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Eternal Rhythm, Pt. 1
Songs like
Eternal Rhythm, Pt. 1
by
Don Cherry
Based on a tempo of (+/- 10%) and a similar genre
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Dave Holland Quartet
Q & A
140 bpm • C Maj • 08:37 • -18db
13% Popularity • 52% Danceability • 36% Energy • 19% Liveness
10% Instrumentalness • 39% Positiveness
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Don Cherry
Eternal Rhythm, Pt. 1
140 bpm • A Maj • 17:49 • -16.54db
9% Popularity • 34% Danceability • 30% Energy • 47% Liveness
68% Instrumentalness • 24% Positiveness
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Jon Appleton
BAO
140 bpm • C min • 09:42 • -16.35db
1% Popularity • 48% Danceability • 45% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
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Marion Brown
Maimoun
141 bpm • C Maj • 07:33 • -10.91db
14% Popularity • 41% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 27% Positiveness
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Matthew Shipp Trio
Tangible
139 bpm • C Maj • 01:46 • -19db
23% Popularity • 34% Danceability • 42% Energy • 10% Liveness
79% Instrumentalness • 57% Positiveness
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The Lounge Lizards
Demented
140 bpm • C Maj • 02:06 • -12.97db
12% Popularity • 46% Danceability • 44% Energy • 11% Liveness
78% Instrumentalness • 86% Positiveness
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Dollar Brand
チェリー
139 bpm • D# Maj • 12:12 • -9.75db
6% Popularity • 41% Danceability • 59% Energy • 30% Liveness
86% Instrumentalness • 54% Positiveness
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Andrew Hill
New Monastery - Rudy Van Gelder Edition/...
141 bpm • F# Maj • 07:05 • -9.5db
27% Popularity • 47% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Pete La Roca
Majoun
141 bpm • G Maj • 03:44 • -12.96db
8% Popularity • 24% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
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Roland Kirk Quartet
Rip, Rig And Panic
141 bpm • A min • 06:56 • -17.01db
13% Popularity • 34% Danceability • 46% Energy • 25% Liveness
2% Instrumentalness • 49% Positiveness
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Jon Hassell
Adios Saturn
141 bpm • E min • 01:57 • -22.45db
10% Popularity • 51% Danceability • 42% Energy • 14% Liveness
38% Instrumentalness • 22% Positiveness
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The Lounge Lizards
A Paper Bag and the Sun
141 bpm • C Maj • 07:42 • -14.57db
16% Popularity • 32% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
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Michael White
The Land Of Spirit And Light (Part 1)
141 bpm • B Maj • 02:43 • -13.73db
15% Popularity • 46% Danceability • 51% Energy • 15% Liveness
57% Instrumentalness • 89% Positiveness
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Weather Report
Unknown Soldiers
142 bpm • C Maj • 07:57 • -14.24db
14% Popularity • 26% Danceability • 57% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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Jack Bruce
Part One (Number Six)
142 bpm • A# Maj • 04:59 • -11.79db
2% Popularity • 36% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Matana Roberts
Rise
138 bpm • C min • 07:27 • -9.7db
9% Popularity • 29% Danceability • 35% Energy • 27% Liveness
50% Instrumentalness • 16% Positiveness
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Don Cherry
Roland Alphonso
142 bpm • C min • 03:19 • -23db
9% Popularity • 64% Danceability • 21% Energy • 4% Liveness
0% Instrumentalness • 18% Positiveness
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The Lounge Lizards
She Drove Me Mad
142 bpm • G min • 04:21 • -12.34db
12% Popularity • 43% Danceability • 34% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Dollar Brand
ワヤ・ワ・エゴリ
143 bpm • F Maj • 03:20 • -11db
6% Popularity • 45% Danceability • 57% Energy • 67% Liveness
77% Instrumentalness • 74% Positiveness
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Sun Ra & His Arkestra
Moonship Journey
137 bpm • F Maj • 06:13 • -19.94db
9% Popularity • 55% Danceability • 23% Energy • 12% Liveness
14% Instrumentalness • 73% Positiveness
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Jan Garbarek Quartet
Afric Pepperbird
137 bpm • C Maj • 07:58 • -15.86db
13% Popularity • 47% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Jon Appleton
ABO
137 bpm • G Maj • 10:55 • -17.98db
1% Popularity • 47% Danceability • 14% Energy • 12% Liveness
13% Instrumentalness • 5% Positiveness
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Don Cherry
Chenrezig
143 bpm • F Maj • 12:48 • -12.9db
20% Popularity • 30% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 35% Positiveness
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The Lounge Lizards
Ballad
143 bpm • B Maj • 03:25 • -18.08db
12% Popularity • 43% Danceability • 22% Energy • 33% Liveness
15% Instrumentalness • 20% Positiveness
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Andrew Hill
Pumpkin
137 bpm • G min • 05:23 • -15db
15% Popularity • 45% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Charlie Haden
Mopti - Live
143 bpm • G Maj • 05:29 • -17.34db
2% Popularity • 46% Danceability • 40% Energy • 37% Liveness
28% Instrumentalness • 21% Positiveness
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Codona
Like That Of Sky
136 bpm • D Maj • 11:07 • -15.55db
12% Popularity • 40% Danceability • 39% Energy • 10% Liveness
12% Instrumentalness • 10% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 4 : Prince Will...
