Songs like Eternal Source Of Light Divine by Alfred Deller
Based on a tempo of (+/- 10%) and a similar genre
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Maurizio Cazzati
Ciaccona, Op. 23
95 bpm • C# Maj • 03:07 • -18db
16% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
16% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
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Johann Sebastian Bach
O Jesu Christ, mein Lebens Licht, BWV 11...
95 bpm • A# Maj • 04:55 • -20.44db
10% Popularity • 16% Danceability • 14% Energy • 11% Liveness
74% Instrumentalness • 6% Positiveness
10% Popularity • 16% Danceability • 14% Energy • 11% Liveness
74% Instrumentalness • 6% Positiveness
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Alessandro Scarlatti
San Casimiro, re di Polonia: Al serto le...
95 bpm • A Maj • 02:58 • -25db
14% Popularity • 37% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 37% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Giuseppe Torelli
Trumpet Concerto in D Major, G. 28: I. A...
95 bpm • G# Maj • 02:07 • -13db
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
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Robert Johnson
Where the bee sucks (The Tempest) - 1995...
96 bpm • B Maj • 01:14 • -18.88db
0% Popularity • 56% Danceability • 5% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 56% Danceability • 5% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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![King Arthur: [1.1] Overture [1.2] Air [1.3] Overture cover art](https://i.scdn.co/image/ab67616d00001e02aba6524f54e363a102f44950)
Henry Purcell
King Arthur: [1.1] Overture [1.2] Air [1...
96 bpm • C# Maj • 05:17 • -17db
4% Popularity • 35% Danceability • 13% Energy • 7% Liveness
81% Instrumentalness • 19% Positiveness
4% Popularity • 35% Danceability • 13% Energy • 7% Liveness
81% Instrumentalness • 19% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue Sc�...
94 bpm • F# Maj • 03:24 • -23.56db
15% Popularity • 32% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 32% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Alfred Deller
To Shorten Winter's Sadness
94 bpm • C# Maj • 02:04 • -17.46db
3% Popularity • 45% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 45% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Marc-Antoine Charpentier
Te Deum: IV. Pleni sunt caeli
96 bpm • C# Maj • 02:07 • -12.82db
11% Popularity • 29% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
11% Popularity • 29% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
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Jean-Baptiste Lully
Armide: Act II Scene 5: Enfin il est en ...
94 bpm • D min • 04:40 • -23.76db
8% Popularity • 34% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
94 bpm • F min • 01:15 • -25.85db
28% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
28% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
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Henry Purcell
Come, Ye Sons of Art Away, Z. 323: 3. So...
94 bpm • D Maj • 02:40 • -23.51db
2% Popularity • 54% Danceability • 5% Energy • 56% Liveness
0% Instrumentalness • 49% Positiveness
2% Popularity • 54% Danceability • 5% Energy • 56% Liveness
0% Instrumentalness • 49% Positiveness
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Michelangelo Falvetti
Il diluvio universale, Act IV "In l’ar...
96 bpm • F# min • 03:00 • -19.17db
14% Popularity • 50% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
14% Popularity • 50% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
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Alfred Deller
My Beloved Spake: I. Symphony (Slow)
96 bpm • F Maj • 01:03 • -19.37db
1% Popularity • 22% Danceability • 18% Energy • 58% Liveness
88% Instrumentalness • 42% Positiveness
1% Popularity • 22% Danceability • 18% Energy • 58% Liveness
88% Instrumentalness • 42% Positiveness
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William Christie
Purcell : King Arthur : Act 2 "Shepherd,...
94 bpm • F min • 01:54 • -27db
26% Popularity • 56% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 56% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: III. "Te aeternum Patre...
97 bpm • C# Maj • 03:59 • -17db
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
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Claudio Monteverdi
Zefiro torna
97 bpm • C# Maj • 06:22 • -18db
10% Popularity • 34% Danceability • 23% Energy • 15% Liveness
32% Instrumentalness • 8% Positiveness
10% Popularity • 34% Danceability • 23% Energy • 15% Liveness
32% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
In dulci jubilo, BuxWV52
96 bpm • F Maj • 08:37 • -23.71db
9% Popularity • 21% Danceability • 7% Energy • 12% Liveness
25% Instrumentalness • 17% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 12% Liveness
25% Instrumentalness • 17% Positiveness
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John Dowland
Galliard: Can she excuse
93 bpm • D min • 01:40 • -22.73db
0% Popularity • 43% Danceability • 6% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
0% Popularity • 43% Danceability • 6% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
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Alfred Deller
Come Ye Sons of Art: III. Sound the Trum...
