Songs like Euphonic Moods - Romantic Waltz by Nick Ost
Based on a tempo of (+/- 10%) and a similar genre
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Erik Satie
Gymnopédie No. 3 (Orch. Debussy)
81 bpm • A min • 02:50 • -40.05db
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Marco Pierobon
Legato, 3
81 bpm • A Maj • 04:10 • -11.89db
8% Popularity • 69% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 47% Positiveness
8% Popularity • 69% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 47% Positiveness
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Dario Marianelli
Last Frozen Stand
81 bpm • F min • 04:11 • -16.22db
18% Popularity • 10% Danceability • 39% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 39% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Frank Michael Beyer
Griechenland: I. Mosso e rubato. Sempre ...
81 bpm • D Maj • 06:00 • -19.89db
7% Popularity • 20% Danceability • 16% Energy • 42% Liveness
86% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 16% Energy • 42% Liveness
86% Instrumentalness • 4% Positiveness
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Marcel Barsotti
Americana
81 bpm • F Maj • 03:23 • -14.52db
11% Popularity • 23% Danceability • 36% Energy • 11% Liveness
80% Instrumentalness • 17% Positiveness
11% Popularity • 23% Danceability • 36% Energy • 11% Liveness
80% Instrumentalness • 17% Positiveness
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Nick Ost
Euphonic Moods - Romantic Waltz
81 bpm • G Maj • 04:30 • -26.23db
0% Popularity • 8% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
0% Popularity • 8% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Olivier Messiaen
Turangalîla-Symphony: VIII. Développem...
81 bpm • G# min • 10:44 • -17.01db
8% Popularity • 24% Danceability • 34% Energy • 9% Liveness
50% Instrumentalness • 5% Positiveness
8% Popularity • 24% Danceability • 34% Energy • 9% Liveness
50% Instrumentalness • 5% Positiveness
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Heitor Villa-Lobos
Cello Concerto No. 1, Op. 50, W095: III....
81 bpm • C Maj • 06:40 • -22.8db
12% Popularity • 20% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 17% Positiveness
12% Popularity • 20% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 17% Positiveness
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Super Sound Studio
Glistening Grimoires
81 bpm • F# Maj • 01:51 • -17.36db
17% Popularity • 8% Danceability • 23% Energy • 21% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 23% Energy • 21% Liveness
78% Instrumentalness • 4% Positiveness
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John Dowland
Lachrimae Coactae Pavan
81 bpm • A min • 03:36 • -21.27db
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
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Giuseppe Verdi
Otello, Act IV: Ave Maria, piena di graz...
81 bpm • G# Maj • 02:59 • -30.14db
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Jules Massenet
Esclarmonde: Pastorale
81 bpm • F Maj • 01:36 • -21.88db
10% Popularity • 25% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
10% Popularity • 25% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
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Jean Sibelius
Rakastava, Op. 14: III. Good Evening!......
81 bpm • F Maj • 05:22 • -31.99db
11% Popularity • 10% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Theobald Boehm
Fantasia dall'Italia: "Nel cor più non ...
80 bpm • G Maj • 01:06 • -9.45db
13% Popularity • 57% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
13% Popularity • 57% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
80 bpm • G# min • 03:45 • -38.57db
7% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
7% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Natko Devcic
Natko Devčić: Istrian Suite: II. Leapi...
80 bpm • F min • 02:23 • -17.37db
13% Popularity • 44% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 44% Positiveness
13% Popularity • 44% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 44% Positiveness
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Todd Stalter
Ignition - Live
82 bpm • C min • 02:32 • -19.75db
1% Popularity • 37% Danceability • 25% Energy • 14% Liveness
86% Instrumentalness • 31% Positiveness
1% Popularity • 37% Danceability • 25% Energy • 14% Liveness
86% Instrumentalness • 31% Positiveness
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Frederick Delius
2 Pieces for Small Orchestra, RT VI/19: ...
80 bpm • E min • 07:08 • -24.12db
14% Popularity • 18% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Joyce Solomon Moorman
A Tone Poem for Victims of Racism and Ha...