137 bpm • E Maj • 05:57 • -14.64db
7% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Pete La Roca
Turkish Women at the Bath
136 bpm • C min • 05:47 • -13.61db
13% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Wadada Leo Smith
Uprising
136 bpm • E min • 04:41 • -11db
11% Popularity • 44% Danceability • 66% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
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Joe Harriott
Ballad For Goa
136 bpm • A Maj • 07:43 • -16.18db
9% Popularity • 40% Danceability • 15% Energy • 8% Liveness
20% Instrumentalness • 6% Positiveness
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Charlie Haden
Song For Chè
144 bpm • D Maj • 09:29 • -16.4db
12% Popularity • 35% Danceability • 38% Energy • 12% Liveness
44% Instrumentalness • 20% Positiveness
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Don Cherry
Medley: Journey of Milarepa / Shanti / E...
144 bpm • A min • 10:12 • -8db
10% Popularity • 42% Danceability • 80% Energy • 14% Liveness
70% Instrumentalness • 62% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 5
136 bpm • B min • 04:58 • -17.12db
8% Popularity • 41% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Jaimie Branch
birds of paradise
136 bpm • G# Maj • 03:57 • -21.69db
16% Popularity • 50% Danceability • 32% Energy • 63% Liveness
88% Instrumentalness • 26% Positiveness
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Cecil Taylor
Rick Kick Shaw
136 bpm • D Maj • 06:05 • -17db
8% Popularity • 40% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 47% Positiveness
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Anthony Braxton
6-77AR-36K (Opus 23B)
145 bpm • G min • 08:51 • -11.26db
22% Popularity • 49% Danceability • 52% Energy • 79% Liveness
62% Instrumentalness • 77% Positiveness
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Dollar Brand
スワジ
144 bpm • A# Maj • 01:37 • -9db
24% Popularity • 34% Danceability • 52% Energy • 59% Liveness
74% Instrumentalness • 56% Positiveness
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John Surman
Beyond A Shadow
145 bpm • G Maj • 06:14 • -19.63db
7% Popularity • 31% Danceability • 14% Energy • 48% Liveness
90% Instrumentalness • 4% Positiveness
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Sam Rivers
Euterpe
145 bpm • A min • 11:46 • -16db
7% Popularity • 50% Danceability • 25% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
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Don Cherry
Piano / Trumpet
135 bpm • E min • 02:27 • -23.26db
10% Popularity • 56% Danceability • 1% Energy • 13% Liveness
67% Instrumentalness • 59% Positiveness
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Human Feel
Improve
146 bpm • F# min • 04:39 • -6.89db
10% Popularity • 23% Danceability • 98% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Albert Ayler
Ghosts: Second Variation
135 bpm • A Maj • 10:03 • -8.36db
11% Popularity • 35% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Jon Appleton
BOA
134 bpm • F# min • 13:11 • -21.98db
4% Popularity • 44% Danceability • 40% Energy • 12% Liveness
15% Instrumentalness • 5% Positiveness
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Cecil Taylor
Enter, Evening
134 bpm • F# min • 10:11 • -17.31db
10% Popularity • 36% Danceability • 21% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
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Sam Rivers
Luminous Monolith
146 bpm • D min • 06:31 • -13db
14% Popularity • 44% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Charlie Haden