94 bpm • D Maj • 02:40 • -16.03db
4% Popularity • 58% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 58% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Tarquinio Merula
Canzoni overo sonate concertate per chie...
93 bpm • C Maj • 02:44 • -18db
21% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
35% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Bach, JS: Mass in F Major, BWV 233: Glor...
97 bpm • E Maj • 05:33 • -18.7db
8% Popularity • 43% Danceability • 37% Energy • 10% Liveness
13% Instrumentalness • 49% Positiveness
8% Popularity • 43% Danceability • 37% Energy • 10% Liveness
13% Instrumentalness • 49% Positiveness
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John Dowland
Lachrimae Antiquae from Lachrimae, or Se...
97 bpm • G min • 04:17 • -30db
15% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: X. "In te Domine sperav...
97 bpm • C# Maj • 02:34 • -16.03db
17% Popularity • 45% Danceability • 33% Energy • 8% Liveness
26% Instrumentalness • 74% Positiveness
17% Popularity • 45% Danceability • 33% Energy • 8% Liveness
26% Instrumentalness • 74% Positiveness
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George Frideric Handel
Laudate Pueri (Psalm 112): Laudate Pueri...
93 bpm • C# Maj • 03:23 • -25.12db
26% Popularity • 40% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 40% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Jean-Baptiste Lully
Isis Opera In 5 Acts With Prologue / Pro...
93 bpm • B Maj • 01:55 • -10db
16% Popularity • 47% Danceability • 32% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 47% Danceability • 32% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Jean-Philippe Rameau
Rameau: Castor et Pollux: "Tristes appr�...
93 bpm • D Maj • 05:05 • -24db
15% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Simone Kermes
Giulio Cesare, HWV 17: Act III - "Piange...
97 bpm • D# Maj • 07:02 • -20.72db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Lobet den Herrn, alle Heiden, BWV 230
93 bpm • B Maj • 06:18 • -21.54db
24% Popularity • 22% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 22% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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John Dowland
Weepe you no more, sad fountaines
93 bpm • F# min • 04:09 • -30.98db
8% Popularity • 33% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 33% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Henry Purcell
King Arthur: [5.1] 1 Shepherd: "How bles...
97 bpm • F# Maj • 09:57 • -21.24db
2% Popularity • 33% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 33% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Marc-Antoine Charpentier
A la venue de noël
92 bpm • C# min • 01:00 • -22.24db
25% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
25% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
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Francesco Cavalli
Delizie contente
92 bpm • F min • 03:02 • -24db
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
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Francesco Nicola Fago
Fago: Il Faraone sommerso: "Alla gente a...
92 bpm • E Maj • 04:45 • -21db
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: VIII. Aria "De to...
92 bpm • A# min • 02:57 • -31.08db
9% Popularity • 24% Danceability • 1% Energy • 13% Liveness
1% Instrumentalness • 12% Positiveness
9% Popularity • 24% Danceability • 1% Energy • 13% Liveness
1% Instrumentalness • 12% Positiveness
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Alfred Deller
Secrecie's Song
92 bpm • D min • 02:03 • -18.16db
3% Popularity • 41% Danceability • 6% Energy • 10% Liveness
34% Instrumentalness • 37% Positiveness
3% Popularity • 41% Danceability • 6% Energy • 10% Liveness
34% Instrumentalness • 37% Positiveness
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Jacopo Peri
Euridice, Prologo - La Tragedia: Io che ...
98 bpm • F Maj • 06:04 • -31db
10% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
24% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
24% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Johann Philipp Krieger
Die ausgesöhnte Eifersucht oder Cephalu...
98 bpm • C# Maj • 08:37 • -20.86db
18% Popularity • 27% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
18% Popularity • 27% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Desmond Dupré
Skye Boat Song - Remastered 2023
92 bpm • E Maj • 01:35 • -18.75db
2% Popularity • 41% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
2% Popularity • 41% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: De torrente in vi...
98 bpm • D# min • 02:49 • -32.07db
20% Popularity • 32% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 32% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Henry Purcell
The Indian Queen, Z. 630: "I attempt fro...
98 bpm • D Maj • 02:03 • -13db
11% Popularity • 40% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 40% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Jean-Baptiste Lully
Alcidiane: Ouverture
98 bpm • F# min • 01:37 • -26db
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
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Marc-Antoine Charpentier
Marche de triomphe, H. 547/1
99 bpm • C Maj • 01:50 • -18db
21% Popularity • 54% Danceability • 37% Energy • 21% Liveness
97% Instrumentalness • 49% Positiveness
21% Popularity • 54% Danceability • 37% Energy • 21% Liveness
97% Instrumentalness • 49% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, favola in musica, S...
