Songs like Esperanto - Jay-C Remix by Valero
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Schwartz
Twilight On Mars
128 bpm • F min • 07:46 • -8db
9% Popularity • 73% Danceability • 77% Energy • 40% Liveness
88% Instrumentalness • 68% Positiveness
9% Popularity • 73% Danceability • 77% Energy • 40% Liveness
88% Instrumentalness • 68% Positiveness
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Subarctica
Storms Of Silence - Original Mix
128 bpm • G# Maj • 08:17 • -9.1db
1% Popularity • 77% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 11% Positiveness
1% Popularity • 77% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 11% Positiveness
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Pure Butt3rfly
Shut It Down
128 bpm • A min • 07:22 • -9.53db
17% Popularity • 83% Danceability • 72% Energy • 37% Liveness
79% Instrumentalness • 41% Positiveness
17% Popularity • 83% Danceability • 72% Energy • 37% Liveness
79% Instrumentalness • 41% Positiveness
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Dualogic
Sunshine Down - Original Mix
128 bpm • B min • 07:07 • -10.71db
21% Popularity • 80% Danceability • 56% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
21% Popularity • 80% Danceability • 56% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
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Floorplan
Ritual
128 bpm • A Maj • 07:42 • -9.68db
15% Popularity • 84% Danceability • 73% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
15% Popularity • 84% Danceability • 73% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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 cover art](https://i.scdn.co/image/ab67616d00001e028fb6f44069653211a953b44a)
Milk & Sugar
Hi-a Ma (Pata Pata) (Muzzaik Remix)
128 bpm • A# min • 06:15 • -6db
0% Popularity • 95% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
0% Popularity • 95% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Robbie Rivera
The Main Room Part 1 - Extended Mix
128 bpm • A min • 08:07 • -12db
15% Popularity • 72% Danceability • 58% Energy • 5% Liveness
95% Instrumentalness • 3% Positiveness
15% Popularity • 72% Danceability • 58% Energy • 5% Liveness
95% Instrumentalness • 3% Positiveness
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Andrey Subbotin
Don't Cry - Original Mix
128 bpm • C Maj • 07:45 • -8.62db
17% Popularity • 77% Danceability • 79% Energy • 66% Liveness
86% Instrumentalness • 23% Positiveness
17% Popularity • 77% Danceability • 79% Energy • 66% Liveness
86% Instrumentalness • 23% Positiveness
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Affinity
Submersion
128 bpm • B min • 04:46 • -4db
8% Popularity • 71% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 71% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Chris Kaos
Reflect - Original Mix
128 bpm • E min • 04:52 • -11db
18% Popularity • 83% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 83% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Hardsoul
Feel The Spirit - Hardsoul Reconstructio...
128 bpm • B min • 07:20 • -7.87db
2% Popularity • 72% Danceability • 78% Energy • 2% Liveness
18% Instrumentalness • 12% Positiveness
2% Popularity • 72% Danceability • 78% Energy • 2% Liveness
18% Instrumentalness • 12% Positiveness
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Amloop
Caminhando E Cantando - Club Mix
128 bpm • G Maj • 06:22 • -6.43db
8% Popularity • 76% Danceability • 75% Energy • 65% Liveness
75% Instrumentalness • 8% Positiveness
8% Popularity • 76% Danceability • 75% Energy • 65% Liveness
75% Instrumentalness • 8% Positiveness
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Drauf & Dran
Elise
128 bpm • E min • 07:04 • -9db
13% Popularity • 80% Danceability • 58% Energy • 10% Liveness
70% Instrumentalness • 25% Positiveness
13% Popularity • 80% Danceability • 58% Energy • 10% Liveness
70% Instrumentalness • 25% Positiveness
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Tocadisco
Phoenix - Original Club Mix
128 bpm • F min • 05:37 • -5db
7% Popularity • 68% Danceability • 91% Energy • 5% Liveness
24% Instrumentalness • 24% Positiveness
7% Popularity • 68% Danceability • 91% Energy • 5% Liveness
24% Instrumentalness • 24% Positiveness
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JL & Afterman feat. Daddy Kool
Should I Stay Or Should I Go
128 bpm • A min • 06:08 • -5db
8% Popularity • 88% Danceability • 98% Energy • 53% Liveness
