Songs like Eternal Loop by Sam Gendel
Based on a tempo of (+/- 10%) and a similar genre
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Fools
Snodae
111 bpm • A Maj • 03:32 • -13.52db
17% Popularity • 35% Danceability • 31% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
17% Popularity • 35% Danceability • 31% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
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Flaer
Follow
111 bpm • D Maj • 03:56 • -18.18db
33% Popularity • 35% Danceability • 11% Energy • 36% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 35% Danceability • 11% Energy • 36% Liveness
62% Instrumentalness • 6% Positiveness
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Nala Sinephro
Space 7
111 bpm • A# Maj • 01:41 • -23.39db
41% Popularity • 20% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
41% Popularity • 20% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
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Fabiano do Nascimento
Capricho de Raphael
111 bpm • D min • 04:26 • -14.82db
34% Popularity • 60% Danceability • 24% Energy • 13% Liveness
59% Instrumentalness • 52% Positiveness
34% Popularity • 60% Danceability • 24% Energy • 13% Liveness
59% Instrumentalness • 52% Positiveness
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Khukzuk Zendogiu
Tinging
111 bpm • B min • 01:50 • -17db
38% Popularity • 77% Danceability • 16% Energy • 21% Liveness
91% Instrumentalness • 21% Positiveness
38% Popularity • 77% Danceability • 16% Energy • 21% Liveness
91% Instrumentalness • 21% Positiveness
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Sam Gendel
Eternal Loop
111 bpm • A Maj • 04:44 • -9.89db
32% Popularity • 25% Danceability • 53% Energy • 68% Liveness
95% Instrumentalness • 29% Positiveness
32% Popularity • 25% Danceability • 53% Energy • 68% Liveness
95% Instrumentalness • 29% Positiveness
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Khiliath
Outguns
110 bpm • C min • 02:22 • -13.41db
37% Popularity • 62% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 16% Positiveness
37% Popularity • 62% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 16% Positiveness
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Lect Drecs
Ecchymosis
110 bpm • E min • 02:16 • -18.33db
36% Popularity • 78% Danceability • 19% Energy • 18% Liveness
89% Instrumentalness • 45% Positiveness
36% Popularity • 78% Danceability • 19% Energy • 18% Liveness
89% Instrumentalness • 45% Positiveness
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Clats Pesmygz
Infrahumans
110 bpm • A# Maj • 02:05 • -16.14db
34% Popularity • 55% Danceability • 15% Energy • 20% Liveness
94% Instrumentalness • 24% Positiveness
34% Popularity • 55% Danceability • 15% Energy • 20% Liveness
94% Instrumentalness • 24% Positiveness
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Ancient Infinity Orchestra
Michael & Zelah
112 bpm • F Maj • 03:46 • -17.79db
16% Popularity • 27% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
16% Popularity • 27% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Joshua Crumbly
The See
112 bpm • A min • 02:24 • -13.67db
18% Popularity • 60% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
18% Popularity • 60% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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Sam Gendel
They B All Like
110 bpm • F min • 03:54 • -8.65db
14% Popularity • 62% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
14% Popularity • 62% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Sulah Jordan
Musée Mélancolique
110 bpm • C# min • 06:02 • -19.77db
18% Popularity • 71% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
18% Popularity • 71% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
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Fabiano do Nascimento
Astral Flowers
112 bpm • D Maj • 02:42 • -19.5db
34% Popularity • 54% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 65% Positiveness
34% Popularity • 54% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 65% Positiveness
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Viejas Raíces
Balewada
112 bpm • C# Maj • 04:07 • -19.96db
8% Popularity • 48% Danceability • 9% Energy • 8% Liveness
42% Instrumentalness • 5% Positiveness
8% Popularity • 48% Danceability • 9% Energy • 8% Liveness
42% Instrumentalness • 5% Positiveness
