Songs like Erupting Light by Hildur Guðnadóttir
Based on a tempo of (+/- 10%) and a similar genre
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Hildur Guðnadóttir
Erupting Light
56 bpm • D min • 02:22 • -12.31db
37% Popularity • 22% Danceability • 24% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
37% Popularity • 22% Danceability • 24% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
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Jocelyn Pook
iTMOi (In the Mind of Igor): Sacrifice
56 bpm • F min • 06:15 • -17.9db
20% Popularity • 8% Danceability • 25% Energy • 11% Liveness
16% Instrumentalness • 11% Positiveness
20% Popularity • 8% Danceability • 25% Energy • 11% Liveness
16% Instrumentalness • 11% Positiveness
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Nils Frahm
A Stolen Car
58 bpm • C# Maj • 04:45 • -32.61db
19% Popularity • 24% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
19% Popularity • 24% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
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Mica Levi
Vanity
54 bpm • E min • 02:59 • -16.45db
33% Popularity • 28% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
33% Popularity • 28% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Ryuichi Sakamoto
The Revenant Theme 2
52 bpm • B min • 01:54 • -21.76db
36% Popularity • 20% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
36% Popularity • 20% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Luca D'Alberto
My Way
60 bpm • C min • 05:57 • -15.34db
23% Popularity • 11% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Reflection
55 bpm • G Maj • 07:27 • -15.22db
9% Popularity • 11% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Daniel Hart
Thesaurus Tuus
60 bpm • D Maj • 04:58 • -16.38db
19% Popularity • 6% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
19% Popularity • 6% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Nils Frahm
Our Own Roof
53 bpm • A# min • 05:18 • -24.74db
34% Popularity • 23% Danceability • 11% Energy • 32% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 23% Danceability • 11% Energy • 32% Liveness
84% Instrumentalness • 4% Positiveness
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Kjartan Sveinsson
Teil I
61 bpm • C min • 08:03 • -12.71db
37% Popularity • 6% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 6% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Ben Lukas Boysen
We're Here
62 bpm • D min • 04:17 • -16.85db
20% Popularity • 17% Danceability • 19% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 17% Danceability • 19% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Jóhann Jóhannsson
Desert Music
63 bpm • E min • 05:07 • -19.92db
34% Popularity • 15% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Hoyt's Office
58 bpm • B Maj • 01:24 • -18.67db
41% Popularity • 14% Danceability • 13% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
41% Popularity • 14% Danceability • 13% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Carter Burwell
Medieval Waters
62 bpm • G min • 01:39 • -20.53db
34% Popularity • 17% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
34% Popularity • 17% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
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Joep Beving
For Steven
63 bpm • G min • 04:44 • -26db
41% Popularity • 30% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
41% Popularity • 30% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Yair Elazar Glotman
The Universal End
63 bpm • D Maj • 01:23 • -34.03db
27% Popularity • 22% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 22% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Nicholas Britell
The Middle of the World
64 bpm • G min • 02:02 • -14.76db
50% Popularity • 33% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
50% Popularity • 33% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Alex Kozobolis
If You Came Here To Live (In Memory Of M...
64 bpm • G# min • 02:39 • -22.26db
37% Popularity • 32% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
37% Popularity • 32% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Hildur Guðnadóttir
Guðnadóttir: Minor C Variation
62 bpm • C min • 03:08 • -26.75db
24% Popularity • 6% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
24% Popularity • 6% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Grissini Project
Haunted Ocean
49 bpm • D# min • 02:36 • -13.29db
19% Popularity • 9% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 9% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Nicholas Hooper
In Noctem
64 bpm • C min • 02:00 • -29.88db
52% Popularity • 28% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
52% Popularity • 28% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Joshua Penman
I Dreamed I was Floating
64 bpm • G# min • 03:11 • -12db
8% Popularity • 13% Danceability • 34% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 34% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Des Plumes Dans La Tête
65 bpm • A min • 01:20 • -10db
45% Popularity • 14% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 14% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Rachel Grimes
Loretto
65 bpm • C min • 06:38 • -23.71db
19% Popularity • 29% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 17% Positiveness
19% Popularity • 29% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 17% Positiveness
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Peter Broderick
Another Glacier
65 bpm • F# min • 03:49 • -19db
12% Popularity • 10% Danceability • 6% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 6% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
String Quartet No. 2: III - Live at the ...
