Songs like Estudio de concierto No. 12 “La vida sonríe” by Héctor Rojas
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
Danza Hungara Nº5
143 bpm • G min • 02:57 • -15.94db
41% Popularity • 33% Danceability • 16% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
41% Popularity • 33% Danceability • 16% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
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Enrique Granados
Apariciones: Valses Romanticos: Sensitiv...
143 bpm • C min • 01:40 • -33db
45% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
45% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
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Wolfgang Amadeus Mozart
Sonata for 2 pianos in D, K.448: 1. Alle...
143 bpm • D Maj • 07:52 • -21.2db
39% Popularity • 31% Danceability • 21% Energy • 9% Liveness
91% Instrumentalness • 66% Positiveness
39% Popularity • 31% Danceability • 21% Energy • 9% Liveness
91% Instrumentalness • 66% Positiveness
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Belize Ensemble
Beethoven Sinfonia No 8 Sht
144 bpm • B Maj • 04:27 • -7.45db
29% Popularity • 52% Danceability • 27% Energy • 18% Liveness
94% Instrumentalness • 42% Positiveness
29% Popularity • 52% Danceability • 27% Energy • 18% Liveness
94% Instrumentalness • 42% Positiveness
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Niccolò Paganini
Paganini / Arr. Kreisler: Violin Concert...
142 bpm • B min • 05:16 • -16db
43% Popularity • 50% Danceability • 24% Energy • 17% Liveness
38% Instrumentalness • 59% Positiveness
43% Popularity • 50% Danceability • 24% Energy • 17% Liveness
38% Instrumentalness • 59% Positiveness
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Christian Petzold
Petzold: Bach's Menuet in G Minor, BWV A...
141 bpm • G min • 01:35 • -15.24db
43% Popularity • 31% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
43% Popularity • 31% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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Manuel de Falla
El amor brujo: Danza ritual del fuego, p...
141 bpm • G Maj • 03:54 • -19.01db
33% Popularity • 24% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
33% Popularity • 24% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
L'Estate III (El Verano) de "Las Cuatro ...
141 bpm • G Maj • 02:58 • -10.1db
28% Popularity • 29% Danceability • 61% Energy • 38% Liveness
89% Instrumentalness • 42% Positiveness
28% Popularity • 29% Danceability • 61% Energy • 38% Liveness
89% Instrumentalness • 42% Positiveness
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Wolfgang Amadeus Mozart
Sonata for 2 pianos in D, K.448: 3. Alle...
144 bpm • D Maj • 05:53 • -19.35db
31% Popularity • 33% Danceability • 21% Energy • 6% Liveness
90% Instrumentalness • 51% Positiveness
31% Popularity • 33% Danceability • 21% Energy • 6% Liveness
90% Instrumentalness • 51% Positiveness
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Orquesta Sinfónica De Eslovaquia
Rapsodia Hungara No 2
141 bpm • C# Maj • 09:23 • -17.53db
23% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
23% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
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Jaime Aburto
Caliente
146 bpm • C Maj • 03:47 • -17.94db
0% Popularity • 49% Danceability • 45% Energy • 18% Liveness
1% Instrumentalness • 92% Positiveness
0% Popularity • 49% Danceability • 45% Energy • 18% Liveness
1% Instrumentalness • 92% Positiveness
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Hamburg Symphony Orchestra
La Primavera: Concierto Nº1 En Mi Mayor
140 bpm • C Maj • 10:22 • -16db
45% Popularity • 30% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
45% Popularity • 30% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
43% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
140 bpm • G min • 01:52 • -28.13db
36% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
36% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
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Orquesta De La Sociedad Filarmonica De Conciertos
El Reloj
146 bpm • C Maj • 04:07 • -14.04db
15% Popularity • 14% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
15% Popularity • 14% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Belisario de Jesús García
Morir por Tu Amor
140 bpm • F Maj • 02:48 • -21db
17% Popularity • 14% Danceability • 9% Energy • 19% Liveness
45% Instrumentalness • 23% Positiveness
17% Popularity • 14% Danceability • 9% Energy • 19% Liveness
45% Instrumentalness • 23% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
58% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
58% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Héctor Rojas
Cuatro pequeñas fugas para principiante...