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Felbm
Sakura
112 bpm • C Maj • 01:26 • -20.33db
30% Popularity • 44% Danceability • 16% Energy • 33% Liveness
70% Instrumentalness • 5% Positiveness
30% Popularity • 44% Danceability • 16% Energy • 33% Liveness
70% Instrumentalness • 5% Positiveness
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Kamaal Williams
Shinjuku - DJ-Kicks
112 bpm • C# Maj • 02:12 • -14.06db
43% Popularity • 39% Danceability • 16% Energy • 14% Liveness
87% Instrumentalness • 14% Positiveness
43% Popularity • 39% Danceability • 16% Energy • 14% Liveness
87% Instrumentalness • 14% Positiveness
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Tara Clerkin Trio
Hellenica
110 bpm • A# Maj • 06:07 • -8.4db
14% Popularity • 68% Danceability • 58% Energy • 28% Liveness
69% Instrumentalness • 44% Positiveness
14% Popularity • 68% Danceability • 58% Energy • 28% Liveness
69% Instrumentalness • 44% Positiveness
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Andrew Wasylyk
Lost, Aglow
112 bpm • F min • 02:04 • -15.89db
20% Popularity • 39% Danceability • 33% Energy • 34% Liveness
90% Instrumentalness • 24% Positiveness
20% Popularity • 39% Danceability • 33% Energy • 34% Liveness
90% Instrumentalness • 24% Positiveness
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Fuubutsushi
I Hold Dearly (For Miles)
112 bpm • B min • 05:17 • -18.32db
15% Popularity • 21% Danceability • 13% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 13% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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yes/and
Tumble
110 bpm • G Maj • 02:28 • -15.52db
26% Popularity • 96% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 83% Positiveness
26% Popularity • 96% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 83% Positiveness
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Jitwam
Confessions
113 bpm • D Maj • 02:28 • -14.84db
37% Popularity • 53% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
37% Popularity • 53% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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The Sweet Enoughs
Cerberus
109 bpm • C Maj • 04:17 • -11.8db
31% Popularity • 66% Danceability • 60% Energy • 38% Liveness
89% Instrumentalness • 39% Positiveness
31% Popularity • 66% Danceability • 60% Energy • 38% Liveness
89% Instrumentalness • 39% Positiveness
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Run Logan Run
The Softest Nose in the World
109 bpm • A# Maj • 03:37 • -17.61db
12% Popularity • 38% Danceability • 12% Energy • 12% Liveness
75% Instrumentalness • 12% Positiveness
12% Popularity • 38% Danceability • 12% Energy • 12% Liveness
75% Instrumentalness • 12% Positiveness
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Brian Green
Impressions in C Sharp Minor
109 bpm • E Maj • 01:54 • -17.09db
25% Popularity • 82% Danceability • 56% Energy • 13% Liveness
96% Instrumentalness • 90% Positiveness
25% Popularity • 82% Danceability • 56% Energy • 13% Liveness
96% Instrumentalness • 90% Positiveness
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Peter Zummo
Way Better Than I Expected
109 bpm • F# min • 03:17 • -15.88db
9% Popularity • 59% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
9% Popularity • 59% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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LCM
lense phase
113 bpm • G Maj • 06:07 • -18.79db
7% Popularity • 58% Danceability • 6% Energy • 6% Liveness
68% Instrumentalness • 27% Positiveness
7% Popularity • 58% Danceability • 6% Energy • 6% Liveness
68% Instrumentalness • 27% Positiveness
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Brahja
Keepers
113 bpm • C# Maj • 05:45 • -10.05db
26% Popularity • 43% Danceability • 44% Energy • 6% Liveness
91% Instrumentalness • 47% Positiveness
26% Popularity • 43% Danceability • 44% Energy • 6% Liveness
91% Instrumentalness • 47% Positiveness
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yes/and
Ugly Orange
109 bpm • D Maj • 04:19 • -17db
32% Popularity • 56% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
32% Popularity • 56% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
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Damon Locks
Support The Youth (With Sound)
113 bpm • G Maj • 01:19 • -16.92db
29% Popularity • 56% Danceability • 54% Energy • 10% Liveness
