Songs like E.s.p. Revisited (feat. Bryan Baker,Charlie Bisharat, Dean Brown, Vinnie Colaiuta, Barry Danielian, Melvin Lee Davis, Brandon Fields, Ric Fierabracci, Mitchel Forman, Walt Fowler, Bob Franceschini, Wolfgang Haffner, Jimmy Haslip, Scott Kinsey, Chuck Loeb, by Msm Schmidt & Team Amerika
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Noettling
Im Maerzen der Bauer
108 bpm • A min • 05:42 • -13.18db
9% Popularity • 68% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 68% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Billy Cobham
Dreamer
108 bpm • G min • 04:24 • -8.22db
30% Popularity • 70% Danceability • 76% Energy • 9% Liveness
72% Instrumentalness • 81% Positiveness
30% Popularity • 70% Danceability • 76% Energy • 9% Liveness
72% Instrumentalness • 81% Positiveness
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Msm Schmidt & Team Amerika
E.s.p. Revisited (Bryan Baker,Charlie Bi...
108 bpm • C Maj • 01:41 • -8.88db
0% Popularity • 73% Danceability • 76% Energy • 7% Liveness
82% Instrumentalness • 95% Positiveness
0% Popularity • 73% Danceability • 76% Energy • 7% Liveness
82% Instrumentalness • 95% Positiveness
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Avi Yifrah
Chik Chok
108 bpm • A Maj • 03:54 • -10.15db
8% Popularity • 64% Danceability • 86% Energy • 21% Liveness
66% Instrumentalness • 82% Positiveness
8% Popularity • 64% Danceability • 86% Energy • 21% Liveness
66% Instrumentalness • 82% Positiveness
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Dave Weckl Band
Rhythm Dance
108 bpm • G# Maj • 05:59 • -13.05db
21% Popularity • 71% Danceability • 66% Energy • 31% Liveness
58% Instrumentalness • 92% Positiveness
21% Popularity • 71% Danceability • 66% Energy • 31% Liveness
58% Instrumentalness • 92% Positiveness
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Fattburger
Nice Bits
108 bpm • A# min • 04:36 • -7.9db
11% Popularity • 64% Danceability • 69% Energy • 5% Liveness
84% Instrumentalness • 66% Positiveness
11% Popularity • 64% Danceability • 69% Energy • 5% Liveness
84% Instrumentalness • 66% Positiveness
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Physical Therapy
The wet Phaze
108 bpm • C Maj • 06:33 • -9.49db
10% Popularity • 47% Danceability • 55% Energy • 14% Liveness
32% Instrumentalness • 63% Positiveness
10% Popularity • 47% Danceability • 55% Energy • 14% Liveness
32% Instrumentalness • 63% Positiveness
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Tribal Tech
Dense Dance
108 bpm • A# min • 04:52 • -15.13db
13% Popularity • 49% Danceability • 57% Energy • 6% Liveness
58% Instrumentalness • 55% Positiveness
13% Popularity • 49% Danceability • 57% Energy • 6% Liveness
58% Instrumentalness • 55% Positiveness
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Msm Schmidt & Team Amerika
E.s.p. (Bryan Baker,Charlie Bisharat, De...