80 bpm • A# min • 06:24 • -29.76db
13% Popularity • 14% Danceability • 4% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 4% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
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Paul Creston
Saxophone Concerto, Op. 26 (Version for ...
80 bpm • F# Maj • 07:28 • -27.36db
7% Popularity • 12% Danceability • 3% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 3% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
82 bpm • A Maj • 04:51 • -37.53db
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
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Jean Sibelius
Rakastava, Op. 14: I. The Lover. Andante...
82 bpm • F Maj • 03:53 • -29.83db
13% Popularity • 8% Danceability • 3% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 3% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Franz Strauss
Horn Concerto in C Minor, Op. 8: II. And...
80 bpm • G# Maj • 03:08 • -23.34db
11% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Peter Meechan
Fragile Oasis - Live
80 bpm • A# Maj • 15:04 • -19.39db
0% Popularity • 15% Danceability • 15% Energy • 70% Liveness
82% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 15% Energy • 70% Liveness
82% Instrumentalness • 4% Positiveness
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Ace Diamond Boy
Knees
80 bpm • G# Maj • 02:45 • -13.93db
8% Popularity • 20% Danceability • 32% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 32% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
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Oliver Knussen
The Sword in the Stone Suite (Arr. O. Kn...
80 bpm • A min • 01:06 • -16.63db
10% Popularity • 40% Danceability • 27% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
10% Popularity • 40% Danceability • 27% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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Helena Semanov
Passacaglia In F Major
82 bpm • C Maj • 02:20 • -38.24db
17% Popularity • 69% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
17% Popularity • 69% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
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Alberto Lizzio
Symphony Fantastique Op.14: Marche Au Su...
80 bpm • G min • 04:44 • -22.46db
11% Popularity • 34% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 33% Positiveness
11% Popularity • 34% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 33% Positiveness
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Sergei Prokofiev
Cinderella Suite, Op. 87: Act I: The Fat...
80 bpm • C Maj • 02:40 • -27.62db
7% Popularity • 34% Danceability • 14% Energy • 44% Liveness
80% Instrumentalness • 18% Positiveness
7% Popularity • 34% Danceability • 14% Energy • 44% Liveness
80% Instrumentalness • 18% Positiveness
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Juan Pablo Fernández Ramos
Afection
82 bpm • D min • 02:19 • -30.05db
11% Popularity • 8% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
11% Popularity • 8% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Erik Satie
Parade: VI. Final
82 bpm • D Maj • 02:25 • -17.17db
4% Popularity • 38% Danceability • 13% Energy • 17% Liveness
92% Instrumentalness • 15% Positiveness
4% Popularity • 38% Danceability • 13% Energy • 17% Liveness
92% Instrumentalness • 15% Positiveness
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Rafael Krux
Classical Turkish Dance
82 bpm • B min • 01:43 • -18.05db
8% Popularity • 61% Danceability • 24% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
8% Popularity • 61% Danceability • 24% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
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Sonic Piano Music
Twilight Lullaby
79 bpm • A min • 02:13 • -40.33db
12% Popularity • 7% Danceability • 0% Energy • 8% Liveness
99% Instrumentalness • 8% Positiveness
12% Popularity • 7% Danceability • 0% Energy • 8% Liveness
99% Instrumentalness • 8% Positiveness
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George Templeton Strong
Suite No. 3: "Le Livre d’Images": II. ...
79 bpm • A min • 05:03 • -25.74db
15% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Violin Concerto in D Minor "Accademico":...
83 bpm • F min • 07:18 • -28.86db
12% Popularity • 9% Danceability • 3% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 3% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
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Patrick Hahn
Adagio for Strings: II. Molto adagio - B...
79 bpm • A# min • 08:30 • -19.38db
30% Popularity • 11% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 11% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Lev Atovmyan
Ballet Suite No. 3 (arr. L. Atovmyan): G...
79 bpm • A# Maj • 03:07 • -14.18db
8% Popularity • 50% Danceability • 56% Energy • 5% Liveness
64% Instrumentalness • 68% Positiveness
8% Popularity • 50% Danceability • 56% Energy • 5% Liveness
64% Instrumentalness • 68% Positiveness
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D-Bastian
1. El Bosque de los Alebrijes. Cabeza
83 bpm • A min • 01:03 • -28.72db
16% Popularity • 13% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 3% Positiveness
16% Popularity • 13% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 3% Positiveness
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Benjamin Frankel
The Night Of The Iguana: Maxine And Shan...
