Songs like Entirely by Every Living Soul
Based on a tempo of (+/- 10%) and a similar genre
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Victoria Alex
Let's Pretend
160 bpm • G Maj • 03:51 • -4db
30% Popularity • 47% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 47% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 31% Positiveness
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Every Living Soul
Pray 4 Me
160 bpm • D min • 03:04 • -4.58db
0% Popularity • 45% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 45% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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The Ivory
Violent Waves
160 bpm • A# min • 03:30 • -3.76db
15% Popularity • 61% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 61% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Bri Carter
i'm destructive by design
160 bpm • D Maj • 03:20 • -5.51db
30% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Hello Sister
Somebody Said
160 bpm • E Maj • 03:27 • -3.81db
32% Popularity • 47% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 47% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Rich Poverty
Too Late
160 bpm • D Maj • 02:14 • -10.32db
16% Popularity • 55% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 55% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Isabella Lervad
It's Not OK
160 bpm • G# Maj • 02:54 • -9.61db
10% Popularity • 62% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 62% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Every Living Soul
Turn Me Up
160 bpm • B min • 03:22 • -5.99db
0% Popularity • 53% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 53% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Kat Leigh
Asking For It
160 bpm • F min • 03:43 • -4.07db
8% Popularity • 50% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 50% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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senses
novocain
160 bpm • F min • 03:15 • -7.29db
34% Popularity • 50% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 50% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Lattitude
break too much
160 bpm • C Maj • 03:53 • -6.1db
17% Popularity • 58% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 58% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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summerformal
90mph
160 bpm • A Maj • 02:19 • -4db
9% Popularity • 48% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 48% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Wynter Reyne
STIGMA
160 bpm • C min • 02:57 • -7db
7% Popularity • 57% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 57% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Every Living Soul
Stand by You
160 bpm • A# Maj • 03:41 • -4.17db
0% Popularity • 41% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 41% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Rich Poverty
Overprotective
160 bpm • C Maj • 02:38 • -8.27db
25% Popularity • 46% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 46% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 36% Positiveness
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Ally Nicholas
I Know You Too Well
160 bpm • C Maj • 02:43 • -5.58db
40% Popularity • 45% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 45% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Kenny Potter
Prison Bus
160 bpm • A# Maj • 03:26 • -10.16db
21% Popularity • 69% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 69% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Kiahra
Ghost Town
160 bpm • B min • 03:23 • -3.99db
26% Popularity • 44% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 44% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Jessy Lipton
good luck in hell
160 bpm • G# Maj • 03:06 • -5.13db
17% Popularity • 38% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 38% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Every Living Soul
Breathe In
160 bpm • F Maj • 03:42 • -4.74db
0% Popularity • 35% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 35% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Francesca Tarantino
My Runaway
160 bpm • F# min • 03:14 • -3.64db
16% Popularity • 48% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 48% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Connor Kauffman
Eyes Closed
160 bpm • C min • 02:32 • -7.03db
39% Popularity • 42% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 42% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Poe the Passenger
The Difference
160 bpm • G Maj • 03:34 • -2.96db
14% Popularity • 39% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 39% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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The Romance
I Will
160 bpm • B Maj • 02:36 • -6.15db
26% Popularity • 49% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 49% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Chad Kowal
HEAVY HEART
160 bpm • C# min • 02:58 • -4.47db
28% Popularity • 46% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 46% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Every Living Soul
Entirely
160 bpm • A# Maj • 03:49 • -4.38db
5% Popularity • 42% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
5% Popularity • 42% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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MYRA
Catch a Fever
160 bpm • F min • 02:41 • -7.14db
21% Popularity • 71% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 71% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jack Harris
I Blame It All On You
161 bpm • G Maj • 03:02 • -6.18db
39% Popularity • 64% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 64% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Stereotide
Try It
161 bpm • G min • 03:01 • -3.48db
27% Popularity • 50% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 50% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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IV DANTE
Mum Not Proud
161 bpm • G min • 02:05 • -6.8db
14% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Dutch Melrose
MATCH MADE IN HELL
162 bpm • G# min • 02:38 • -8.02db
51% Popularity • 46% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 46% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Every Living Soul
Terminal
161 bpm • G Maj • 03:56 • -5.45db
0% Popularity • 26% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 26% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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MNERVA
Detox
162 bpm • B Maj • 03:14 • -4.36db
18% Popularity • 43% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 43% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Nadia Vaeh
Truth Hurts
158 bpm • C Maj • 02:52 • -6.49db
16% Popularity • 50% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 50% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Manuel Christill
I Should Be There
158 bpm • G# Maj • 04:15 • -6.04db
32% Popularity • 50% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 50% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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NIGHTBREAKERS
R I P
158 bpm • C# Maj • 03:23 • -8.23db
8% Popularity • 42% Danceability • 87% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 42% Danceability • 87% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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Izzy S.O
Without You I Don't Like Sundays
158 bpm • A Maj • 02:54 • -6.55db
12% Popularity • 63% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 63% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Every Living Soul
Without Me
162 bpm • G# Maj • 03:23 • -6.73db
0% Popularity • 44% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 44% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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MVSSIE
monsters under my bed