65 bpm • A# Maj • 06:05 • -11.53db
27% Popularity • 6% Danceability • 32% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 6% Danceability • 32% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Martin Phipps
Marya
66 bpm • C Maj • 01:48 • -33.84db
22% Popularity • 26% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 5% Positiveness
22% Popularity • 26% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 5% Positiveness
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Luigi Rubino
The earth screams with pain
66 bpm • A min • 02:23 • -21.14db
8% Popularity • 31% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
8% Popularity • 31% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Craig Armstrong
Hotel Sayre
66 bpm • B min • 03:22 • -20.6db
46% Popularity • 20% Danceability • 9% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
46% Popularity • 20% Danceability • 9% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Nicholas Britell
Little's Theme
66 bpm • G Maj • 00:59 • -24.11db
44% Popularity • 27% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
44% Popularity • 27% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
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Ezio Bosso
Music for Weather Elements: Air, On the ...
66 bpm • A min • 12:32 • -19.86db
20% Popularity • 10% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 3% Positiveness
20% Popularity • 10% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 3% Positiveness
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Eric Whitacre
Deep Field: Earth Choir
66 bpm • D# min • 04:54 • -26.73db
25% Popularity • 6% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
25% Popularity • 6% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Bobby Krlic
Fire Temple
66 bpm • F# Maj • 09:34 • -10.98db
35% Popularity • 6% Danceability • 26% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 6% Danceability • 26% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Clint Mansell
First Snow
66 bpm • A min • 03:08 • -18db
34% Popularity • 20% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 20% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Nils Frahm
Nobody Knows Who You Are
66 bpm • C Maj • 02:48 • -21.66db
17% Popularity • 6% Danceability • 0% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
17% Popularity • 6% Danceability • 0% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Prospectors Arrive
66 bpm • F min • 04:34 • -18.17db
20% Popularity • 14% Danceability • 18% Energy • 17% Liveness
78% Instrumentalness • 3% Positiveness
20% Popularity • 14% Danceability • 18% Energy • 17% Liveness
78% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Part 4.7
66 bpm • C Maj • 01:19 • -40.52db
24% Popularity • 12% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
24% Popularity • 12% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Thom Yorke
The Conjuring of Anke
67 bpm • C min • 02:16 • -17.76db
28% Popularity • 19% Danceability • 15% Energy • 11% Liveness
99% Instrumentalness • 7% Positiveness
28% Popularity • 19% Danceability • 15% Energy • 11% Liveness
99% Instrumentalness • 7% Positiveness
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Fernando Velázquez
Lullaby Variation
67 bpm • A# min • 01:41 • -22.17db
34% Popularity • 62% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
34% Popularity • 62% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Jocelyn Pook
Naval Officer
68 bpm • G min • 04:51 • -17.82db
22% Popularity • 20% Danceability • 13% Energy • 38% Liveness
77% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 13% Energy • 38% Liveness
77% Instrumentalness • 4% Positiveness
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Dominik Scherrer
Laoaxrp
68 bpm • C Maj • 03:14 • -18.15db
9% Popularity • 18% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
9% Popularity • 18% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Arvo Pärt
Für Alina
68 bpm • B min • 10:47 • -36.61db
47% Popularity • 48% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
47% Popularity • 48% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
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Rachel Grimes
First Self-Portrait Series
68 bpm • D min • 03:47 • -20db
25% Popularity • 29% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
25% Popularity • 29% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Daniel Hart
Post Pie
68 bpm • F Maj • 04:05 • -21.98db
20% Popularity • 7% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
20% Popularity • 7% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Part 1.2
68 bpm • A# min • 01:18 • -41.14db
30% Popularity • 18% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 2% Positiveness
30% Popularity • 18% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 2% Positiveness
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Ben Frost
Simulacra I
68 bpm • E Maj • 05:35 • -36db
30% Popularity • 6% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
30% Popularity • 6% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Meredith Monk
Cow Song
68 bpm • E Maj • 02:19 • -34.37db
34% Popularity • 30% Danceability • 0% Energy • 6% Liveness
19% Instrumentalness • 79% Positiveness
34% Popularity • 30% Danceability • 0% Energy • 6% Liveness
19% Instrumentalness • 79% Positiveness
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Caroline Shaw
Partita for 8 Singers: 3. Courante
69 bpm • G Maj • 08:59 • -16.07db
31% Popularity • 23% Danceability • 17% Energy • 11% Liveness
77% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 17% Energy • 11% Liveness
77% Instrumentalness • 5% Positiveness
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Justina Jaruševičiūtė
Wolf Hour
69 bpm • D min • 04:00 • -15.66db
8% Popularity • 17% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
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Kjartan Sveinsson
Volcano - Original Score
70 bpm • D# min • 04:05 • -15.94db
16% Popularity • 15% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Dominik Scherrer
Adopa
70 bpm • F Maj • 01:59 • -15.6db
12% Popularity • 16% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Jed Kurzel
Landscapes
70 bpm • E min • 02:21 • -17db
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Jóhann Jóhannsson
Part 4.3
