Songs like Études d'exécution transcendante, S. 139: No. 8 in C Minor "Wilde Jagd" by Franz Liszt
Based on a tempo of (+/- 10%) and a similar genre
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
94 bpm • E Maj • 02:54 • -24.67db
30% Popularity • 28% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
30% Popularity • 28% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Vladimir Ashkenazy
Piano Concerto No.2 in G Major, Op. 44: ...
94 bpm • D Maj • 09:34 • -18.61db
15% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Franz Liszt
Études d'exécution transcendante, S. 1...
94 bpm • F min • 05:37 • -21.69db
11% Popularity • 36% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
11% Popularity • 36% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Robert Schumann
Schumann: Kreisleriana, Op. 16: VIII. Sc...
94 bpm • G Maj • 03:54 • -25db
23% Popularity • 36% Danceability • 6% Energy • 17% Liveness
92% Instrumentalness • 39% Positiveness
23% Popularity • 36% Danceability • 6% Energy • 17% Liveness
92% Instrumentalness • 39% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
I. Allegro con brio - Remastered
94 bpm • C min • 06:02 • -15db
23% Popularity • 32% Danceability • 39% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
23% Popularity • 32% Danceability • 39% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
40% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
40% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
95 bpm • C Maj • 01:06 • -26db
55% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
55% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
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Franz Liszt
12 Etudes d'execution transcendante, S13...
94 bpm • A# min • 05:16 • -22db
34% Popularity • 30% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
34% Popularity • 30% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a, TH 135: No. 6, Jun...
95 bpm • G min • 04:47 • -29.3db
17% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
17% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75, CD 82: IV. Pas...
95 bpm • F# min • 03:43 • -31.14db
30% Popularity • 39% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
30% Popularity • 39% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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John Field
Nocturne No. 17 in C Major, H.61
95 bpm • C Maj • 03:52 • -24.55db
17% Popularity • 46% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
17% Popularity • 46% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
93 bpm • C min • 07:57 • -19.46db
13% Popularity • 26% Danceability • 14% Energy • 28% Liveness
9% Instrumentalness • 12% Positiveness
13% Popularity • 26% Danceability • 14% Energy • 28% Liveness
9% Instrumentalness • 12% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Franz Liszt
Wagner - Tannhäuser: Pilgrim's Chorus, ...
95 bpm • E Maj • 05:21 • -22db
26% Popularity • 39% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
26% Popularity • 39% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Concerto No. 24 in C Minor...
95 bpm • D# Maj • 07:52 • -37.64db
20% Popularity • 19% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 9% Positiveness
20% Popularity • 19% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 9% Positiveness
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Edvard Grieg
Grieg: Lyric Pieces, Book 1, Op. 12: No....
95 bpm • G min • 01:20 • -38.87db
35% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
35% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Antonín Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: I. Berceuse. Allegr...
95 bpm • E Maj • 02:27 • -28.12db
22% Popularity • 16% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
22% Popularity • 16% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Franz Liszt
Grandes Études de Paganini, S. 141: No....
93 bpm • G# min • 04:51 • -22.03db
38% Popularity • 27% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 42% Positiveness
38% Popularity • 27% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 42% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
96 bpm • G min • 02:53 • -20.22db
35% Popularity • 42% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 34% Positiveness
35% Popularity • 42% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 34% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Piano concerto No. 2 in G Minor, Op. 22:...
92 bpm • D# Maj • 05:52 • -29.92db
11% Popularity • 33% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
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Johannes Brahms
Sonata for Viola and Piano No. 2 in E fl...
96 bpm • B Maj • 05:30 • -21.47db
11% Popularity • 28% Danceability • 6% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
11% Popularity • 28% Danceability • 6% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
92 bpm • D Maj • 04:28 • -31db
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
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Maria João Pires
Sonata No. 16 in B Flat Major, II. Adagi...
96 bpm • D# Maj • 06:17 • -30.17db
32% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
32% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Franz Liszt
Grandes études de Paganini, S.141: No. ...
96 bpm • G# min • 04:42 • -20.55db
32% Popularity • 30% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
32% Popularity • 30% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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John Field
Kamarinskaya (Air russe varie)
92 bpm • A# Maj • 03:05 • -28db
31% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
31% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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György Cziffra
Transcription on Hungarian Dance No. 5
97 bpm • C# min • 03:33 • -17db
17% Popularity • 38% Danceability • 25% Energy • 11% Liveness
74% Instrumentalness • 50% Positiveness
17% Popularity • 38% Danceability • 25% Energy • 11% Liveness
74% Instrumentalness • 50% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
91 bpm • D# Maj • 08:11 • -22.97db
23% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
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Franz Liszt
Hungarian Rhapsody No. 12 in C sharp min...
91 bpm • C# Maj • 09:57 • -19.55db
26% Popularity • 37% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
26% Popularity • 37% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
91 bpm • G min • 02:47 • -23.25db
31% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
31% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Franz Schubert
Moments musicaux, Op.94 D.780: III. Alle...