83 bpm • A Maj • 01:24 • -24.06db
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
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Astor Piazzolla
Oblivion - Arr. for Pan Flute and Piano ...
79 bpm • C min • 03:57 • -18.13db
35% Popularity • 17% Danceability • 8% Energy • 7% Liveness
75% Instrumentalness • 5% Positiveness
35% Popularity • 17% Danceability • 8% Energy • 7% Liveness
75% Instrumentalness • 5% Positiveness
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Jim Parker
A Londoner in New York: I. Grand Central
83 bpm • A# min • 03:44 • -20.11db
7% Popularity • 44% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
7% Popularity • 44% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act II Scene 2: ...
79 bpm • G# Maj • 01:20 • -30.96db
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
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Nicholas Weininger
All Is Mere Breath: No. 1, Overture
79 bpm • F Maj • 02:02 • -16.95db
8% Popularity • 17% Danceability • 12% Energy • 42% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 12% Energy • 42% Liveness
84% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
83 bpm • C Maj • 01:48 • -21.85db
9% Popularity • 43% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
9% Popularity • 43% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
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Nick Ost
"De Kar"-Waltz
83 bpm • G# Maj • 04:14 • -19.87db
0% Popularity • 18% Danceability • 9% Energy • 30% Liveness
95% Instrumentalness • 14% Positiveness
0% Popularity • 18% Danceability • 9% Energy • 30% Liveness
95% Instrumentalness • 14% Positiveness
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Georges Garvarentz
Le canon, les animas (frontière Bolivie...
79 bpm • F# Maj • 01:25 • -23.15db
12% Popularity • 20% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
12% Popularity • 20% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
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Leó Weiner
Divertimento No. 2, Op. 24 "Magyar népi...
79 bpm • F# Maj • 01:42 • -22.56db
17% Popularity • 15% Danceability • 6% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
17% Popularity • 15% Danceability • 6% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act I Scene 1: I...
83 bpm • F# Maj • 01:18 • -24.86db
18% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Prélude à l’après-midi d�...
79 bpm • C# min • 08:42 • -22.58db
0% Popularity • 13% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Aaron Rabushka
Trombone Concerto: II. Andantino
79 bpm • G Maj • 04:21 • -27.35db
13% Popularity • 14% Danceability • 1% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 1% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
83 bpm • F Maj • 01:43 • -19.52db
8% Popularity • 26% Danceability • 6% Energy • 38% Liveness
93% Instrumentalness • 12% Positiveness
8% Popularity • 26% Danceability • 6% Energy • 38% Liveness
93% Instrumentalness • 12% Positiveness
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Henry Fillmore
Rolling Thunder (arr. M. Johnston)
79 bpm • C# Maj • 02:00 • -10.37db
7% Popularity • 38% Danceability • 63% Energy • 9% Liveness
56% Instrumentalness • 57% Positiveness
7% Popularity • 38% Danceability • 63% Energy • 9% Liveness
56% Instrumentalness • 57% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: III. ...
83 bpm • F# Maj • 06:16 • -25.49db
16% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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Dani Howard
Trombone Concerto: I. Realisation
79 bpm • D Maj • 06:20 • -20.91db
8% Popularity • 14% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Nick Ost
Fantasy for Euphonium
79 bpm • A# min • 07:13 • -21.53db
0% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
0% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Alexander von Zemlinsky
Humoreske
84 bpm • A# Maj • 04:28 • -25.43db
9% Popularity • 34% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
9% Popularity • 34% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: XI. Adagio (aft...
