Songs like Es ist ein Ros entsprungen (arr. S. Cox for brass septet) by Michael Praetorius
Based on a tempo of (+/- 10%) and a similar genre
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The Tabernacle Choir at Temple Square
Carol of the Drum
133 bpm • D Maj • 03:29 • -18.3db
11% Popularity • 23% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Philadelphia Orchestra
The First Nowell
133 bpm • E Maj • 03:32 • -13.09db
3% Popularity • 16% Danceability • 31% Energy • 8% Liveness
76% Instrumentalness • 16% Positiveness
3% Popularity • 16% Danceability • 31% Energy • 8% Liveness
76% Instrumentalness • 16% Positiveness
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John Rutter
All the Stars Looked Down
133 bpm • F Maj • 03:47 • -25.77db
24% Popularity • 17% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Metamorphose String Orchestra
God Rest You Merry Gentlemen - Arr. For ...
133 bpm • E min • 01:54 • -17.55db
15% Popularity • 27% Danceability • 12% Energy • 16% Liveness
93% Instrumentalness • 34% Positiveness
15% Popularity • 27% Danceability • 12% Energy • 16% Liveness
93% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Weihnachts-Oratorium, BWV 248, Pt. 1: Pt...
133 bpm • G# min • 01:11 • -24.84db
23% Popularity • 24% Danceability • 5% Energy • 13% Liveness
81% Instrumentalness • 14% Positiveness
23% Popularity • 24% Danceability • 5% Energy • 13% Liveness
81% Instrumentalness • 14% Positiveness
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Michael Praetorius
Es ist ein Ros entsprungen (arr. S. Cox ...
133 bpm • F Maj • 02:36 • -25.88db
25% Popularity • 18% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
25% Popularity • 18% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Traditional
Christmas Festival
134 bpm • G Maj • 09:12 • -21.16db
12% Popularity • 28% Danceability • 6% Energy • 9% Liveness
56% Instrumentalness • 18% Positiveness
12% Popularity • 28% Danceability • 6% Energy • 9% Liveness
56% Instrumentalness • 18% Positiveness
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Valentin Silvestrov
2 Christmas Lullabies: No. 1, I Sleep, J...
132 bpm • C Maj • 03:50 • -38.47db
13% Popularity • 16% Danceability • 1% Energy • 7% Liveness
5% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 1% Energy • 7% Liveness
5% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Messe de Minuit, H. 9: Offertoire: Laiss...
132 bpm • C Maj • 01:21 • -25.44db
17% Popularity • 40% Danceability • 10% Energy • 41% Liveness
88% Instrumentalness • 64% Positiveness
17% Popularity • 40% Danceability • 10% Energy • 41% Liveness
88% Instrumentalness • 64% Positiveness
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Benjamin Britten
A Ceremony Of Carols, Op. 28: Wolcum Yol...
134 bpm • D Maj • 01:19 • -24.77db
8% Popularity • 36% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 36% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Judith Weir
Illuminare, Jerusalem
134 bpm • C Maj • 02:29 • -29.6db
14% Popularity • 26% Danceability • 4% Energy • 18% Liveness
2% Instrumentalness • 5% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 18% Liveness
2% Instrumentalness • 5% Positiveness
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Michael Praetorius
Es ist ein' Ros' entsprungen (Speierisch...
134 bpm • D# Maj • 03:11 • -27.39db
4% Popularity • 16% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 16% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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John Francis Wade
O Come All Ye Faithfull - "Adeste Fidele...
134 bpm • G Maj • 03:50 • -13.62db
19% Popularity • 17% Danceability • 16% Energy • 31% Liveness
89% Instrumentalness • 8% Positiveness
19% Popularity • 17% Danceability • 16% Energy • 31% Liveness
89% Instrumentalness • 8% Positiveness
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William Byrd
Lullaby
134 bpm • D min • 01:52 • -33.34db
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Philipp Nicolai
Wie schön leuchtet der Morgenstern
135 bpm • E Maj • 04:25 • -22.35db
11% Popularity • 22% Danceability • 9% Energy • 16% Liveness
43% Instrumentalness • 16% Positiveness
11% Popularity • 22% Danceability • 9% Energy • 16% Liveness
43% Instrumentalness • 16% Positiveness
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Georg Philipp Telemann
Concerto for Trumpet, Strings and Basso ...