91 bpm • F min • 01:54 • -25.28db
31% Popularity • 37% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
31% Popularity • 37% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
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Claude Debussy
Children's Corner, L. 113: VI. Golliwogg...
97 bpm • F min • 03:11 • -21.77db
21% Popularity • 46% Danceability • 8% Energy • 17% Liveness
93% Instrumentalness • 31% Positiveness
21% Popularity • 46% Danceability • 8% Energy • 17% Liveness
93% Instrumentalness • 31% Positiveness
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Sergei Rachmaninoff
Morceaux de fantaisie, Op. 3: 5 Morceaux...
91 bpm • A Maj • 04:24 • -19db
35% Popularity • 42% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 42% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
II. Allemande
91 bpm • A# Maj • 03:31 • -27.87db
30% Popularity • 28% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 46% Positiveness
30% Popularity • 28% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 46% Positiveness
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Gabriel Fauré
Tristesse, Op. 6, No. 2
97 bpm • F min • 02:47 • -24db
29% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 24 in ...
91 bpm • A min • 04:45 • -22.68db
18% Popularity • 39% Danceability • 9% Energy • 29% Liveness
25% Instrumentalness • 32% Positiveness
18% Popularity • 39% Danceability • 9% Energy • 29% Liveness
25% Instrumentalness • 32% Positiveness
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Benjamin Frith
Nocturne No. 18 In E Major, 'Midi'
97 bpm • E Maj • 06:14 • -30db
19% Popularity • 33% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
19% Popularity • 33% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
97 bpm • D Maj • 03:08 • -24db
36% Popularity • 38% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
36% Popularity • 38% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
98 bpm • G Maj • 06:59 • -16.74db
15% Popularity • 40% Danceability • 21% Energy • 7% Liveness
11% Instrumentalness • 50% Positiveness
15% Popularity • 40% Danceability • 21% Energy • 7% Liveness
11% Instrumentalness • 50% Positiveness
► Preview
Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Franz Liszt
Liszt: Piano Concerto No. 2 in A Major, ...
98 bpm • A Maj • 01:37 • -14.84db
36% Popularity • 36% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 31% Positiveness
36% Popularity • 36% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 31% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40 (Arr. F. Liszt, V....
90 bpm • D# Maj • 08:44 • -21.99db
30% Popularity • 30% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Partita No. 1 in B-Flat Major, BWV 825: ...
98 bpm • A# Maj • 01:47 • -25.87db
38% Popularity • 35% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 63% Positiveness
38% Popularity • 35% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 63% Positiveness
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Ignaz Friedman
Toccata & Fugue in D Minor, BWV 565 (Tra...
98 bpm • D min • 05:16 • -20.66db
19% Popularity • 30% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
19% Popularity • 30% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
42% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Étienne Nicolas Méhul
Symphony No. 1 in G Minor: I. Allegro
90 bpm • G min • 06:20 • -18.56db
8% Popularity • 30% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
8% Popularity • 30% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
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Jascha Heifetz
Triakontameron: No. 11. Alt-Wien (arr. f...
90 bpm • G Maj • 02:15 • -20.23db
14% Popularity • 25% Danceability • 11% Energy • 24% Liveness
1% Instrumentalness • 24% Positiveness
14% Popularity • 25% Danceability • 11% Energy • 24% Liveness
1% Instrumentalness • 24% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 4 in D-Flat ...
99 bpm • C# Maj • 03:14 • -30.07db
26% Popularity • 48% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
26% Popularity • 48% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Claude Debussy
Symphony in B Minor (arr. T. Finno for o...
99 bpm • C Maj • 04:10 • -18.62db
29% Popularity • 19% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
29% Popularity • 19% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
42% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
► Preview
Amy Beach
Piano Concerto in C-Sharp Minor, Op. 45:...
99 bpm • A Maj • 05:53 • -23db
10% Popularity • 36% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
10% Popularity • 36% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
► Preview
Johannes Brahms
Violin Concerto in D Major, Op. 77: III....
89 bpm • G Maj • 08:07 • -21.86db
15% Popularity • 36% Danceability • 16% Energy • 23% Liveness
75% Instrumentalness • 36% Positiveness
15% Popularity • 36% Danceability • 16% Energy • 23% Liveness
75% Instrumentalness • 36% Positiveness
► Preview
Clara Schumann
Three Romances for Violin & Piano, Op. 2...
89 bpm • G Maj • 04:01 • -21.42db
12% Popularity • 14% Danceability • 13% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
12% Popularity • 14% Danceability • 13% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
► Preview
Elena Kuschnerova
Sonata No.2 in D Minor, Op.12: IV. Vivac...
89 bpm • D min • 04:50 • -20.69db
13% Popularity • 36% Danceability • 19% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
13% Popularity • 36% Danceability • 19% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
► Preview
Fritz Kreisler
Caprice viennois
89 bpm • B Maj • 03:56 • -20.65db
29% Popularity • 28% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
29% Popularity • 28% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Piano Concerto No. 25 in C Major...
