Songs like Eolian Episode by James Joyce
Based on a tempo of (+/- 10%) and a similar genre
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Tosin Emmanuel
Acceptable Worship
76 bpm • E Maj • 03:48 • -7.98db
10% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Simon Casey
Songbird
76 bpm • C Maj • 02:43 • -18.3db
31% Popularity • 35% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 35% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Marcia Howard
Poison Tree
76 bpm • F Maj • 04:00 • -12.17db
10% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Carel Kraayenhof
Texas girl at the funeral of her father
76 bpm • A Maj • 02:12 • -13db
10% Popularity • 31% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 31% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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James Joyce
Chapter 2.2 - Gente di Dublino
76 bpm • C# Maj • 05:05 • -18.03db
0% Popularity • 62% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 62% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Jodie Fox
Wayfaring Stranger A Cappella
76 bpm • D min • 00:59 • -15.78db
12% Popularity • 54% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 54% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Victoria Keating
What’s Another Year
76 bpm • G Maj • 03:06 • -15.23db
15% Popularity • 36% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 36% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Evalie Graham
Miracle Shoes
76 bpm • G# Maj • 02:48 • -18.16db
8% Popularity • 52% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 52% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Junity
Make You Feel My Love
76 bpm • A# Maj • 03:32 • -14.88db
27% Popularity • 56% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 56% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Mary Black
Poison Tree - Orchestrated
76 bpm • F Maj • 04:02 • -13.49db
6% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Groznyj
Stuck in traffic
76 bpm • G Maj • 04:05 • -12.45db
9% Popularity • 42% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 42% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Ky Wilson
walk with you
77 bpm • G Maj • 03:51 • -9.65db
8% Popularity • 32% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 32% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Nicki Wells
Sidelines
75 bpm • D Maj • 04:19 • -13.76db
13% Popularity • 38% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 38% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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A Great Wave
The Flowers of Thy Meadow
77 bpm • D# Maj • 03:49 • -20.28db
11% Popularity • 41% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 41% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Michael Melia
It Was Summer
75 bpm • G Maj • 04:42 • -13.35db
10% Popularity • 39% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
10% Popularity • 39% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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James Joyce
Chapter 4.5 & Chapter 5.1 - Gente di Dub...
77 bpm • F# min • 03:06 • -18.45db
0% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Shane Morgan
Molly's Lullaby
77 bpm • A Maj • 03:08 • -18.91db
14% Popularity • 42% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 42% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Gregory Day
Chamber Music XXVIII
77 bpm • G# min • 01:37 • -19.97db
0% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Campbell Talley
Three Wishes
77 bpm • A Maj • 02:26 • -10.44db
11% Popularity • 44% Danceability • 53% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
11% Popularity • 44% Danceability • 53% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
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Ben Fuller
I Only Have Eyes for You
77 bpm • A# Maj • 03:51 • -19.45db
16% Popularity • 26% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 26% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Lizz Wright
Lost In The Valley
75 bpm • F Maj • 04:29 • -6.9db
28% Popularity • 24% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 24% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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James Joyce
Chapter 6.7 - Gente di Dublino
77 bpm • G# min • 03:08 • -18.71db
0% Popularity • 62% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 62% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Isabella Lundgren
Where am I Goin
77 bpm • C Maj • 04:55 • -10.27db
14% Popularity • 28% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 28% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Colin Mawby
Strings in the Earth and Air
77 bpm • D# Maj • 05:12 • -24db
5% Popularity • 18% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
5% Popularity • 18% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Sheena Williams
The Wine
77 bpm • F# Maj • 02:24 • -11.79db
10% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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TaniA Kyllikki
Why
77 bpm • B Maj • 04:18 • -10.43db
13% Popularity • 19% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 19% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Shari Ulrich
These Lines
78 bpm • D# Maj • 04:18 • -10.74db
7% Popularity • 62% Danceability • 32% Energy • 15% Liveness
2% Instrumentalness • 23% Positiveness
7% Popularity • 62% Danceability • 32% Energy • 15% Liveness
2% Instrumentalness • 23% Positiveness
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James Joyce
Chapter 3.5 & Chapter 4.1 - Gente di Dub...
