Songs like Euphonium Concerto (Version for Euphonium & Orchestra): II. Song Without Words by Edward Gregson
Based on a tempo of (+/- 10%) and a similar genre
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Claude Debussy
Suite bergamasque, L. 75 (Arr. for Orche...
90 bpm • F Maj • 04:17 • -20.71db
12% Popularity • 17% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
12% Popularity • 17% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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David Maslanka
A Child's Garden of Dreams, Book 1: I. T...
90 bpm • C Maj • 05:00 • -23db
11% Popularity • 15% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 3% Positiveness
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John Rutter
Suite Antique: IV. Waltz
90 bpm • G Maj • 03:06 • -25.94db
16% Popularity • 39% Danceability • 7% Energy • 17% Liveness
65% Instrumentalness • 18% Positiveness
16% Popularity • 39% Danceability • 7% Energy • 17% Liveness
65% Instrumentalness • 18% Positiveness
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Edward Gregson
Tuba Concerto (version for wind band): I...
90 bpm • D# min • 05:44 • -25.23db
0% Popularity • 10% Danceability • 0% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 0% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: V: Turkey Trot: Allegretto...
91 bpm • C Maj • 01:44 • -28.51db
33% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
33% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
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Hubert Parry
An English Suite: VI. Air
91 bpm • G Maj • 02:09 • -29db
29% Popularity • 20% Danceability • 3% Energy • 6% Liveness
75% Instrumentalness • 8% Positiveness
29% Popularity • 20% Danceability • 3% Energy • 6% Liveness
75% Instrumentalness • 8% Positiveness
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André Messager
Solo de concours
89 bpm • F min • 05:50 • -21db
16% Popularity • 25% Danceability • 6% Energy • 9% Liveness
74% Instrumentalness • 12% Positiveness
16% Popularity • 25% Danceability • 6% Energy • 9% Liveness
74% Instrumentalness • 12% Positiveness
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Edvard Grieg
Grieg: The Last Spring, Op. 34, No. 2
89 bpm • G Maj • 05:47 • -25db
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
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André Waignein
Rhapsody for Alto Saxophone: I. Moderato
91 bpm • G Maj • 06:00 • -14.15db
13% Popularity • 35% Danceability • 27% Energy • 16% Liveness
88% Instrumentalness • 8% Positiveness
13% Popularity • 35% Danceability • 27% Energy • 16% Liveness
88% Instrumentalness • 8% Positiveness
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Aaron Copland
Down a Country Lane
89 bpm • F Maj • 02:17 • -28db
19% Popularity • 15% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
19% Popularity • 15% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
89 bpm • A# Maj • 04:21 • -16.64db
10% Popularity • 39% Danceability • 29% Energy • 5% Liveness
96% Instrumentalness • 18% Positiveness
10% Popularity • 39% Danceability • 29% Energy • 5% Liveness
96% Instrumentalness • 18% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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David Maslanka
Symphony No. 7: III. Very fast
89 bpm • D Maj • 08:47 • -14.88db
12% Popularity • 35% Danceability • 38% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
12% Popularity • 35% Danceability • 38% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57, Tableau III: L...
88 bpm • E min • 05:31 • -30.31db
28% Popularity • 11% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
28% Popularity • 11% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
91 bpm • F min • 04:01 • -29.86db
24% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
24% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Leonard Bernstein
On the Town, Act 1: Lonely Town. Pas de ...
88 bpm • D Maj • 03:03 • -19.62db
18% Popularity • 9% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Launy Grøndahl
Trombone Concerto: II. Quasi una leggend...
88 bpm • A# min • 05:43 • -20.44db
14% Popularity • 10% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
92 bpm • G Maj • 10:13 • -18.16db
17% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
17% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
89 bpm • G min • 07:35 • -20.1db
10% Popularity • 41% Danceability • 25% Energy • 7% Liveness
73% Instrumentalness • 26% Positiveness
10% Popularity • 41% Danceability • 25% Energy • 7% Liveness
73% Instrumentalness • 26% Positiveness
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Claude Debussy
Printemps, L. 61: I. Très modéré
88 bpm • B Maj • 10:17 • -26db
20% Popularity • 14% Danceability • 4% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
20% Popularity • 14% Danceability • 4% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Oskar Böhme
Trumpet Concerto, Op. 18: I. Allegro mod...
88 bpm • E min • 08:07 • -18db
12% Popularity • 36% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
12% Popularity • 36% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
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Florence Beatrice Price
Symphony No. 4 in D Minor: II. Andante c...
93 bpm • A# Maj • 05:40 • -33db
11% Popularity • 11% Danceability • 1% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 1% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
93 bpm • A# Maj • 03:13 • -30.78db
16% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
40% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Claude Debussy
6 Épigraphes antiques, L. 131: I. Pour ...
