Songs like Es Dificil Decir Lo Siento by Fausto Papetti
Based on a tempo of (+/- 10%) and a similar genre
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Jean Claude Borelly
Pretty Woman
136 bpm • F min • 02:49 • -5.08db
28% Popularity • 51% Danceability • 74% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
28% Popularity • 51% Danceability • 74% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
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Luis Siu Riveron
Tigi-Tigi - Instrumental
136 bpm • C Maj • 03:09 • -10.22db
34% Popularity • 70% Danceability • 60% Energy • 16% Liveness
90% Instrumentalness • 86% Positiveness
34% Popularity • 70% Danceability • 60% Energy • 16% Liveness
90% Instrumentalness • 86% Positiveness
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Rubén Ochoa
Mona Lisa
136 bpm • D# Maj • 02:42 • -10.27db
20% Popularity • 29% Danceability • 23% Energy • 20% Liveness
84% Instrumentalness • 12% Positiveness
20% Popularity • 29% Danceability • 23% Energy • 20% Liveness
84% Instrumentalness • 12% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
C'est Si Bon
136 bpm • G Maj • 03:08 • -11.37db
34% Popularity • 72% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 64% Positiveness
34% Popularity • 72% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 64% Positiveness
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Sounds Unlimited Orchestra And Chours
Serenata para Conniff
136 bpm • D Maj • 02:32 • -12.29db
22% Popularity • 51% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 74% Positiveness
22% Popularity • 51% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 74% Positiveness
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Johnny Pearson Y Su Orquesta
Ata una cinta amarilla al viejo roble
135 bpm • C Maj • 03:30 • -15db
40% Popularity • 56% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
40% Popularity • 56% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
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Percy Faith
Love Theme from the Godfather
135 bpm • D# min • 03:26 • -11.45db
27% Popularity • 23% Danceability • 42% Energy • 7% Liveness
30% Instrumentalness • 14% Positiveness
27% Popularity • 23% Danceability • 42% Energy • 7% Liveness
30% Instrumentalness • 14% Positiveness
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Saxo
Tiernamente
137 bpm • F Maj • 04:12 • -14.34db
15% Popularity • 27% Danceability • 16% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
15% Popularity • 27% Danceability • 16% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
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Norman Candler
I Could Have Danced All Night - Remaster...
137 bpm • F Maj • 02:23 • -5db
33% Popularity • 35% Danceability • 60% Energy • 28% Liveness
87% Instrumentalness • 74% Positiveness
33% Popularity • 35% Danceability • 60% Energy • 28% Liveness
87% Instrumentalness • 74% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Como Antes
136 bpm • C Maj • 03:04 • -13.32db
28% Popularity • 63% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 63% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Piano Marico
Together
138 bpm • D# Maj • 02:11 • -26.4db
28% Popularity • 38% Danceability • 9% Energy • 16% Liveness
9% Instrumentalness • 26% Positiveness
28% Popularity • 38% Danceability • 9% Energy • 16% Liveness
9% Instrumentalness • 26% Positiveness
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Jimmy De León
Somos Novios
134 bpm • D min • 03:27 • -13db
47% Popularity • 82% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
47% Popularity • 82% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
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Pierre Charlon
A Como Amor
138 bpm • A# min • 03:13 • -12.66db
41% Popularity • 41% Danceability • 34% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
41% Popularity • 41% Danceability • 34% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
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Adrian Perticone
Dormir Contigo
134 bpm • B min • 04:23 • -18db
26% Popularity • 65% Danceability • 20% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
26% Popularity • 65% Danceability • 20% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
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Gil Ventura
The Way We Where
134 bpm • A# Maj • 03:18 • -7.32db
24% Popularity • 29% Danceability • 40% Energy • 9% Liveness
72% Instrumentalness • 12% Positiveness
24% Popularity • 29% Danceability • 40% Energy • 9% Liveness
72% Instrumentalness • 12% Positiveness
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Percy Faith & His Orchestra
Never On Sunday
134 bpm • G Maj • 02:42 • -14db
40% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Fausto Papetti
The Way We Were
138 bpm • D# Maj • 03:04 • -8.64db
17% Popularity • 33% Danceability • 34% Energy • 19% Liveness
39% Instrumentalness • 15% Positiveness
17% Popularity • 33% Danceability • 34% Energy • 19% Liveness
39% Instrumentalness • 15% Positiveness
