% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Lullatone
Stars on the Ceiling of a Planetarium (P...
180 bpm • E min • 01:27 • -31db
47% Popularity • 35% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
47% Popularity • 35% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
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RALPH TV
Tuning Out
180 bpm • C Maj • 01:12 • -22.6db
39% Popularity • 48% Danceability • 6% Energy • 18% Liveness
91% Instrumentalness • 11% Positiveness
39% Popularity • 48% Danceability • 6% Energy • 18% Liveness
91% Instrumentalness • 11% Positiveness
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Jaguar Sun
Next Year
180 bpm • A# Maj • 05:57 • -10.66db
30% Popularity • 47% Danceability • 62% Energy • 93% Liveness
94% Instrumentalness • 28% Positiveness
30% Popularity • 47% Danceability • 62% Energy • 93% Liveness
94% Instrumentalness • 28% Positiveness
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Yellow House
Saviour Complex
180 bpm • C Maj • 03:13 • -13.32db
37% Popularity • 60% Danceability • 30% Energy • 8% Liveness
36% Instrumentalness • 30% Positiveness
37% Popularity • 60% Danceability • 30% Energy • 8% Liveness
36% Instrumentalness • 30% Positiveness
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Freya Lily
Shiver
180 bpm • D# Maj • 03:04 • -22.31db
26% Popularity • 47% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 75% Positiveness
26% Popularity • 47% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 75% Positiveness
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Caleb Bryant
Pacifica
180 bpm • D Maj • 02:12 • -17db
47% Popularity • 14% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 39% Positiveness
47% Popularity • 14% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 39% Positiveness
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Far Caspian
Finding My Way Home
149 bpm • A Maj • 04:09 • -10.29db
43% Popularity • 53% Danceability • 55% Energy • 11% Liveness
78% Instrumentalness • 26% Positiveness
43% Popularity • 53% Danceability • 55% Energy • 11% Liveness
78% Instrumentalness • 26% Positiveness
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Julien Chang
Butterflies From Monaco
148 bpm • F Maj • 05:52 • -16.2db
33% Popularity • 32% Danceability • 20% Energy • 12% Liveness
11% Instrumentalness • 12% Positiveness
33% Popularity • 32% Danceability • 20% Energy • 12% Liveness
11% Instrumentalness • 12% Positiveness
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Lullatone
Just Spending Time
148 bpm • C Maj • 02:02 • -27db
33% Popularity • 50% Danceability • 20% Energy • 20% Liveness
96% Instrumentalness • 31% Positiveness
33% Popularity • 50% Danceability • 20% Energy • 20% Liveness
96% Instrumentalness • 31% Positiveness
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Uma
Maybe We'll Wake Up - Demo
148 bpm • G Maj • 02:09 • -10.81db
36% Popularity • 38% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 38% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Brazen Youth
Pleo
147 bpm • E min • 03:05 • -21.19db
17% Popularity • 31% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
17% Popularity • 31% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Dario Lessing
Elfe
146 bpm • A Maj • 03:38 • -20.2db
39% Popularity • 31% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
39% Popularity • 31% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Adam Melchor
Last Time
146 bpm • G Maj • 03:13 • -11.35db
42% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
42% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
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Teesa
Waltz of Cecilia
185 bpm • A Maj • 03:10 • -29.23db
49% Popularity • 29% Danceability • 6% Energy • 14% Liveness
80% Instrumentalness • 12% Positiveness
49% Popularity • 29% Danceability • 6% Energy • 14% Liveness
80% Instrumentalness • 12% Positiveness
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Kate Bollinger
Shadows
146 bpm • F min • 02:37 • -7.48db
43% Popularity • 54% Danceability • 43% Energy • 12% Liveness
15% Instrumentalness • 38% Positiveness
43% Popularity • 54% Danceability • 43% Energy • 12% Liveness
15% Instrumentalness • 38% Positiveness
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RICEWINE
Bye, Goodnight
145 bpm • F Maj • 02:29 • -16.23db
33% Popularity • 40% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 37% Positiveness
33% Popularity • 40% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 37% Positiveness
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No Vacation
Last Dance
145 bpm • E Maj • 02:35 • -19.97db
41% Popularity • 29% Danceability • 8% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
41% Popularity • 29% Danceability • 8% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Nick Leng
Quite Some Time
145 bpm • B Maj • 03:15 • -8.54db
17% Popularity • 51% Danceability • 66% Energy • 17% Liveness
7% Instrumentalness • 13% Positiveness
17% Popularity • 51% Danceability • 66% Energy • 17% Liveness
7% Instrumentalness • 13% Positiveness
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Julien Chang
Deep Green
185 bpm • F# Maj • 05:09 • -20.49db
30% Popularity • 17% Danceability • 10% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
30% Popularity • 17% Danceability • 10% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
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Elijah Fox
Heathrow (Leaving)
145 bpm • A min • 01:32 • -26db
46% Popularity • 53% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
46% Popularity • 53% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Alice Phoebe Lou
Open My Door
145 bpm • C Maj • 02:33 • -6.68db
62% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Searows
Funny
145 bpm • F# min • 05:02 • -12.61db
47% Popularity • 26% Danceability • 35% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
47% Popularity • 26% Danceability • 35% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