93 bpm • D min • 02:43 • -32.38db
8% Popularity • 12% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 8% Positiveness
8% Popularity • 12% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
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Hans Rott
Suite in B-Flat Major, Nowak 34 (Excerpt...
93 bpm • A# Maj • 02:33 • -25.75db
21% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
21% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
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Edward Gregson
Concerto for Euphonium and Orchestra: II...
87 bpm • C min • 09:35 • -27.83db
3% Popularity • 9% Danceability • 1% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
3% Popularity • 9% Danceability • 1% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (arr. M. Hinds...
93 bpm • F Maj • 01:33 • -18db
21% Popularity • 26% Danceability • 4% Energy • 17% Liveness
89% Instrumentalness • 21% Positiveness
21% Popularity • 26% Danceability • 4% Energy • 17% Liveness
89% Instrumentalness • 21% Positiveness
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Francis Poulenc
Les animaux modèles Suite, FP 111: II. ...
86 bpm • E min • 01:29 • -15.62db
17% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
17% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
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Royal Shakespeare Company
Te Deum (Coronation)
93 bpm • A# Maj • 02:50 • -13.57db
0% Popularity • 37% Danceability • 30% Energy • 13% Liveness
10% Instrumentalness • 7% Positiveness
0% Popularity • 37% Danceability • 30% Energy • 13% Liveness
10% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Saint-Saëns / Arr. Nakariakov for Trump...
86 bpm • A min • 08:52 • -20.91db
14% Popularity • 36% Danceability • 22% Energy • 7% Liveness
92% Instrumentalness • 27% Positiveness
14% Popularity • 36% Danceability • 22% Energy • 7% Liveness
92% Instrumentalness • 27% Positiveness
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David Maslanka
Give Us This Day: I. —
86 bpm • A# Maj • 08:28 • -23db
26% Popularity • 9% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 3, Allegr...
86 bpm • G min • 04:16 • -28db
14% Popularity • 9% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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William Walton
2 Pieces for Strings from Henry V: No. 1...
86 bpm • E min • 03:07 • -30db
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Bert Appermont
Colors: II. Red
86 bpm • F Maj • 03:47 • -19db
16% Popularity • 31% Danceability • 26% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
16% Popularity • 31% Danceability • 26% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Paul Dukas
Fanfare from La Peri
95 bpm • F min • 02:24 • -16db
11% Popularity • 23% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
11% Popularity • 23% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Camille Saint-Saëns
Sonate, Op. 168: I. Allegretto moderato
85 bpm • G Maj • 02:43 • -27db
17% Popularity • 25% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 17% Positiveness
17% Popularity • 25% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 17% Positiveness
► Preview
Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Edward Gregson
Missa brevis pacem: Kyrie
85 bpm • B min • 05:10 • -23.26db
0% Popularity • 12% Danceability • 7% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
0% Popularity • 12% Danceability • 7% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
► Preview
Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
85 bpm • C Maj • 03:19 • -19.03db
11% Popularity • 25% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
11% Popularity • 25% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Percy Grainger
Shepherd's Hey! (Arr. for Clarinet Quart...
95 bpm • D# Maj • 02:06 • -15.09db
9% Popularity • 67% Danceability • 22% Energy • 70% Liveness
88% Instrumentalness • 75% Positiveness
9% Popularity • 67% Danceability • 22% Energy • 70% Liveness
88% Instrumentalness • 75% Positiveness
► Preview
Ralph Vaughan Williams
Tuba Concerto in F Minor: II. Romance
85 bpm • G Maj • 05:17 • -23db
9% Popularity • 9% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
9% Popularity • 9% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Felix Mendelssohn
Konzertstück op.113 for Basset Horn, Cl...
85 bpm • F Maj • 02:23 • -21.54db
15% Popularity • 52% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 71% Positiveness
15% Popularity • 52% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 71% Positiveness
► Preview
Ottorino Respighi
Pini di Roma, P. 141: I. I pini di Villa...
85 bpm • F Maj • 02:46 • -22db
23% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
23% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
39% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
39% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Victor Ewald
Quintet No. 1 in B-Flat Minor: II. Adagi...
84 bpm • F# Maj • 04:01 • -25db
12% Popularity • 19% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Percy Grainger
Harvest Hymn
84 bpm • D Maj • 03:41 • -19.07db
25% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Øystein Baadsvik
Bass Tuba Concerto in F Minor: II. Roman...
84 bpm • E min • 04:46 • -24.78db
8% Popularity • 8% Danceability • 6% Energy • 18% Liveness
92% Instrumentalness • 19% Positiveness
8% Popularity • 8% Danceability • 6% Energy • 18% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Ralph Vaughan Williams
Tuba Concerto in F Minor: II. Romanza
84 bpm • B min • 04:58 • -22db
16% Popularity • 11% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
16% Popularity • 11% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
► Preview
Ottorino Respighi
Ancient Airs & Dances, Suite No. 3, P. 1...
