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Ever After: a Cinderella Story
Songs like
Ever After: a Cinderella Story
by
George Fenton
Based on a tempo of (+/- 10%) and a similar genre
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George Fenton
Ever After: a Cinderella Story
96 bpm • A# Maj • 03:17 • -26.34db
30% Popularity • 46% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Alan Silvestri
Snow Scene
95 bpm • A# Maj • 01:32 • -18.98db
33% Popularity • 17% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Isobel Waller-Bridge
Harriet Smith
96 bpm • C Maj • 01:16 • -21.06db
41% Popularity • 44% Danceability • 10% Energy • 11% Liveness
17% Instrumentalness • 32% Positiveness
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Norman Dück
Shallow
97 bpm • G Maj • 03:45 • -22.9db
13% Popularity • 52% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Guy Farley
Elizabeth's Dance
97 bpm • F Maj • 02:10 • -18.22db
40% Popularity • 12% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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William Haviland
Hushabye Mountain - Piano Version
97 bpm • A min • 02:11 • -26.17db
48% Popularity • 42% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 15% Positiveness
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Ari Posner
The White Way Of Delight
97 bpm • E min • 01:45 • -25.85db
38% Popularity • 35% Danceability • 3% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
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Gregor F. Narholz
Strength and Hope
95 bpm • D# Maj • 02:53 • -16.41db
7% Popularity • 38% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Isobel Waller-Bridge
We Cannot Do Without Dancing
97 bpm • D Maj • 00:54 • -18.33db
33% Popularity • 77% Danceability • 6% Energy • 14% Liveness
15% Instrumentalness • 33% Positiveness
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George Fenton
Trying To Relate
97 bpm • C Maj • 02:20 • -41.6db
17% Popularity • 12% Danceability • 0% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
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Joby Talbot
Fairground
94 bpm • C# min • 01:31 • -15db
29% Popularity • 34% Danceability • 20% Energy • 10% Liveness
7% Instrumentalness • 5% Positiveness
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Hagood Hardy
Anne's Theme
94 bpm • G Maj • 04:34 • -21.19db
38% Popularity • 24% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 11% Positiveness
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Ari Posner
Tree Perspective
98 bpm • G Maj • 01:59 • -19.48db
34% Popularity • 44% Danceability • 14% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Don Gillis
The King Family
94 bpm • G Maj • 01:21 • -14.01db
20% Popularity • 17% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Gregor F. Narholz
True Compassion
98 bpm • A min • 02:45 • -13.65db
3% Popularity • 17% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Michael Lang
Theme From Dreamer
94 bpm • A Maj • 02:19 • -17.47db
20% Popularity • 20% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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George Fenton
Rescuing Maurice
95 bpm • C Maj • 04:02 • -23.28db
18% Popularity • 16% Danceability • 6% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Mark McKenzie
What's Your Dream?
93 bpm • G Maj • 02:37 • -20.66db
31% Popularity • 14% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Elmer Bernstein
Mrs. Mingott
93 bpm • F Maj • 01:37 • -9.95db
23% Popularity • 18% Danceability • 33% Energy • 14% Liveness
92% Instrumentalness • 18% Positiveness
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John Debney
Harp Interlude - Score
99 bpm • G Maj • 01:24 • -36db
31% Popularity • 36% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Rael Jones
Mrs. Harris
99 bpm • D Maj • 01:59 • -12.15db
31% Popularity • 32% Danceability • 25% Energy • 10% Liveness
71% Instrumentalness • 17% Positiveness
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Minnz Piano
Constant As the Stars Above
93 bpm • E Maj • 03:16 • -22db
41% Popularity • 43% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 29% Positiveness
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George Fenton
Miss Shepherd's Waltz
98 bpm • C min • 01:56 • -18db
30% Popularity • 46% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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David Arnold
Opening Titles
99 bpm • C min • 01:07 • -20.05db
48% Popularity • 22% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Mark McKenzie
Those Arms Are For You
92 bpm • D Maj • 01:20 • -28db
38% Popularity • 13% Danceability • 3% Energy • 15% Liveness
96% Instrumentalness • 8% Positiveness
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Christopher Willis
David's Writings
92 bpm • C# min • 02:57 • -13.54db
49% Popularity • 30% Danceability • 36% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Methuen Home For Children 1957
100 bpm • B min • 01:14 • -29db
54% Popularity • 43% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
Lucy Meets Mr. Tumnus
92 bpm • F Maj • 04:10 • -27db
44% Popularity • 16% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 4% Positiveness
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Martin Phipps
Natasha
100 bpm • C Maj • 01:35 • -31db
30% Popularity • 33% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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John Debney
Princess Lessons - Score
100 bpm • G Maj • 00:55 • -29.82db
29% Popularity • 45% Danceability • 5% Energy • 21% Liveness
94% Instrumentalness • 46% Positiveness
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Jan A.P. Kaczmarek
Peter - Finding Neverland/Soundtrack Ver...
100 bpm • C Maj • 02:20 • -21db
47% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Carlos Hof
Summer Waltz
100 bpm • F Maj • 03:02 • -14.2db
21% Popularity • 20% Danceability • 29% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
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Samuel Sim
Knightley's Walk
92 bpm • G Maj • 01:07 • -16db
40% Popularity • 13% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 7% Positiveness
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Justin Hurwitz
Mia & Sebastian’s Theme (Celesta)
100 bpm • F Maj • 01:27 • -26db
47% Popularity • 17% Danceability • 7% Energy • 20% Liveness
44% Instrumentalness • 17% Positiveness
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John Lunn
Duneagle
92 bpm • F# min • 02:06 • -14.23db
46% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Hans Zimmer
Look Closely
92 bpm • G min • 06:08 • -22db
38% Popularity • 11% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Martin Phipps
Simple Harp Variation No. 1
101 bpm • G# min • 02:33 • -22.13db
42% Popularity • 35% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 13% Positiveness
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Nathan Johnson
The Thrombey Family Theme (Solo Piano)
101 bpm • C min • 01:33 • -26db
38% Popularity • 52% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
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Yiruma
Kiss the Rain - Orchestra Version
101 bpm • G# Maj • 04:45 • -13.91db
50% Popularity • 21% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Lennie Niehaus
Kate's Theme
101 bpm • C Maj • 02:07 • -30db
40% Popularity • 19% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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Isobel Waller-Bridge
Poor Miss Taylor
101 bpm • C Maj • 01:41 • -13.04db
40% Popularity • 52% Danceability • 18% Energy • 16% Liveness
89% Instrumentalness • 51% Positiveness
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Debbie Wiseman
Wiseman : Fields of Hope - Theme from La...
102 bpm • D# Maj • 02:54 • -16.81db
16% Popularity • 47% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 31% Positiveness
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Jon Adamich
Moonlight Kiss
91 bpm • F Maj • 02:36 • -9.56db
22% Popularity • 18% Danceability • 33% Energy • 26% Liveness
89% Instrumentalness • 14% Positiveness
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Zbigniew Preisner
First Time Outside
102 bpm • B min • 01:25 • -18db
35% Popularity • 38% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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George Fenton
The First Kiss
91 bpm • D Maj • 01:59 • -31db
32% Popularity • 10% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Randy Edelman
A Happy Ending
102 bpm • G Maj • 02:23 • -17db
32% Popularity • 26% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Maurizio Malagnini
She Wants to Live
91 bpm • A Maj • 02:04 • -19.66db
21% Popularity • 10% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Gregor F. Narholz
Loving Memories
90 bpm • B Maj • 02:27 • -11.49db
2% Popularity • 13% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
We Shall Have Our Ball
102 bpm • G Maj • 01:21 • -14db
37% Popularity • 56% Danceability • 22% Energy • 9% Liveness
83% Instrumentalness • 38% Positiveness
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Stephen Warbeck
Eden Lost
102 bpm • D# Maj • 01:46 • -24.49db
45% Popularity • 17% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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John Debney
Mia Visits The Consulate - Score
90 bpm • A Maj • 01:18 • -28.93db
27% Popularity • 32% Danceability • 2% Energy • 8% Liveness
69% Instrumentalness • 38% Positiveness
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Carl Davis
Cranford: Cranford Theme
90 bpm • F Maj • 02:36 • -16db
22% Popularity • 24% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Maurizio Malagnini
Shelagh Gives Birth
90 bpm • C Maj • 01:42 • -17.12db
20% Popularity • 21% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Andrea Guerra
Kalida
103 bpm • G Maj • 01:36 • -22db
51% Popularity • 15% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Enola & Tewkesbury Farewell
103 bpm • C Maj • 02:55 • -16.3db
24% Popularity • 30% Danceability • 20% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
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George Fenton
Persuading Tommy
89 bpm • D Maj • 01:59 • -17.65db
8% Popularity • 33% Danceability • 10% Energy • 28% Liveness
14% Instrumentalness • 27% Positiveness
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Laurent Dury
Fugato Noble
104 bpm • A min • 01:34 • -14.73db
2% Popularity • 43% Danceability • 15% Energy • 13% Liveness
81% Instrumentalness • 28% Positiveness
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Theodore Shapiro
Stationary Cycle
88 bpm • B min • 02:43 • -16.17db
40% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Jaime Córdoba
The Kindergarten Cop
88 bpm • D# Maj • 01:01 • -14.07db
23% Popularity • 44% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 45% Positiveness
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Geoff Zanelli
Our Kid
88 bpm • E Maj • 01:19 • -21db
35% Popularity • 39% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 48% Positiveness
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Clint Eastwood
Mom's On Call / Late To Trolley
105 bpm • C# Maj • 01:39 • -21.56db
38% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
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George Fenton
Ever After Main Title
89 bpm • G min • 03:32 • -20.45db
32% Popularity • 16% Danceability • 7% Energy • 22% Liveness
90% Instrumentalness • 4% Positiveness
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John Lunn
You Are The Best Of Me
88 bpm • D# Maj • 02:44 • -16db
28% Popularity • 13% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Tom Howe
Sparkle
88 bpm • E Maj • 01:16 • -16.18db
26% Popularity • 67% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
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Gabriel Yared
Générique de fin
88 bpm • D Maj • 01:41 • -21db
47% Popularity • 11% Danceability • 12% Energy • 22% Liveness
96% Instrumentalness • 8% Positiveness
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Jan A.P. Kaczmarek
This Is Neverland - Finding Neverland/So...