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A Beacon School
Hum
186 bpm • B Maj • 01:38 • -9.47db
39% Popularity • 25% Danceability • 52% Energy • 22% Liveness
4% Instrumentalness • 4% Positiveness
39% Popularity • 25% Danceability • 52% Energy • 22% Liveness
4% Instrumentalness • 4% Positiveness
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slenderbodies
hearth
186 bpm • D Maj • 03:21 • -15.17db
34% Popularity • 58% Danceability • 27% Energy • 37% Liveness
93% Instrumentalness • 38% Positiveness
34% Popularity • 58% Danceability • 27% Energy • 37% Liveness
93% Instrumentalness • 38% Positiveness
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Nick Leng
Coffee and Fruit
144 bpm • C# Maj • 01:49 • -10.26db
15% Popularity • 65% Danceability • 39% Energy • 24% Liveness
2% Instrumentalness • 32% Positiveness
15% Popularity • 65% Danceability • 39% Energy • 24% Liveness
2% Instrumentalness • 32% Positiveness
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Lake Isabel
Scenes From the Cityscape
144 bpm • F min • 02:34 • -24.13db
44% Popularity • 39% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 41% Positiveness
44% Popularity • 39% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 41% Positiveness
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Far Caspian
Today
143 bpm • F# Maj • 02:46 • -8db
39% Popularity • 58% Danceability • 72% Energy • 11% Liveness
89% Instrumentalness • 96% Positiveness
39% Popularity • 58% Danceability • 72% Energy • 11% Liveness
89% Instrumentalness • 96% Positiveness
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Strawberry Guy
Sun Outside My Window
142 bpm • A# Maj • 03:21 • -6db
52% Popularity • 43% Danceability • 63% Energy • 23% Liveness
91% Instrumentalness • 22% Positiveness
52% Popularity • 43% Danceability • 63% Energy • 23% Liveness
91% Instrumentalness • 22% Positiveness
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Loving
If I Am Only My Thoughts
190 bpm • A# Maj • 02:53 • -5.83db
44% Popularity • 49% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 49% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Golden Daze
Wayward Tide
142 bpm • E Maj • 02:57 • -12.38db
24% Popularity • 40% Danceability • 36% Energy • 32% Liveness
87% Instrumentalness • 35% Positiveness
24% Popularity • 40% Danceability • 36% Energy • 32% Liveness
87% Instrumentalness • 35% Positiveness
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Benjamin Gustafsson
I Thought About Death, About Time
141 bpm • A# min • 02:00 • -34.65db
46% Popularity • 19% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
46% Popularity • 19% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Nick Leng
Platform
141 bpm • F# Maj • 03:45 • -8.17db
19% Popularity • 37% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 37% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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TOLEDO
What Happened to the Menorah?
141 bpm • C min • 02:38 • -10.63db
17% Popularity • 35% Danceability • 54% Energy • 15% Liveness
56% Instrumentalness • 17% Positiveness
17% Popularity • 35% Danceability • 54% Energy • 15% Liveness
56% Instrumentalness • 17% Positiveness
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Hether
Twinkle
140 bpm • G# Maj • 03:14 • -9db
45% Popularity • 66% Danceability • 46% Energy • 11% Liveness
46% Instrumentalness • 43% Positiveness
45% Popularity • 66% Danceability • 46% Energy • 11% Liveness
46% Instrumentalness • 43% Positiveness
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Sufjan Stevens
Futile Devices (Doveman Remix)
140 bpm • E Maj • 02:15 • -19.99db
67% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
67% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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Small Forward
Most of You
140 bpm • A Maj • 04:24 • -8.46db
38% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Ritt Momney
Golden Slumbers
140 bpm • C Maj • 02:58 • -12.31db
35% Popularity • 38% Danceability • 32% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
35% Popularity • 38% Danceability • 32% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
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Elijah Fox
Ontario
192 bpm • E Maj • 02:29 • -24.5db
44% Popularity • 38% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 48% Positiveness
44% Popularity • 38% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 48% Positiveness
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Golden Daze
Blue Bell
140 bpm • D Maj • 03:45 • -14.72db
43% Popularity • 23% Danceability • 29% Energy • 12% Liveness
61% Instrumentalness • 20% Positiveness
43% Popularity • 23% Danceability • 29% Energy • 12% Liveness
61% Instrumentalness • 20% Positiveness
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ellis
March 13 - Zoon Remix
139 bpm • C# Maj • 03:36 • -13.11db
30% Popularity • 15% Danceability • 43% Energy • 63% Liveness
88% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 43% Energy • 63% Liveness
88% Instrumentalness • 5% Positiveness
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flipturn
Space Cowboy
139 bpm • C Maj • 04:06 • -6.73db
53% Popularity • 48% Danceability • 50% Energy • 26% Liveness
54% Instrumentalness • 14% Positiveness
53% Popularity • 48% Danceability • 50% Energy • 26% Liveness
54% Instrumentalness • 14% Positiveness
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Jesse Gallagher
Crystal Towers of the Moon
200 bpm • G# Maj • 02:13 • -15.33db
30% Popularity • 42% Danceability • 29% Energy • 9% Liveness
82% Instrumentalness • 13% Positiveness
30% Popularity • 42% Danceability • 29% Energy • 9% Liveness
82% Instrumentalness • 13% Positiveness
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Cape Francis
Just Because
200 bpm • G# Maj • 03:46 • -8db
36% Popularity • 54% Danceability • 67% Energy • 11% Liveness
67% Instrumentalness • 60% Positiveness
36% Popularity • 54% Danceability • 67% Energy • 11% Liveness
67% Instrumentalness • 60% Positiveness