135 bpm • D Maj • 01:56 • -18.14db
17% Popularity • 25% Danceability • 14% Energy • 22% Liveness
87% Instrumentalness • 17% Positiveness
17% Popularity • 25% Danceability • 14% Energy • 22% Liveness
87% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Bach, JS / Arr. Wright: Weihnachtsorator...
135 bpm • F# Maj • 02:08 • -23.69db
21% Popularity • 16% Danceability • 5% Energy • 14% Liveness
16% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 14% Liveness
16% Instrumentalness • 7% Positiveness
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Chanticleer
Psallite Unigenito
135 bpm • F Maj • 01:15 • -25.34db
21% Popularity • 25% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
21% Popularity • 25% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
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Jeremiah Clarke
Trumpet Voluntary - Arr. By J. Iveson
131 bpm • A Maj • 02:24 • -17.71db
8% Popularity • 34% Danceability • 15% Energy • 23% Liveness
96% Instrumentalness • 38% Positiveness
8% Popularity • 34% Danceability • 15% Energy • 23% Liveness
96% Instrumentalness • 38% Positiveness
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Michael Praetorius
Praetorius, Michael : Es ist ein Ros Ent...
131 bpm • F Maj • 02:14 • -21.92db
14% Popularity • 21% Danceability • 10% Energy • 9% Liveness
64% Instrumentalness • 8% Positiveness
14% Popularity • 21% Danceability • 10% Energy • 9% Liveness
64% Instrumentalness • 8% Positiveness
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Mateo Flecha
Flecha: Cancionero de Uppsala: No. 46, "...
131 bpm • A# min • 02:00 • -28.19db
8% Popularity • 37% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 37% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Giulio Caccini
Ave Maria (Arr. for Trumpet & Organ by G...
135 bpm • F min • 03:54 • -19.21db
12% Popularity • 16% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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The Philharmonic Chamber Orchestra
Angels We Have Heard On High
135 bpm • G Maj • 02:30 • -17.08db
18% Popularity • 16% Danceability • 8% Energy • 28% Liveness
59% Instrumentalness • 14% Positiveness
18% Popularity • 16% Danceability • 8% Energy • 28% Liveness
59% Instrumentalness • 14% Positiveness
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Benjamin Britten
A Hymn to the Virgin
131 bpm • E Maj • 03:14 • -30.83db
26% Popularity • 16% Danceability • 2% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 2% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Peter Warlock
Bethlehem Down
131 bpm • D min • 04:34 • -33.19db
24% Popularity • 16% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Christmas Oratorio, BWV 248: Part I: Jau...
136 bpm • C# Maj • 07:43 • -17.5db
7% Popularity • 41% Danceability • 32% Energy • 10% Liveness
26% Instrumentalness • 42% Positiveness
7% Popularity • 41% Danceability • 32% Energy • 10% Liveness
26% Instrumentalness • 42% Positiveness
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Gustav Holst
In the Bleak Midwinter
130 bpm • F Maj • 03:40 • -33.79db
4% Popularity • 17% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 5% Positiveness
4% Popularity • 17% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 5% Positiveness
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Traditional
Nesem vám noviny
130 bpm • G Maj • 01:48 • -24.28db
16% Popularity • 26% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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John Rutter
O Tannenbaum (Arr. J. Rutter for Choir)
136 bpm • F# Maj • 01:59 • -26.31db
0% Popularity • 23% Danceability • 6% Energy • 22% Liveness
11% Instrumentalness • 17% Positiveness
0% Popularity • 23% Danceability • 6% Energy • 22% Liveness
11% Instrumentalness • 17% Positiveness
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Leroy Anderson
March Of The Kings
130 bpm • C min • 01:45 • -14db
12% Popularity • 44% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
12% Popularity • 44% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Hilary Campbell
Sleep, my dreaming one
130 bpm • D# Maj • 04:57 • -20.96db
7% Popularity • 18% Danceability • 8% Energy • 34% Liveness
5% Instrumentalness • 3% Positiveness
7% Popularity • 18% Danceability • 8% Energy • 34% Liveness
5% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Bach, JS / Arr. Wright : Weihnachtsorato...
136 bpm • C# Maj • 03:09 • -11.86db
12% Popularity • 42% Danceability • 30% Energy • 10% Liveness
60% Instrumentalness • 44% Positiveness
12% Popularity • 42% Danceability • 30% Energy • 10% Liveness
60% Instrumentalness • 44% Positiveness
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Bryan George Kelly
Improvisations on Christmas Carols: Alle...