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Orquesta Popular de las Americas
Lamento Borincano (Instrumental)
134 bpm • C min • 02:19 • -17db
32% Popularity • 51% Danceability • 34% Energy • 31% Liveness
2% Instrumentalness • 63% Positiveness
32% Popularity • 51% Danceability • 34% Energy • 31% Liveness
2% Instrumentalness • 63% Positiveness
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Johnny Pearson Y Su Orquesta
Vivir y dejar morir
139 bpm • G Maj • 03:26 • -13db
21% Popularity • 47% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
21% Popularity • 47% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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Mantovani y Su Gran Orquesta
El Relicario
133 bpm • F# min • 02:12 • -9.08db
28% Popularity • 42% Danceability • 42% Energy • 22% Liveness
36% Instrumentalness • 60% Positiveness
28% Popularity • 42% Danceability • 42% Energy • 22% Liveness
36% Instrumentalness • 60% Positiveness
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MelodÃas Mágicas
C'est Si Bon
139 bpm • A# Maj • 02:53 • -14.14db
43% Popularity • 65% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 65% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Orquesta Raiz Latina
Alfonsina Y El Mar
139 bpm • G min • 04:28 • -8db
21% Popularity • 60% Danceability • 52% Energy • 19% Liveness
65% Instrumentalness • 46% Positiveness
21% Popularity • 60% Danceability • 52% Energy • 19% Liveness
65% Instrumentalness • 46% Positiveness
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Ricardo Juarez
Too Young
133 bpm • C# Maj • 02:55 • -13.14db
30% Popularity • 70% Danceability • 69% Energy • 35% Liveness
90% Instrumentalness • 87% Positiveness
30% Popularity • 70% Danceability • 69% Energy • 35% Liveness
90% Instrumentalness • 87% Positiveness
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Les & Larry Elgart
Meditation
133 bpm • C min • 02:52 • -17db
33% Popularity • 63% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
33% Popularity • 63% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Johnny Pearson Y Su Orquesta
Concierto de Aranjuez
139 bpm • B min • 04:40 • -11db
32% Popularity • 28% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
32% Popularity • 28% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Glen Lucas
Just The Way You Are
140 bpm • G Maj • 03:51 • -12.73db
28% Popularity • 55% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 28% Positiveness
28% Popularity • 55% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 28% Positiveness
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Sergio Golwarz
Las Hojas Muertas
133 bpm • E min • 03:08 • -6db
33% Popularity • 27% Danceability • 50% Energy • 12% Liveness
58% Instrumentalness • 32% Positiveness
33% Popularity • 27% Danceability • 50% Energy • 12% Liveness
58% Instrumentalness • 32% Positiveness
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Fausto Papetti
Europa
140 bpm • F min • 03:45 • -8db
32% Popularity • 55% Danceability • 54% Energy • 4% Liveness
57% Instrumentalness • 66% Positiveness
32% Popularity • 55% Danceability • 54% Energy • 4% Liveness
57% Instrumentalness • 66% Positiveness
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Giovanni Vivanco
Contigo en la Distancia
140 bpm • G Maj • 03:40 • -18.2db
45% Popularity • 70% Danceability • 23% Energy • 27% Liveness
89% Instrumentalness • 13% Positiveness
45% Popularity • 70% Danceability • 23% Energy • 27% Liveness
89% Instrumentalness • 13% Positiveness
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Adrian Perticone
De Quererte Asi
140 bpm • C Maj • 03:50 • -14.1db
26% Popularity • 57% Danceability • 26% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
26% Popularity • 57% Danceability • 26% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
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Discovey Light Orchestra
A Mi Manera
140 bpm • F Maj • 02:56 • -13db
50% Popularity • 40% Danceability • 38% Energy • 15% Liveness
97% Instrumentalness • 23% Positiveness
50% Popularity • 40% Danceability • 38% Energy • 15% Liveness
97% Instrumentalness • 23% Positiveness
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Johnny Pearson Y Su Orquesta
La manana ha roto
140 bpm • C Maj • 03:10 • -12db
28% Popularity • 43% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Manuel Olivera Almada
Alfonsina Y El Mar
141 bpm • E min • 03:44 • -10.72db
40% Popularity • 59% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
40% Popularity • 59% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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Fausto Papetti
A Man and a Woman
132 bpm • D min • 03:03 • -12.01db
38% Popularity • 64% Danceability • 55% Energy • 11% Liveness
64% Instrumentalness • 50% Positiveness
38% Popularity • 64% Danceability • 55% Energy • 11% Liveness
64% Instrumentalness • 50% Positiveness
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Percy Faith
The Song from Moulin Rouge (Alternate Ta...