108 bpm • C# Maj • 06:34 • -7.86db
0% Popularity • 76% Danceability • 80% Energy • 5% Liveness
45% Instrumentalness • 73% Positiveness
0% Popularity • 76% Danceability • 80% Energy • 5% Liveness
45% Instrumentalness • 73% Positiveness
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Gary Wilis
No Sweat
108 bpm • A# min • 06:40 • -11.58db
10% Popularity • 67% Danceability • 60% Energy • 11% Liveness
72% Instrumentalness • 79% Positiveness
10% Popularity • 67% Danceability • 60% Energy • 11% Liveness
72% Instrumentalness • 79% Positiveness
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Tony MacAlpine
Atamanashi
108 bpm • G Maj • 05:23 • -16.2db
9% Popularity • 60% Danceability • 48% Energy • 7% Liveness
85% Instrumentalness • 77% Positiveness
9% Popularity • 60% Danceability • 48% Energy • 7% Liveness
85% Instrumentalness • 77% Positiveness
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Scott Henderson
Syringe
110 bpm • C Maj • 06:16 • -11.28db
9% Popularity • 49% Danceability • 81% Energy • 17% Liveness
86% Instrumentalness • 53% Positiveness
9% Popularity • 49% Danceability • 81% Energy • 17% Liveness
86% Instrumentalness • 53% Positiveness
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Billy Cobham
Take Seven
106 bpm • A# min • 06:03 • -11.78db
7% Popularity • 70% Danceability • 66% Energy • 9% Liveness
64% Instrumentalness • 29% Positiveness
7% Popularity • 70% Danceability • 66% Energy • 9% Liveness
64% Instrumentalness • 29% Positiveness
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Scott Wilkie
In Comes The Ausgang
110 bpm • C# Maj • 05:14 • -8.51db
7% Popularity • 67% Danceability • 80% Energy • 10% Liveness
77% Instrumentalness • 37% Positiveness
7% Popularity • 67% Danceability • 80% Energy • 10% Liveness
77% Instrumentalness • 37% Positiveness
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Camdyn Sandoval
Living in Dream
106 bpm • F# Maj • 03:21 • -9.29db
29% Popularity • 59% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 59% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Mike Stern
Believe It
106 bpm • A Maj • 04:36 • -11.54db
11% Popularity • 74% Danceability • 32% Energy • 10% Liveness
84% Instrumentalness • 52% Positiveness
11% Popularity • 74% Danceability • 32% Energy • 10% Liveness
84% Instrumentalness • 52% Positiveness
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Frank Gambale
Legends
106 bpm • C min • 09:11 • -10.49db
21% Popularity • 66% Danceability • 76% Energy • 6% Liveness
11% Instrumentalness • 91% Positiveness
21% Popularity • 66% Danceability • 76% Energy • 6% Liveness
11% Instrumentalness • 91% Positiveness
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Spyro Gyra
Group Therapy
110 bpm • E min • 05:45 • -10.03db
7% Popularity • 50% Danceability • 79% Energy • 13% Liveness
75% Instrumentalness • 23% Positiveness
7% Popularity • 50% Danceability • 79% Energy • 13% Liveness
75% Instrumentalness • 23% Positiveness
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Adam Nitti
Distraction
110 bpm • D Maj • 06:40 • -7db
12% Popularity • 65% Danceability • 64% Energy • 40% Liveness
85% Instrumentalness • 79% Positiveness
12% Popularity • 65% Danceability • 64% Energy • 40% Liveness
85% Instrumentalness • 79% Positiveness
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Omar Hakim
Constructive Criticism
110 bpm • G Maj • 05:41 • -12.08db
7% Popularity • 64% Danceability • 82% Energy • 4% Liveness
83% Instrumentalness • 73% Positiveness
7% Popularity • 64% Danceability • 82% Energy • 4% Liveness
83% Instrumentalness • 73% Positiveness
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Alain Caron
Freedom Jazz Dance
106 bpm • G# Maj • 03:38 • -7db
22% Popularity • 56% Danceability • 93% Energy • 34% Liveness
68% Instrumentalness • 91% Positiveness
22% Popularity • 56% Danceability • 93% Energy • 34% Liveness
68% Instrumentalness • 91% Positiveness
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Steve Smith
The Captors
110 bpm • E Maj • 07:52 • -8.24db
9% Popularity • 51% Danceability • 58% Energy • 16% Liveness
74% Instrumentalness • 19% Positiveness
9% Popularity • 51% Danceability • 58% Energy • 16% Liveness
74% Instrumentalness • 19% Positiveness
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Alphonse Mouzon
Poobli
106 bpm • C min • 06:27 • -13.2db
7% Popularity • 60% Danceability • 73% Energy • 5% Liveness
83% Instrumentalness • 76% Positiveness
7% Popularity • 60% Danceability • 73% Energy • 5% Liveness
83% Instrumentalness • 76% Positiveness
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Spyro Gyra
Sorbet
110 bpm • A min • 07:25 • -4.93db
29% Popularity • 63% Danceability • 85% Energy • 9% Liveness
68% Instrumentalness • 65% Positiveness
29% Popularity • 63% Danceability • 85% Energy • 9% Liveness
68% Instrumentalness • 65% Positiveness
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Jazz Funk Soul
Crusher
110 bpm • C# Maj • 04:49 • -9.12db
12% Popularity • 76% Danceability • 67% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
12% Popularity • 76% Danceability • 67% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
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Alice Hébert
Mysteries of the Silent Lake
110 bpm • F Maj • 02:00 • -11.66db
18% Popularity • 71% Danceability • 80% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
18% Popularity • 71% Danceability • 80% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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Alain Caron
Enhanced
110 bpm • C Maj • 05:20 • -11db
10% Popularity • 68% Danceability • 70% Energy • 10% Liveness
65% Instrumentalness • 79% Positiveness
10% Popularity • 68% Danceability • 70% Energy • 10% Liveness
65% Instrumentalness • 79% Positiveness
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Dave Weckl Band
Down On The Corner
110 bpm • C# Maj • 06:54 • -9.49db
17% Popularity • 70% Danceability • 76% Energy • 8% Liveness
79% Instrumentalness • 77% Positiveness
17% Popularity • 70% Danceability • 76% Energy • 8% Liveness
79% Instrumentalness • 77% Positiveness
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Gianfranco Continenza
Deep Sensations
110 bpm • F Maj • 05:01 • -7.97db
17% Popularity • 78% Danceability • 65% Energy • 7% Liveness
46% Instrumentalness • 85% Positiveness
17% Popularity • 78% Danceability • 65% Energy • 7% Liveness
46% Instrumentalness • 85% Positiveness
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Al Turner
Still Movin'
110 bpm • G Maj • 03:12 • -6db
11% Popularity • 74% Danceability • 89% Energy • 5% Liveness
72% Instrumentalness • 94% Positiveness
11% Popularity • 74% Danceability • 89% Energy • 5% Liveness
72% Instrumentalness • 94% Positiveness
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Dennis Chambers
Aircraft
110 bpm • A# min • 05:25 • -8.48db
31% Popularity • 71% Danceability • 90% Energy • 13% Liveness
91% Instrumentalness • 66% Positiveness
31% Popularity • 71% Danceability • 90% Energy • 13% Liveness
91% Instrumentalness • 66% Positiveness
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Tal Wilkenfeld
Cosmic Joke
106 bpm • G Maj • 06:25 • -5.81db
30% Popularity • 47% Danceability • 87% Energy • 18% Liveness
85% Instrumentalness • 80% Positiveness
30% Popularity • 47% Danceability • 87% Energy • 18% Liveness
85% Instrumentalness • 80% Positiveness
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Alain Caron
1-4-U
110 bpm • G# Maj • 06:57 • -9.04db
17% Popularity • 70% Danceability • 82% Energy • 24% Liveness
66% Instrumentalness • 96% Positiveness
17% Popularity • 70% Danceability • 82% Energy • 24% Liveness
66% Instrumentalness • 96% Positiveness
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Dave Weckl Band
Someone's Watching
110 bpm • C# Maj • 05:25 • -16.62db
14% Popularity • 47% Danceability • 27% Energy • 8% Liveness
37% Instrumentalness • 15% Positiveness
14% Popularity • 47% Danceability • 27% Energy • 8% Liveness
37% Instrumentalness • 15% Positiveness
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David Dyson
Donovan James
110 bpm • D Maj • 04:08 • -15.38db
20% Popularity • 80% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 77% Positiveness
20% Popularity • 80% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 77% Positiveness
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Ariel Acosta 5tet
Matices
110 bpm • G Maj • 04:28 • -7.34db
12% Popularity • 74% Danceability • 76% Energy • 9% Liveness
34% Instrumentalness • 63% Positiveness
12% Popularity • 74% Danceability • 76% Energy • 9% Liveness
34% Instrumentalness • 63% Positiveness
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Tico y Aguabajo
Danzando
110 bpm • E min • 03:38 • -7.51db
20% Popularity • 82% Danceability • 84% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
20% Popularity • 82% Danceability • 84% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
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Steve Smith
Bad Intent
106 bpm • G Maj • 07:04 • -8.33db
14% Popularity • 53% Danceability • 87% Energy • 8% Liveness
84% Instrumentalness • 47% Positiveness
14% Popularity • 53% Danceability • 87% Energy • 8% Liveness
84% Instrumentalness • 47% Positiveness
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Alain Caron
Pole position
110 bpm • C Maj • 04:30 • -14db
8% Popularity • 63% Danceability • 47% Energy • 4% Liveness
85% Instrumentalness • 52% Positiveness
8% Popularity • 63% Danceability • 47% Energy • 4% Liveness
85% Instrumentalness • 52% Positiveness
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John Patitucci
On The Corner
110 bpm • F Maj • 04:05 • -13.17db
12% Popularity • 64% Danceability • 59% Energy • 3% Liveness
40% Instrumentalness • 76% Positiveness
12% Popularity • 64% Danceability • 59% Energy • 3% Liveness
40% Instrumentalness • 76% Positiveness
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David Dyson
Unleashed!
110 bpm • F Maj • 04:17 • -18.57db
9% Popularity • 78% Danceability • 53% Energy • 10% Liveness
85% Instrumentalness • 94% Positiveness
9% Popularity • 78% Danceability • 53% Energy • 10% Liveness
85% Instrumentalness • 94% Positiveness
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Tony MacAlpine
Dennis
110 bpm • A# Maj • 05:15 • -12.02db
8% Popularity • 57% Danceability • 58% Energy • 31% Liveness
69% Instrumentalness • 75% Positiveness
8% Popularity • 57% Danceability • 58% Energy • 31% Liveness
69% Instrumentalness • 75% Positiveness
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Dennis Chambers
Running On Line
106 bpm • A# min • 06:32 • -8.56db
21% Popularity • 74% Danceability • 90% Energy • 7% Liveness
86% Instrumentalness • 65% Positiveness
21% Popularity • 74% Danceability • 90% Energy • 7% Liveness
86% Instrumentalness • 65% Positiveness
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Vinnie Colaiuta
Slink
106 bpm • C# Maj • 05:55 • -10.3db
12% Popularity • 52% Danceability • 78% Energy • 7% Liveness
84% Instrumentalness • 36% Positiveness
12% Popularity • 52% Danceability • 78% Energy • 7% Liveness
84% Instrumentalness • 36% Positiveness
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Tribal Tech
Elvis at the Hop
106 bpm • A# Maj • 04:34 • -12.68db
18% Popularity • 54% Danceability • 55% Energy • 10% Liveness
43% Instrumentalness • 84% Positiveness
18% Popularity • 54% Danceability • 55% Energy • 10% Liveness
43% Instrumentalness • 84% Positiveness
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John Patitucci
Our Family
106 bpm • A Maj • 03:00 • -24.09db
13% Popularity • 61% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 48% Positiveness
13% Popularity • 61% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 48% Positiveness
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Valeriy Stepanov
Get out!
111 bpm • C# Maj • 06:18 • -12.65db
22% Popularity • 76% Danceability • 75% Energy • 25% Liveness
90% Instrumentalness • 55% Positiveness
22% Popularity • 76% Danceability • 75% Energy • 25% Liveness
90% Instrumentalness • 55% Positiveness
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Doug Johns
Chew On A Dog
111 bpm • C# Maj • 05:04 • -11db
11% Popularity • 75% Danceability • 63% Energy • 36% Liveness
83% Instrumentalness • 48% Positiveness
11% Popularity • 75% Danceability • 63% Energy • 36% Liveness
83% Instrumentalness • 48% Positiveness
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Tohpati
Mahabarata
105 bpm • C Maj • 04:32 • -5.86db
7% Popularity • 62% Danceability • 87% Energy • 31% Liveness
21% Instrumentalness • 45% Positiveness
7% Popularity • 62% Danceability • 87% Energy • 31% Liveness
21% Instrumentalness • 45% Positiveness
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Alain Caron
Slick Shift
105 bpm • F min • 05:50 • -15db
19% Popularity • 70% Danceability • 53% Energy • 4% Liveness
63% Instrumentalness • 83% Positiveness
19% Popularity • 70% Danceability • 53% Energy • 4% Liveness
63% Instrumentalness • 83% Positiveness
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Vahagn Stepanyan
Gravity
105 bpm • E min • 04:18 • -6.69db
16% Popularity • 65% Danceability • 88% Energy • 12% Liveness
81% Instrumentalness • 54% Positiveness
16% Popularity • 65% Danceability • 88% Energy • 12% Liveness
81% Instrumentalness • 54% Positiveness
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Mike Stern
Righteous
111 bpm • G# Maj • 03:59 • -7.65db
27% Popularity • 73% Danceability • 70% Energy • 18% Liveness
76% Instrumentalness • 58% Positiveness
27% Popularity • 73% Danceability • 70% Energy • 18% Liveness
76% Instrumentalness • 58% Positiveness
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Tal Wilkenfeld
The River Of Life
111 bpm • E min • 07:44 • -5db
23% Popularity • 43% Danceability • 89% Energy • 5% Liveness
54% Instrumentalness • 45% Positiveness
23% Popularity • 43% Danceability • 89% Energy • 5% Liveness
54% Instrumentalness • 45% Positiveness
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THE JAZZ AVENGERS
Funkadelic Muse
105 bpm • F min • 05:02 • -7.07db
12% Popularity • 73% Danceability • 68% Energy • 9% Liveness
76% Instrumentalness • 59% Positiveness
12% Popularity • 73% Danceability • 68% Energy • 9% Liveness
76% Instrumentalness • 59% Positiveness
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Cristiano Parato
Ostinato Bass
105 bpm • B min • 07:21 • -4.91db
15% Popularity • 70% Danceability • 90% Energy • 11% Liveness
85% Instrumentalness • 62% Positiveness
15% Popularity • 70% Danceability • 90% Energy • 11% Liveness
85% Instrumentalness • 62% Positiveness
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Jeff Lorber Fusion
Curiosity
105 bpm • G# Maj • 04:04 • -8.51db
12% Popularity • 74% Danceability • 71% Energy • 4% Liveness
56% Instrumentalness • 88% Positiveness
12% Popularity • 74% Danceability • 71% Energy • 4% Liveness
56% Instrumentalness • 88% Positiveness
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Billy Cobham
Final Destination
105 bpm • A# min • 06:56 • -9.5db
6% Popularity • 76% Danceability • 67% Energy • 6% Liveness
89% Instrumentalness • 67% Positiveness
6% Popularity • 76% Danceability • 67% Energy • 6% Liveness
89% Instrumentalness • 67% Positiveness
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Mike Stern
Runner
105 bpm • F min • 04:24 • -6.71db
12% Popularity • 68% Danceability • 88% Energy • 24% Liveness
15% Instrumentalness • 85% Positiveness
12% Popularity • 68% Danceability • 88% Energy • 24% Liveness
15% Instrumentalness • 85% Positiveness
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Steve Smith
Eight Five
105 bpm • B Maj • 05:52 • -10.73db
9% Popularity • 69% Danceability • 72% Energy • 10% Liveness
86% Instrumentalness • 78% Positiveness
9% Popularity • 69% Danceability • 72% Energy • 10% Liveness
86% Instrumentalness • 78% Positiveness
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Gerald Gradwohl
Squier '78
105 bpm • E min • 08:42 • -10.87db
8% Popularity • 80% Danceability • 53% Energy • 9% Liveness
39% Instrumentalness • 76% Positiveness
8% Popularity • 80% Danceability • 53% Energy • 9% Liveness
39% Instrumentalness • 76% Positiveness
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Cristiano Parato
Knacky
105 bpm • D Maj • 05:19 • -6.55db
14% Popularity • 73% Danceability • 86% Energy • 3% Liveness
91% Instrumentalness • 77% Positiveness
14% Popularity • 73% Danceability • 86% Energy • 3% Liveness
91% Instrumentalness • 77% Positiveness
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Jimmy Haslip
Viera
105 bpm • F min • 06:43 • -13.26db
7% Popularity • 60% Danceability • 71% Energy • 6% Liveness
61% Instrumentalness • 93% Positiveness
7% Popularity • 60% Danceability • 71% Energy • 6% Liveness
61% Instrumentalness • 93% Positiveness
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Doug Johns
A Tall Order
105 bpm • F min • 04:16 • -5.77db
9% Popularity • 70% Danceability • 72% Energy • 7% Liveness
81% Instrumentalness • 74% Positiveness
9% Popularity • 70% Danceability • 72% Energy • 7% Liveness
81% Instrumentalness • 74% Positiveness
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Hiram Bullock
Way Kool
105 bpm • A# min • 04:10 • -10db
10% Popularity • 74% Danceability • 73% Energy • 17% Liveness
67% Instrumentalness • 84% Positiveness
10% Popularity • 74% Danceability • 73% Energy • 17% Liveness
67% Instrumentalness • 84% Positiveness
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Greg Howe
Push On
105 bpm • C min • 04:40 • -5.59db
20% Popularity • 46% Danceability • 84% Energy • 42% Liveness
92% Instrumentalness • 80% Positiveness
20% Popularity • 46% Danceability • 84% Energy • 42% Liveness
92% Instrumentalness • 80% Positiveness
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Jazz Funk Soul
Our Thing
112 bpm • B min • 04:03 • -7db
31% Popularity • 72% Danceability • 81% Energy • 19% Liveness
30% Instrumentalness • 71% Positiveness
31% Popularity • 72% Danceability • 81% Energy • 19% Liveness
30% Instrumentalness • 71% Positiveness
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Jeff Lorber
Come On Up
112 bpm • E min • 05:00 • -6.73db
20% Popularity • 76% Danceability • 76% Energy • 8% Liveness
91% Instrumentalness • 76% Positiveness
20% Popularity • 76% Danceability • 76% Energy • 8% Liveness
91% Instrumentalness • 76% Positiveness
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Scott Henderson
Tunnel Vision
104 bpm • D Maj • 04:39 • -12.39db
9% Popularity • 47% Danceability • 60% Energy • 13% Liveness
12% Instrumentalness • 49% Positiveness
9% Popularity • 47% Danceability • 60% Energy • 13% Liveness
12% Instrumentalness • 49% Positiveness
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Frank Gambale
Magritte
112 bpm • C# min • 06:50 • -13.45db
12% Popularity • 64% Danceability • 59% Energy • 5% Liveness
88% Instrumentalness • 61% Positiveness
12% Popularity • 64% Danceability • 59% Energy • 5% Liveness
88% Instrumentalness • 61% Positiveness
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Ricky Peterson
Drop Shot
112 bpm • G Maj • 06:13 • -6.63db
11% Popularity • 70% Danceability • 75% Energy • 21% Liveness
66% Instrumentalness • 61% Positiveness
11% Popularity • 70% Danceability • 75% Energy • 21% Liveness
66% Instrumentalness • 61% Positiveness
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Doug Johns
Frog On My Face
112 bpm • C# Maj • 05:50 • -10db
10% Popularity • 76% Danceability • 58% Energy • 7% Liveness
84% Instrumentalness • 20% Positiveness
10% Popularity • 76% Danceability • 58% Energy • 7% Liveness
84% Instrumentalness • 20% Positiveness
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Tal Wilkenfeld
Oatmeal Bandage
112 bpm • D Maj • 07:53 • -6db
23% Popularity • 44% Danceability • 88% Energy • 9% Liveness
86% Instrumentalness • 78% Positiveness
23% Popularity • 44% Danceability • 88% Energy • 9% Liveness
86% Instrumentalness • 78% Positiveness
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Mike Stern
Loose Ends
112 bpm • D Maj • 06:12 • -11.95db
8% Popularity • 39% Danceability • 61% Energy • 9% Liveness
4% Instrumentalness • 45% Positiveness
8% Popularity • 39% Danceability • 61% Energy • 9% Liveness
4% Instrumentalness • 45% Positiveness
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Alain Caron
Signal
112 bpm • C# Maj • 06:54 • -12.86db
8% Popularity • 68% Danceability • 84% Energy • 14% Liveness
88% Instrumentalness • 70% Positiveness
8% Popularity • 68% Danceability • 84% Energy • 14% Liveness
88% Instrumentalness • 70% Positiveness
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Jazz Funk Soul
Gamblin'
112 bpm • F min • 04:06 • -7.49db
16% Popularity • 84% Danceability • 63% Energy • 5% Liveness
14% Instrumentalness • 82% Positiveness
16% Popularity • 84% Danceability • 63% Energy • 5% Liveness
14% Instrumentalness • 82% Positiveness
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Alex Grenier
Carnabass
112 bpm • A# min • 02:20 • -9.32db
18% Popularity • 66% Danceability • 55% Energy • 13% Liveness
74% Instrumentalness • 66% Positiveness
18% Popularity • 66% Danceability • 55% Energy • 13% Liveness
74% Instrumentalness • 66% Positiveness
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Doug Johns
Pocket Fulla Nasty
112 bpm • A# Maj • 03:08 • -10db
20% Popularity • 77% Danceability • 80% Energy • 9% Liveness
86% Instrumentalness • 76% Positiveness
20% Popularity • 77% Danceability • 80% Energy • 9% Liveness
86% Instrumentalness • 76% Positiveness
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Tribal Tech
Canine
104 bpm • F# min • 06:23 • -11db
22% Popularity • 67% Danceability • 76% Energy • 48% Liveness
32% Instrumentalness • 73% Positiveness
22% Popularity • 67% Danceability • 76% Energy • 48% Liveness
32% Instrumentalness • 73% Positiveness
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Flim & The BB's
Hot Town
112 bpm • C Maj • 04:26 • -18.2db
8% Popularity • 65% Danceability • 34% Energy • 12% Liveness
62% Instrumentalness • 65% Positiveness
8% Popularity • 65% Danceability • 34% Energy • 12% Liveness
62% Instrumentalness • 65% Positiveness
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Dave Weckl Band
Cascade
112 bpm • C# min • 05:33 • -9db
19% Popularity • 64% Danceability • 76% Energy • 10% Liveness
86% Instrumentalness • 87% Positiveness
19% Popularity • 64% Danceability • 76% Energy • 10% Liveness
86% Instrumentalness • 87% Positiveness
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Paul Jackson, Jr.
Hip Pockets
113 bpm • A# min • 07:41 • -9db
7% Popularity • 58% Danceability • 70% Energy • 13% Liveness
84% Instrumentalness • 78% Positiveness
7% Popularity • 58% Danceability • 70% Energy • 13% Liveness
84% Instrumentalness • 78% Positiveness
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Spyro Gyra
Down the Wire
113 bpm • B min • 05:57 • -7db
25% Popularity • 75% Danceability • 76% Energy • 14% Liveness
83% Instrumentalness • 83% Positiveness
25% Popularity • 75% Danceability • 76% Energy • 14% Liveness
83% Instrumentalness • 83% Positiveness
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Nathan East
Shadow
113 bpm • F min • 05:45 • -11.54db
23% Popularity • 60% Danceability • 69% Energy • 15% Liveness
94% Instrumentalness • 46% Positiveness
23% Popularity • 60% Danceability • 69% Energy • 15% Liveness
94% Instrumentalness • 46% Positiveness
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Brett Garsed
Swarming Goblets
113 bpm • E Maj • 07:24 • -6.05db
8% Popularity • 51% Danceability • 82% Energy • 59% Liveness
29% Instrumentalness • 51% Positiveness
8% Popularity • 51% Danceability • 82% Energy • 59% Liveness
29% Instrumentalness • 51% Positiveness
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Bill Evans
Vans Joint
103 bpm • A# min • 05:09 • -6.97db
10% Popularity • 76% Danceability • 84% Energy • 2% Liveness
91% Instrumentalness • 96% Positiveness
10% Popularity • 76% Danceability • 84% Energy • 2% Liveness
91% Instrumentalness • 96% Positiveness
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Dave Weckl Band
Watch Your Step
113 bpm • G# Maj • 05:29 • -8db
32% Popularity • 70% Danceability • 89% Energy • 8% Liveness
88% Instrumentalness • 89% Positiveness
32% Popularity • 70% Danceability • 89% Energy • 8% Liveness
88% Instrumentalness • 89% Positiveness
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Jeff Lorber Fusion
Opt In
103 bpm • A Maj • 04:44 • -7.87db
15% Popularity • 74% Danceability • 68% Energy • 5% Liveness
57% Instrumentalness • 85% Positiveness
15% Popularity • 74% Danceability • 68% Energy • 5% Liveness
57% Instrumentalness • 85% Positiveness
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Dennis Chambers
Elroy
103 bpm • C min • 06:05 • -5.31db
17% Popularity • 65% Danceability • 79% Energy • 12% Liveness
70% Instrumentalness • 73% Positiveness
17% Popularity • 65% Danceability • 79% Energy • 12% Liveness
70% Instrumentalness • 73% Positiveness
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Jazz Pistols
Bugs
103 bpm • G Maj • 07:07 • -11.39db
8% Popularity • 60% Danceability • 59% Energy • 15% Liveness
74% Instrumentalness • 49% Positiveness
8% Popularity • 60% Danceability • 59% Energy • 15% Liveness
74% Instrumentalness • 49% Positiveness
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Tom Scott
Get A Grip
114 bpm • A Maj • 04:29 • -13.06db
8% Popularity • 50% Danceability • 70% Energy • 5% Liveness
92% Instrumentalness • 83% Positiveness
8% Popularity • 50% Danceability • 70% Energy • 5% Liveness
92% Instrumentalness • 83% Positiveness
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Msm Schmidt & Team Amerika
From Nine to Ten (Bryan Baker,Charlie Bi...
114 bpm • C min • 06:47 • -12.5db
0% Popularity • 75% Danceability • 38% Energy • 9% Liveness
32% Instrumentalness • 70% Positiveness
0% Popularity • 75% Danceability • 38% Energy • 9% Liveness
32% Instrumentalness • 70% Positiveness
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Montis, Goudsmit & Directie
Coltrui
114 bpm • G# Maj • 05:07 • -13.45db
7% Popularity • 70% Danceability • 53% Energy • 7% Liveness
70% Instrumentalness • 40% Positiveness
7% Popularity • 70% Danceability • 53% Energy • 7% Liveness
70% Instrumentalness • 40% Positiveness
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Jazz Funk Soul
Funkin' In AZ
114 bpm • G min • 05:17 • -8.34db
15% Popularity • 73% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 73% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Johannes Zetterberg
Thrill Minute
114 bpm • F min • 04:31 • -5db
8% Popularity • 54% Danceability • 87% Energy • 26% Liveness
84% Instrumentalness • 76% Positiveness
8% Popularity • 54% Danceability • 87% Energy • 26% Liveness
84% Instrumentalness • 76% Positiveness
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Tribal Tech
Stoopid
114 bpm • F min • 05:47 • -10.4db
17% Popularity • 77% Danceability • 70% Energy • 12% Liveness
53% Instrumentalness • 72% Positiveness
17% Popularity • 77% Danceability • 70% Energy • 12% Liveness
53% Instrumentalness • 72% Positiveness
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John Patitucci
Growing
102 bpm • C# Maj • 04:34 • -16.31db
14% Popularity • 51% Danceability • 61% Energy • 5% Liveness
90% Instrumentalness • 75% Positiveness
14% Popularity • 51% Danceability • 61% Energy • 5% Liveness
90% Instrumentalness • 75% Positiveness
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Spyro Gyra
Special Delivery
102 bpm • C# min • 08:12 • -4.61db
18% Popularity • 58% Danceability • 87% Energy • 70% Liveness
37% Instrumentalness • 65% Positiveness
18% Popularity • 58% Danceability • 87% Energy • 70% Liveness
37% Instrumentalness • 65% Positiveness
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Doug Johns
Nemo 1934
102 bpm • B Maj • 03:57 • -6.73db
10% Popularity • 81% Danceability • 66% Energy • 10% Liveness
81% Instrumentalness • 86% Positiveness
10% Popularity • 81% Danceability • 66% Energy • 10% Liveness
81% Instrumentalness • 86% Positiveness