130 bpm • E min • 02:22 • -14.76db
15% Popularity • 50% Danceability • 29% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
15% Popularity • 50% Danceability • 29% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
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Traditional
Angels from the Realms of Glory (Arr. Le...
136 bpm • G# Maj • 02:37 • -27.3db
21% Popularity • 24% Danceability • 13% Energy • 8% Liveness
45% Instrumentalness • 15% Positiveness
21% Popularity • 24% Danceability • 13% Energy • 8% Liveness
45% Instrumentalness • 15% Positiveness
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Benjamin Britten
A Boy Was Born, Op. 3: Theme: A Boy Was ...
130 bpm • E min • 02:04 • -30.16db
14% Popularity • 21% Danceability • 2% Energy • 7% Liveness
21% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 2% Energy • 7% Liveness
21% Instrumentalness • 4% Positiveness
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Lucienne Renaudin Vary
Stille Nacht
130 bpm • A Maj • 04:51 • -21.11db
9% Popularity • 17% Danceability • 7% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 7% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Praetorius
In dulci jubilo - Arr. for Brass Quintet...
129 bpm • G# Maj • 02:44 • -21.2db
5% Popularity • 41% Danceability • 3% Energy • 4% Liveness
92% Instrumentalness • 30% Positiveness
5% Popularity • 41% Danceability • 3% Energy • 4% Liveness
92% Instrumentalness • 30% Positiveness
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Gerald Custer
Balulalow
137 bpm • D Maj • 02:13 • -25.49db
22% Popularity • 18% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Sir David Willcocks
Tomorrow Shall be my Dancing Day (arr. D...
129 bpm • A# Maj • 02:07 • -26.8db
27% Popularity • 26% Danceability • 12% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
27% Popularity • 26% Danceability • 12% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
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Franz Xaver Gruber
Silent Night (Arr. Stephen Cleobury)
128 bpm • C Maj • 03:39 • -33.84db
7% Popularity • 18% Danceability • 8% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 8% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
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Benjamin Britten
A Ceremony Of Carols, Op. 28: There Is N...
129 bpm • A# Maj • 02:16 • -31.96db
9% Popularity • 22% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Traditional
Gabriel's Message (arr. G. Brown for cho...
128 bpm • A min • 03:02 • -28.96db
19% Popularity • 17% Danceability • 3% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 3% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Michael Praetorius
Es ist ein Ros entsprungen
129 bpm • E Maj • 03:56 • -28.91db
21% Popularity • 22% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 22% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Dance of the Sugar-Plum Fairy from "Nutc...
128 bpm • E min • 01:43 • -28.68db
6% Popularity • 56% Danceability • 2% Energy • 20% Liveness
92% Instrumentalness • 33% Positiveness
6% Popularity • 56% Danceability • 2% Energy • 20% Liveness
92% Instrumentalness • 33% Positiveness
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Thomanerchor Leipzig
Lobe den Herrn meine Seele
128 bpm • A# Maj • 02:25 • -19.45db
20% Popularity • 31% Danceability • 12% Energy • 11% Liveness
50% Instrumentalness • 33% Positiveness
20% Popularity • 31% Danceability • 12% Energy • 11% Liveness
50% Instrumentalness • 33% Positiveness
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Arcangelo Corelli
Concerto grosso in G minor, Op. 6, No. 8...
128 bpm • F# min • 01:07 • -17.97db
17% Popularity • 39% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 39% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Benjamin Britten
A Ceremony Of Carols, Op. 28: Procession
138 bpm • A Maj • 01:39 • -36.06db
8% Popularity • 22% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 22% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
Lieutenant Kijé, Symphonic Suite, Op. 6...
138 bpm • G Maj • 03:05 • -15.92db
25% Popularity • 40% Danceability • 20% Energy • 9% Liveness
66% Instrumentalness • 28% Positiveness
25% Popularity • 40% Danceability • 20% Energy • 9% Liveness
66% Instrumentalness • 28% Positiveness
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Johann Sebastian Bach
Weihnachts-Oratorium, BWV 248, Pt. 1: Pt...