91 bpm • A# min • 05:53 • -25.78db
13% Popularity • 28% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 28% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Alfred Deller
George Frideric Handel: Theodora-Oratori...
91 bpm • F min • 05:16 • -19.36db
2% Popularity • 18% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 18% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 9% Positiveness
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Johann David Heinichen
III. Un poco Allegro
99 bpm • E Maj • 02:23 • -35db
26% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
26% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
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Francesco Cavalli
Cavalli: Il Xerse, Act 1: "Ombra mai fu"...
91 bpm • F Maj • 03:19 • -18db
19% Popularity • 32% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 32% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": V. A...
91 bpm • F# min • 01:32 • -19db
29% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
29% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Kyrie, RV 587: Kyrie eleison
91 bpm • F# min • 02:07 • -19.62db
20% Popularity • 20% Danceability • 16% Energy • 14% Liveness
5% Instrumentalness • 22% Positiveness
20% Popularity • 20% Danceability • 16% Energy • 14% Liveness
5% Instrumentalness • 22% Positiveness
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Claudio Monteverdi
L'Orfeo / Prologo: Ritornello - Dal mio ...
91 bpm • E min • 05:44 • -22.04db
10% Popularity • 26% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 26% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 10% Positiveness
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Philippe Jaroussky
O quam suavis (Mottetti a voce sola da d...
91 bpm • F Maj • 04:36 • -20db
14% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Alfred Deller
George Frideric Handel: Rinaldo-Opera (1...
99 bpm • D# Maj • 04:40 • -19.77db
1% Popularity • 25% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 25% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Desmond Dupré
Song of the Wedding - Remastered 2023
91 bpm • C Maj • 01:35 • -18.24db
1% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
1% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Acte III, Scène 4: Prélu...
100 bpm • F# min • 07:31 • -28.28db
12% Popularity • 22% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Lobet den Herrn, alle Heiden, BWV 230
100 bpm • B Maj • 06:12 • -17.43db
10% Popularity • 27% Danceability • 47% Energy • 15% Liveness
72% Instrumentalness • 28% Positiveness
10% Popularity • 27% Danceability • 47% Energy • 15% Liveness
72% Instrumentalness • 28% Positiveness
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Le Concert Des Nations
Quatrième Concert: Forlane. Rondeau - G...
100 bpm • D Maj • 02:49 • -16.26db
18% Popularity • 59% Danceability • 23% Energy • 10% Liveness
51% Instrumentalness • 78% Positiveness
18% Popularity • 59% Danceability • 23% Energy • 10% Liveness
51% Instrumentalness • 78% Positiveness
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Heinrich Schütz
Concert: "Saul, Saul, was verfolgst du m...
100 bpm • A min • 03:21 • -22db
10% Popularity • 25% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 25% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: Tecum principium:...
90 bpm • G# min • 01:51 • -23.68db
29% Popularity • 30% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 30% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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John Dowland
In darkness let me dwell
90 bpm • G# Maj • 04:26 • -30.23db
8% Popularity • 30% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Anonymous
Dies irae (Gregorian Chant)
100 bpm • B Maj • 06:32 • -11.85db
20% Popularity • 28% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 28% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Erbarme dich
90 bpm • F# Maj • 06:31 • -23.89db
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
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Henry Purcell
King Arthur: Act V, sc.2: Venus: "Faires...
90 bpm • A Maj • 03:37 • -23.39db
1% Popularity • 24% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Agostino Steffani
Stabat Mater: Cuius animam gementem…. ...
90 bpm • D min • 02:01 • -15db
20% Popularity • 20% Danceability • 28% Energy • 14% Liveness
3% Instrumentalness • 7% Positiveness
20% Popularity • 20% Danceability • 28% Energy • 14% Liveness
3% Instrumentalness • 7% Positiveness
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Jean-Baptiste Lully
Isis, LWV 54, Prologue, Scène 1: "Publi...
100 bpm • A# Maj • 01:19 • -14db
8% Popularity • 42% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 42% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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François Couperin
Couperin, F: Première leçon de ténèb...
101 bpm • C# Maj • 02:07 • -22db
14% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jacopo Peri
Euridice, Scena I: Per quel vago boschet...
101 bpm • G Maj • 09:46 • -28db
8% Popularity • 28% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 28% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Antoine Forqueray
Forqueray, A: Pièces de viole, Suite No...