139 bpm • C min • 01:55 • -20.77db
4% Popularity • 31% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 60% Positiveness
4% Popularity • 31% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 60% Positiveness
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Stephen Heller
30 Etüden in fortschreitender Schwierig...
139 bpm • B min • 01:11 • -26db
19% Popularity • 25% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
19% Popularity • 25% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
Concerto for 2 Oboes in A Minor, RV 536:...
139 bpm • A min • 01:38 • -17db
49% Popularity • 59% Danceability • 24% Energy • 20% Liveness
31% Instrumentalness • 56% Positiveness
49% Popularity • 59% Danceability • 24% Energy • 20% Liveness
31% Instrumentalness • 56% Positiveness
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Henri Vieuxtemps
Concerto For Violin and Orchestra No. 5 ...
138 bpm • A min • 01:11 • -17db
35% Popularity • 42% Danceability • 37% Energy • 13% Liveness
96% Instrumentalness • 23% Positiveness
35% Popularity • 42% Danceability • 37% Energy • 13% Liveness
96% Instrumentalness • 23% Positiveness
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Jose Herrera Gallardo
Olímpica
147 bpm • D Maj • 03:35 • -20.57db
18% Popularity • 14% Danceability • 13% Energy • 16% Liveness
95% Instrumentalness • 19% Positiveness
18% Popularity • 14% Danceability • 13% Energy • 16% Liveness
95% Instrumentalness • 19% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 33 in B-Flat Major, K. 319:...
138 bpm • A# Maj • 02:55 • -25.19db
34% Popularity • 37% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
34% Popularity • 37% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Cacho Tirao
Danza Húngara, No. 5
138 bpm • A Maj • 02:47 • -12db
18% Popularity • 46% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 46% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Joseph Joachim
21 Hungarian Dances, WoO 1 (Arr. for Vio...
138 bpm • G min • 03:14 • -18.87db
28% Popularity • 33% Danceability • 17% Energy • 34% Liveness
38% Instrumentalness • 47% Positiveness
28% Popularity • 33% Danceability • 17% Energy • 34% Liveness
38% Instrumentalness • 47% Positiveness
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Cinthya Garcia
Playa de Poniente
138 bpm • G Maj • 01:05 • -21.03db
36% Popularity • 38% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
36% Popularity • 38% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Héctor Rojas
Tiempo de schottisch
149 bpm • F# min • 02:52 • -18.19db
4% Popularity • 37% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
4% Popularity • 37% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
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Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
47% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
47% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.32/L.423/P...
137 bpm • E min • 02:18 • -33.24db
39% Popularity • 43% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
39% Popularity • 43% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Christian Petzold
Petzold: Bach's Menuet in G Major, BWV A...
149 bpm • G Maj • 01:19 • -17.01db
34% Popularity • 22% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
34% Popularity • 22% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Hamburg Symphony Orchestra
El Invierno: Concierto Nº4 En Fa Menor
137 bpm • D# Maj • 09:55 • -17.78db
45% Popularity • 36% Danceability • 29% Energy • 40% Liveness
75% Instrumentalness • 7% Positiveness
45% Popularity • 36% Danceability • 29% Energy • 40% Liveness
75% Instrumentalness • 7% Positiveness
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Franz Liszt
Schwanengesang, D. 957: No. 4. Standchen...
137 bpm • D Maj • 05:31 • -28.04db
34% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
34% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Luis Antonio Calvo
Malvaloca
137 bpm • C# min • 04:57 • -25.67db
11% Popularity • 38% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
11% Popularity • 38% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Orquesta Sinfónica Y Coro De La RAI De Roma
Sinfonía
136 bpm • D Maj • 04:22 • -14db
19% Popularity • 35% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
19% Popularity • 35% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Olivier Toussaint
"A" Como Amar
135 bpm • B min • 03:18 • -15.29db
36% Popularity • 40% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
36% Popularity • 40% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Frédéric Chopin
Piano Sonata No. 2 in B-Flat Minor, Op. ...