84 bpm • A Maj • 05:42 • -19.43db
10% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
10% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
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Gabriel Andrés Gallegos
La doña del hotel
84 bpm • E Maj • 02:07 • -22db
10% Popularity • 15% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
78 bpm • C Maj • 01:44 • -40db
12% Popularity • 21% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
12% Popularity • 21% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
► Preview
Eugène Ysaÿe
Violin Concerto in E Minor: II. Andante
84 bpm • B min • 07:49 • -29.9db
12% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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Brassology
Gracefully
84 bpm • F# Maj • 02:43 • -15.1db
9% Popularity • 32% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
9% Popularity • 32% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Christian Lindberg
Mandrake in the Corner: III Vivace III
78 bpm • A# Maj • 01:17 • -14.53db
12% Popularity • 38% Danceability • 80% Energy • 74% Liveness
73% Instrumentalness • 43% Positiveness
12% Popularity • 38% Danceability • 80% Energy • 74% Liveness
73% Instrumentalness • 43% Positiveness
► Preview
Marcel Barsotti
Über Wiesen und Felder
84 bpm • D Maj • 01:13 • -19.27db
22% Popularity • 11% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
22% Popularity • 11% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
► Preview
Juan Pablo Fernández Ramos
Tierra negra: 2. Ramses segundo
78 bpm • G min • 05:15 • -28.9db
10% Popularity • 20% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Gabriel Andrés Gallegos
El otoño sin fin
84 bpm • A# Maj • 03:55 • -23db
9% Popularity • 18% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Philip Sparke
Evolution
84 bpm • D# Maj • 10:57 • -19.77db
0% Popularity • 24% Danceability • 10% Energy • 4% Liveness
92% Instrumentalness • 29% Positiveness
0% Popularity • 24% Danceability • 10% Energy • 4% Liveness
92% Instrumentalness • 29% Positiveness
► Preview
Nick Ost
Concertino for Euphonium - Part II: Adag...
84 bpm • G Maj • 03:15 • -24.84db
0% Popularity • 8% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
0% Popularity • 8% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Ferdinand David
Trombone Concertino in E-flat Major, Op....
84 bpm • F min • 01:04 • -17.88db
14% Popularity • 36% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
14% Popularity • 36% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Marcel Barsotti
Across Fields and Meadows
84 bpm • D Maj • 01:13 • -19.27db
19% Popularity • 11% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
19% Popularity • 11% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
► Preview
Erich Kunzel
Finale From "The Color Purple"
78 bpm • A Maj • 04:04 • -29.25db
0% Popularity • 8% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
0% Popularity • 8% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Pini di Roma: II. Pini presso una cataco...
78 bpm • E min • 06:37 • -16.42db
8% Popularity • 10% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
蔡榮吉
世界名曲:秋夜吟
85 bpm • E Maj • 02:12 • -18.95db
9% Popularity • 16% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Igor Stravinsky
Suite No.1, K. 045: I. Andante. Crotchet...
77 bpm • B min • 01:23 • -28.62db
13% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
13% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Hptm Josef Gnos
Trombone Concerto Op. 114b - Adagio - Gu...
85 bpm • C min • 06:16 • -21.24db
9% Popularity • 9% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
United States Air Force Band
Symphonic Movement
85 bpm • F min • 06:48 • -19.3db
4% Popularity • 29% Danceability • 21% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
4% Popularity • 29% Danceability • 21% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Nick Ost
Regrets
77 bpm • D# Maj • 03:57 • -22.31db
0% Popularity • 11% Danceability • 7% Energy • 34% Liveness
96% Instrumentalness • 5% Positiveness
0% Popularity • 11% Danceability • 7% Energy • 34% Liveness
96% Instrumentalness • 5% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: I. Pavane ...
85 bpm • C Maj • 01:38 • -32.27db
5% Popularity • 23% Danceability • 2% Energy • 9% Liveness
42% Instrumentalness • 13% Positiveness
5% Popularity • 23% Danceability • 2% Energy • 9% Liveness
42% Instrumentalness • 13% Positiveness
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Sir Adrian Boult
Fourth Movement Moderato Maestoso
77 bpm • D Maj • 06:20 • -22db
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Paul Dukas
Fanfare La Peri: I
85 bpm • F# Maj • 01:05 • -13.16db
19% Popularity • 55% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 40% Positiveness
19% Popularity • 55% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 40% Positiveness
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Erik Satie
Gnossienne No. 2 (Orch. Corp)
77 bpm • D min • 01:51 • -41.19db
7% Popularity • 18% Danceability • 0% Energy • 8% Liveness
38% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 0% Energy • 8% Liveness
38% Instrumentalness • 4% Positiveness
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Tokyo Kosei Wind Orchestra
Fantasy Variations on a Theme by Niccolo...
