Songs like Evensong For Advent: Nunc Dimittis In D by Stephen Cleobury
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Requiem, Op. 48, N. 97: Kyrie (Ed. Marc ...
77 bpm • D min • 03:54 • -23.97db
11% Popularity • 14% Danceability • 8% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
11% Popularity • 14% Danceability • 8% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
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Thomas Tallis
Lamentations of Jeremiah I
77 bpm • D min • 07:35 • -29.63db
15% Popularity • 7% Danceability • 7% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
15% Popularity • 7% Danceability • 7% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
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Karl Jenkins
Stabat mater: X. Ave Verum
77 bpm • B Maj • 04:34 • -20.87db
27% Popularity • 17% Danceability • 12% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 12% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 2: No....
77 bpm • D Maj • 02:49 • -19db
18% Popularity • 30% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 30% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Antonio Salieri
De profundis
77 bpm • F min • 03:03 • -17db
30% Popularity • 15% Danceability • 10% Energy • 10% Liveness
40% Instrumentalness • 14% Positiveness
30% Popularity • 15% Danceability • 10% Energy • 10% Liveness
40% Instrumentalness • 14% Positiveness
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Henry Purcell
Funeral Sentences for the death of Queen...
77 bpm • A# Maj • 02:12 • -27db
14% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus
77 bpm • D Maj • 02:44 • -25.05db
45% Popularity • 21% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Sanctus
77 bpm • G# Maj • 01:32 • -17.93db
31% Popularity • 18% Danceability • 12% Energy • 17% Liveness
44% Instrumentalness • 15% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 17% Liveness
44% Instrumentalness • 15% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Jesu, meine Freude, BWV 227: III. Choral...
77 bpm • D# min • 01:00 • -20.6db
28% Popularity • 32% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 32% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: XI. Inflammatus
78 bpm • A# Maj • 02:49 • -24db
34% Popularity • 31% Danceability • 7% Energy • 40% Liveness
1% Instrumentalness • 16% Positiveness
34% Popularity • 31% Danceability • 7% Energy • 40% Liveness
1% Instrumentalness • 16% Positiveness
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Karl Jenkins
Gloria: Laudamus te
78 bpm • D# Maj • 04:52 • -29db
19% Popularity • 11% Danceability • 5% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 5% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
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Gregorian Chant
Christmas hymn: Puer natus
78 bpm • G Maj • 01:48 • -24.53db
28% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Come Down, O Love Divi...
78 bpm • F Maj • 03:43 • -21.35db
26% Popularity • 11% Danceability • 18% Energy • 12% Liveness
24% Instrumentalness • 9% Positiveness
26% Popularity • 11% Danceability • 18% Energy • 12% Liveness
24% Instrumentalness • 9% Positiveness
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Gabriel Fauré
Messe basse: III. Benedictus
76 bpm • G# Maj • 02:28 • -30.88db
11% Popularity • 18% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Bob Chilcott
A Little Jazz Mass (version for mixed ch...
76 bpm • G# Maj • 01:31 • -23.32db
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
55% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: I. Priidit...
76 bpm • C Maj • 01:52 • -23.53db
21% Popularity • 14% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 14% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 1: No....
76 bpm • A# min • 00:37 • -19.02db
30% Popularity • 36% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 36% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Morten Lauridsen
Les Chansons des roses: No. 5. Dirait-on
76 bpm • C# Maj • 05:01 • -30db
28% Popularity • 7% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 7% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Bach, JS: Herz und Mund und Tat und Lebe...
78 bpm • F# Maj • 02:16 • -17.88db
17% Popularity • 28% Danceability • 17% Energy • 14% Liveness
83% Instrumentalness • 33% Positiveness
17% Popularity • 28% Danceability • 17% Energy • 14% Liveness
83% Instrumentalness • 33% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
78 bpm • E min • 05:06 • -24.7db
18% Popularity • 19% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste, WAB 23
78 bpm • C Maj • 02:43 • -30db
20% Popularity • 11% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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William Byrd
Mass for five voices: V. Agnus Dei
78 bpm • D# Maj • 03:37 • -24.41db
16% Popularity • 18% Danceability • 6% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 6% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: Sanctus (Ed. Mar...
76 bpm • D# Maj • 03:09 • -22.58db
12% Popularity • 9% Danceability • 9% Energy • 14% Liveness
20% Instrumentalness • 3% Positiveness
12% Popularity • 9% Danceability • 9% Energy • 14% Liveness
20% Instrumentalness • 3% Positiveness
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Michael Haydn
Requiem in C Minor, MH 559: Kyrie
78 bpm • C min • 03:50 • -19.87db
13% Popularity • 16% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
13% Popularity • 16% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244, Erster Teil:...