142 bpm • G Maj • 03:50 • -15.98db
39% Popularity • 17% Danceability • 26% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
39% Popularity • 17% Danceability • 26% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
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Sergio Ortiz
Aquellos Ojos Verdes
131 bpm • C Maj • 02:16 • -10db
47% Popularity • 30% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 34% Positiveness
47% Popularity • 30% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 34% Positiveness
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Joaquin Borges
Molino Rojo
142 bpm • G Maj • 03:10 • -23db
31% Popularity • 16% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Johnny Pearson Y Su Orquesta
Canta
141 bpm • F Maj • 03:15 • -15db
26% Popularity • 63% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
26% Popularity • 63% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Mantovani y Su Gran Orquesta
Valencia
130 bpm • G# Maj • 02:23 • -8.64db
29% Popularity • 34% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
29% Popularity • 34% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
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Fausto Papetti
Vivre Pour Vivre
140 bpm • A min • 02:06 • -9.09db
24% Popularity • 51% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 51% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Adrian Perticone
La Última Noche
129 bpm • G Maj • 02:58 • -15db
41% Popularity • 75% Danceability • 49% Energy • 15% Liveness
74% Instrumentalness • 83% Positiveness
41% Popularity • 75% Danceability • 49% Energy • 15% Liveness
74% Instrumentalness • 83% Positiveness
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Lorraine Y Su Acordeón
Ciao Ciao Bambina
130 bpm • C Maj • 03:42 • -11.42db
16% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Grandes Violines Románticos
Aquellos Ojos
129 bpm • D# Maj • 02:39 • -6db
33% Popularity • 71% Danceability • 61% Energy • 7% Liveness
90% Instrumentalness • 91% Positiveness
33% Popularity • 71% Danceability • 61% Energy • 7% Liveness
90% Instrumentalness • 91% Positiveness
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Asi Es El Beguine
Exodo
128 bpm • C min • 02:12 • -15.67db
28% Popularity • 54% Danceability • 28% Energy • 27% Liveness
91% Instrumentalness • 80% Positiveness
28% Popularity • 54% Danceability • 28% Energy • 27% Liveness
91% Instrumentalness • 80% Positiveness
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Birmingham Light Orchestra
There's a Kind of Hush
128 bpm • D Maj • 03:08 • -12.1db
39% Popularity • 66% Danceability • 56% Energy • 8% Liveness
92% Instrumentalness • 67% Positiveness
39% Popularity • 66% Danceability • 56% Energy • 8% Liveness
92% Instrumentalness • 67% Positiveness
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![La vie en rose cover art]()
Fausto Papetti
La vie en rose
132 bpm • D# Maj • 03:19 • -17.88db
28% Popularity • 70% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
28% Popularity • 70% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
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Adrian Perticone
Algo Contigo
144 bpm • G min • 03:50 • -13db
32% Popularity • 58% Danceability • 34% Energy • 10% Liveness
67% Instrumentalness • 8% Positiveness
32% Popularity • 58% Danceability • 34% Energy • 10% Liveness
67% Instrumentalness • 8% Positiveness
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Domi de Angeles
Ansiedad (Guitar)
128 bpm • G Maj • 03:27 • -9.99db
30% Popularity • 86% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 92% Positiveness
30% Popularity • 86% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 92% Positiveness
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Luis Siu Riveron
La Paloma - Yradier
128 bpm • C Maj • 03:15 • -12.16db
31% Popularity • 62% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 74% Positiveness
31% Popularity • 62% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 74% Positiveness
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Alan Alonmoore
Indian Summer
145 bpm • D min • 02:02 • -13.22db
34% Popularity • 67% Danceability • 39% Energy • 17% Liveness
62% Instrumentalness • 67% Positiveness
34% Popularity • 67% Danceability • 39% Energy • 17% Liveness
62% Instrumentalness • 67% Positiveness
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Manuel Olivera Almada
Piel Canela
127 bpm • E Maj • 02:42 • -11db
47% Popularity • 71% Danceability • 54% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