135 bpm • A# min • 08:28 • -26.82db
23% Popularity • 45% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
23% Popularity • 45% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Orquesta Philarmónica de Conciertos
El Vuelo del Moscardón, Op.57 (De "Casi...
152 bpm • D min • 01:33 • -26db
33% Popularity • 33% Danceability • 8% Energy • 33% Liveness
85% Instrumentalness • 56% Positiveness
33% Popularity • 33% Danceability • 8% Energy • 33% Liveness
85% Instrumentalness • 56% Positiveness
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Wolfgang Amadeus Mozart
Sonata for 2 Pianos in D Major, K. 448: ...
134 bpm • D Maj • 06:13 • -17.63db
30% Popularity • 47% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 72% Positiveness
30% Popularity • 47% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 72% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
52% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
52% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Lang Lang
Danzas Argentinas, Op. 2: II. Danza de l...
134 bpm • A min • 04:00 • -24db
21% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
21% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Manuel de Falla
El Amor Brujo: Danza Ritual del Fuego
133 bpm • E min • 04:14 • -22.91db
25% Popularity • 30% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 11% Positiveness
25% Popularity • 30% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 11% Positiveness
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Isaac Albéniz
España, Op. 165: 2. Tango
133 bpm • D Maj • 02:35 • -28.13db
25% Popularity • 42% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
25% Popularity • 42% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Sonata for 2 Pianos in D Major, K. 448: ...
133 bpm • D Maj • 08:12 • -18.9db
35% Popularity • 42% Danceability • 16% Energy • 13% Liveness
87% Instrumentalness • 75% Positiveness
35% Popularity • 42% Danceability • 16% Energy • 13% Liveness
87% Instrumentalness • 75% Positiveness
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Robin Alciatore
Schubert: Serenade
133 bpm • D Maj • 06:20 • -24.99db
19% Popularity • 46% Danceability • 2% Energy • 13% Liveness
89% Instrumentalness • 6% Positiveness
19% Popularity • 46% Danceability • 2% Energy • 13% Liveness
89% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Aguilas de Oro
El Vuelo del Abejorro / Rimsky Kprsakov
154 bpm • D min • 01:32 • -20.32db
26% Popularity • 26% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 53% Positiveness
26% Popularity • 26% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 53% Positiveness
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Orquesta de Cámara Promúsica de Málaga
Pequeña Serenata Nocturna. Allegro
132 bpm • D Maj • 06:03 • -11.88db
30% Popularity • 37% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 39% Positiveness
30% Popularity • 37% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 39% Positiveness
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Orquesta Festival De Praga
Danza Húngara - Alternate Mix
155 bpm • G min • 02:43 • -13.47db
26% Popularity • 29% Danceability • 24% Energy • 32% Liveness
73% Instrumentalness • 38% Positiveness
26% Popularity • 29% Danceability • 24% Energy • 32% Liveness
73% Instrumentalness • 38% Positiveness
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Jaime Aburto
Marinero
132 bpm • A Maj • 05:52 • -8.93db
4% Popularity • 43% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
4% Popularity • 43% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Frédéric Chopin
Vals, Op. 64 No.1 "Vals del Minuto"
131 bpm • C# Maj • 02:40 • -11.03db
18% Popularity • 38% Danceability • 93% Energy • 65% Liveness
89% Instrumentalness • 79% Positiveness
18% Popularity • 38% Danceability • 93% Energy • 65% Liveness
89% Instrumentalness • 79% Positiveness
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Fazıl Say
Paganini-Jazz for Piano (Arr. for Jazz Q...
131 bpm • A min • 08:10 • -17.74db
38% Popularity • 47% Danceability • 18% Energy • 8% Liveness
16% Instrumentalness • 15% Positiveness
38% Popularity • 47% Danceability • 18% Energy • 8% Liveness
16% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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CHA Medical Center
Turkish March Mozart
131 bpm • A Maj • 03:30 • -14db
8% Popularity • 50% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 80% Positiveness
8% Popularity • 50% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 80% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
47% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
47% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Marquez
Danzón No. 8, Homenaje a Maurice
131 bpm • E Maj • 07:19 • -20db
14% Popularity • 30% Danceability • 22% Energy • 7% Liveness
77% Instrumentalness • 34% Positiveness
14% Popularity • 30% Danceability • 22% Energy • 7% Liveness
77% Instrumentalness • 34% Positiveness
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Vittorio Monti
Csardas
157 bpm • D Maj • 06:02 • -20.34db
18% Popularity • 28% Danceability • 15% Energy • 12% Liveness
23% Instrumentalness • 13% Positiveness
18% Popularity • 28% Danceability • 15% Energy • 12% Liveness
23% Instrumentalness • 13% Positiveness
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Héctor Rojas
Gavota
130 bpm • C# Maj • 03:56 • -21db
9% Popularity • 40% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 28% Positiveness
9% Popularity • 40% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 28% Positiveness
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Carlos Gardel
Por una cabeza (Arr. Lenehan)
130 bpm • G min • 03:53 • -14.64db
42% Popularity • 34% Danceability • 25% Energy • 28% Liveness
33% Instrumentalness • 34% Positiveness
42% Popularity • 34% Danceability • 25% Energy • 28% Liveness
33% Instrumentalness • 34% Positiveness
► Preview
Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 24 in ...
130 bpm • A Maj • 05:21 • -15.56db
33% Popularity • 46% Danceability • 13% Energy • 5% Liveness
13% Instrumentalness • 40% Positiveness
33% Popularity • 46% Danceability • 13% Energy • 5% Liveness
13% Instrumentalness • 40% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Agustín Barrios Mangoré
Una Limosna por el Amor de Dios "El Ulti...
157 bpm • C Maj • 03:27 • -23.54db
27% Popularity • 18% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
27% Popularity • 18% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
► Preview
Markus Porsklev
Minuet 3 - J.S. Bach
158 bpm • G Maj • 01:30 • -27.29db
45% Popularity • 26% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 68% Positiveness
45% Popularity • 26% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 68% Positiveness
► Preview
Wolfgang Amadeus Mozart
Marcha Turca KV.331
130 bpm • D Maj • 02:55 • -10db
29% Popularity • 73% Danceability • 38% Energy • 9% Liveness
75% Instrumentalness • 66% Positiveness
29% Popularity • 73% Danceability • 38% Energy • 9% Liveness
75% Instrumentalness • 66% Positiveness
► Preview
Blas Galindo
Sones de Mariachi
130 bpm • G Maj • 07:02 • -16.43db
18% Popularity • 29% Danceability • 30% Energy • 10% Liveness
57% Instrumentalness • 31% Positiveness
18% Popularity • 29% Danceability • 30% Energy • 10% Liveness
57% Instrumentalness • 31% Positiveness
► Preview
Nicola Piovani
La vita è bella
129 bpm • D Maj • 01:23 • -27db
47% Popularity • 24% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
47% Popularity • 24% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
► Preview
Carlos Chávez
Chacona
129 bpm • E min • 06:25 • -19db
12% Popularity • 22% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
12% Popularity • 22% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
► Preview
Héctor Rojas
Tema mexicano variado
129 bpm • C# Maj • 03:21 • -23.04db
4% Popularity • 37% Danceability • 8% Energy • 5% Liveness
85% Instrumentalness • 6% Positiveness
4% Popularity • 37% Danceability • 8% Energy • 5% Liveness
85% Instrumentalness • 6% Positiveness
► Preview
Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
128 bpm • G min • 03:28 • -16db
20% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
20% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Cacho Tirao
Minuet No. 2 en Sol Mayor
129 bpm • D Maj • 02:10 • -17db
18% Popularity • 55% Danceability • 11% Energy • 9% Liveness
26% Instrumentalness • 58% Positiveness
18% Popularity • 55% Danceability • 11% Energy • 9% Liveness
26% Instrumentalness • 58% Positiveness
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Musici Di San Lorenzo
Concerto For Flute And Orchestra: "La No...
128 bpm • G min • 01:11 • -15.12db
32% Popularity • 45% Danceability • 20% Energy • 9% Liveness
69% Instrumentalness • 39% Positiveness
32% Popularity • 45% Danceability • 20% Energy • 9% Liveness
69% Instrumentalness • 39% Positiveness
► Preview
Mario Ruiz Armengol
Piano Sonata: III. Presto
160 bpm • G Maj • 01:19 • -22.39db
18% Popularity • 34% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
18% Popularity • 34% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
► Preview
Lang Lang
6 Moments musicaux, Op. 94, D. 780: No. ...
128 bpm • F min • 02:02 • -23db
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
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Héctor Rojas
Un recuerdo
129 bpm • D# Maj • 01:31 • -21.44db
4% Popularity • 36% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
4% Popularity • 36% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
44% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
44% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Frédéric Chopin
Waltz No. 19 in A Minor, KK IVb (Version...
127 bpm • G# min • 02:22 • -25.73db
53% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
53% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Sonatina No. 1 in G Mayor, Anh. 5, Moder...
127 bpm • G Maj • 01:42 • -24db
40% Popularity • 41% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 85% Positiveness
40% Popularity • 41% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 85% Positiveness
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Higinio Ruvalcaba
Chapultepec
127 bpm • G Maj • 03:06 • -7.08db
18% Popularity • 35% Danceability • 44% Energy • 18% Liveness
25% Instrumentalness • 44% Positiveness
18% Popularity • 35% Danceability • 44% Energy • 18% Liveness
25% Instrumentalness • 44% Positiveness
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Samson François
Valse En Mib Maj Op18 Grde Valse Brillan...
126 bpm • G# Maj • 05:01 • -20.68db
10% Popularity • 46% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
10% Popularity • 46% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
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Héctor Rojas
Tempo di Minuetto
128 bpm • C# Maj • 02:42 • -22.44db
5% Popularity • 55% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
5% Popularity • 55% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Ignacio Cervantes
La encantadora (The Enchantress)
126 bpm • B min • 01:28 • -30.91db
14% Popularity • 52% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 47% Positiveness
14% Popularity • 52% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 47% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Francisco Tárrega
Estudio in E Minor
125 bpm • E min • 01:21 • -28.91db
30% Popularity • 35% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
30% Popularity • 35% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
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Wolfgang Amadeus Mozart
Mozart, Volodos: 3. Alla Turca (Allegret...
125 bpm • A Maj • 02:51 • -20.16db
33% Popularity • 44% Danceability • 26% Energy • 8% Liveness
83% Instrumentalness • 73% Positiveness
33% Popularity • 44% Danceability • 26% Energy • 8% Liveness
83% Instrumentalness • 73% Positiveness
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Héctor Rojas
Pavana
161 bpm • E Maj • 02:44 • -21.53db
4% Popularity • 30% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
4% Popularity • 30% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
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Franz Liszt
Liebestraum No. 3 in A flat, S.541 No. 3
124 bpm • G# Maj • 05:08 • -19.98db
20% Popularity • 32% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 32% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Ignacio Cervantes
Danzas cubanas: I. La tarde esta amorosa
125 bpm • E Maj • 01:07 • -25.21db
14% Popularity • 38% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
14% Popularity • 38% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Pyotr Ilyich Tchaikovsky
The Nutcracker, Op. 71, TH 14: Pas de de...
124 bpm • G Maj • 05:10 • -21db
24% Popularity • 26% Danceability • 13% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 13% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
123 bpm • F# min • 02:13 • -21.37db
44% Popularity • 57% Danceability • 9% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
44% Popularity • 57% Danceability • 9% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
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Teresa Gómez
Intermezzo No. 2, Lejano Azul
167 bpm • A# min • 04:07 • -31.01db
9% Popularity • 22% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
9% Popularity • 22% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Héctor Rojas
Minueto (en mi mayor)
125 bpm • E Maj • 02:51 • -20.3db
3% Popularity • 52% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
3% Popularity • 52% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Silvestre Revueltas
Janitzio
122 bpm • B min • 06:50 • -12.71db
8% Popularity • 34% Danceability • 37% Energy • 7% Liveness
33% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 37% Energy • 7% Liveness
33% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 6. Allegr...
169 bpm • F# min • 02:56 • -33db
36% Popularity • 26% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
36% Popularity • 26% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Frédéric Chopin
Andante spianato
168 bpm • G Maj • 04:46 • -33db
47% Popularity • 23% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
47% Popularity • 23% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