76 bpm • D# min • 04:33 • -19.06db
40% Popularity • 19% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 19% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
75 bpm • E Maj • 03:04 • -23.31db
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: V. Pie Jesu (1961 Versio...
79 bpm • G# Maj • 03:17 • -28.72db
18% Popularity • 15% Danceability • 3% Energy • 18% Liveness
10% Instrumentalness • 3% Positiveness
18% Popularity • 15% Danceability • 3% Energy • 18% Liveness
10% Instrumentalness • 3% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Anton Bruckner
Vexilla regis, WAB 51
75 bpm • F Maj • 04:59 • -28.35db
13% Popularity • 12% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 2: No....
76 bpm • B min • 05:23 • -18.36db
21% Popularity • 22% Danceability • 15% Energy • 15% Liveness
76% Instrumentalness • 11% Positiveness
21% Popularity • 22% Danceability • 15% Energy • 15% Liveness
76% Instrumentalness • 11% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pectus....
79 bpm • C Maj • 02:53 • -23db
15% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Thomas Tallis
If Ye Love Me
79 bpm • F Maj • 02:28 • -34.11db
31% Popularity • 16% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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William Henry Monk
Abide With Me (Eventide)
75 bpm • D# Maj • 04:37 • -28.53db
31% Popularity • 7% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 5% Positiveness
31% Popularity • 7% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 5% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IV. Quae moerabat
75 bpm • D# Maj • 02:49 • -25db
38% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
38% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Antonio Vivaldi
Gloria: Domine Fili unigenite
79 bpm • E Maj • 02:02 • -20db
32% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
32% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
78 bpm • E min • 05:09 • -20.06db
31% Popularity • 10% Danceability • 20% Energy • 14% Liveness
79% Instrumentalness • 14% Positiveness
31% Popularity • 10% Danceability • 20% Energy • 14% Liveness
79% Instrumentalness • 14% Positiveness
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George Frideric Handel
Organ Concertos, Op. 4, Concerto No. 6 i...
79 bpm • A Maj • 07:14 • -36db
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
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Karl Jenkins
Gloria: I'll Make Music
79 bpm • G# Maj • 04:39 • -22db
27% Popularity • 16% Danceability • 12% Energy • 7% Liveness
4% Instrumentalness • 7% Positiveness
27% Popularity • 16% Danceability • 12% Energy • 7% Liveness
4% Instrumentalness • 7% Positiveness
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Thomas Morley
Nolo mortem peccatoris
79 bpm • F min • 03:12 • -26.17db
13% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
13% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Antonio Caldara
Stabat Mater: VIII. Virgo virginum
75 bpm • D Maj • 01:28 • -24.09db
31% Popularity • 17% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Johannes Passion, BWV 245, Pt. 2: Recita...
76 bpm • A Maj • 05:46 • -19.36db
0% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 2. Cujus animam
79 bpm • G Maj • 02:11 • -21db
25% Popularity • 39% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 39% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: I. Prélud...
75 bpm • C Maj • 01:38 • -12.7db
18% Popularity • 47% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 52% Positiveness
18% Popularity • 47% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 52% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: XIII. Dnes...
75 bpm • D min • 01:52 • -27.66db
15% Popularity • 7% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Johannes Brahms
13 Canons, Op. 113: No. 13. Einformig is...
79 bpm • A min • 02:41 • -32.07db
25% Popularity • 13% Danceability • 2% Energy • 9% Liveness
39% Instrumentalness • 9% Positiveness
25% Popularity • 13% Danceability • 2% Energy • 9% Liveness
39% Instrumentalness • 9% Positiveness
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Anton Bruckner
Locus Iste, WAB 23: Locus iste, WAB 23
75 bpm • C Maj • 03:12 • -31db
23% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, Cantata...
76 bpm • C min • 06:54 • -19.25db
15% Popularity • 16% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 16% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
79 bpm • A min • 01:58 • -19db
49% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
49% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
► Preview
Henry Purcell
Rejoice in the Lord alway, Z. 49
79 bpm • B Maj • 08:10 • -24.72db
20% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
► Preview
AntonÃn Dvořák
Mass in D major, Op. 86: 1. Kyrie
79 bpm • D Maj • 05:44 • -21db
11% Popularity • 11% Danceability • 9% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 9% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Pange lingua, WAB 33
79 bpm • A min • 04:46 • -31db
26% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
26% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 1: No....