55% Instrumentalness • 66% Positiveness
8% Popularity • 88% Danceability • 98% Energy • 53% Liveness
55% Instrumentalness • 66% Positiveness
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Filterheadz
The Game - Original Mix
128 bpm • B min • 07:30 • -2.66db
8% Popularity • 56% Danceability • 98% Energy • 23% Liveness
1% Instrumentalness • 45% Positiveness
8% Popularity • 56% Danceability • 98% Energy • 23% Liveness
1% Instrumentalness • 45% Positiveness
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Givor Paradis
Highway - Original Mix
128 bpm • A min • 04:07 • -3.38db
15% Popularity • 64% Danceability • 88% Energy • 80% Liveness
18% Instrumentalness • 55% Positiveness
15% Popularity • 64% Danceability • 88% Energy • 80% Liveness
18% Instrumentalness • 55% Positiveness
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AyNix
Nytra
128 bpm • B min • 06:05 • -5db
7% Popularity • 74% Danceability • 84% Energy • 9% Liveness
32% Instrumentalness • 53% Positiveness
7% Popularity • 74% Danceability • 84% Energy • 9% Liveness
32% Instrumentalness • 53% Positiveness
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Audible
Trigger
128 bpm • A# Maj • 06:46 • -9.78db
13% Popularity • 68% Danceability • 87% Energy • 6% Liveness
88% Instrumentalness • 39% Positiveness
13% Popularity • 68% Danceability • 87% Energy • 6% Liveness
88% Instrumentalness • 39% Positiveness
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Valero
Anywhere - Original Mix
128 bpm • F min • 05:38 • -4.55db
0% Popularity • 80% Danceability • 60% Energy • 7% Liveness
65% Instrumentalness • 24% Positiveness
0% Popularity • 80% Danceability • 60% Energy • 7% Liveness
65% Instrumentalness • 24% Positiveness
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Elektrika
Ibiza Sound Bass Sidechain - Tool 5
128 bpm • D Maj • 01:15 • -15db
20% Popularity • 90% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
20% Popularity • 90% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Chris Sen
Broken Bones 2011 - Club Mix
128 bpm • F# min • 06:00 • -6.88db
8% Popularity • 78% Danceability • 75% Energy • 5% Liveness
78% Instrumentalness • 74% Positiveness
8% Popularity • 78% Danceability • 75% Energy • 5% Liveness
78% Instrumentalness • 74% Positiveness
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Miss Nine
Lost And Found
128 bpm • A Maj • 08:51 • -8.71db
10% Popularity • 55% Danceability • 85% Energy • 8% Liveness
86% Instrumentalness • 50% Positiveness
10% Popularity • 55% Danceability • 85% Energy • 8% Liveness
86% Instrumentalness • 50% Positiveness
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![Disco Dancer [Simon Original Mix] cover art](https://i.scdn.co/image/ab67616d00001e023af2e1df7b84d431175bfa8f)
Simon From Deep Divas Feat. Goody
Disco Dancer [Simon Original Mix]
128 bpm • F# Maj • 06:24 • -4.36db
10% Popularity • 90% Danceability • 71% Energy • 9% Liveness
9% Instrumentalness • 70% Positiveness
10% Popularity • 90% Danceability • 71% Energy • 9% Liveness
9% Instrumentalness • 70% Positiveness
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Dennis Ferrer
Hey Hey
128 bpm • A# min • 07:24 • -7db
8% Popularity • 78% Danceability • 64% Energy • 3% Liveness
48% Instrumentalness • 49% Positiveness
8% Popularity • 78% Danceability • 64% Energy • 3% Liveness
48% Instrumentalness • 49% Positiveness
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Koppany07
Aimer
128 bpm • A min • 03:43 • -5.79db
8% Popularity • 70% Danceability • 68% Energy • 13% Liveness
80% Instrumentalness • 52% Positiveness
8% Popularity • 70% Danceability • 68% Energy • 13% Liveness
80% Instrumentalness • 52% Positiveness
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Mossy
Meeting Point
128 bpm • E min • 07:36 • -8db
17% Popularity • 87% Danceability • 63% Energy • 7% Liveness
90% Instrumentalness • 60% Positiveness
17% Popularity • 87% Danceability • 63% Energy • 7% Liveness
90% Instrumentalness • 60% Positiveness
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Pen Perry
Aus Liebe Zur Musik
128 bpm • C# min • 05:24 • -10db
18% Popularity • 80% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 70% Positiveness
18% Popularity • 80% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 70% Positiveness
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Ziino
Oktoba
128 bpm • A min • 08:54 • -13db
11% Popularity • 60% Danceability • 67% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 60% Danceability • 67% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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The Drill
The Drill
128 bpm • A# Maj • 06:50 • -8db
32% Popularity • 80% Danceability • 79% Energy • 28% Liveness
85% Instrumentalness • 12% Positiveness
32% Popularity • 80% Danceability • 79% Energy • 28% Liveness
85% Instrumentalness • 12% Positiveness
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Jay C
Souk - Original Mix
128 bpm • B min • 05:39 • -5.59db
12% Popularity • 80% Danceability • 85% Energy • 49% Liveness
84% Instrumentalness • 12% Positiveness
12% Popularity • 80% Danceability • 85% Energy • 49% Liveness
84% Instrumentalness • 12% Positiveness
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Treadwell
Space Travel - Radio Edit
128 bpm • G Maj • 02:04 • -12.83db
21% Popularity • 80% Danceability • 72% Energy • 11% Liveness
61% Instrumentalness • 18% Positiveness
21% Popularity • 80% Danceability • 72% Energy • 11% Liveness
61% Instrumentalness • 18% Positiveness
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Gangbangers
Looking At the Sky
128 bpm • G Maj • 07:22 • -9.26db
18% Popularity • 90% Danceability • 73% Energy • 10% Liveness
69% Instrumentalness • 38% Positiveness
18% Popularity • 90% Danceability • 73% Energy • 10% Liveness
69% Instrumentalness • 38% Positiveness
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Phunk Investigation
Lo-Fi - Lo-Fi - Original Mix
128 bpm • A# min • 08:45 • -7db
15% Popularity • 80% Danceability • 99% Energy • 17% Liveness
92% Instrumentalness • 9% Positiveness
15% Popularity • 80% Danceability • 99% Energy • 17% Liveness
92% Instrumentalness • 9% Positiveness
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Envotion
Free Ride
128 bpm • A# min • 03:17 • -8.34db
10% Popularity • 84% Danceability • 61% Energy • 12% Liveness
39% Instrumentalness • 34% Positiveness
10% Popularity • 84% Danceability • 61% Energy • 12% Liveness
39% Instrumentalness • 34% Positiveness
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Leventina
Wisdom
128 bpm • G Maj • 07:07 • -8db
23% Popularity • 82% Danceability • 55% Energy • 8% Liveness
84% Instrumentalness • 63% Positiveness
23% Popularity • 82% Danceability • 55% Energy • 8% Liveness
84% Instrumentalness • 63% Positiveness
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Scott Martin
No Point Trying - Original Mix
128 bpm • A min • 06:31 • -21db
15% Popularity • 80% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 78% Positiveness
15% Popularity • 80% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 78% Positiveness
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Shipstad
Too Far Gone - Original Mix
128 bpm • B Maj • 08:46 • -9.5db
10% Popularity • 81% Danceability • 62% Energy • 6% Liveness
86% Instrumentalness • 59% Positiveness
10% Popularity • 81% Danceability • 62% Energy • 6% Liveness
86% Instrumentalness • 59% Positiveness
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Alter Breed
No Rush - Jerome Isma-Ae Remix
128 bpm • B Maj • 08:05 • -6.97db
9% Popularity • 75% Danceability • 78% Energy • 6% Liveness
22% Instrumentalness • 4% Positiveness
9% Popularity • 75% Danceability • 78% Energy • 6% Liveness
22% Instrumentalness • 4% Positiveness
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Kevin Whalen
Kasino - Original Mix
128 bpm • B min • 05:45 • -9.86db
18% Popularity • 80% Danceability • 75% Energy • 8% Liveness
82% Instrumentalness • 69% Positiveness
18% Popularity • 80% Danceability • 75% Energy • 8% Liveness
82% Instrumentalness • 69% Positiveness
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Givor Paradis
Non - Original Mix
128 bpm • D Maj • 06:37 • -5.72db
12% Popularity • 50% Danceability • 85% Energy • 79% Liveness
94% Instrumentalness • 24% Positiveness
12% Popularity • 50% Danceability • 85% Energy • 79% Liveness
94% Instrumentalness • 24% Positiveness
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Ad Brown
Cage - Ad Brown Dub Mix
128 bpm • C Maj • 06:33 • -9db
19% Popularity • 76% Danceability • 94% Energy • 17% Liveness
82% Instrumentalness • 74% Positiveness
19% Popularity • 76% Danceability • 94% Energy • 17% Liveness
82% Instrumentalness • 74% Positiveness
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Dennis Christopher
Set It Off - Niels van Gogh & Daniel Str...
128 bpm • G Maj • 05:15 • -5.33db
8% Popularity • 76% Danceability • 94% Energy • 17% Liveness
49% Instrumentalness • 11% Positiveness
8% Popularity • 76% Danceability • 94% Energy • 17% Liveness
49% Instrumentalness • 11% Positiveness
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Johnny Vicious
Almost - Johnny's Crown Instrumental Mix
128 bpm • D Maj • 07:37 • -9.54db
18% Popularity • 74% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
18% Popularity • 74% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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Fedde Le Grand
Take No Shhh - Original Mix
128 bpm • C# Maj • 06:36 • -8.81db
19% Popularity • 81% Danceability • 82% Energy • 4% Liveness
73% Instrumentalness • 64% Positiveness
19% Popularity • 81% Danceability • 82% Energy • 4% Liveness
73% Instrumentalness • 64% Positiveness
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Addliss
Unfold - Original Mix
128 bpm • D Maj • 08:20 • -9db
17% Popularity • 73% Danceability • 67% Energy • 6% Liveness
94% Instrumentalness • 29% Positiveness
17% Popularity • 73% Danceability • 67% Energy • 6% Liveness
94% Instrumentalness • 29% Positiveness
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Chris Count
Doin It - Valero Remix
128 bpm • F# Maj • 06:06 • -9.73db
0% Popularity • 81% Danceability • 75% Energy • 7% Liveness
82% Instrumentalness • 34% Positiveness
0% Popularity • 81% Danceability • 75% Energy • 7% Liveness
82% Instrumentalness • 34% Positiveness
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Matt Sanders
Sandblast
128 bpm • G Maj • 07:03 • -6.21db
9% Popularity • 89% Danceability • 85% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
9% Popularity • 89% Danceability • 85% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
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Marco Bertek
The Leaving Sun - Original mix
128 bpm • G# Maj • 07:41 • -14db
10% Popularity • 70% Danceability • 69% Energy • 8% Liveness
81% Instrumentalness • 62% Positiveness
10% Popularity • 70% Danceability • 69% Energy • 8% Liveness
81% Instrumentalness • 62% Positiveness
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Kiilto
Playa Del Cura
128 bpm • E min • 06:22 • -6db
11% Popularity • 79% Danceability • 64% Energy • 14% Liveness
75% Instrumentalness • 90% Positiveness
11% Popularity • 79% Danceability • 64% Energy • 14% Liveness
75% Instrumentalness • 90% Positiveness
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SilverSky
Breathing In The Night - Original Mix
128 bpm • C Maj • 07:15 • -7.12db
9% Popularity • 77% Danceability • 73% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
9% Popularity • 77% Danceability • 73% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Mijangos
Bahia Feat Cafe De Sol
128 bpm • G min • 07:22 • -6.38db
9% Popularity • 80% Danceability • 88% Energy • 7% Liveness
69% Instrumentalness • 93% Positiveness
9% Popularity • 80% Danceability • 88% Energy • 7% Liveness
69% Instrumentalness • 93% Positiveness
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Maik Pavsleska
Fly Fast - Radio Mix
128 bpm • F# min • 03:22 • -7.57db
14% Popularity • 53% Danceability • 89% Energy • 35% Liveness
78% Instrumentalness • 45% Positiveness
14% Popularity • 53% Danceability • 89% Energy • 35% Liveness
78% Instrumentalness • 45% Positiveness
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David Penn
Darkness
128 bpm • C# min • 05:58 • -6.54db
13% Popularity • 81% Danceability • 82% Energy • 2% Liveness
79% Instrumentalness • 68% Positiveness
13% Popularity • 81% Danceability • 82% Energy • 2% Liveness
79% Instrumentalness • 68% Positiveness
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Mark Knight
The Return Of Wolfy
128 bpm • F min • 08:05 • -4.74db
1% Popularity • 67% Danceability • 97% Energy • 5% Liveness
94% Instrumentalness • 40% Positiveness
1% Popularity • 67% Danceability • 97% Energy • 5% Liveness
94% Instrumentalness • 40% Positiveness
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Roland Michael
Swing, Jump, and Dip
128 bpm • G Maj • 02:16 • -15.19db
12% Popularity • 68% Danceability • 63% Energy • 59% Liveness
95% Instrumentalness • 54% Positiveness
12% Popularity • 68% Danceability • 63% Energy • 59% Liveness
95% Instrumentalness • 54% Positiveness
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Riky lopez
Stereophone - Original Mix
128 bpm • C# Maj • 06:24 • -5.79db
10% Popularity • 82% Danceability • 88% Energy • 22% Liveness
84% Instrumentalness • 82% Positiveness
10% Popularity • 82% Danceability • 88% Energy • 22% Liveness
84% Instrumentalness • 82% Positiveness
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Benjamin Bates
Layzor
128 bpm • G min • 05:22 • -4.18db
19% Popularity • 59% Danceability • 82% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
19% Popularity • 59% Danceability • 82% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
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Emanuele DJ
Grounge - Original mix
128 bpm • C# Maj • 06:48 • -8.21db
11% Popularity • 60% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 60% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Djyl
Evil Spell - Original Mix
128 bpm • F min • 07:13 • -10db
15% Popularity • 81% Danceability • 53% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
15% Popularity • 81% Danceability • 53% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Valero
Grappa - Original Mix
128 bpm • B min • 06:04 • -10.78db
0% Popularity • 81% Danceability • 86% Energy • 9% Liveness
90% Instrumentalness • 59% Positiveness
0% Popularity • 81% Danceability • 86% Energy • 9% Liveness
90% Instrumentalness • 59% Positiveness
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Wippenberg
Pong - Extended
128 bpm • F# Maj • 08:01 • -8.62db
12% Popularity • 78% Danceability • 60% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
12% Popularity • 78% Danceability • 60% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Daniel Levez
Biene Maya - Original Mix
128 bpm • E Maj • 06:16 • -13.68db
6% Popularity • 89% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 39% Positiveness
6% Popularity • 89% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 39% Positiveness
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Incantia
Magic Night - Radio Edit
128 bpm • G Maj • 02:04 • -12.34db
20% Popularity • 80% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 53% Positiveness
20% Popularity • 80% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 53% Positiveness
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Monkey Punch
Purception - Copyright Free
128 bpm • A min • 08:03 • -5.59db
17% Popularity • 83% Danceability • 81% Energy • 22% Liveness
88% Instrumentalness • 52% Positiveness
17% Popularity • 83% Danceability • 81% Energy • 22% Liveness
88% Instrumentalness • 52% Positiveness
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ELEKTRIBE SHOW
Yeah Suck It
128 bpm • B min • 05:25 • -7.67db
11% Popularity • 81% Danceability • 68% Energy • 7% Liveness
88% Instrumentalness • 58% Positiveness
11% Popularity • 81% Danceability • 68% Energy • 7% Liveness
88% Instrumentalness • 58% Positiveness
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Serge Devant
Addicted
128 bpm • G min • 05:41 • -8.41db
28% Popularity • 71% Danceability • 80% Energy • 15% Liveness
25% Instrumentalness • 64% Positiveness
28% Popularity • 71% Danceability • 80% Energy • 15% Liveness
25% Instrumentalness • 64% Positiveness
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Electr3x
Alexis
128 bpm • B min • 08:00 • -8.97db
15% Popularity • 86% Danceability • 74% Energy • 7% Liveness
9% Instrumentalness • 59% Positiveness
15% Popularity • 86% Danceability • 74% Energy • 7% Liveness
9% Instrumentalness • 59% Positiveness
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Quet KCR
The Horn - Static Sense Remix
128 bpm • F# min • 06:45 • -8.89db
8% Popularity • 73% Danceability • 87% Energy • 5% Liveness
88% Instrumentalness • 48% Positiveness
8% Popularity • 73% Danceability • 87% Energy • 5% Liveness
88% Instrumentalness • 48% Positiveness
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Sly Chapel
Go Your Own Way - Radio Edit
128 bpm • D min • 03:37 • -2.53db
13% Popularity • 66% Danceability • 90% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
13% Popularity • 66% Danceability • 90% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Leon S. Kennedy
Image - Original Mix
128 bpm • A min • 08:50 • -8.3db
12% Popularity • 85% Danceability • 45% Energy • 71% Liveness
12% Instrumentalness • 48% Positiveness
12% Popularity • 85% Danceability • 45% Energy • 71% Liveness
12% Instrumentalness • 48% Positiveness
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Alex Barrera
Top
128 bpm • G# min • 05:01 • -3.15db
19% Popularity • 80% Danceability • 93% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
19% Popularity • 80% Danceability • 93% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Leventina
Medical Insurance
128 bpm • F min • 06:20 • -7.36db
16% Popularity • 80% Danceability • 77% Energy • 30% Liveness
94% Instrumentalness • 23% Positiveness
16% Popularity • 80% Danceability • 77% Energy • 30% Liveness
94% Instrumentalness • 23% Positiveness
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Arsevty
Element - Original Mix
128 bpm • C Maj • 06:15 • -8.08db
13% Popularity • 91% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 39% Positiveness
13% Popularity • 91% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 39% Positiveness
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Chris Alot
Paradise
128 bpm • A min • 07:07 • -9.25db
20% Popularity • 86% Danceability • 72% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
20% Popularity • 86% Danceability • 72% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Roland Klinkenberg
Mexico Can Wait
128 bpm • B min • 06:19 • -11.28db
14% Popularity • 78% Danceability • 75% Energy • 4% Liveness
92% Instrumentalness • 59% Positiveness
14% Popularity • 78% Danceability • 75% Energy • 4% Liveness
92% Instrumentalness • 59% Positiveness
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Alivo
Burning Bridges - Original Mix
128 bpm • B min • 05:49 • -8.27db
13% Popularity • 66% Danceability • 74% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
13% Popularity • 66% Danceability • 74% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
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Stadiumx
Rollerkraft
128 bpm • E min • 05:37 • -3db
13% Popularity • 76% Danceability • 95% Energy • 5% Liveness
86% Instrumentalness • 38% Positiveness
13% Popularity • 76% Danceability • 95% Energy • 5% Liveness
86% Instrumentalness • 38% Positiveness
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Allen S
Ocean Flowers - Original Mix
128 bpm • F min • 06:30 • -7.74db
8% Popularity • 91% Danceability • 36% Energy • 7% Liveness
32% Instrumentalness • 46% Positiveness
8% Popularity • 91% Danceability • 36% Energy • 7% Liveness
32% Instrumentalness • 46% Positiveness
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Ian Carey
Say What You Want - Ian Carey Dub
128 bpm • A Maj • 07:01 • -5.48db
25% Popularity • 70% Danceability • 84% Energy • 3% Liveness
1% Instrumentalness • 22% Positiveness
25% Popularity • 70% Danceability • 84% Energy • 3% Liveness
1% Instrumentalness • 22% Positiveness
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Alesso
Loose It - Anthem Mix
128 bpm • B min • 07:45 • -8.98db
15% Popularity • 65% Danceability • 62% Energy • 13% Liveness
73% Instrumentalness • 22% Positiveness
15% Popularity • 65% Danceability • 62% Energy • 13% Liveness
73% Instrumentalness • 22% Positiveness
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Pure Butt3rfly
Shut It Down (Original)
128 bpm • A min • 07:22 • -9.31db
9% Popularity • 84% Danceability • 71% Energy • 35% Liveness
83% Instrumentalness • 38% Positiveness
9% Popularity • 84% Danceability • 71% Energy • 35% Liveness
83% Instrumentalness • 38% Positiveness
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Valero
Esperanto - Jay-C Remix
128 bpm • B Maj • 07:30 • -5.19db
0% Popularity • 72% Danceability • 87% Energy • 13% Liveness
93% Instrumentalness • 34% Positiveness
0% Popularity • 72% Danceability • 87% Energy • 13% Liveness
93% Instrumentalness • 34% Positiveness
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Hackler & Kuch
Special K - Original Mix
128 bpm • A min • 06:45 • -8.51db
18% Popularity • 72% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 72% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Darren Fisher
Icaria - Original Mix
128 bpm • D min • 09:13 • -10.09db
17% Popularity • 69% Danceability • 83% Energy • 11% Liveness
81% Instrumentalness • 18% Positiveness
17% Popularity • 69% Danceability • 83% Energy • 11% Liveness
81% Instrumentalness • 18% Positiveness
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Tader maison
All Mine
128 bpm • C Maj • 02:07 • -14.1db
9% Popularity • 42% Danceability • 94% Energy • 30% Liveness
96% Instrumentalness • 34% Positiveness
9% Popularity • 42% Danceability • 94% Energy • 30% Liveness
96% Instrumentalness • 34% Positiveness
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Sebastian Ingrosso
Meich
128 bpm • G# Maj • 07:04 • -11db
16% Popularity • 72% Danceability • 74% Energy • 13% Liveness
83% Instrumentalness • 9% Positiveness
16% Popularity • 72% Danceability • 74% Energy • 13% Liveness
83% Instrumentalness • 9% Positiveness
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Luca Cassani
Into the Light - Radio mix
128 bpm • F min • 03:33 • -4.07db
9% Popularity • 61% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 61% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Stylus Robb
Sensation Shot - S&m Original Mix
128 bpm • B Maj • 06:11 • -5.65db
10% Popularity • 81% Danceability • 80% Energy • 33% Liveness
83% Instrumentalness • 20% Positiveness
10% Popularity • 81% Danceability • 80% Energy • 33% Liveness
83% Instrumentalness • 20% Positiveness
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Two MoroN
Launch - Original Mix
128 bpm • B min • 05:56 • -4.77db
11% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Reeson
Distant World
128 bpm • B min • 06:37 • -9.93db
23% Popularity • 79% Danceability • 56% Energy • 6% Liveness
27% Instrumentalness • 60% Positiveness
23% Popularity • 79% Danceability • 56% Energy • 6% Liveness
27% Instrumentalness • 60% Positiveness
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David R.
Days After Days (Syzthaime 2 Dayz Remix)
128 bpm • G min • 06:44 • -7.65db
7% Popularity • 90% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 90% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 22% Positiveness
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Audible
Carbine
128 bpm • B Maj • 07:33 • -8.88db
13% Popularity • 77% Danceability • 91% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
13% Popularity • 77% Danceability • 91% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
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Miss Nine
Natsumi - Original Mix
128 bpm • C Maj • 07:11 • -7db
7% Popularity • 66% Danceability • 85% Energy • 9% Liveness
88% Instrumentalness • 26% Positiveness
7% Popularity • 66% Danceability • 85% Energy • 9% Liveness
88% Instrumentalness • 26% Positiveness
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Tahlia
New Wolf - Radio Edit
128 bpm • D# Maj • 02:37 • -11.4db
19% Popularity • 80% Danceability • 92% Energy • 8% Liveness
88% Instrumentalness • 91% Positiveness
19% Popularity • 80% Danceability • 92% Energy • 8% Liveness
88% Instrumentalness • 91% Positiveness
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Sezer Uysal
Forgotten Emotions - Original Mix
128 bpm • G# Maj • 08:30 • -8.94db
17% Popularity • 80% Danceability • 60% Energy • 8% Liveness
84% Instrumentalness • 56% Positiveness
17% Popularity • 80% Danceability • 60% Energy • 8% Liveness
84% Instrumentalness • 56% Positiveness
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Franko Ovalles
Europa - Original Mix
128 bpm • C Maj • 09:22 • -4.1db
16% Popularity • 75% Danceability • 86% Energy • 8% Liveness
92% Instrumentalness • 23% Positiveness
16% Popularity • 75% Danceability • 86% Energy • 8% Liveness
92% Instrumentalness • 23% Positiveness
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Venice House Company
Beep Beep
128 bpm • A min • 02:17 • -4db
29% Popularity • 77% Danceability • 90% Energy • 15% Liveness
94% Instrumentalness • 38% Positiveness
29% Popularity • 77% Danceability • 90% Energy • 15% Liveness
94% Instrumentalness • 38% Positiveness
