Songs like English Dances, Set 2, Op. 33 (arr. Farr): 3. Grazioso by Malcolm Arnold
Based on a tempo of (+/- 10%) and a similar genre
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Malcolm Arnold
Tam O'Shanter, Op. 51 (Arr. J. Paynter)
131 bpm • G Maj • 08:09 • -17.78db
4% Popularity • 28% Danceability • 26% Energy • 6% Liveness
81% Instrumentalness • 7% Positiveness
4% Popularity • 28% Danceability • 26% Energy • 6% Liveness
81% Instrumentalness • 7% Positiveness
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Aaron Copland
Rodeo: No. 1, Buckaroo Holiday
131 bpm • F Maj • 07:11 • -18.87db
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Fela Sowande
African Suite: V. Akinla: Allegro non tr...
130 bpm • C Maj • 03:14 • -38db
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Dmitry Kabalevsky
Colas Breugnon Overture, Op. 24
132 bpm • F Maj • 04:43 • -19db
13% Popularity • 29% Danceability • 31% Energy • 5% Liveness
84% Instrumentalness • 18% Positiveness
13% Popularity • 29% Danceability • 31% Energy • 5% Liveness
84% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Quintet in A Major, K. 581: I. ...
132 bpm • A Maj • 09:09 • -20.14db
23% Popularity • 27% Danceability • 5% Energy • 6% Liveness
36% Instrumentalness • 15% Positiveness
23% Popularity • 27% Danceability • 5% Energy • 6% Liveness
36% Instrumentalness • 15% Positiveness
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Malcolm Arnold
English Dances, Set 2, Op. 33: No. 4. Gi...
131 bpm • F Maj • 02:12 • -16.28db
4% Popularity • 31% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 38% Positiveness
4% Popularity • 31% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 38% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: IV. Scherzo. ...
132 bpm • C min • 05:04 • -16db
15% Popularity • 29% Danceability • 33% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
15% Popularity • 29% Danceability • 33% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
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Paul Dukas
The Sorcerer's Apprentice
129 bpm • C# Maj • 10:39 • -15db
17% Popularity • 35% Danceability • 47% Energy • 25% Liveness
80% Instrumentalness • 12% Positiveness
17% Popularity • 35% Danceability • 47% Energy • 25% Liveness
80% Instrumentalness • 12% Positiveness
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Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Candide: V. Make Our Garden Grow
133 bpm • C min • 03:36 • -20db
22% Popularity • 16% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Ferde Grofé
Grand Canyon Suite: 2. The Painted Deser...
129 bpm • B min • 05:25 • -23.85db
14% Popularity • 17% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Malcolm Arnold
Concerto for Piano Duet and Strings, Op....
131 bpm • C Maj • 06:54 • -21.97db
0% Popularity • 38% Danceability • 12% Energy • 6% Liveness
81% Instrumentalness • 7% Positiveness
0% Popularity • 38% Danceability • 12% Energy • 6% Liveness
81% Instrumentalness • 7% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
35% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
35% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
25% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Prelude
134 bpm • F Maj • 01:44 • -30.72db
41% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 1: II. Polka
134 bpm • C Maj • 01:35 • -24db
30% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
30% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27 (Arr M. Jo...
130 bpm • F Maj • 01:47 • -17.55db
9% Popularity • 39% Danceability • 30% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
9% Popularity • 39% Danceability • 30% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - I Al...
134 bpm • D# Maj • 07:12 • -18.05db
31% Popularity • 35% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
31% Popularity • 35% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Edvard Grieg
March of the dwarfs
134 bpm • C min • 03:30 • -20db
11% Popularity • 39% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 39% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 2...
128 bpm • C Maj • 01:42 • -35db
15% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
15% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Gilbert Vinter
Hunter's Moon for Horn and Orchestra
135 bpm • C Maj • 06:22 • -22.47db
9% Popularity • 29% Danceability • 8% Energy • 18% Liveness
81% Instrumentalness • 11% Positiveness
9% Popularity • 29% Danceability • 8% Energy • 18% Liveness
81% Instrumentalness • 11% Positiveness
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Malcolm Arnold
4 Irish Dances, Op. 126: No. 4. Vivace
132 bpm • A min • 02:06 • -24.85db
2% Popularity • 34% Danceability • 1% Energy • 17% Liveness
89% Instrumentalness • 20% Positiveness
2% Popularity • 34% Danceability • 1% Energy • 17% Liveness
89% Instrumentalness • 20% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: I. Balletto Detto '...
127 bpm • D Maj • 02:59 • -22.83db
29% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
29% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
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Ronald Binge
Scottish Rhapsody
127 bpm • G Maj • 06:26 • -22.64db
11% Popularity • 31% Danceability • 11% Energy • 5% Liveness
95% Instrumentalness • 20% Positiveness
11% Popularity • 31% Danceability • 11% Energy • 5% Liveness
95% Instrumentalness • 20% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Anonymous
Lisbon "Dublin Bay"
127 bpm • D# Maj • 01:19 • -19.08db
19% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
19% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27: No. 3. Me...