84% Instrumentalness • 35% Positiveness
29% Popularity • 56% Danceability • 54% Energy • 10% Liveness
84% Instrumentalness • 35% Positiveness
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Sam Gendel
Differences
114 bpm • G# Maj • 02:35 • -12.59db
14% Popularity • 80% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
14% Popularity • 80% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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Masahiro Takahashi
Fantasy In Soy Sauce
114 bpm • F# min • 02:56 • -15.37db
17% Popularity • 68% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 22% Positiveness
17% Popularity • 68% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 22% Positiveness
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Fuubutsushi
Hayao's Garden
114 bpm • D min • 03:10 • -18.8db
18% Popularity • 43% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 43% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Andrew Wasylyk
A Further Look at Loss
114 bpm • E min • 03:59 • -11.52db
27% Popularity • 41% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
27% Popularity • 41% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
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Fabiano do Nascimento
Xangô (Instrumental)
114 bpm • A min • 04:11 • -13.17db
12% Popularity • 62% Danceability • 39% Energy • 10% Liveness
84% Instrumentalness • 72% Positiveness
12% Popularity • 62% Danceability • 39% Energy • 10% Liveness
84% Instrumentalness • 72% Positiveness
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The Growth Eternal
XVI. Boundless, Timeless
114 bpm • D Maj • 01:04 • -12.19db
13% Popularity • 69% Danceability • 30% Energy • 19% Liveness
96% Instrumentalness • 70% Positiveness
13% Popularity • 69% Danceability • 30% Energy • 19% Liveness
96% Instrumentalness • 70% Positiveness
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Roberto Musci
Water Music
114 bpm • G# min • 02:02 • -13.86db
38% Popularity • 67% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
38% Popularity • 67% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
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Masahiro Takahashi
Sweltering Drive
114 bpm • C# min • 03:54 • -15.85db
33% Popularity • 68% Danceability • 26% Energy • 8% Liveness
62% Instrumentalness • 11% Positiveness
33% Popularity • 68% Danceability • 26% Energy • 8% Liveness
62% Instrumentalness • 11% Positiveness
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Kirk Barley
Évier
108 bpm • E Maj • 04:17 • -21.48db
32% Popularity • 64% Danceability • 25% Energy • 38% Liveness
93% Instrumentalness • 11% Positiveness
32% Popularity • 64% Danceability • 25% Energy • 38% Liveness
93% Instrumentalness • 11% Positiveness
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M. Sage
Bellisimo, Pomposo
108 bpm • A Maj • 03:17 • -15db
31% Popularity • 44% Danceability • 35% Energy • 25% Liveness
84% Instrumentalness • 14% Positiveness
31% Popularity • 44% Danceability • 35% Energy • 25% Liveness
84% Instrumentalness • 14% Positiveness
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Felbm
When It Rains
114 bpm • E Maj • 03:30 • -15.32db
31% Popularity • 66% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
31% Popularity • 66% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
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Nala Sinephro
Space 1
114 bpm • G min • 04:08 • -26.46db
48% Popularity • 27% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 27% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Balmorhea
Step Step Step
108 bpm • C# Maj • 04:01 • -14.45db
25% Popularity • 30% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
25% Popularity • 30% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Alabaster DePlume
I Hope
115 bpm • C# Maj • 05:24 • -10.91db
24% Popularity • 37% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
24% Popularity • 37% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Josiah Steinbrick
Tomorrow
115 bpm • G# Maj • 02:39 • -22.75db
30% Popularity • 28% Danceability • 8% Energy • 19% Liveness
97% Instrumentalness • 4% Positiveness
30% Popularity • 28% Danceability • 8% Energy • 19% Liveness
97% Instrumentalness • 4% Positiveness
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John Carroll Kirby
Wind
115 bpm • F# Maj • 05:27 • -10.5db
32% Popularity • 51% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 16% Positiveness