139 bpm • C# Maj • 07:27 • -18.74db
9% Popularity • 46% Danceability • 19% Energy • 9% Liveness
15% Instrumentalness • 32% Positiveness
9% Popularity • 46% Danceability • 19% Energy • 9% Liveness
15% Instrumentalness • 32% Positiveness
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Chanticleer
Canite Tuba In Sion
139 bpm • F Maj • 01:50 • -20.95db
13% Popularity • 19% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 19% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Sir David Willcocks
Angels from the realms of glory (arr. Da...
127 bpm • G Maj • 04:09 • -23.42db
9% Popularity • 26% Danceability • 15% Energy • 19% Liveness
78% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 15% Energy • 19% Liveness
78% Instrumentalness • 18% Positiveness
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Henryk Górecki
Totus Tuus
139 bpm • D# Maj • 08:40 • -30.83db
10% Popularity • 15% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Arcangelo Corelli
Concerto Grosso in G Minor, Op. 6, No. 8...
139 bpm • G Maj • 04:38 • -24.46db
17% Popularity • 21% Danceability • 4% Energy • 33% Liveness
59% Instrumentalness • 12% Positiveness
17% Popularity • 21% Danceability • 4% Energy • 33% Liveness
59% Instrumentalness • 12% Positiveness
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Gustav Holst
In the bleak midwinter (Arr. Mack Wilber...
127 bpm • E Maj • 05:54 • -28db
9% Popularity • 17% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Jean-Philippe Rameau
La naissance d'Osiris: Premier et deuxie...
127 bpm • C# Maj • 02:34 • -15.38db
20% Popularity • 46% Danceability • 19% Energy • 35% Liveness
36% Instrumentalness • 53% Positiveness
20% Popularity • 46% Danceability • 19% Energy • 35% Liveness
36% Instrumentalness • 53% Positiveness
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John Rutter
Shepherd's Pipe Carol
127 bpm • F Maj • 03:08 • -25db
26% Popularity • 26% Danceability • 13% Energy • 10% Liveness
58% Instrumentalness • 36% Positiveness
26% Popularity • 26% Danceability • 13% Energy • 10% Liveness
58% Instrumentalness • 36% Positiveness
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Atlanta Symphony Orchestra
Gloria In Excelsis
127 bpm • D Maj • 02:24 • -24.58db
19% Popularity • 49% Danceability • 17% Energy • 8% Liveness
73% Instrumentalness • 50% Positiveness
19% Popularity • 49% Danceability • 17% Energy • 8% Liveness
73% Instrumentalness • 50% Positiveness
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Traditional
In Dulci Jubilo
139 bpm • G Maj • 02:46 • -20.26db
27% Popularity • 21% Danceability • 23% Energy • 13% Liveness
13% Instrumentalness • 30% Positiveness
27% Popularity • 21% Danceability • 23% Energy • 13% Liveness
13% Instrumentalness • 30% Positiveness
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Chanticleer
Il Est Né Le Divin Enfant
140 bpm • G# Maj • 02:25 • -25.57db
23% Popularity • 29% Danceability • 4% Energy • 10% Liveness
20% Instrumentalness • 18% Positiveness
23% Popularity • 29% Danceability • 4% Energy • 10% Liveness
20% Instrumentalness • 18% Positiveness
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Leroy Anderson
Suite of Carols (version for woodwinds):...
140 bpm • D min • 01:34 • -20db
27% Popularity • 20% Danceability • 10% Energy • 16% Liveness
89% Instrumentalness • 6% Positiveness
27% Popularity • 20% Danceability • 10% Energy • 16% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Michael Praetorius
Es ist ein Ros entsprungen
126 bpm • F Maj • 03:47 • -34.16db
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Victor Hely-Hutchinson
A Carol Symphony: Scherzo: Allegro molto...
126 bpm • E min • 06:06 • -19.68db
8% Popularity • 39% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
8% Popularity • 39% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Lucienne Renaudin Vary
Süßer die Glocken nie klingen
140 bpm • G Maj • 04:29 • -24.67db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Edmund Walters
Babe of Bethlehem
126 bpm • D# Maj • 03:34 • -35.6db
16% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
16% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
► Preview
Chanticleer
Hodie Christus natus est
126 bpm • B Maj • 02:23 • -20.31db
15% Popularity • 20% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Royal Philharmonic Orchestra
Three German Dances, Sleigh Ride
141 bpm • C Maj • 03:03 • -21.66db
4% Popularity • 40% Danceability • 6% Energy • 20% Liveness
1% Instrumentalness • 30% Positiveness
4% Popularity • 40% Danceability • 6% Energy • 20% Liveness
1% Instrumentalness • 30% Positiveness
► Preview
Camille Saint-Saëns
Oratorio de Noel, Op. 12: Tollite hostia...