158 bpm • F min • 02:53 • -3.6db
24% Popularity • 53% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 53% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Lake Drive
Dance Until We're Dead
157 bpm • C Maj • 03:28 • -4.9db
18% Popularity • 40% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 40% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
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Outsider Heart
Crop Circles
157 bpm • G# min • 02:22 • -5.68db
17% Popularity • 42% Danceability • 83% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 42% Danceability • 83% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
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Alexx Bean
Right Where You Left Me
157 bpm • D Maj • 02:40 • -4.58db
27% Popularity • 55% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 55% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Paige Keiner
Crying in the Drive-Thru
157 bpm • D Maj • 02:52 • -4.85db
17% Popularity • 58% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 58% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Every Living Soul
Smoke
164 bpm • B min • 03:13 • -4.85db
0% Popularity • 41% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 41% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Mitchel Dae
Mass & Energy
164 bpm • D Maj • 03:52 • -3.57db
16% Popularity • 62% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 62% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Hotfight
Hotfight
164 bpm • C Maj • 03:10 • -12.51db
10% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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znels
i'm dead
156 bpm • F# Maj • 03:21 • -4.67db
12% Popularity • 64% Danceability • 74% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 64% Danceability • 74% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
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Anaira
Now That You're Gone
156 bpm • G Maj • 03:26 • -7.55db
9% Popularity • 60% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 60% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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The Venerable
A Place 4 Me
164 bpm • G# Maj • 03:55 • -6.02db
8% Popularity • 50% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 50% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Every Living Soul
Too Much of a Good Thing
164 bpm • D# Maj • 03:11 • -4.04db
0% Popularity • 45% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 45% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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Dawson Fuss
Oblivious
165 bpm • C Maj • 02:59 • -6.03db
16% Popularity • 46% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 46% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Jacob Lee
Break From You
156 bpm • C min • 03:17 • -5.57db
38% Popularity • 58% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 58% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Brooks The Boy
Trouble
165 bpm • G Maj • 02:58 • -3.93db
12% Popularity • 58% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 58% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Sean Massaro
Mourning Dove
165 bpm • C min • 02:30 • -3.34db
21% Popularity • 51% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 51% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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The Haunt
I Don't Like the Quiet
155 bpm • A Maj • 03:02 • -3.26db
40% Popularity • 50% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 50% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
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Every Living Soul
Fall on Me
156 bpm • A Maj • 03:34 • -4.43db
0% Popularity • 44% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 44% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Nadia Vaeh
Sorry I Was Not O.K.
165 bpm • C Maj • 02:42 • -5.23db
17% Popularity • 58% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 58% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Castells
Better Days
155 bpm • A Maj • 03:32 • -7.91db
29% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Flirt
OFF THE PHONE
155 bpm • E min • 03:13 • -4.61db
12% Popularity • 46% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 28% Positiveness
12% Popularity • 46% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 28% Positiveness
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Elizabeth Evans
This One's Gonna Hurt
155 bpm • F min • 02:46 • -7.74db
11% Popularity • 48% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 48% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Beyond The Sun
Best Bad Habits
166 bpm • C# Maj • 02:51 • -4.02db
10% Popularity • 46% Danceability • 86% Energy • 56% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 46% Danceability • 86% Energy • 56% Liveness
0% Instrumentalness • 48% Positiveness
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Every Living Soul
Horizon
156 bpm • D# min • 03:48 • -4.75db
0% Popularity • 40% Danceability • 91% Energy • 33% Liveness
11% Instrumentalness • 24% Positiveness
0% Popularity • 40% Danceability • 91% Energy • 33% Liveness
11% Instrumentalness • 24% Positiveness
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Griegz
Learn How To Love
154 bpm • A Maj • 02:40 • -4.44db
26% Popularity • 62% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 62% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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#R!sK
Tell Me Why
154 bpm • B min • 03:07 • -5.39db
16% Popularity • 50% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 50% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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The Dead Presidents
This is Something
167 bpm • F Maj • 03:12 • -5.92db
10% Popularity • 54% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 54% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Circle the Earth
Maniac on Mute
168 bpm • F# min • 02:30 • -2.79db
25% Popularity • 58% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 58% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Trueblood
Brick and Mordor
168 bpm • F# min • 03:42 • -9.14db
10% Popularity • 28% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 28% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Every Living Soul
Static
156 bpm • B Maj • 03:34 • -4.99db
0% Popularity • 46% Danceability • 84% Energy • 39% Liveness
1% Instrumentalness • 30% Positiveness
0% Popularity • 46% Danceability • 84% Energy • 39% Liveness
1% Instrumentalness • 30% Positiveness
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Izzy S.O
Would We Make It
168 bpm • C# Maj • 03:41 • -7.11db
15% Popularity • 37% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 37% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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ENVYYOU
what you need - The Basement Sessions
153 bpm • C min • 02:05 • -7db
17% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Bisou Noir
Begging
168 bpm • E min • 02:31 • -7.14db
32% Popularity • 47% Danceability • 77% Energy • 21% Liveness
6% Instrumentalness • 57% Positiveness
32% Popularity • 47% Danceability • 77% Energy • 21% Liveness
6% Instrumentalness • 57% Positiveness
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Wendy Moore
Corner Ghost
152 bpm • B min • 02:57 • -9.17db
15% Popularity • 52% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 52% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
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Ally Nicholas
Bullets
152 bpm • G# min • 02:58 • -5.05db
32% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Every Living Soul
Look Around
168 bpm • B min • 03:16 • -4.3db
0% Popularity • 32% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 32% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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SAMSARA.