32% Popularity • 51% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 16% Positiveness
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Anchorsong
Flourish
115 bpm • F# Maj • 03:11 • -11.5db
21% Popularity • 60% Danceability • 33% Energy • 18% Liveness
98% Instrumentalness • 56% Positiveness
21% Popularity • 60% Danceability • 33% Energy • 18% Liveness
98% Instrumentalness • 56% Positiveness
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Fabiano do Nascimento
Cores
107 bpm • A min • 03:30 • -15.5db
33% Popularity • 43% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 42% Positiveness
33% Popularity • 43% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 42% Positiveness
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Sam Gendel
Lilriffriff
107 bpm • A min • 03:07 • -21.06db
12% Popularity • 73% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 73% Positiveness
12% Popularity • 73% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 73% Positiveness
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Laurel Halo
Belleville
116 bpm • A Maj • 02:25 • -28.37db
46% Popularity • 28% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
46% Popularity • 28% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
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Josiah Steinbrick
Heyloo / Snakeskin
107 bpm • G Maj • 04:09 • -16.85db
21% Popularity • 82% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 89% Positiveness
21% Popularity • 82% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 89% Positiveness
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Visible Cloaks
(Untitled Temp Track)
115 bpm • F# Maj • 01:52 • -17.29db
36% Popularity • 30% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
36% Popularity • 30% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Leo Takami
Garden of Light
116 bpm • G Maj • 06:53 • -19.04db
8% Popularity • 61% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
8% Popularity • 61% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Fabiano do Nascimento
Foi Boto
116 bpm • D min • 03:17 • -17.65db
36% Popularity • 61% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 36% Positiveness
36% Popularity • 61% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 36% Positiveness
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Sam Gendel
MFV
106 bpm • D# min • 01:31 • -11.2db
7% Popularity • 52% Danceability • 50% Energy • 16% Liveness
82% Instrumentalness • 39% Positiveness
7% Popularity • 52% Danceability • 50% Energy • 16% Liveness
82% Instrumentalness • 39% Positiveness
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Fools
Source
116 bpm • G Maj • 04:29 • -12.67db
17% Popularity • 66% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
17% Popularity • 66% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Brian Green
Impression in E Major
116 bpm • A Maj • 01:16 • -14db
29% Popularity • 62% Danceability • 39% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
29% Popularity • 62% Danceability • 39% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Lemon Quartet
Crestless
116 bpm • G Maj • 04:27 • -17.07db
10% Popularity • 38% Danceability • 19% Energy • 37% Liveness
96% Instrumentalness • 20% Positiveness
10% Popularity • 38% Danceability • 19% Energy • 37% Liveness
96% Instrumentalness • 20% Positiveness
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Shabason, Krgovich & Harris
At the side of the house
106 bpm • F Maj • 04:28 • -23.12db
18% Popularity • 35% Danceability • 11% Energy • 8% Liveness
81% Instrumentalness • 19% Positiveness
18% Popularity • 35% Danceability • 11% Energy • 8% Liveness
81% Instrumentalness • 19% Positiveness
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Meitei
Sentō - Pt. 2
106 bpm • C min • 03:00 • -16db
33% Popularity • 42% Danceability • 30% Energy • 38% Liveness
93% Instrumentalness • 55% Positiveness
33% Popularity • 42% Danceability • 30% Energy • 38% Liveness
93% Instrumentalness • 55% Positiveness
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Josiah Steinbrick
House Tears
106 bpm • B min • 02:08 • -16db
40% Popularity • 76% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
40% Popularity • 76% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
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one-four
I - it happens, occurs, befalls, comes t...