77 bpm • G min • 00:56 • -16.74db
8% Popularity • 26% Danceability • 8% Energy • 43% Liveness
93% Instrumentalness • 19% Positiveness
8% Popularity • 26% Danceability • 8% Energy • 43% Liveness
93% Instrumentalness • 19% Positiveness
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Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
85 bpm • D# Maj • 08:52 • -22.42db
13% Popularity • 13% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
85 bpm • C min • 01:41 • -17.84db
14% Popularity • 26% Danceability • 3% Energy • 19% Liveness
92% Instrumentalness • 5% Positiveness
14% Popularity • 26% Danceability • 3% Energy • 19% Liveness
92% Instrumentalness • 5% Positiveness
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Maurice Ravel
Ma Mere l'Oye M.60: III. Laideronnette. ...
77 bpm • D# min • 03:29 • -25.14db
9% Popularity • 17% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
9% Popularity • 17% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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John Williams
Main Theme From "Close Encounters Of The...
85 bpm • B Maj • 06:00 • -22.18db
8% Popularity • 16% Danceability • 5% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 5% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
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Manuel Hilleke
Wink of Confidence (March for Orchestra)
85 bpm • A# Maj • 03:04 • -14.57db
8% Popularity • 16% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
8% Popularity • 16% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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RTÉ National Symphony Orchestra
Dr. Merryheart: VI. Variation 5: Merryhe...
85 bpm • F min • 00:59 • -39.52db
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Leonard Bernstein
Facsimile - Choreographic Essay for Orch...
86 bpm • C Maj • 09:46 • -19.55db
1% Popularity • 20% Danceability • 12% Energy • 22% Liveness
46% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 12% Energy • 22% Liveness
46% Instrumentalness • 4% Positiveness
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Armin Kofler
Start-Up - Live
86 bpm • F# Maj • 03:08 • -14.91db
1% Popularity • 43% Danceability • 41% Energy • 34% Liveness
94% Instrumentalness • 31% Positiveness
1% Popularity • 43% Danceability • 41% Energy • 34% Liveness
94% Instrumentalness • 31% Positiveness
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Magne Amdahl
Astrognosia: Interludium I
77 bpm • G# Maj • 01:04 • -36.79db
12% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
12% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
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Satoshi Yagisawa
Hymn to the sun with the beat of mother ...
76 bpm • F Maj • 09:57 • -20db
0% Popularity • 11% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 7% Positiveness
0% Popularity • 11% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 7% Positiveness
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Erich Kunzel
Toy Planes, Home And Hearth
86 bpm • A Maj • 03:20 • -23.06db
1% Popularity • 12% Danceability • 4% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 4% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
86 bpm • D min • 02:52 • -12.59db
0% Popularity • 26% Danceability • 44% Energy • 8% Liveness
74% Instrumentalness • 34% Positiveness
0% Popularity • 26% Danceability • 44% Energy • 8% Liveness
74% Instrumentalness • 34% Positiveness
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Erik Satie
Mercure: II. La nuit
86 bpm • D min • 01:07 • -35.47db
4% Popularity • 9% Danceability • 0% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
4% Popularity • 9% Danceability • 0% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
The Snow Maiden, Op. 12, Act II: No. 10,...
86 bpm • F# min • 05:11 • -31.63db
8% Popularity • 9% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Charles Koechlin
Les Heures persanes (Persian Hours), Op....
86 bpm • A# min • 02:50 • -35.51db
4% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
4% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le Jard...
87 bpm • C Maj • 03:30 • -17.31db
0% Popularity • 9% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
0% Popularity • 9% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
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Dario Marianelli
Paranormal Research Center
76 bpm • B Maj • 03:08 • -29.52db
22% Popularity • 8% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
22% Popularity • 8% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