126 bpm • G Maj • 01:59 • -17.5db
23% Popularity • 25% Danceability • 26% Energy • 26% Liveness
38% Instrumentalness • 11% Positiveness
23% Popularity • 25% Danceability • 26% Energy • 26% Liveness
38% Instrumentalness • 11% Positiveness
► Preview
Taylor Scott Davis
Magnificat: IV. Deposuit (Version for Fu...
125 bpm • G Maj • 03:00 • -19.68db
20% Popularity • 18% Danceability • 22% Energy • 12% Liveness
60% Instrumentalness • 14% Positiveness
20% Popularity • 18% Danceability • 22% Energy • 12% Liveness
60% Instrumentalness • 14% Positiveness
► Preview
Joanna Marsh
In Winter's House
141 bpm • A# Maj • 05:00 • -33.74db
9% Popularity • 14% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Elizabeth Poston
Jesus Christ the Apple Tree
125 bpm • C Maj • 03:46 • -32db
15% Popularity • 25% Danceability • 3% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
15% Popularity • 25% Danceability • 3% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
► Preview
Leroy Anderson
I Saw Three Ships
125 bpm • G Maj • 01:36 • -14.42db
12% Popularity • 40% Danceability • 32% Energy • 13% Liveness
93% Instrumentalness • 69% Positiveness
12% Popularity • 40% Danceability • 32% Energy • 13% Liveness
93% Instrumentalness • 69% Positiveness
► Preview
Royal Philharmonic Orchestra
Jingle Bells
125 bpm • D Maj • 03:33 • -25.4db
5% Popularity • 33% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
5% Popularity • 33% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
John Rutter
There Is a Flower
124 bpm • C Maj • 04:08 • -26.82db
8% Popularity • 25% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Charles Wood
Wood: Ding Dong Merrily on High
124 bpm • A# Maj • 02:03 • -25.08db
18% Popularity • 30% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 30% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Anonymous
Kling, Glockchen (arr. P. Breiner for or...
124 bpm • F Maj • 04:39 • -21.92db
11% Popularity • 38% Danceability • 4% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
11% Popularity • 38% Danceability • 4% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
► Preview
Arcangelo Corelli
Concerto grosso in G minor, Op. 6, No. 8...
142 bpm • F# min • 03:43 • -17.44db
8% Popularity • 23% Danceability • 11% Energy • 24% Liveness
1% Instrumentalness • 18% Positiveness
8% Popularity • 23% Danceability • 11% Energy • 24% Liveness
1% Instrumentalness • 18% Positiveness
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Leroy Anderson
Patapan
124 bpm • G min • 01:16 • -17db
30% Popularity • 84% Danceability • 27% Energy • 59% Liveness
89% Instrumentalness • 58% Positiveness
30% Popularity • 84% Danceability • 27% Energy • 59% Liveness
89% Instrumentalness • 58% Positiveness
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Vienna Boys' Choir
O Du Frohliche / O You Joyous
124 bpm • E Maj • 01:47 • -24.19db
18% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Chanticleer
O Come, O Come, Emmanuel
124 bpm • B min • 03:17 • -24.47db
15% Popularity • 21% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 21% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Christmas Oratorio, BWV 248, Part I: Ach...
123 bpm • C# Maj • 01:09 • -19.23db
4% Popularity • 36% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
4% Popularity • 36% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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![Happy Christmas (War is Over) [Arr. Metcalfe for Saxophone and Ensemble] cover art](https://i.scdn.co/image/ab67616d00001e02518cd91fad3fb83d8ffacb03)
Jess Gillam
Happy Christmas (War is Over) [Arr. Metc...