77 bpm • A# min • 03:11 • -19.43db
0% Popularity • 65% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 65% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Brian Byrne
Bid Adieu
78 bpm • F# min • 03:54 • -11.61db
0% Popularity • 23% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Moon Sisters
House of Love
78 bpm • A Maj • 03:53 • -13.74db
9% Popularity • 34% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 34% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Ellen Andrea Wang
My Soul II
74 bpm • A Maj • 03:19 • -21.36db
7% Popularity • 24% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Hailey Somphone
Same Heart
78 bpm • G Maj • 04:55 • -8.3db
19% Popularity • 17% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 17% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jacob Wonsley
One Starry Night
74 bpm • A# Maj • 02:21 • -11db
14% Popularity • 18% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 18% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Yara Starhaven
Songs Echoing Through Nebulae
78 bpm • C Maj • 01:45 • -17.22db
5% Popularity • 40% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
5% Popularity • 40% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Brian Byrne
Goldenhair
78 bpm • G Maj • 04:45 • -9.95db
1% Popularity • 22% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 22% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Oslo Gospel Choir
Blessing
78 bpm • G Maj • 04:56 • -15.6db
22% Popularity • 55% Danceability • 22% Energy • 11% Liveness
38% Instrumentalness • 37% Positiveness
22% Popularity • 55% Danceability • 22% Energy • 11% Liveness
38% Instrumentalness • 37% Positiveness
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Lori Yates
What A Life
78 bpm • B Maj • 03:13 • -8.75db
17% Popularity • 57% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 57% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Daphne Laureltree
Chants from the Edge of Time
74 bpm • A Maj • 01:38 • -20.63db
6% Popularity • 62% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
6% Popularity • 62% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ebony Buckle
Thank You, Goodbye
74 bpm • F Maj • 03:21 • -14.51db
10% Popularity • 28% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 28% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Paul Luftenegger
The Woman You Are
78 bpm • G Maj • 05:49 • -13.65db
11% Popularity • 35% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 35% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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CloudyaH
Last One Standing
78 bpm • E Maj • 03:58 • -9.91db
7% Popularity • 43% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 43% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Eric Devries
Sunday Eve in Amsterdam
78 bpm • G# Maj • 05:18 • -12.68db
21% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jacob Wonsley
Like a River
79 bpm • A Maj • 01:51 • -14.42db
17% Popularity • 31% Danceability • 30% Energy • 17% Liveness
2% Instrumentalness • 12% Positiveness
17% Popularity • 31% Danceability • 30% Energy • 17% Liveness
2% Instrumentalness • 12% Positiveness
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Harriet
Beauty & the Beast - Deluxe Edition Trac...
73 bpm • F Maj • 03:41 • -9.91db
14% Popularity • 21% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 21% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Charley Foskett
Hark, Who Goes There?
79 bpm • E Maj • 03:11 • -12.75db
18% Popularity • 48% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 48% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Greta Mirall
High and dry
79 bpm • F Maj • 03:34 • -16.79db
10% Popularity • 45% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 45% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Tasmanian Symphony Orchestra
Song for Sammy
79 bpm • G# Maj • 03:35 • -14.56db
14% Popularity • 34% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 34% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Oslo Gospel Choir
I Am the Bread of Life
79 bpm • D Maj • 02:40 • -10.82db
21% Popularity • 60% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
21% Popularity • 60% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Hege Saugstad
Nattasang
79 bpm • A Maj • 03:42 • -13.15db
11% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Woodmountain
Angels In Trees
73 bpm • F Maj • 02:55 • -15.36db
16% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Berton Hodgson
Sipomahogany
79 bpm • D# Maj • 02:32 • -7.35db
8% Popularity • 34% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 34% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Kate Ceberano
Time to Think
79 bpm • A min • 04:43 • -13.08db
7% Popularity • 30% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 30% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Nolan Crestwood
Echoes from the Abyssal Depths
73 bpm • G min • 01:56 • -17.66db
6% Popularity • 43% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
6% Popularity • 43% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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James Joyce
Chapter 8.3 - Gente di Dublino
79 bpm • C# Maj • 03:08 • -17.12db
0% Popularity • 62% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 62% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Mia
Little Trip to Heaven
72 bpm • G# Maj • 03:24 • -15.98db
38% Popularity • 38% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 26% Positiveness
38% Popularity • 38% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 26% Positiveness
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Brian Byrne
Love Is Aweary
72 bpm • E Maj • 03:56 • -13.28db
4% Popularity • 20% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 20% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Blanche Craigie
Fast
80 bpm • F# Maj • 05:52 • -11.6db
28% Popularity • 44% Danceability • 43% Energy • 29% Liveness
1% Instrumentalness • 41% Positiveness
28% Popularity • 44% Danceability • 43% Energy • 29% Liveness
1% Instrumentalness • 41% Positiveness
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Anthony Casavecchia
Für Immer
80 bpm • A# Maj • 04:36 • -10.02db
26% Popularity • 45% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 45% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Myra Warren
Walking On Water
80 bpm • C min • 03:32 • -14.73db
27% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Dhristian Eigueroa
My Room
80 bpm • G Maj • 02:21 • -31.69db
22% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
22% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
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Rumer
Where've You Been?