89 bpm • C Maj • 09:00 • -22.56db
17% Popularity • 30% Danceability • 11% Energy • 6% Liveness
91% Instrumentalness • 39% Positiveness
17% Popularity • 30% Danceability • 11% Energy • 6% Liveness
91% Instrumentalness • 39% Positiveness
► Preview
Sergei Rachmaninoff
Morceaux de fantaisie, Op. 3: No. 2. Pre...
89 bpm • F# min • 04:47 • -20.42db
26% Popularity • 43% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
26% Popularity • 43% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Mikhail Glinka
Tarantella in A Minor
100 bpm • A min • 01:01 • -23.54db
45% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
45% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
► Preview
Wilhelm Stenhammar
String Quartet No. 2 in C Minor, Op. 14:...
88 bpm • F min • 07:03 • -19.12db
12% Popularity • 11% Danceability • 10% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 10% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
8 Humoresques, Op. 101, B. 187: No. 1. V...
88 bpm • D# min • 02:05 • -14.74db
13% Popularity • 47% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 39% Positiveness
13% Popularity • 47% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 39% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
33% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Chanson triste, Op. 40: No. 2
101 bpm • G min • 02:58 • -33db
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Anton Rubinstein
Piano Concerto No. 4 in D Minor, Op. 70:...
101 bpm • F Maj • 10:46 • -25.09db
9% Popularity • 23% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Liszt
12 Lieder von Franz Schubert, S. 558: No...
101 bpm • G# min • 03:50 • -25.51db
12% Popularity • 24% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
12% Popularity • 24% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72, B. 147: No. 2, ...
101 bpm • C Maj • 05:58 • -17.38db
19% Popularity • 19% Danceability • 17% Energy • 36% Liveness
83% Instrumentalness • 11% Positiveness
19% Popularity • 19% Danceability • 17% Energy • 36% Liveness
83% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Prelude & Fughetta in G Major, BWV 902: ...
101 bpm • D Maj • 03:26 • -24.97db
43% Popularity • 38% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 80% Positiveness
43% Popularity • 38% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 80% Positiveness
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Arthur Rubinstein
El Albaicin from Iberia
87 bpm • A# min • 07:03 • -22db
9% Popularity • 36% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
9% Popularity • 36% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Allegro appassionato, Op. ...
101 bpm • D Maj • 05:49 • -24db
20% Popularity • 27% Danceability • 11% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
20% Popularity • 27% Danceability • 11% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in G Major, Wq. 44: II...
87 bpm • E min • 03:18 • -27db
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
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César Franck
Sonata in A Major: I. Allegretto ben mod...
87 bpm • A Maj • 06:42 • -22db
7% Popularity • 20% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Prelude & Fugue in C Major (Well-Tempere...
102 bpm • C Maj • 01:26 • -29.53db
38% Popularity • 29% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
38% Popularity • 29% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
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Leoš Janáček
On An Overgrown Path (Po zarostlém chod...
87 bpm • G# min • 02:08 • -25.02db
11% Popularity • 24% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Sonate pour basson avec accompagnement p...
87 bpm • G Maj • 02:42 • -26db
10% Popularity • 14% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
10% Popularity • 14% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Franz Liszt
Hungarian Rhapsody No. 2 in C Sharp Mino...
102 bpm • C# Maj • 09:14 • -19db
32% Popularity • 38% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 38% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Alfred Brendel
Konzert Für 2 Klaviere Und Orchester Nr...
86 bpm • D# Maj • 07:02 • -20.82db
10% Popularity • 40% Danceability • 14% Energy • 5% Liveness
89% Instrumentalness • 28% Positiveness
10% Popularity • 40% Danceability • 14% Energy • 5% Liveness
89% Instrumentalness • 28% Positiveness
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Gioachino Rossini
La Danza (Tarantella napoletana) (Arr. L...
86 bpm • F Maj • 04:09 • -18db
13% Popularity • 27% Danceability • 26% Energy • 14% Liveness
86% Instrumentalness • 27% Positiveness
13% Popularity • 27% Danceability • 26% Energy • 14% Liveness
86% Instrumentalness • 27% Positiveness
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Sergei Prokofiev
Piano Sonata No. 7 in B-Flat Major, Op. ...
102 bpm • F min • 03:11 • -19.85db
8% Popularity • 36% Danceability • 39% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
8% Popularity • 36% Danceability • 39% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 3, Andan...
103 bpm • B min • 07:27 • -31.32db
22% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
22% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Frederick Delius
Legende
86 bpm • G# Maj • 08:15 • -24db
14% Popularity • 17% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: IV. Passepied ...
86 bpm • F# min • 04:03 • -27db
26% Popularity • 36% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
26% Popularity • 36% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
34% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
34% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74, TH 30...
85 bpm • D Maj • 08:06 • -23db
17% Popularity • 12% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
17% Popularity • 12% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