144 bpm • G Maj • 03:09 • -11.91db
21% Popularity • 25% Danceability • 16% Energy • 12% Liveness
66% Instrumentalness • 18% Positiveness
21% Popularity • 25% Danceability • 16% Energy • 12% Liveness
66% Instrumentalness • 18% Positiveness
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Peter Cornelius
The Three Kings
145 bpm • G Maj • 02:27 • -27.41db
11% Popularity • 19% Danceability • 3% Energy • 14% Liveness
4% Instrumentalness • 11% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 14% Liveness
4% Instrumentalness • 11% Positiveness
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Leroy Anderson
Patapan (arr. L. Anderson)
122 bpm • D min • 01:22 • -22.56db
16% Popularity • 54% Danceability • 11% Energy • 44% Liveness
96% Instrumentalness • 25% Positiveness
16% Popularity • 54% Danceability • 11% Energy • 44% Liveness
96% Instrumentalness • 25% Positiveness
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Benjamin Britten
Britten: A Ceremony of Carols, Op. 28: I...
121 bpm • D Maj • 01:23 • -22.85db
14% Popularity • 46% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 18% Positiveness
14% Popularity • 46% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 18% Positiveness
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Anonymous
The Twelve Days Of Christmas
121 bpm • F# Maj • 04:07 • -15.4db
23% Popularity • 41% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 41% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Christmas Oratorio, BWV 248: Part II: Si...
143 bpm • F# Maj • 05:32 • -27.77db
6% Popularity • 14% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
6% Popularity • 14% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
The Nutcracker, Op. 71, TH 14 (Excerpts ...
121 bpm • G# Maj • 03:04 • -20.28db
0% Popularity • 59% Danceability • 23% Energy • 15% Liveness
89% Instrumentalness • 42% Positiveness
0% Popularity • 59% Danceability • 23% Energy • 15% Liveness
89% Instrumentalness • 42% Positiveness
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Michael Praetorius
En natus est Emanuel
120 bpm • F Maj • 01:20 • -25.69db
24% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Leroy Anderson
Suite of Carols (version for woodwinds):...
121 bpm • A# Maj • 01:04 • -20.71db
22% Popularity • 63% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 38% Positiveness
22% Popularity • 63% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 38% Positiveness
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Michel Corrette
Sinfonia V: Noël suisse. Allegro
120 bpm • G# min • 03:14 • -15.2db
8% Popularity • 34% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 30% Positiveness
8% Popularity • 34% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 30% Positiveness
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Laura Pudwell
Terpsichore (arr. for chamber ensemble):...
147 bpm • G min • 00:54 • -25.37db
4% Popularity • 50% Danceability • 5% Energy • 34% Liveness
8% Instrumentalness • 81% Positiveness
4% Popularity • 50% Danceability • 5% Energy • 34% Liveness
8% Instrumentalness • 81% Positiveness
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Arcangelo Corelli
Concerto Grosso in G Minor, Op. 6, No. 8...
120 bpm • D# Maj • 03:22 • -27.75db
25% Popularity • 19% Danceability • 4% Energy • 10% Liveness
82% Instrumentalness • 12% Positiveness
25% Popularity • 19% Danceability • 4% Energy • 10% Liveness
82% Instrumentalness • 12% Positiveness
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Philip Lane
Sleighride to Thredbo (arr. for orchestr...
120 bpm • D Maj • 01:56 • -19.51db
12% Popularity • 44% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
12% Popularity • 44% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
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Michael Praetorius
Courante from Terpsichore
120 bpm • C Maj • 01:33 • -16.48db
3% Popularity • 61% Danceability • 19% Energy • 15% Liveness
66% Instrumentalness • 85% Positiveness
3% Popularity • 61% Danceability • 19% Energy • 15% Liveness
66% Instrumentalness • 85% Positiveness
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Pietro Locatelli
Concerto grosso f-moll "Weihnachtskonzer...
120 bpm • A# min • 01:13 • -26.5db
19% Popularity • 18% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
19% Popularity • 18% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Richard S. Willis
It Came Upon a Midnight Clear
149 bpm • A# Maj • 01:25 • -18.55db
13% Popularity • 19% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
13% Popularity • 19% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
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Lowell Mason
Joy to the World
119 bpm • D Maj • 02:04 • -12.38db
9% Popularity • 36% Danceability • 29% Energy • 29% Liveness
87% Instrumentalness • 42% Positiveness
9% Popularity • 36% Danceability • 29% Energy • 29% Liveness
87% Instrumentalness • 42% Positiveness
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Jan Pieterszoon Sweelinck
Hodie Christus natus est
117 bpm • A# Maj • 03:41 • -21.78db
7% Popularity • 28% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
7% Popularity • 28% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness