Songs like Escrito Sobre El Viento - Con Antonio Vega by Marta Sánchez
Based on a tempo of (+/- 10%) and a similar genre
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Marta Sánchez
Escrito Sobre El Viento - Con Antonio Ve...
134 bpm • G# min • 03:37 • -8.35db
24% Popularity • 58% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 58% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Antonio Vega
Escrito sobre el viento
134 bpm • G# min • 03:41 • -8.74db
7% Popularity • 50% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 50% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Camilo Sesto
Perdóname
133 bpm • B min • 04:06 • -9.15db
26% Popularity • 32% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 32% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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La Oreja de Van Gogh
Cuéntame al Oido
133 bpm • C Maj • 03:11 • -7.04db
58% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Diego Martín
Ruedan
135 bpm • F min • 03:22 • -5.53db
28% Popularity • 58% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 58% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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El Último De La Fila
Mar antiguo
135 bpm • D Maj • 03:31 • -8.12db
46% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Marta Sánchez
Lejos De Aquella Noche
134 bpm • D# Maj • 03:28 • -5.6db
20% Popularity • 56% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 56% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Cecilia
Señor Y Dueño
133 bpm • C Maj • 01:51 • -12.6db
30% Popularity • 49% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 49% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Gabinete Caligari
La culpa fue del cha-cha-chá
135 bpm • C Maj • 03:34 • -10db
46% Popularity • 88% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
46% Popularity • 88% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Zenet
Casi Mejor
132 bpm • D min • 03:43 • -11.54db
24% Popularity • 54% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 54% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Rosa López
Ausencia (Nueva Version)
133 bpm • G min • 04:12 • -5.86db
15% Popularity • 45% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 45% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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El Último De La Fila
Sara - 2008 Remaster
135 bpm • C Maj • 03:40 • -4.09db
45% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
45% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Manolo Garcia
Solo Un Poco
132 bpm • E min • 04:20 • -6.34db
24% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Cómplices
Sonrisa Plateada
132 bpm • A# min • 04:10 • -12.07db
19% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Antonio Flores
Siete Vidas
136 bpm • A min • 04:02 • -11.49db
57% Popularity • 54% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 54% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Pecos
Pecos Collection - Directo
136 bpm • D Maj • 04:55 • -8.14db
18% Popularity • 59% Danceability • 74% Energy • 93% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 59% Danceability • 74% Energy • 93% Liveness
0% Instrumentalness • 64% Positiveness
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Zenet
Toda una Vida
132 bpm • C Maj • 02:45 • -8.54db
33% Popularity • 67% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 67% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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El Último De La Fila
Dios de la Lluvia ( En Directo)
136 bpm • C Maj • 03:43 • -5.42db
42% Popularity • 58% Danceability • 88% Energy • 97% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 58% Danceability • 88% Energy • 97% Liveness
0% Instrumentalness • 43% Positiveness
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Monica Naranjo
Sobreviviré
132 bpm • E Maj • 04:56 • -4.96db
50% Popularity • 58% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 58% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Ella Baila Sola
Suelo De Canicas
136 bpm • A Maj • 04:16 • -9db
28% Popularity • 59% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 59% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Manolo Garcia
De Libelulas
136 bpm • C min • 04:18 • -9.46db
22% Popularity • 62% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 62% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Celtas Cortos
Amor al vino
136 bpm • D Maj • 03:32 • -6.59db
35% Popularity • 50% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 50% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Marta Sánchez
Canción Para Daniela
136 bpm • D min • 04:49 • -8.47db
4% Popularity • 59% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
4% Popularity • 59% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Nacho Cano
El Amargo del Pomelo
132 bpm • F min • 03:02 • -8.27db
34% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Modestia Aparte
Piel Y Arena
136 bpm • A# Maj • 05:11 • -16.2db
21% Popularity • 61% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 61% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Andrea Bocelli
Vivo Por Ella
136 bpm • D Maj • 04:24 • -6.15db
61% Popularity • 45% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
61% Popularity • 45% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Antonio Flores
Coraje de Vivir
136 bpm • A min • 03:31 • -3.49db
34% Popularity • 54% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 54% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Celtas Cortos
Blues del pescador
136 bpm • C Maj • 03:54 • -4db
38% Popularity • 42% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 42% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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El Último De La Fila
Querida Milagros - 2008 Remaster
136 bpm • G Maj • 04:25 • -5db
49% Popularity • 60% Danceability • 92% Energy • 12% Liveness
14% Instrumentalness • 76% Positiveness
49% Popularity • 60% Danceability • 92% Energy • 12% Liveness
14% Instrumentalness • 76% Positiveness
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Marta Sánchez
Habla El Corazón
136 bpm • C# Maj • 04:03 • -4.67db
8% Popularity • 53% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 53% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Nacha Pop
Atrás
132 bpm • D Maj • 02:16 • -9db
34% Popularity • 44% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 44% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Monica Naranjo
Desátame
136 bpm • G min • 04:47 • -2.28db
43% Popularity • 54% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 54% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Alba Molina
Que te quiero
132 bpm • B min • 04:52 • -5.57db
11% Popularity • 74% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 74% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Zenet
Ella Era Mala
131 bpm • D Maj • 04:10 • -7db
25% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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El Último De La Fila
Insurreccion (En Directo)
136 bpm • C Maj • 02:14 • -4.01db
52% Popularity • 49% Danceability • 95% Energy • 98% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 49% Danceability • 95% Energy • 98% Liveness
0% Instrumentalness • 61% Positiveness
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Marta Sánchez
Profundo Valor
132 bpm • A# Maj • 03:35 • -8.96db
22% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Modestia Aparte
Ojos de hielo
137 bpm • G# Maj • 03:25 • -11db
27% Popularity • 47% Danceability • 39% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 47% Danceability • 39% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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Monica Naranjo
Pantera en Libertad
131 bpm • D# min • 04:43 • -3.42db
38% Popularity • 55% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 55% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Tontxu
Para tocar el cielo
131 bpm • C# Maj • 03:11 • -10.6db
27% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Carlos Chaouen
Vente
131 bpm • G# Maj • 04:16 • -16.85db
26% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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El Último De La Fila
En los árboles - 2008 Remaster
136 bpm • E min • 03:41 • -4db
45% Popularity • 61% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 61% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Antonio Flores
Rosas de Fresa
138 bpm • G Maj • 03:06 • -11.01db
32% Popularity • 48% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 48% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Marta Sánchez
Amor Perdido
130 bpm • F# Maj • 04:12 • -4.49db
27% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Presuntos Implicados
Tú ¿Cómo estás?
138 bpm • G# Maj • 03:39 • -6.42db
22% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Cómplices
Sonrisa Plateada
138 bpm • A min • 03:28 • -14db
21% Popularity • 41% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 41% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Monica Naranjo
Entender el Amor
130 bpm • C# min • 05:26 • -2.11db
30% Popularity • 63% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 63% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Tontxu
Risk
138 bpm • E Maj • 03:57 • -8db
32% Popularity • 73% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 73% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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El Último De La Fila
Cuando el Mar Te Tenga (En Directo)
138 bpm • G min • 03:43 • -3db
47% Popularity • 35% Danceability • 97% Energy • 92% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 35% Danceability • 97% Energy • 92% Liveness
0% Instrumentalness • 45% Positiveness
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Marta Sánchez
Una Calle de París
130 bpm • C Maj • 04:01 • -10db
10% Popularity • 52% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 52% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Fey
Azúcar Amargo
130 bpm • G Maj • 04:41 • -4.05db
66% Popularity • 68% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
66% Popularity • 68% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Azucar Moreno
Hoy Tengo Ganas de Ti
130 bpm • B Maj • 04:09 • -6.23db
29% Popularity • 66% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 66% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Monica Naranjo
Amor y Lujo
130 bpm • F min • 03:49 • -3.41db
42% Popularity • 59% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 59% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Diego Martín
Puestos a pedir
130 bpm • F min • 04:41 • -5.48db
23% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Antonio Flores
Mi Habitacion
130 bpm • D Maj • 03:49 • -3.42db
37% Popularity • 72% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 72% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Marta Sánchez
Vengo Venenoso
130 bpm • G# min • 02:59 • -10.01db
8% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Elefantes
Agua
130 bpm • G Maj • 03:45 • -6.73db
22% Popularity • 67% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 67% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Radio Futura
Han Caído los Dos - En Directo
130 bpm • B min • 03:57 • -8.42db
28% Popularity • 63% Danceability • 94% Energy • 89% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 63% Danceability • 94% Energy • 89% Liveness
0% Instrumentalness • 70% Positiveness
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Ketama
Tan Lejos
130 bpm • C min • 03:24 • -7.31db
31% Popularity • 79% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 79% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Miguel Bosé
Olvídame tú - Dueto 2007
130 bpm • G# Maj • 04:45 • -9.71db
37% Popularity • 47% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 47% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Antonio Vega
Palabras - + Phil Manzanera
139 bpm • E Maj • 02:16 • -9.51db
22% Popularity • 49% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
22% Popularity • 49% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Marta Sánchez
Sigo Intentando
130 bpm • D Maj • 03:59 • -6.99db
23% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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El Último De La Fila
Insurrección - 2008 Remaster
139 bpm • C Maj • 02:13 • -5db
60% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
60% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Joaquin Sabina y Viceversa
Hay Mujeres - Directo
129 bpm • A Maj • 05:03 • -12.61db
28% Popularity • 41% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 41% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 28% Positiveness
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Ketama
Se Dejaba Llevar Por Ti
130 bpm • A Maj • 04:18 • -10db
52% Popularity • 65% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 65% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
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Sara Vega
Vuela - con Alejandro Sanz
129 bpm • E Maj • 04:07 • -6.96db
14% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Diego Martín
Haces llover - con Malu
129 bpm • D# min • 04:29 • -4db
32% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Marta Sánchez
Tú También
129 bpm • F# Maj • 04:16 • -5.75db
10% Popularity • 43% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 43% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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El Último De La Fila
No me acostumbro - 2008 Remaster
129 bpm • G Maj • 04:24 • -3.61db
41% Popularity • 59% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 59% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Abigail
Hilar Tan Fino
139 bpm • C Maj • 03:45 • -10.7db
15% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Duncan Dhu
Esos ojos negros
129 bpm • G Maj • 03:35 • -9db
51% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Gabinete Caligari
Amor de madre
129 bpm • C Maj • 02:47 • -11db
34% Popularity • 59% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 59% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Mecano
El Uno, el Dos, el Tres
129 bpm • C min • 04:43 • -13.44db
36% Popularity • 54% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 54% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Marta Sánchez
En Tus Brazos
139 bpm • G Maj • 03:54 • -4.49db
8% Popularity • 37% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 37% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Tam Tam Go!
Pasarán (con Antonio Vega) - En directo...
140 bpm • D# Maj • 05:46 • -13.28db
7% Popularity • 55% Danceability • 40% Energy • 73% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 55% Danceability • 40% Energy • 73% Liveness
0% Instrumentalness • 26% Positiveness
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Tontxu
Chueca
140 bpm • E Maj • 05:02 • -9.79db
16% Popularity • 39% Danceability • 56% Energy • 67% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 39% Danceability • 56% Energy • 67% Liveness
0% Instrumentalness • 26% Positiveness
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Zenet
Estela
140 bpm • A Maj • 04:06 • -7.37db
27% Popularity • 52% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 52% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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M-Clan
Miedo
140 bpm • C Maj • 04:57 • -5db
53% Popularity • 54% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 54% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
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El Último De La Fila
Aviones Plateados - Grabación Estudio
140 bpm • D min • 03:50 • -6.02db
44% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Danza Invisible
Yolanda
140 bpm • G Maj • 04:13 • -9db
30% Popularity • 69% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 69% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Soraya
Un Segundo Lento
140 bpm • A Maj • 04:13 • -7.44db
18% Popularity • 56% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 56% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Presuntos Implicados
Todas las flores
140 bpm • A Maj • 03:57 • -7db
46% Popularity • 65% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 65% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Rebeca Jimenez
Despertarme contigo
128 bpm • F Maj • 04:12 • -4.64db
19% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Monica Naranjo
Tú y Yo Volvemos al Amor
140 bpm • A Maj • 04:34 • -3.89db
43% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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M-Clan
Dando vueltas
128 bpm • G Maj • 03:18 • -3.85db
38% Popularity • 55% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 55% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Marcos Llunas
Reina De Las Diosas
128 bpm • F min • 03:17 • -6db
27% Popularity • 73% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 73% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Antonio Flores
No Dudaría - Remasterizado
140 bpm • C Maj • 03:33 • -5db
52% Popularity • 54% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 54% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Ella Baila Sola
Claro que hace falta hablar
128 bpm • G Maj • 03:07 • -6.17db
31% Popularity • 57% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 57% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Azucar Moreno
Amén
128 bpm • G Maj • 03:36 • -4.95db
34% Popularity • 64% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 64% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Monica Naranjo
Ámame o Déjame
128 bpm • C min • 05:00 • -3.61db
21% Popularity • 46% Danceability • 61% Energy • 74% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 46% Danceability • 61% Energy • 74% Liveness
0% Instrumentalness • 30% Positiveness
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M-Clan
Souvenir
128 bpm • G Maj • 04:26 • -3.72db
38% Popularity • 60% Danceability • 90% Energy • 75% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 60% Danceability • 90% Energy • 75% Liveness
0% Instrumentalness • 71% Positiveness
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Manolo Garcia
Rosa de Alejandria
128 bpm • F# min • 04:34 • -3.97db
33% Popularity • 68% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 68% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Ismael Serrano
Ana
141 bpm • E Maj • 03:12 • -11.62db
36% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Gabinete Caligari
Lo mejor de ti
128 bpm • C Maj • 02:34 • -10.89db
32% Popularity • 60% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 60% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 92% Positiveness
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Marta Sánchez
Superstar
127 bpm • G Maj • 03:39 • -4.3db
26% Popularity • 64% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 64% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Antonio Flores
No Puedo Enamorarme de Ti
127 bpm • E Maj • 04:10 • -12.91db
36% Popularity • 56% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 56% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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El Arrebato
Hoy me dio por ser honesto (con Antonio ...
141 bpm • F# Maj • 03:59 • -4db
37% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Manolo Garcia
A Quien Tanto He Querido
141 bpm • A# min • 03:44 • -5db
13% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Nacha Pop
Chica de ayer
127 bpm • G Maj • 03:28 • -4.34db
58% Popularity • 67% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
58% Popularity • 67% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