117 bpm • G# min • 02:59 • -9.59db
8% Popularity • 22% Danceability • 43% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
8% Popularity • 22% Danceability • 43% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Fuubutsushi
Fuubutsushi
105 bpm • C Maj • 05:37 • -12.52db
16% Popularity • 38% Danceability • 31% Energy • 15% Liveness
13% Instrumentalness • 16% Positiveness
16% Popularity • 38% Danceability • 31% Energy • 15% Liveness
13% Instrumentalness • 16% Positiveness
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Pedro Ricardo
A Marcha Que o Monte Parou - Radio Edit
117 bpm • G Maj • 04:31 • -16.48db
14% Popularity • 50% Danceability • 51% Energy • 12% Liveness
83% Instrumentalness • 40% Positiveness
14% Popularity • 50% Danceability • 51% Energy • 12% Liveness
83% Instrumentalness • 40% Positiveness
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Daniel Aged
Fruit 28
117 bpm • F# min • 02:56 • -16.26db
8% Popularity • 71% Danceability • 46% Energy • 9% Liveness
52% Instrumentalness • 51% Positiveness
8% Popularity • 71% Danceability • 46% Energy • 9% Liveness
52% Instrumentalness • 51% Positiveness
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Balmorhea
Range
117 bpm • E min • 01:43 • -16.29db
35% Popularity • 37% Danceability • 18% Energy • 11% Liveness
45% Instrumentalness • 18% Positiveness
35% Popularity • 37% Danceability • 18% Energy • 11% Liveness
45% Instrumentalness • 18% Positiveness
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Josiah Steinbrick
Blue Age
118 bpm • A# Maj • 01:16 • -23.4db
49% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
49% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
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Alice Coltrane
Turiya
104 bpm • C min • 04:17 • -19.95db
29% Popularity • 34% Danceability • 30% Energy • 12% Liveness
26% Instrumentalness • 45% Positiveness
29% Popularity • 34% Danceability • 30% Energy • 12% Liveness
26% Instrumentalness • 45% Positiveness
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Nosaj Thing
Grasp
118 bpm • D min • 02:37 • -16.93db
20% Popularity • 42% Danceability • 15% Energy • 9% Liveness
10% Instrumentalness • 12% Positiveness
20% Popularity • 42% Danceability • 15% Energy • 9% Liveness
10% Instrumentalness • 12% Positiveness
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Maria Chiara Argirò
Kōsetsu
104 bpm • A min • 04:41 • -15.67db
9% Popularity • 38% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
9% Popularity • 38% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Wilson Tanner
Tray Tail
104 bpm • A min • 02:02 • -31.43db
29% Popularity • 40% Danceability • 2% Energy • 5% Liveness
61% Instrumentalness • 22% Positiveness
29% Popularity • 40% Danceability • 2% Energy • 5% Liveness
61% Instrumentalness • 22% Positiveness
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Lemon Quartet
Limping Through the Garden
104 bpm • C min • 05:43 • -17db
9% Popularity • 26% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
9% Popularity • 26% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Sam Wilkes
Welcome
103 bpm • B Maj • 02:36 • -12.73db
28% Popularity • 18% Danceability • 38% Energy • 28% Liveness
99% Instrumentalness • 18% Positiveness
28% Popularity • 18% Danceability • 38% Energy • 28% Liveness
99% Instrumentalness • 18% Positiveness
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Angel Bat Dawid
Destination (Dr. Yusef Lateef)
103 bpm • G# Maj • 02:22 • -16.03db
28% Popularity • 25% Danceability • 11% Energy • 11% Liveness
25% Instrumentalness • 6% Positiveness
28% Popularity • 25% Danceability • 11% Energy • 11% Liveness
25% Instrumentalness • 6% Positiveness
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Nala Sinephro
Space 4
119 bpm • G# min • 06:19 • -14.29db
36% Popularity • 42% Danceability • 25% Energy • 14% Liveness
78% Instrumentalness • 8% Positiveness
36% Popularity • 42% Danceability • 25% Energy • 14% Liveness
78% Instrumentalness • 8% Positiveness
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Sam Gendel
Misty
103 bpm • E min • 03:53 • -20.39db
12% Popularity • 40% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 15% Positiveness
12% Popularity • 40% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 15% Positiveness
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Robohands
Last Summer
120 bpm • C min • 01:28 • -22.18db
33% Popularity • 40% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 23% Positiveness
33% Popularity • 40% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 23% Positiveness
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Masahiro Takahashi
Silky Lake
120 bpm • F Maj • 03:44 • -18.85db
23% Popularity • 31% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 31% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Salami Rose Joe Louis
A Thermogenic Interlude
120 bpm • C Maj • 01:38 • -14db
23% Popularity • 83% Danceability • 35% Energy • 9% Liveness
95% Instrumentalness • 84% Positiveness
23% Popularity • 83% Danceability • 35% Energy • 9% Liveness
95% Instrumentalness • 84% Positiveness
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Iceblink
Cellphone in the Bath
120 bpm • A# Maj • 03:09 • -14.59db