132 bpm • A min • 02:25 • -31.79db
4% Popularity • 16% Danceability • 4% Energy • 6% Liveness
73% Instrumentalness • 3% Positiveness
4% Popularity • 16% Danceability • 4% Energy • 6% Liveness
73% Instrumentalness • 3% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": III. Hu...
127 bpm • G# Maj • 03:16 • -17.72db
21% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
21% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
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Aaron Copland
Appalachian Spring: IV. Quite Fast
127 bpm • E Maj • 03:34 • -15db
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4: ...
133 bpm • C min • 02:02 • -33.54db
4% Popularity • 20% Danceability • 0% Energy • 10% Liveness
43% Instrumentalness • 10% Positiveness
4% Popularity • 20% Danceability • 0% Energy • 10% Liveness
43% Instrumentalness • 10% Positiveness
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John P. Paynter
Little Suite No. 1, Op. 53 (arr. J. Payn...
126 bpm • D# Maj • 03:32 • -25.02db
0% Popularity • 17% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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La Sinfónica Clásica
Polka Italienne
126 bpm • D# Maj • 01:39 • -21.78db
25% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
25% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Howard Hanson
Symphony No. 2, Op. 30, "Romantic": III....
136 bpm • C# Maj • 07:16 • -19db
9% Popularity • 22% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27: No. 2. Vi...
134 bpm • F Maj • 01:44 • -17.55db
5% Popularity • 40% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 41% Positiveness
5% Popularity • 40% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 41% Positiveness
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JoaquÃn Turina
Danzas fantasticas, Op. 22: Orgia
136 bpm • D Maj • 04:49 • -14.76db
21% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
21% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
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Joseph Haydn
Concerto for Trumpet and Orchestra, in E...
126 bpm • D# Maj • 06:50 • -20db
30% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
30% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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Ferde Grofé
Grand Canyon Suite: 1. Sunrise
137 bpm • A Maj • 06:41 • -18.37db
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
34% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 4, Con br...
136 bpm • D Maj • 01:44 • -17db
16% Popularity • 24% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
16% Popularity • 24% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: IV. March "Folk...
125 bpm • A# Maj • 03:44 • -17.83db
18% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
18% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Leonard Bernstein
Bernstein: Symphonic Dances from West Si...
137 bpm • B Maj • 04:34 • -27.36db
16% Popularity • 15% Danceability • 2% Energy • 29% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 2% Energy • 29% Liveness
83% Instrumentalness • 4% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4 (...
126 bpm • D min • 02:26 • -21.99db
2% Popularity • 43% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
2% Popularity • 43% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
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John P. Paynter
Little Suite No. 1, Op. 53 (arr. J. Payn...
125 bpm • A# Maj • 01:49 • -19.15db
0% Popularity • 42% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
0% Popularity • 42% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Ferdinand David
Trombone Concertino in E-Flat Major, Op....
124 bpm • D# Maj • 07:47 • -21.69db
20% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
20% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
► Preview
Paul Reade
Suite from The Victorian Kitchen Garden:...
124 bpm • F min • 01:05 • -34db
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
► Preview
Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
► Preview
Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4 (...
125 bpm • G Maj • 03:01 • -23.47db
1% Popularity • 50% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
1% Popularity • 50% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
► Preview
Camille Saint-Saëns
Carnival of the Animals: XIII. The Swan
124 bpm • A min • 02:58 • -37.47db
34% Popularity • 17% Danceability • 1% Energy • 7% Liveness
41% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 1% Energy • 7% Liveness
41% Instrumentalness • 4% Positiveness
► Preview
Joseph Haydn
Trumpet Concerto in E Flat, H.VIIe/1: 3....
139 bpm • D# Maj • 04:25 • -19db
25% Popularity • 54% Danceability • 20% Energy • 5% Liveness
87% Instrumentalness • 49% Positiveness
25% Popularity • 54% Danceability • 20% Energy • 5% Liveness
87% Instrumentalness • 49% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
35% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
35% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Trombone Concerto in B-Flat Major: I. Al...
139 bpm • A# Maj • 02:37 • -20.54db
25% Popularity • 27% Danceability • 10% Energy • 24% Liveness
95% Instrumentalness • 20% Positiveness
25% Popularity • 27% Danceability • 10% Energy • 24% Liveness
95% Instrumentalness • 20% Positiveness
► Preview
Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Malcolm Arnold
4 Irish Dances, Op. 126: No. 1. Allegro ...
137 bpm • G Maj • 01:19 • -19.9db
16% Popularity • 38% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 71% Positiveness
16% Popularity • 38% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 71% Positiveness
► Preview
John P. Paynter
4 Scottish Dances, Op. 59: No. 4. Con br...
139 bpm • D Maj • 01:45 • -7.35db
0% Popularity • 33% Danceability • 58% Energy • 8% Liveness
84% Instrumentalness • 34% Positiveness
0% Popularity • 33% Danceability • 58% Energy • 8% Liveness
84% Instrumentalness • 34% Positiveness
► Preview
Ralph Vaughan Williams
English Folk Song Suite: III. March (Fol...