80 bpm • F# Maj • 03:49 • -13.15db
9% Popularity • 53% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 53% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Reginald Bellamy
Pray
72 bpm • G# Maj • 04:01 • -13.65db
28% Popularity • 43% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 43% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Yao Si Ting
When I Fall In Love
80 bpm • D Maj • 03:41 • -13.24db
11% Popularity • 60% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 60% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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The Numocks Duet
One Desire
80 bpm • D# Maj • 04:47 • -12.71db
25% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Tom Ball
Bring Him Home
81 bpm • A Maj • 03:36 • -12.34db
25% Popularity • 13% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 13% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Bruce Eckstut
Shiver Me Timbers
72 bpm • F Maj • 02:54 • -12.19db
11% Popularity • 30% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 30% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Glenn Miller Orchestra
All I Do Is Dream Of You
81 bpm • G Maj • 02:03 • -11.43db
14% Popularity • 32% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 32% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Dean Friedman
Welcome to the World
81 bpm • F Maj • 05:03 • -8.95db
19% Popularity • 35% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 35% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Freyda Epstein
Schlaff Kindlein Schlaff
81 bpm • A Maj • 03:28 • -16.87db
10% Popularity • 54% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 54% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jake Wild
How Will I Know
81 bpm • C Maj • 03:38 • -10.3db
37% Popularity • 46% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 46% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Birgitte Damberg Trio
Winterwaltz
81 bpm • C# min • 04:18 • -15.25db
8% Popularity • 53% Danceability • 21% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 53% Danceability • 21% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Devon Stehle
Rain Now
81 bpm • B Maj • 02:24 • -13.75db
12% Popularity • 57% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
12% Popularity • 57% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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The Amplified Project
Father
81 bpm • A# Maj • 03:33 • -13db
22% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Ben Fuller
Will You Still Love Me Tomorrow
81 bpm • E Maj • 03:08 • -22.25db
16% Popularity • 30% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 30% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Elizabeth Tryon
Bridge over Troubled Water
81 bpm • D Maj • 04:22 • -10.45db
1% Popularity • 30% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 30% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Dell Lubowitz
Sing To New York
81 bpm • D# Maj • 02:31 • -13.79db
27% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Soesja Citroen
Don't Cry Baby
81 bpm • D# Maj • 04:04 • -14.78db
10% Popularity • 42% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 42% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Martha Yellin
Chasing The Rain
82 bpm • G Maj • 02:29 • -14.12db
8% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Dhristian Eigueroa
My Life
82 bpm • A min • 02:52 • -22.81db
22% Popularity • 30% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Sophie Zelmani
Introduction of the band by Sophie
82 bpm • F min • 02:19 • -24.14db
12% Popularity • 56% Danceability • 60% Energy • 68% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 56% Danceability • 60% Energy • 68% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Eoghan Desmond
Oxen of the Sun
82 bpm • C min • 05:16 • -26db
4% Popularity • 19% Danceability • 2% Energy • 9% Liveness
14% Instrumentalness • 6% Positiveness
4% Popularity • 19% Danceability • 2% Energy • 9% Liveness
14% Instrumentalness • 6% Positiveness
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SuRie
Somebody
71 bpm • G Maj • 03:26 • -14.72db
8% Popularity • 38% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 38% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Masser
The Greatest Love of All
71 bpm • F# min • 04:09 • -11.22db
7% Popularity • 40% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 40% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Leneir Fletcher
Doorstep
71 bpm • C# Maj • 02:23 • -14.71db
12% Popularity • 31% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 31% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Sasha Siem
Cycles
82 bpm • C Maj • 01:59 • -10.34db
14% Popularity • 66% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 66% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Simone Quist
True Love
71 bpm • C Maj • 04:06 • -9.86db
29% Popularity • 31% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 31% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Marcia Hines
Abide With Me
82 bpm • A# Maj • 04:18 • -9.66db
10% Popularity • 49% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
10% Popularity • 49% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
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Oh
Jamaica Farewell
70 bpm • C Maj • 03:15 • -8.68db
3% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
3% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Lydia Luce
Your Garden - Reimagined
82 bpm • F Maj • 03:26 • -15.73db
27% Popularity • 23% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
27% Popularity • 23% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Marvin Leterson
Kick Back
82 bpm • B min • 02:46 • -10.79db
9% Popularity • 61% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 61% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Vickie Stein
All the Promises
82 bpm • G Maj • 05:39 • -8.8db
17% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Devon Stehle
Black Water
83 bpm • C# Maj • 02:39 • -8.78db
13% Popularity • 27% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 27% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Leyla McCalla
Small Towns (Are Smaller for Girls)
70 bpm • G# min • 03:05 • -9.55db
17% Popularity • 59% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 59% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Jose Pimiento
Peace Wash over Me
83 bpm • G# Maj • 02:26 • -12.9db
11% Popularity • 14% Danceability • 36% Energy • 35% Liveness
40% Instrumentalness • 11% Positiveness
11% Popularity • 14% Danceability • 36% Energy • 35% Liveness
40% Instrumentalness • 11% Positiveness
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Blenda Nieto
Me Again
83 bpm • B Maj • 02:58 • -12.61db
14% Popularity • 50% Danceability • 46% Energy • 51% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 50% Danceability • 46% Energy • 51% Liveness
0% Instrumentalness • 24% Positiveness
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Christie Hennessy
Soho Square
83 bpm • C Maj • 03:13 • -11.66db
9% Popularity • 26% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
9% Popularity • 26% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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Deirdre Ni Chinneide
100 Thousand Angels
83 bpm • D Maj • 03:59 • -21.22db
8% Popularity • 26% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 26% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Rosemary Siemens
I'll Always Be With You
83 bpm • C Maj • 04:26 • -12.66db
11% Popularity • 33% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 33% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