47% Popularity • 71% Danceability • 54% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
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Fausto Papetti
Perfidia
128 bpm • G# Maj • 02:16 • -10.02db
17% Popularity • 50% Danceability • 37% Energy • 19% Liveness
90% Instrumentalness • 74% Positiveness
17% Popularity • 50% Danceability • 37% Energy • 19% Liveness
90% Instrumentalness • 74% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Cuando Me Enamoro
145 bpm • A# Maj • 03:26 • -15.34db
36% Popularity • 60% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 60% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Adrian Perticone
Para Decir Adiós
144 bpm • G Maj • 04:37 • -14.38db
41% Popularity • 55% Danceability • 35% Energy • 11% Liveness
14% Instrumentalness • 18% Positiveness
41% Popularity • 55% Danceability • 35% Energy • 11% Liveness
14% Instrumentalness • 18% Positiveness
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Percy Faith & His Orchestra
I Will Follow You
127 bpm • C Maj • 02:04 • -11.98db
40% Popularity • 51% Danceability • 58% Energy • 38% Liveness
93% Instrumentalness • 85% Positiveness
40% Popularity • 51% Danceability • 58% Energy • 38% Liveness
93% Instrumentalness • 85% Positiveness
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Gil Ventura
Parole Parole
127 bpm • G min • 04:07 • -8.29db
21% Popularity • 72% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
21% Popularity • 72% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
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Manuel Olivera Almada
Moliendo Cafe
145 bpm • A min • 02:43 • -9.31db
53% Popularity • 73% Danceability • 70% Energy • 14% Liveness
89% Instrumentalness • 96% Positiveness
53% Popularity • 73% Danceability • 70% Energy • 14% Liveness
89% Instrumentalness • 96% Positiveness
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Fausto Papetti
Feelings
146 bpm • E min • 03:36 • -11db
32% Popularity • 34% Danceability • 36% Energy • 8% Liveness
82% Instrumentalness • 36% Positiveness
32% Popularity • 34% Danceability • 36% Energy • 8% Liveness
82% Instrumentalness • 36% Positiveness
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Asi Es El Beguine
Nunca En Domingo
126 bpm • D# Maj • 02:36 • -14db
29% Popularity • 56% Danceability • 41% Energy • 7% Liveness
31% Instrumentalness • 85% Positiveness
29% Popularity • 56% Danceability • 41% Energy • 7% Liveness
31% Instrumentalness • 85% Positiveness
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Adrian Perticone
Alma MÃa
146 bpm • D Maj • 04:58 • -11.95db
27% Popularity • 56% Danceability • 35% Energy • 9% Liveness
15% Instrumentalness • 15% Positiveness
27% Popularity • 56% Danceability • 35% Energy • 9% Liveness
15% Instrumentalness • 15% Positiveness
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Tony Mottola y Su Orquesta
Dominiqui
126 bpm • G# Maj • 02:17 • -11.17db
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Orquesta Casino De La Habana
La Paloma
126 bpm • C Maj • 03:03 • -19.78db
44% Popularity • 66% Danceability • 23% Energy • 14% Liveness
48% Instrumentalness • 88% Positiveness
44% Popularity • 66% Danceability • 23% Energy • 14% Liveness
48% Instrumentalness • 88% Positiveness
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Saxo
Insensatez
148 bpm • A# min • 02:30 • -12.1db
16% Popularity • 32% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 32% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Eddie Fernandez Quintet
Quien Sera
125 bpm • E min • 02:24 • -11db
28% Popularity • 76% Danceability • 64% Energy • 9% Liveness
92% Instrumentalness • 94% Positiveness
28% Popularity • 76% Danceability • 64% Energy • 9% Liveness
92% Instrumentalness • 94% Positiveness
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Asi Es El Beguine
Beguine The Beguine
125 bpm • D min • 03:35 • -13db
34% Popularity • 55% Danceability • 52% Energy • 31% Liveness
92% Instrumentalness • 71% Positiveness
34% Popularity • 55% Danceability • 52% Energy • 31% Liveness
92% Instrumentalness • 71% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Tornero Tornera
125 bpm • A Maj • 04:15 • -12.55db
17% Popularity • 53% Danceability • 52% Energy • 8% Liveness
82% Instrumentalness • 16% Positiveness
17% Popularity • 53% Danceability • 52% Energy • 8% Liveness
82% Instrumentalness • 16% Positiveness
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EDDY GUIRAO
Piel Canela
125 bpm • G Maj • 03:00 • -9db
45% Popularity • 76% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 97% Positiveness
45% Popularity • 76% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 97% Positiveness
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Manuel Olivera Almada
Ojos Espanoles
124 bpm • D Maj • 02:40 • -10db
48% Popularity • 64% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 82% Positiveness
48% Popularity • 64% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 82% Positiveness
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Luis Siu Riveron
Siboney - Instrumental
124 bpm • C Maj • 02:17 • -13db
43% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
43% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
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Pepe Jaramillo
The Breeze and I
124 bpm • A# Maj • 02:19 • -15.2db
35% Popularity • 74% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 77% Positiveness
35% Popularity • 74% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 77% Positiveness
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Asi Es El Beguine
La Novia
124 bpm • C Maj • 02:32 • -13.03db
31% Popularity • 54% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 69% Positiveness
31% Popularity • 54% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 69% Positiveness
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James Last
A Man And A Woman
149 bpm • C min • 02:42 • -14.66db
38% Popularity • 39% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 49% Positiveness
38% Popularity • 39% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 49% Positiveness
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François Gilbert
La Felicidad
123 bpm • F min • 02:06 • -10.14db
30% Popularity • 58% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
30% Popularity • 58% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
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André Popp
Les papillons
124 bpm • F Maj • 02:30 • -6db
43% Popularity • 61% Danceability • 65% Energy • 10% Liveness
83% Instrumentalness • 71% Positiveness
43% Popularity • 61% Danceability • 65% Energy • 10% Liveness
83% Instrumentalness • 71% Positiveness
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Al Caiola
Mexico
123 bpm • D Maj • 02:36 • -6.58db
26% Popularity • 71% Danceability • 49% Energy • 14% Liveness
96% Instrumentalness • 73% Positiveness
26% Popularity • 71% Danceability • 49% Energy • 14% Liveness
96% Instrumentalness • 73% Positiveness
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Juan Torres Y Su Organo Melodico
Picolissima Serenata
123 bpm • C Maj • 02:28 • -12.85db
46% Popularity • 65% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 65% Positiveness
46% Popularity • 65% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 65% Positiveness
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MelodÃas Mágicas
Tengo Dos Amores
123 bpm • F Maj • 02:01 • -19.5db
46% Popularity • 58% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 77% Positiveness
46% Popularity • 58% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 77% Positiveness
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Asi Es El Beguine
Torna A Sorrento
123 bpm • D Maj • 02:13 • -10db
34% Popularity • 56% Danceability • 55% Energy • 15% Liveness
85% Instrumentalness • 90% Positiveness
34% Popularity • 56% Danceability • 55% Energy • 15% Liveness
85% Instrumentalness • 90% Positiveness
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Rubén Ochoa
Según Pasan los Años
151 bpm • C min • 03:22 • -9.7db
14% Popularity • 52% Danceability • 51% Energy • 10% Liveness
46% Instrumentalness • 58% Positiveness
14% Popularity • 52% Danceability • 51% Energy • 10% Liveness
46% Instrumentalness • 58% Positiveness
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Juan Del Rio
Bésame Mucho
122 bpm • G min • 02:11 • -10.71db
36% Popularity • 78% Danceability • 42% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
36% Popularity • 78% Danceability • 42% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
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Al Caiola
Guns of Navarone
123 bpm • D Maj • 02:40 • -10.21db
31% Popularity • 56% Danceability • 47% Energy • 22% Liveness
96% Instrumentalness • 82% Positiveness
31% Popularity • 56% Danceability • 47% Energy • 22% Liveness
96% Instrumentalness • 82% Positiveness
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Jean Claude Borelly
Le temps des fleurs
122 bpm • A min • 02:53 • -7.86db
23% Popularity • 30% Danceability • 53% Energy • 30% Liveness
94% Instrumentalness • 47% Positiveness
23% Popularity • 30% Danceability • 53% Energy • 30% Liveness
94% Instrumentalness • 47% Positiveness