70 bpm • C Maj • 01:12 • -26.67db
29% Popularity • 16% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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James Heather
Blueprint
70 bpm • C min • 04:32 • -26db
42% Popularity • 22% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
42% Popularity • 22% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Angus MacRae
Inari
70 bpm • D# min • 05:19 • -16.95db
12% Popularity • 10% Danceability • 22% Energy • 24% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 22% Energy • 24% Liveness
95% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Ascent
70 bpm • G min • 04:42 • -20.91db
19% Popularity • 13% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Yair Elazar Glotman
The Last Men
70 bpm • B Maj • 03:19 • -23.59db
33% Popularity • 6% Danceability • 9% Energy • 14% Liveness
98% Instrumentalness • 3% Positiveness
33% Popularity • 6% Danceability • 9% Energy • 14% Liveness
98% Instrumentalness • 3% Positiveness
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Jed Kurzel
Macbeth
70 bpm • A Maj • 04:37 • -15db
28% Popularity • 13% Danceability • 23% Energy • 30% Liveness
86% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 23% Energy • 30% Liveness
86% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Pour Les Oiseaux
70 bpm • C min • 01:16 • -20db
57% Popularity • 39% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
57% Popularity • 39% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Anne Nikitin
Rosary
70 bpm • A min • 01:25 • -15db
49% Popularity • 18% Danceability • 21% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 21% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Tatiana Lisovskaya
Van Gogh Theme (Just Piano) III
70 bpm • D min • 07:29 • -26.09db
21% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
21% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Nils Frahm
The Whole Universe Wants to Be Touched
71 bpm • D# min • 01:57 • -24.41db
35% Popularity • 11% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
35% Popularity • 11% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Mike Lazarev
Unhinged
71 bpm • E min • 02:04 • -19.24db
52% Popularity • 49% Danceability • 3% Energy • 22% Liveness
95% Instrumentalness • 19% Positiveness
52% Popularity • 49% Danceability • 3% Energy • 22% Liveness
95% Instrumentalness • 19% Positiveness
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Jed Kurzel
The Child, Pt.1
70 bpm • A Maj • 02:06 • -25db
30% Popularity • 20% Danceability • 3% Energy • 23% Liveness
90% Instrumentalness • 3% Positiveness
30% Popularity • 20% Danceability • 3% Energy • 23% Liveness
90% Instrumentalness • 3% Positiveness
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Danny Norbury
This Night Is for You and For Me
71 bpm • C Maj • 05:03 • -12db
31% Popularity • 12% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
31% Popularity • 12% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Circular
71 bpm • D Maj • 04:18 • -20.63db
15% Popularity • 12% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
15% Popularity • 12% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
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Luca D'Alberto
Screaming Silence
71 bpm • E min • 04:10 • -29.09db
19% Popularity • 19% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
19% Popularity • 19% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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John Tavener
Song of the Angel
72 bpm • E Maj • 04:55 • -34.36db
17% Popularity • 7% Danceability • 3% Energy • 15% Liveness
74% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 3% Energy • 15% Liveness
74% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Part 1.0
72 bpm • C Maj • 02:01 • -26db
20% Popularity • 15% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
20% Popularity • 15% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Moon Ate the Dark
Sleepwalk
72 bpm • G# Maj • 08:33 • -23db
7% Popularity • 22% Danceability • 16% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 16% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
34% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Yair Elazar Glotman
A Move to Neptune
72 bpm • G min • 03:47 • -28db
21% Popularity • 14% Danceability • 3% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 3% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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Peter Broderick
A Glacier
72 bpm • E min • 03:16 • -18db
23% Popularity • 16% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Hildur Guðnadóttir
Light
73 bpm • D# Maj • 04:18 • -18.41db
10% Popularity • 6% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
10% Popularity • 6% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
The Markovian Parallax Denigrate
73 bpm • F min • 01:37 • -19.31db
15% Popularity • 19% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 19% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Cliff Martinez
Will She Come Back
73 bpm • A min • 05:00 • -25db
35% Popularity • 7% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
35% Popularity • 7% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Adam Hurst
Desolation
73 bpm • D Maj • 03:14 • -16.03db
35% Popularity • 20% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
35% Popularity • 20% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Deaf Center
Time Spent
73 bpm • E min • 02:09 • -24.72db
34% Popularity • 39% Danceability • 9% Energy • 16% Liveness
94% Instrumentalness • 17% Positiveness
34% Popularity • 39% Danceability • 9% Energy • 16% Liveness
94% Instrumentalness • 17% Positiveness
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Slow Meadow
A Magnificent Gray
74 bpm • C# min • 03:59 • -17.75db
33% Popularity • 12% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Floods
73 bpm • F Maj • 03:27 • -13.01db
13% Popularity • 19% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
13% Popularity • 19% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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![The Trial of Ed Crane [The Man who wasn't there - Original Motion Picture Soundtrack] cover art](https://i.scdn.co/image/ab67616d00001e0229f64c4d06587770fa9220af)
Carter Burwell
The Trial of Ed Crane [The Man who wasn'...