Silence
134 bpm • F min • 05:49 • -17.7db
14% Popularity • 20% Danceability • 2% Energy • 5% Liveness
92% Instrumentalness • 3% Positiveness
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Don Cherry
Sidhartha
134 bpm • C Maj • 01:58 • -25.17db
17% Popularity • 35% Danceability • 15% Energy • 14% Liveness
27% Instrumentalness • 58% Positiveness
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Calvin Keys
B. E.
134 bpm • E min • 07:23 • -15.79db
11% Popularity • 43% Danceability • 40% Energy • 21% Liveness
89% Instrumentalness • 52% Positiveness
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Jon Hassell
Earthquake Island
134 bpm • A min • 10:19 • -21.52db
7% Popularity • 36% Danceability • 29% Energy • 26% Liveness
41% Instrumentalness • 9% Positiveness
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Steve Lacy
Something To Live For
134 bpm • G# Maj • 05:48 • -19.61db
11% Popularity • 45% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
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Anthony Braxton
30-EGN (Opus 37)
133 bpm • F# Maj • 08:17 • -16.04db
7% Popularity • 65% Danceability • 11% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Mandingo Griot Society
Mamamaneh
133 bpm • G# Maj • 05:41 • -13.77db
2% Popularity • 54% Danceability • 42% Energy • 11% Liveness
42% Instrumentalness • 55% Positiveness
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Andrew Hill
Refuge - Rudy Van Gelder Edition/1999 Re...
148 bpm • F min • 12:16 • -10db
19% Popularity • 44% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Old And New Dreams
Chairman Mao
132 bpm • C# Maj • 07:39 • -19.98db
5% Popularity • 48% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 49% Positiveness
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Marion Brown
Eleven Light City - Pt. 2
148 bpm • A# min • 02:10 • -33.13db
16% Popularity • 24% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Steve Lacy
Who Knows
147 bpm • F min • 05:26 • -17.9db
10% Popularity • 45% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Art Ensemble Of Chicago
Ja
148 bpm • D# Maj • 08:39 • -14.59db
14% Popularity • 40% Danceability • 32% Energy • 37% Liveness
17% Instrumentalness • 47% Positiveness
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Pete La Roca
And So I
148 bpm • D# Maj • 01:28 • -13db
29% Popularity • 44% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 56% Positiveness
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Don Cherry
Prayer
132 bpm • G min • 04:55 • -25.88db
2% Popularity • 37% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
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Weather Report
Second Sunday In August
149 bpm • C# Maj • 04:09 • -17.42db
15% Popularity • 30% Danceability • 38% Energy • 24% Liveness
72% Instrumentalness • 17% Positiveness
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Peter Brötzmann
Sparrow Nights
132 bpm • B Maj • 04:00 • -10.4db
7% Popularity • 41% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
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Steve Lacy
Let's Cool One
133 bpm • G# Maj • 06:42 • -18db
12% Popularity • 48% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Joe Mcphee
Scorpio's Dance
149 bpm • C min • 08:42 • -12.38db
9% Popularity • 28% Danceability • 64% Energy • 97% Liveness
11% Instrumentalness • 16% Positiveness
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Grachan Moncur III
Thandiwa - Remastered
131 bpm • D Maj • 08:21 • -12.73db
8% Popularity • 56% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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John Surman
Filigree
149 bpm • G min • 03:40 • -19db
10% Popularity • 42% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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James Blood Ulmer
Timeless
149 bpm • F# min • 04:22 • -14.51db
9% Popularity • 51% Danceability • 78% Energy • 11% Liveness
59% Instrumentalness • 64% Positiveness
► Preview
Enrico Rava
Dimenticare Stanca
131 bpm • C min • 09:02 • -14.54db
8% Popularity • 38% Danceability • 38% Energy • 22% Liveness
66% Instrumentalness • 17% Positiveness
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Mary Halvorson
Side Effect
130 bpm • A Maj • 06:47 • -10.91db
12% Popularity • 50% Danceability • 44% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
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Gary Burton Quartet
Death Rolls
131 bpm • F# Maj • 01:35 • -23.67db
10% Popularity • 39% Danceability • 23% Energy • 15% Liveness
86% Instrumentalness • 33% Positiveness
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Oregon
Naiads
151 bpm • A min • 02:02 • -26.47db
11% Popularity • 17% Danceability • 16% Energy • 16% Liveness
97% Instrumentalness • 38% Positiveness
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Michael White
Spirit Dance
130 bpm • F Maj • 03:17 • -13.83db
13% Popularity • 48% Danceability • 37% Energy • 11% Liveness
53% Instrumentalness • 47% Positiveness
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Carla Bley
Oh Say Can You Do?