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Saxo
Emmanuelle
122 bpm • C min • 02:59 • -18db
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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Bodas y 15 Años
Morir de Amor
151 bpm • D min • 03:16 • -8.99db
36% Popularity • 28% Danceability • 46% Energy • 13% Liveness
94% Instrumentalness • 23% Positiveness
36% Popularity • 28% Danceability • 46% Energy • 13% Liveness
94% Instrumentalness • 23% Positiveness
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Arpa Romántica
Candilejas
121 bpm • E Maj • 02:35 • -9db
35% Popularity • 34% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Pier Franco & His Golden Trumpet
Cama y Mesa
121 bpm • E min • 02:54 • -11.79db
32% Popularity • 79% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 79% Positiveness
32% Popularity • 79% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 79% Positiveness
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Al Caiola
The Guns Of Navarone
123 bpm • D Maj • 02:38 • -7.5db
41% Popularity • 59% Danceability • 65% Energy • 22% Liveness
82% Instrumentalness • 80% Positiveness
41% Popularity • 59% Danceability • 65% Energy • 22% Liveness
82% Instrumentalness • 80% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Volare
121 bpm • C Maj • 03:04 • -12.12db
42% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
42% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
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Ralph Garcia
Burbujas de Amor
120 bpm • C Maj • 03:21 • -8.62db
30% Popularity • 79% Danceability • 48% Energy • 12% Liveness
83% Instrumentalness • 76% Positiveness
30% Popularity • 79% Danceability • 48% Energy • 12% Liveness
83% Instrumentalness • 76% Positiveness
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Manuel Olivera Almada
Nosotros
120 bpm • D Maj • 02:26 • -10.09db
49% Popularity • 61% Danceability • 57% Energy • 17% Liveness
84% Instrumentalness • 60% Positiveness
49% Popularity • 61% Danceability • 57% Energy • 17% Liveness
84% Instrumentalness • 60% Positiveness
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Asi Es El Beguine
Una Furtiva Lagrima
120 bpm • A# Maj • 02:42 • -9db
29% Popularity • 61% Danceability • 51% Energy • 6% Liveness
65% Instrumentalness • 70% Positiveness
29% Popularity • 61% Danceability • 51% Energy • 6% Liveness
65% Instrumentalness • 70% Positiveness
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Juan Torres Y Su Organo Melodico
Can't Take My Eyes Off From You
120 bpm • F Maj • 04:43 • -10.83db
29% Popularity • 57% Danceability • 53% Energy • 28% Liveness
83% Instrumentalness • 58% Positiveness
29% Popularity • 57% Danceability • 53% Energy • 28% Liveness
83% Instrumentalness • 58% Positiveness
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Al Caiola
Wheels
120 bpm • C Maj • 02:07 • -12.99db
43% Popularity • 80% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 86% Positiveness
43% Popularity • 80% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 86% Positiveness
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Luis Siu Riveron
Amapola - Instrumental
120 bpm • C Maj • 03:20 • -12db
32% Popularity • 66% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 73% Positiveness
32% Popularity • 66% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 73% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Picolissima Serenata
120 bpm • A Maj • 03:15 • -14.69db
27% Popularity • 74% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 95% Positiveness
27% Popularity • 74% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 95% Positiveness
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Manuel Olivera Almada
Cuando Vuelva A Tu Lado
120 bpm • F Maj • 01:59 • -11db
56% Popularity • 64% Danceability • 45% Energy • 14% Liveness
97% Instrumentalness • 76% Positiveness
56% Popularity • 64% Danceability • 45% Energy • 14% Liveness
97% Instrumentalness • 76% Positiveness
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Frank Chacksfield
Marylin
120 bpm • F Maj • 02:27 • -18db
31% Popularity • 37% Danceability • 13% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
31% Popularity • 37% Danceability • 13% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Jorge Espinoza Y Su Violin
Rosas Rojas Para Una Dama Triste
120 bpm • G Maj • 03:01 • -10db
44% Popularity • 45% Danceability • 49% Energy • 8% Liveness
83% Instrumentalness • 48% Positiveness
44% Popularity • 45% Danceability • 49% Energy • 8% Liveness
83% Instrumentalness • 48% Positiveness