74 bpm • C Maj • 03:52 • -18.94db
27% Popularity • 18% Danceability • 5% Energy • 9% Liveness
71% Instrumentalness • 7% Positiveness
27% Popularity • 18% Danceability • 5% Energy • 9% Liveness
71% Instrumentalness • 7% Positiveness
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A Winged Victory for the Sullen
Steep Hills of Vicodin Tears
74 bpm • B Maj • 04:26 • -21.96db
41% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
41% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Yair Elazar Glotman
Supreme Monuments
74 bpm • D min • 01:48 • -25.93db
29% Popularity • 20% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 2% Positiveness
29% Popularity • 20% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 2% Positiveness
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Deutsches Symphonie-Orchester Berlin
Mäßig Bewegt
74 bpm • F min • 07:50 • -17db
15% Popularity • 14% Danceability • 21% Energy • 22% Liveness
98% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 21% Energy • 22% Liveness
98% Instrumentalness • 3% Positiveness
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Skúli Sverrisson
Móðir
74 bpm • F min • 04:51 • -14.76db
19% Popularity • 14% Danceability • 31% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
19% Popularity • 14% Danceability • 31% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Arvo Pärt
My Heart's in the Highlands
74 bpm • F min • 08:40 • -27.43db
35% Popularity • 12% Danceability • 1% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 1% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
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Anne Nikitin
Calibre
74 bpm • A# Maj • 02:05 • -17db
43% Popularity • 11% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
43% Popularity • 11% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
The Candlelight Vigil
75 bpm • A# Maj • 05:10 • -23db
37% Popularity • 9% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 3% Positiveness
37% Popularity • 9% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 3% Positiveness
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Hilmar Örn Hilmarsson
Suðurgata
75 bpm • D min • 03:27 • -16.43db
10% Popularity • 7% Danceability • 17% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
10% Popularity • 7% Danceability • 17% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Agnes Obel
Citizen of Glass
75 bpm • B Maj • 02:49 • -18.7db
43% Popularity • 25% Danceability • 11% Energy • 10% Liveness
22% Instrumentalness • 10% Positiveness
43% Popularity • 25% Danceability • 11% Energy • 10% Liveness
22% Instrumentalness • 10% Positiveness
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Hildur Guðnadóttir
Frá
75 bpm • E Maj • 01:22 • -17.36db
22% Popularity • 22% Danceability • 12% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
22% Popularity • 22% Danceability • 12% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Very Own
75 bpm • D min • 04:04 • -24.52db
8% Popularity • 15% Danceability • 10% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 10% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Peter Scherer
The Flight
75 bpm • A min • 01:14 • -16db
32% Popularity • 40% Danceability • 12% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
32% Popularity • 40% Danceability • 12% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
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Oskar Schuster
Eleonoras Träume
75 bpm • A min • 03:01 • -22.53db
39% Popularity • 50% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
39% Popularity • 50% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Jocelyn Pook
Forever Without End - 1999 Remix
76 bpm • A# Maj • 04:45 • -20.4db
22% Popularity • 11% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Frans Bak
The Mist: Pt. 1
76 bpm • C min • 04:45 • -18.33db
21% Popularity • 14% Danceability • 7% Energy • 15% Liveness
62% Instrumentalness • 6% Positiveness
21% Popularity • 14% Danceability • 7% Energy • 15% Liveness
62% Instrumentalness • 6% Positiveness
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Hildur Guðnadóttir
Iridescence
75 bpm • A min • 11:20 • -24.33db
12% Popularity • 6% Danceability • 5% Energy • 29% Liveness
97% Instrumentalness • 3% Positiveness
12% Popularity • 6% Danceability • 5% Energy • 29% Liveness
97% Instrumentalness • 3% Positiveness
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Nils Frahm
Some
76 bpm • F Maj • 04:14 • -33.5db
51% Popularity • 31% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
51% Popularity • 31% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