130 bpm • A Maj • 01:08 • -21.06db
7% Popularity • 39% Danceability • 9% Energy • 11% Liveness
20% Instrumentalness • 36% Positiveness
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Don Cherry
Togo
152 bpm • B min • 05:36 • -24.77db
11% Popularity • 43% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 50% Positiveness
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Anthony Braxton
To Composer John Cage
129 bpm • G# Maj • 09:30 • -10.35db
12% Popularity • 42% Danceability • 43% Energy • 31% Liveness
62% Instrumentalness • 75% Positiveness
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Roland Kirk Quartet
No Tonic Press
129 bpm • C min • 04:31 • -18db
16% Popularity • 43% Danceability • 45% Energy • 13% Liveness
1% Instrumentalness • 59% Positiveness
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Codona
Lullaby
129 bpm • D Maj • 03:40 • -22.86db
9% Popularity • 34% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Andrew Hill
Flight 19
152 bpm • F min • 04:18 • -12.15db
18% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Joe Zawinul
Double Image
129 bpm • D# min • 10:32 • -19.27db
10% Popularity • 29% Danceability • 34% Energy • 11% Liveness
18% Instrumentalness • 21% Positiveness
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Don Cherry
Orbit Of La-Ba
129 bpm • E min • 07:24 • -21.44db
6% Popularity • 41% Danceability • 19% Energy • 29% Liveness
89% Instrumentalness • 32% Positiveness
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Sonny Sharrock
Dance with Me Montana
128 bpm • G Maj • 10:09 • -14.33db
7% Popularity • 50% Danceability • 51% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
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Mary Halvorson
892 Teeth
128 bpm • D Maj • 05:50 • -10.18db
9% Popularity • 35% Danceability • 45% Energy • 11% Liveness
55% Instrumentalness • 9% Positiveness
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Cecil Taylor
Steps
128 bpm • C# min • 10:20 • -12.83db
19% Popularity • 37% Danceability • 66% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
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Jon Hassell
Viva Shona
128 bpm • A min • 07:05 • -13.02db
19% Popularity • 39% Danceability • 38% Energy • 8% Liveness
81% Instrumentalness • 19% Positiveness
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Andrew Hill
Subterfuge
153 bpm • C Maj • 08:02 • -16.51db
6% Popularity • 39% Danceability • 42% Energy • 16% Liveness
12% Instrumentalness • 44% Positiveness
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Don Cherry
One Dance
152 bpm • A# Maj • 04:44 • -13.28db
11% Popularity • 31% Danceability • 38% Energy • 13% Liveness
46% Instrumentalness • 7% Positiveness
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Charlie Haden
The Ballad Of The Fallen (Folk Song From...
127 bpm • E min • 04:19 • -14.65db
25% Popularity • 66% Danceability • 32% Energy • 32% Liveness
13% Instrumentalness • 48% Positiveness
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Jack DeJohnette
Four Levels Of Joy
128 bpm • A# Maj • 03:12 • -20.87db
33% Popularity • 44% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 81% Positiveness
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Art Ensemble Of Chicago
Folkus
154 bpm • E min • 10:59 • -20.74db
7% Popularity • 35% Danceability • 23% Energy • 11% Liveness
14% Instrumentalness • 8% Positiveness
► Preview
The Lounge Lizards
Queen of All Ears
127 bpm • C# Maj • 05:25 • -9.45db
14% Popularity • 57% Danceability • 84% Energy • 14% Liveness
88% Instrumentalness • 54% Positiveness
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Mary Halvorson
Amaryllis
127 bpm • D Maj • 05:55 • -9.58db
15% Popularity • 33% Danceability • 71% Energy • 10% Liveness
79% Instrumentalness • 51% Positiveness
► Preview
Don Cherry
Degi-Degi
153 bpm • G Maj • 07:06 • -10.34db
22% Popularity • 27% Danceability • 62% Energy • 9% Liveness
52% Instrumentalness • 83% Positiveness
► Preview
Jan Garbarek Quartet
Blow Away Zone
127 bpm • G Maj • 08:38 • -13.75db
11% Popularity • 43% Danceability • 70% Energy • 15% Liveness
29% Instrumentalness • 43% Positiveness
► Preview
Marion Brown
Sweet Earth Flying - Pt. 1
127 bpm • A Maj • 03:40 • -24db
25% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
Art Ensemble Of Chicago
Charlie M
127 bpm • A# min • 09:17 • -15db
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
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Joe Farrell
Collage for Polly
126 bpm • C Maj • 02:30 • -30.85db
17% Popularity • 41% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 6% Positiveness
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Henry Cow
Half Alseep: Half Awake
126 bpm • E Maj • 07:59 • -14.06db
13% Popularity • 44% Danceability • 49% Energy • 13% Liveness
65% Instrumentalness • 26% Positiveness
► Preview
Don Cherry
Street Dancing
128 bpm • F min • 02:22 • -23.15db
10% Popularity • 57% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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Old And New Dreams
Next To The Quiet Stream
156 bpm • B min • 06:48 • -11.64db
2% Popularity • 44% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Herbie Hancock
You'll Know When You Get There
126 bpm • E min • 10:14 • -15.31db
20% Popularity • 36% Danceability • 25% Energy • 8% Liveness
71% Instrumentalness • 11% Positiveness
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Eternal Rhythm, Pt. 1