411
151 bpm • C Maj • 03:52 • -2.92db
18% Popularity • 30% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 30% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Jessica Morale
fall for you
151 bpm • F Maj • 03:03 • -7.52db
8% Popularity • 61% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 61% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Nadia Vaeh
Friends U Couldn't Keep
151 bpm • A Maj • 03:43 • -8.41db
19% Popularity • 59% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 59% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Ella Red
I Don't Care
170 bpm • C Maj • 03:02 • -4.71db
28% Popularity • 56% Danceability • 80% Energy • 53% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 56% Danceability • 80% Energy • 53% Liveness
0% Instrumentalness • 48% Positiveness
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HADEE.
POISON IVY
170 bpm • E Maj • 03:01 • -6.46db
13% Popularity • 48% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 48% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Every Living Soul
Stop Rage (Acoustic)
168 bpm • D Maj • 03:29 • -5.78db
0% Popularity • 51% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 51% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Bela Pierce
Want U Obsessed
170 bpm • A min • 03:55 • -4.3db
14% Popularity • 50% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 50% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Izzy Amo
Happier Alone
170 bpm • F min • 02:34 • -11.32db
17% Popularity • 57% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 57% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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NIGHTBREAKERS
Fake Smile
170 bpm • B Maj • 02:56 • -3.98db
36% Popularity • 48% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 48% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Billy & The Kidz
Mistake
170 bpm • G# Maj • 02:57 • -6.68db
30% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Manic.
Nothing With You
170 bpm • D Maj • 03:14 • -6.76db
13% Popularity • 46% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 46% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Ceara Cavalieri
My Favorite
170 bpm • C Maj • 03:09 • -6.44db
40% Popularity • 53% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 53% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Embers
scratch my name
170 bpm • A min • 03:07 • -6.31db
12% Popularity • 50% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 50% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Glenn
Don't Save Him
170 bpm • C# min • 02:29 • -4.6db
10% Popularity • 55% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 55% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Summer Hoop
Pay Per View (Keep It Cool)
170 bpm • F# Maj • 02:45 • -4db
15% Popularity • 27% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 27% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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DUUNES
Emotional Damage
150 bpm • F Maj • 03:15 • -4.5db
35% Popularity • 41% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 41% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Shelby Morgan
Emo Boys from New Jersey
150 bpm • D Maj • 02:56 • -6.4db
9% Popularity • 47% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 47% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Feel Good
Full Bloom
150 bpm • G# Maj • 03:10 • -3.39db
18% Popularity • 45% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 45% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Embers
eating me alive
150 bpm • E Maj • 03:38 • -6.8db
29% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Poe the Passenger
Miles Apart
150 bpm • E min • 03:04 • -4.16db
23% Popularity • 58% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 58% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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This Kind Of Things
Smoke Fills The Air
150 bpm • A Maj • 04:00 • -6.69db
20% Popularity • 38% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 38% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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The Haunt
Wish You Stayed
150 bpm • F min • 03:12 • -7db
39% Popularity • 52% Danceability • 79% Energy • 5% Liveness
3% Instrumentalness • 44% Positiveness
39% Popularity • 52% Danceability • 79% Energy • 5% Liveness
3% Instrumentalness • 44% Positiveness
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Letters Sent Home
Ignorance
150 bpm • F# min • 03:21 • -5.21db
40% Popularity • 50% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 50% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Elijah Cruise
Suicide In Her Head
171 bpm • A Maj • 03:21 • -5.25db
28% Popularity • 43% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 43% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