101 bpm • G Maj • 04:40 • -24db
12% Popularity • 22% Danceability • 25% Energy • 24% Liveness
92% Instrumentalness • 40% Positiveness
12% Popularity • 22% Danceability • 25% Energy • 24% Liveness
92% Instrumentalness • 40% Positiveness
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Simone Kermes
Giulio Cesare, HWV 17: Act II - "V'adoro...
101 bpm • E Maj • 04:39 • -20db
10% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Claudio Monteverdi
Scherzi musicali, cioè arie, et madriga...
101 bpm • G Maj • 06:59 • -19.04db
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Henry Purcell
King Arthur: Act III, sc.2: Prelude. Cup...
89 bpm • B Maj • 01:43 • -22db
3% Popularity • 39% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
3% Popularity • 39% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: X. Susce...
101 bpm • A# min • 02:08 • -22.85db
15% Popularity • 21% Danceability • 7% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 7% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
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John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
27% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
27% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
89 bpm • G# min • 04:51 • -16.35db
14% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
89 bpm • F# Maj • 02:27 • -26db
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
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Desmond Dupré
Bendemeer’s Stream - Remastered 2023
102 bpm • E Maj • 01:08 • -24.02db
2% Popularity • 42% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 42% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Henry Purcell
Ode “Welcome to all pleasures
101 bpm • E min • 04:40 • -13.83db
7% Popularity • 32% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 32% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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John Weldon
The Nightingale
88 bpm • F# Maj • 01:36 • -19.44db
0% Popularity • 47% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 47% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Johann Sebastian Bach
Bist Du Bei Mir, BWV 508
102 bpm • D Maj • 02:50 • -21.31db
18% Popularity • 31% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 31% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Dietrich Buxtehude
Herr, wenn ich nur dich hab, BuxWV 38
88 bpm • G Maj • 03:40 • -22db
11% Popularity • 25% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 25% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Domenico Scarlatti
Salve Regina pour soprano, contre-ténor...
103 bpm • G# min • 02:07 • -27db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
103 bpm • C Maj • 03:19 • -16.65db
36% Popularity • 60% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 87% Positiveness
36% Popularity • 60% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 87% Positiveness
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Henry Purcell
Dido and Aeneas
88 bpm • C Maj • 01:45 • -17.46db
1% Popularity • 34% Danceability • 12% Energy • 70% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 34% Danceability • 12% Energy • 70% Liveness
0% Instrumentalness • 44% Positiveness
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John Dowland
Now, Oh Now I Needs Must Part
103 bpm • G Maj • 03:57 • -24db
9% Popularity • 36% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Singet dem Herrn ein neues Lied, BWV 225...
102 bpm • D Maj • 03:09 • -21.69db
17% Popularity • 44% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 44% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Benjamin Britten
A Midsummer Night's Dream / Act 1: "Well...
87 bpm • F min • 03:24 • -26.35db
6% Popularity • 26% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 26% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
"Marche de triomphe et Second air de tro...
87 bpm • C# Maj • 02:30 • -8db
15% Popularity • 53% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
15% Popularity • 53% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
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Alfred Deller
George Frideric Handel: Jephta-Oratorio ...
104 bpm • F Maj • 03:03 • -20.32db
2% Popularity • 27% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
2% Popularity • 27% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Henry Purcell
King Arthur: Act V, sc.2: [3.1] Trompet ...
102 bpm • B Maj • 03:26 • -19.68db
1% Popularity • 26% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 26% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Orlando Gibbons
Anthem: Almighty and Everlasting God. 4v...
87 bpm • G Maj • 02:47 • -23.37db
1% Popularity • 21% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 5% Positiveness
1% Popularity • 21% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Agnus Dei (Alt...
87 bpm • B min • 05:25 • -27.9db
24% Popularity • 11% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
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William Christie
Purcell : King Arthur : Act 4 "How happy...
104 bpm • F min • 07:15 • -26db
15% Popularity • 28% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 28% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Jean-Baptiste Lully
Plaude laetere: Symphonie
104 bpm • B Maj • 02:39 • -21db
12% Popularity • 41% Danceability • 14% Energy • 36% Liveness
5% Instrumentalness • 43% Positiveness
12% Popularity • 41% Danceability • 14% Energy • 36% Liveness
5% Instrumentalness • 43% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "Shake the clou...
103 bpm • C min • 01:12 • -21db
26% Popularity • 39% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 39% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Benjamin Britten
A Midsummer Night's Dream / Act 1: "Be I...
87 bpm • G Maj • 03:40 • -20.57db
6% Popularity • 36% Danceability • 17% Energy • 67% Liveness
0% Instrumentalness • 9% Positiveness
6% Popularity • 36% Danceability • 17% Energy • 67% Liveness
0% Instrumentalness • 9% Positiveness