96 bpm • A# Maj • 02:49 • -23.61db
24% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
24% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
► Preview
Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
96 bpm • F# Maj • 02:58 • -23.64db
20% Popularity • 12% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
20% Popularity • 12% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Robert Schumann
3 Romanzen, Op. 94: II. Einfach, innig
97 bpm • A Maj • 03:58 • -20db
21% Popularity • 20% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
21% Popularity • 20% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
► Preview
Francis Poulenc
Organ Concerto in G Minor, FP 93: II. Al...
84 bpm • G Maj • 02:13 • -19.11db
14% Popularity • 27% Danceability • 14% Energy • 58% Liveness
92% Instrumentalness • 11% Positiveness
14% Popularity • 27% Danceability • 14% Energy • 58% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: III. Andantino qua...
97 bpm • G Maj • 10:39 • -24.66db
33% Popularity • 17% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 6% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
43% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Percy Grainger
Colonial Song (version for wind ensemble...
84 bpm • D# Maj • 06:09 • -21db
22% Popularity • 8% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Strauss
Vienna Philharmonic Fanfare
97 bpm • D# Maj • 02:31 • -14db
13% Popularity • 36% Danceability • 62% Energy • 67% Liveness
90% Instrumentalness • 29% Positiveness
13% Popularity • 36% Danceability • 62% Energy • 67% Liveness
90% Instrumentalness • 29% Positiveness
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Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
84 bpm • A# Maj • 05:29 • -29.52db
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
28% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
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George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
30% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
30% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Maurice Ravel
Le Tombeau de Couperin, M. 68: V. Menuet...
97 bpm • G Maj • 04:53 • -25.01db
12% Popularity • 19% Danceability • 4% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Festive Overture, Op.96
83 bpm • A Maj • 05:50 • -18.74db
26% Popularity • 26% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
26% Popularity • 26% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Henri Rabaud
Solo de concours, Op. 10
83 bpm • F Maj • 05:47 • -26db
18% Popularity • 19% Danceability • 3% Energy • 14% Liveness
73% Instrumentalness • 8% Positiveness
18% Popularity • 19% Danceability • 3% Energy • 14% Liveness
73% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
83 bpm • A# Maj • 02:07 • -20db
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
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Henry Purcell
Rondeau from Abdelazr - 2005 Digital Rem...
83 bpm • D min • 01:31 • -16db
15% Popularity • 38% Danceability • 16% Energy • 30% Liveness
90% Instrumentalness • 25% Positiveness
15% Popularity • 38% Danceability • 16% Energy • 30% Liveness
90% Instrumentalness • 25% Positiveness
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Cécile Chaminade
Chaminade: Flute Concertino, Op. 107
83 bpm • D Maj • 08:21 • -20db
24% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
24% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Aaron Copland
Clarinet Concerto: 1. Slowly And Express...
83 bpm • F Maj • 08:47 • -26.09db
15% Popularity • 17% Danceability • 1% Energy • 21% Liveness
36% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 21% Liveness
36% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird Suite (1919 Version): Infer...
83 bpm • E min • 03:56 • -13.05db
16% Popularity • 35% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
16% Popularity • 35% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
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Percy Grainger
Molly on the Shore
98 bpm • G# Maj • 04:06 • -24.04db
29% Popularity • 51% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
29% Popularity • 51% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
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Margaret Bonds
Montgomery Variations: Montgomery Variat...
82 bpm • D min • 01:41 • -22.95db
15% Popularity • 14% Danceability • 7% Energy • 21% Liveness
94% Instrumentalness • 27% Positiveness
15% Popularity • 14% Danceability • 7% Energy • 21% Liveness
94% Instrumentalness • 27% Positiveness
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Edward Gregson
Fanfare for P.L.
98 bpm • C Maj • 01:41 • -19.56db
0% Popularity • 31% Danceability • 12% Energy • 6% Liveness
97% Instrumentalness • 6% Positiveness
0% Popularity • 31% Danceability • 12% Energy • 6% Liveness
97% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Aaron Copland
Copland: Symphony No. 3: I. Molto modera...
82 bpm • A Maj • 10:08 • -18.97db
16% Popularity • 9% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
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George Walker
Lyric for Strings
99 bpm • F# Maj • 05:23 • -31.05db
24% Popularity • 13% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Le sacre du printemps / Pt. 1: L'Adorati...
82 bpm • G# min • 03:33 • -28.95db
21% Popularity • 10% Danceability • 3% Energy • 6% Liveness
68% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 3% Energy • 6% Liveness
68% Instrumentalness • 4% Positiveness