79 bpm • D# min • 04:32 • -17.34db
24% Popularity • 22% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 24% Positiveness
24% Popularity • 22% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 24% Positiveness
► Preview
Marc-Antoine Charpentier
Offerte non encore exécutée, H.522
79 bpm • B Maj • 03:17 • -15.78db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
► Preview
Charles Gounod
Messe solennelle de Sainte Cécile (1988...
75 bpm • F Maj • 05:16 • -15db
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
► Preview
Henry Purcell
King Arthur: Act V, sc.2: Chaconne
75 bpm • E Maj • 04:01 • -21.19db
8% Popularity • 31% Danceability • 5% Energy • 17% Liveness
6% Instrumentalness • 32% Positiveness
8% Popularity • 31% Danceability • 5% Energy • 17% Liveness
6% Instrumentalness • 32% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: III. O quam tristis
80 bpm • G min • 02:33 • -23.72db
41% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Virga Jesse floruit, WAB 52
80 bpm • C# min • 03:28 • -23.02db
10% Popularity • 12% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Zweiter Tei...
78 bpm • B min • 05:09 • -20.56db
24% Popularity • 12% Danceability • 15% Energy • 25% Liveness
95% Instrumentalness • 11% Positiveness
24% Popularity • 12% Danceability • 15% Energy • 25% Liveness
95% Instrumentalness • 11% Positiveness
► Preview
Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 148
74 bpm • C Maj • 06:32 • -27db
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Karl Jenkins
Exsultate, jubilate
80 bpm • A min • 04:20 • -17.64db
25% Popularity • 46% Danceability • 28% Energy • 9% Liveness
19% Instrumentalness • 37% Positiveness
25% Popularity • 46% Danceability • 28% Energy • 9% Liveness
19% Instrumentalness • 37% Positiveness
► Preview
Anton Bruckner
Anton Bruckner: Ave Maria
74 bpm • F Maj • 03:19 • -24db
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
Gloria: Gratias agimus tibi
80 bpm • D# Maj • 01:15 • -14db
32% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 2: No....
75 bpm • F# min • 06:36 • -22.4db
19% Popularity • 27% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 27% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 2, Ball...
74 bpm • C Maj • 02:05 • -33db
29% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
29% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 5. Quis est homo
80 bpm • B min • 02:54 • -20.18db
21% Popularity • 19% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Giaches de Wert
O Crux ave, spes unica
80 bpm • C min • 03:40 • -24.46db
17% Popularity • 12% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Henry Walford Davies
Psalm 121 (I will lift up mine eyes)
80 bpm • D Maj • 02:33 • -29.19db
20% Popularity • 28% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 28% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Tomaso Albinoni
Albinoni: Oboe Concerto in D Minor, Op. ...
74 bpm • A Maj • 05:26 • -24.59db
16% Popularity • 19% Danceability • 5% Energy • 35% Liveness
94% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 5% Energy • 35% Liveness
94% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Komm, Jesu, komm, BWV 229: I. Komm, Jesu...
79 bpm • F# min • 06:53 • -21.34db
20% Popularity • 18% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 18% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Thomas Campion
Never Weather-beaten Sail
80 bpm • G Maj • 02:38 • -24db
19% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 3. O quam tristis
80 bpm • F# min • 02:17 • -22.33db
24% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi, WAB 30
74 bpm • C Maj • 05:07 • -28.94db
11% Popularity • 7% Danceability • 4% Energy • 7% Liveness
17% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 4% Energy • 7% Liveness
17% Instrumentalness • 3% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
81 bpm • G Maj • 02:03 • -20db
49% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Tallis
O nata lux de lumine
81 bpm • G min • 01:35 • -15db
20% Popularity • 22% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Johannes Passion, BWV 245, Pt. 1: Recita...
79 bpm • B min • 02:28 • -21.81db
1% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: III. Blazh...
74 bpm • D min • 05:15 • -31.08db
20% Popularity • 17% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 17% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
43% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Lennox Berkeley
The Lord is my Shepherd
73 bpm • A min • 04:43 • -26.59db
14% Popularity • 9% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Temun�...
73 bpm • G Maj • 01:45 • -29.53db
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 140...
75 bpm • D# Maj • 04:01 • -31.18db
9% Popularity • 23% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 30% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 30% Positiveness
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Andreas Scholl
Sancta Mater
73 bpm • D Maj • 03:38 • -16.41db
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Puer natus in Bethlehem
81 bpm • G min • 02:48 • -21.15db
21% Popularity • 16% Danceability • 16% Energy • 17% Liveness
48% Instrumentalness • 22% Positiveness
21% Popularity • 16% Danceability • 16% Energy • 17% Liveness
48% Instrumentalness • 22% Positiveness