123 bpm • C min • 03:49 • -14db
25% Popularity • 70% Danceability • 30% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
25% Popularity • 70% Danceability • 30% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
► Preview
Peter Lieuwen
River of Crystal Light
140 bpm • C# Maj • 09:13 • -17.2db
10% Popularity • 37% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
10% Popularity • 37% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
► Preview
David Diamond
Symphony No. 4: I. Allegretto
140 bpm • D min • 05:07 • -24.25db
9% Popularity • 15% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Emmanuel Chabrier
España - Rhapsody for Orchestra
122 bpm • F Maj • 06:28 • -14.82db
19% Popularity • 38% Danceability • 32% Energy • 3% Liveness
84% Instrumentalness • 26% Positiveness
19% Popularity • 38% Danceability • 32% Energy • 3% Liveness
84% Instrumentalness • 26% Positiveness
► Preview
Malcolm Arnold
Prelude, Siciliano & Rondo: Prelude
124 bpm • A# Maj • 01:52 • -18db
19% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
19% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
140 bpm • C Maj • 10:01 • -16.14db
12% Popularity • 17% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VIII. Finale
141 bpm • F Maj • 01:58 • -15db
32% Popularity • 45% Danceability • 42% Energy • 7% Liveness
77% Instrumentalness • 67% Positiveness
32% Popularity • 45% Danceability • 42% Energy • 7% Liveness
77% Instrumentalness • 67% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": IV. Asp...
141 bpm • F# Maj • 08:36 • -21.71db
15% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Gustav Holst
First Suite in E-Flat Major, Op. 28 No. ...
141 bpm • C min • 02:53 • -25db
34% Popularity • 35% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 46% Positiveness
34% Popularity • 35% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 46% Positiveness
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Malcolm Arnold
Overture
123 bpm • D min • 04:22 • -13.7db
6% Popularity • 25% Danceability • 47% Energy • 48% Liveness
68% Instrumentalness • 20% Positiveness
6% Popularity • 25% Danceability • 47% Energy • 48% Liveness
68% Instrumentalness • 20% Positiveness
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Percy Grainger
Lincolnshire Posy: I. Lisbon
121 bpm • C# Maj • 01:24 • -26db
27% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
27% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Histoire du soldat - Part 1: 1. Marche d...
121 bpm • B min • 01:35 • -19.44db
14% Popularity • 81% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
14% Popularity • 81% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 3. Allegr...
141 bpm • F Maj • 03:10 • -31db
6% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
6% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Bolt, Op. 27a (Ballet Suite No. 5): II. ...
142 bpm • C Maj • 02:42 • -21.08db
20% Popularity • 54% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 54% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 1. March: Seven...
121 bpm • F min • 03:21 • -17.06db
32% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
32% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
36% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
36% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Percy Grainger
Children's March, "Over the Hills and Fa...
120 bpm • A# Maj • 07:03 • -20.13db
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
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Massed Bands of the Guards Division
The Duke Of Cambridge
121 bpm • C min • 03:20 • -14.18db
1% Popularity • 32% Danceability • 43% Energy • 25% Liveness
93% Instrumentalness • 66% Positiveness
1% Popularity • 32% Danceability • 43% Energy • 25% Liveness
93% Instrumentalness • 66% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4: ...
141 bpm • G Maj • 02:39 • -23.47db
5% Popularity • 51% Danceability • 8% Energy • 24% Liveness
92% Instrumentalness • 42% Positiveness
5% Popularity • 51% Danceability • 8% Energy • 24% Liveness
92% Instrumentalness • 42% Positiveness
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Georges Bizet
Carmen Suite No. 1: 2. Aragonaise
120 bpm • D min • 02:11 • -24db
31% Popularity • 33% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
31% Popularity • 33% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Aaron Copland
Appalachian Spring: VI. Meno mosso
143 bpm • G# Maj • 01:14 • -34.13db
36% Popularity • 14% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
36% Popularity • 14% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
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John Rutter
Suite: A-Roving
144 bpm • D Maj • 03:11 • -24.86db
15% Popularity • 27% Danceability • 9% Energy • 19% Liveness
66% Instrumentalness • 38% Positiveness
15% Popularity • 27% Danceability • 9% Energy • 19% Liveness
66% Instrumentalness • 38% Positiveness
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Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
119 bpm • F Maj • 04:41 • -17.88db
33% Popularity • 53% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 43% Positiveness
33% Popularity • 53% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 43% Positiveness
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Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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Malcolm Arnold
Finale
122 bpm • D# Maj • 02:11 • -17.85db
4% Popularity • 49% Danceability • 44% Energy • 31% Liveness
1% Instrumentalness • 37% Positiveness
4% Popularity • 49% Danceability • 44% Energy • 31% Liveness
1% Instrumentalness • 37% Positiveness
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Camille Saint-Saëns
Bacchanale
145 bpm • D min • 06:27 • -19.76db
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