14% Popularity • 92% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
14% Popularity • 92% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
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Colloboh
Acid Sunrise
120 bpm • B min • 05:37 • -14.23db
15% Popularity • 56% Danceability • 58% Energy • 16% Liveness
85% Instrumentalness • 19% Positiveness
15% Popularity • 56% Danceability • 58% Energy • 16% Liveness
85% Instrumentalness • 19% Positiveness
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Nora Stanley
Peaches
120 bpm • B min • 02:18 • -20.25db
33% Popularity • 76% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 59% Positiveness
33% Popularity • 76% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 59% Positiveness
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John Carroll Kirby
Arroyo Seco
120 bpm • F min • 04:48 • -14.38db
16% Popularity • 87% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 64% Positiveness
16% Popularity • 87% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 64% Positiveness
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Andrew Wasylyk
Fugitive Light Restless Water
120 bpm • F min • 03:33 • -11.55db
19% Popularity • 29% Danceability • 38% Energy • 16% Liveness
51% Instrumentalness • 49% Positiveness
19% Popularity • 29% Danceability • 38% Energy • 16% Liveness
51% Instrumentalness • 49% Positiveness
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Duffy x Uhlmann
In the Spirit of Fair Play
120 bpm • F Maj • 01:30 • -10.92db
33% Popularity • 59% Danceability • 74% Energy • 11% Liveness
97% Instrumentalness • 54% Positiveness
33% Popularity • 59% Danceability • 74% Energy • 11% Liveness
97% Instrumentalness • 54% Positiveness
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Fabiano do Nascimento
Kewere
102 bpm • A min • 04:03 • -16.39db
32% Popularity • 44% Danceability • 29% Energy • 12% Liveness
79% Instrumentalness • 50% Positiveness
32% Popularity • 44% Danceability • 29% Energy • 12% Liveness
79% Instrumentalness • 50% Positiveness
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Slow Attack Ensemble
Form and F a d e
102 bpm • B min • 03:55 • -13db
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
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Felbm
Heisei
120 bpm • A Maj • 02:36 • -12.56db
18% Popularity • 77% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 94% Positiveness
18% Popularity • 77% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 94% Positiveness
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Robohands
One Dimensional Man
121 bpm • D Maj • 02:33 • -27.64db
21% Popularity • 64% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
21% Popularity • 64% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
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Apifera
Pulse 420
121 bpm • D Maj • 04:24 • -14.7db
8% Popularity • 28% Danceability • 24% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 24% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Salamanda
Melting Hazard
102 bpm • D# min • 05:06 • -14db
23% Popularity • 70% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
23% Popularity • 70% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Oren Ambarchi
Hubris, Pt. 2
121 bpm • A# Maj • 01:55 • -20.9db
31% Popularity • 74% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 63% Positiveness
31% Popularity • 74% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 63% Positiveness
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Sam Gendel
Toridasuki (鳥襷, interlaced circles o...
121 bpm • A# Maj • 03:02 • -10.48db
21% Popularity • 44% Danceability • 60% Energy • 12% Liveness
81% Instrumentalness • 53% Positiveness
21% Popularity • 44% Danceability • 60% Energy • 12% Liveness
81% Instrumentalness • 53% Positiveness
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Slow Attack Ensemble
Rivers Turn to Waterfalls
101 bpm • C# min • 05:52 • -16.13db
28% Popularity • 33% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
28% Popularity • 33% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
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Kamaal Williams
Little River
121 bpm • G min • 04:04 • -14.33db
29% Popularity • 32% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
29% Popularity • 32% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Alabaster DePlume
Turpentine
101 bpm • F# min • 02:26 • -13db
25% Popularity • 32% Danceability • 23% Energy • 9% Liveness
53% Instrumentalness • 48% Positiveness
25% Popularity • 32% Danceability • 23% Energy • 9% Liveness
53% Instrumentalness • 48% Positiveness
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Koma Saxo
Watten Koma
101 bpm • F Maj • 02:15 • -11.32db
30% Popularity • 48% Danceability • 44% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
30% Popularity • 48% Danceability • 44% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
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Domenique Dumont
Ono mambo haiku
101 bpm • G min • 03:15 • -11db
41% Popularity • 83% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 92% Positiveness
41% Popularity • 83% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 92% Positiveness