88 bpm • A min • 04:01 • -17.11db
28% Popularity • 20% Danceability • 15% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
Emma Is Lost
105 bpm • F Maj • 01:06 • -26.81db
42% Popularity • 27% Danceability • 4% Energy • 12% Liveness
72% Instrumentalness • 15% Positiveness
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George Fenton
Danielle's Wings
88 bpm • A# Maj • 02:15 • -18.46db
21% Popularity • 16% Danceability • 10% Energy • 9% Liveness
64% Instrumentalness • 6% Positiveness
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Hans Zimmer
Tennessee
88 bpm • C Maj • 03:53 • -14.38db
48% Popularity • 10% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Ari Posner
Forgiveness
87 bpm • E min • 03:32 • -31db
38% Popularity • 11% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Craig Armstrong
Far from the Madding Crowd Love Theme
87 bpm • A min • 03:42 • -12db
36% Popularity • 15% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Alone
87 bpm • D Maj • 01:10 • -22.81db
54% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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George Fenton
The Snow Geese
87 bpm • C Maj • 01:56 • -16.37db
13% Popularity • 11% Danceability • 22% Energy • 36% Liveness
85% Instrumentalness • 4% Positiveness
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Peter Breiner
Kindred Spirits
87 bpm • G Maj • 01:12 • -17.2db
26% Popularity • 28% Danceability • 16% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
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The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Andrea Guerra
Coco Chanel - Main Title
86 bpm • D# Maj • 01:27 • -32.04db
51% Popularity • 18% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
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Carl Davis
Pride and Prejudice - Main Theme
107 bpm • D# Maj • 04:14 • -21db
33% Popularity • 31% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
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Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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George Fenton
The Homecoming
107 bpm • C Maj • 01:29 • -20.26db
32% Popularity • 16% Danceability • 14% Energy • 8% Liveness
79% Instrumentalness • 11% Positiveness
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Peter Breiner
Main Theme
86 bpm • C Maj • 01:54 • -18db
25% Popularity • 16% Danceability • 16% Energy • 15% Liveness
83% Instrumentalness • 8% Positiveness
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Jan A.P. Kaczmarek
War and Peace - Main Title
107 bpm • B Maj • 02:34 • -13.06db
43% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Training With Mr. Schaibel
108 bpm • A min • 03:04 • -24.87db
44% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Chris Palmer
The Ballad of the Lake of Tears
108 bpm • C# min • 02:21 • -18.68db
48% Popularity • 55% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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George Fenton
Utopia
86 bpm • C Maj • 01:18 • -32.88db
37% Popularity • 25% Danceability • 1% Energy • 13% Liveness
98% Instrumentalness • 18% Positiveness
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Daniel Pemberton
Tewkesbury's Trail
108 bpm • C Maj • 01:41 • -20db
47% Popularity • 29% Danceability • 9% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 1, Sebastian
85 bpm • D# Maj • 02:11 • -23.06db
28% Popularity • 19% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Craig Armstrong
Hollow in the Ferns
85 bpm • D min • 03:38 • -17.3db
47% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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John Lunn
The Butler And The Housekeeper
109 bpm • F Maj • 02:08 • -20db
29% Popularity • 16% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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George Fenton
Meet Me At Cafe Lalo
108 bpm • G Maj • 01:52 • -18.29db
21% Popularity • 58% Danceability • 8% Energy • 9% Liveness
32% Instrumentalness • 17% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
46% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
The Proposal (Under The Horse Chestnut T...
85 bpm • C Maj • 03:35 • -19.99db
30% Popularity • 22% Danceability • 6% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
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Mark McKenzie
Prayer Changes Everything
84 bpm • C Maj • 05:47 • -13.26db
20% Popularity • 9% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Andrea Guerra
Una luce nell'anima
109 bpm • E min • 01:57 • -26.42db
47% Popularity • 22% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
56% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Craig Armstrong
Saddest Part Of Day
110 bpm • C Maj • 01:13 • -21.57db
50% Popularity • 17% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
55% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Ever After: a Cinderella Story