Songs like Everly Brothers Intro - Live at Madison Square Garden, New York, NY - December 2003 by Simon & Garfunkel
Based on a tempo of (+/- 10%) and a similar genre
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Simon & Garfunkel
Everly Brothers Intro - Live at Madison ...
130 bpm • D Maj • 01:42 • -23.29db
22% Popularity • 43% Danceability • 45% Energy • 79% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 43% Danceability • 45% Energy • 79% Liveness
0% Instrumentalness • 7% Positiveness
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Traveling Wilburys
Heading For The Light
130 bpm • F# Maj • 03:36 • -4db
48% Popularity • 56% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 56% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Jennifer Warnes
Song of Bernadette - Digitally Remastere...
130 bpm • A# Maj • 03:54 • -14db
28% Popularity • 34% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 34% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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The Lovin' Spoonful
You Didn't Have To Be So Nice
130 bpm • C# min • 02:26 • -10.04db
44% Popularity • 64% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 64% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Tim Hardin
Unforgiven
130 bpm • D Maj • 03:22 • -15.47db
41% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Bee Gees
Edison
130 bpm • A Maj • 03:10 • -10.6db
14% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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The Mamas & The Papas
Sunday Will Never Be the Same
130 bpm • D Maj • 03:30 • -13.59db
18% Popularity • 58% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 58% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Rod Stewart
Maggie May
129 bpm • D Maj • 05:50 • -10.54db
71% Popularity • 60% Danceability • 57% Energy • 7% Liveness
11% Instrumentalness • 54% Positiveness
71% Popularity • 60% Danceability • 57% Energy • 7% Liveness
11% Instrumentalness • 54% Positiveness
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Al Stewart
Coldest Winter
129 bpm • C# Maj • 05:56 • -8.74db
10% Popularity • 60% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 60% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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The Beatles
Here Comes The Sun - Remastered 2009
129 bpm • A Maj • 03:05 • -10.48db
86% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
86% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Donovan
Jennifer Juniper
129 bpm • D Maj • 02:40 • -19db
38% Popularity • 62% Danceability • 29% Energy • 52% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 62% Danceability • 29% Energy • 52% Liveness
0% Instrumentalness • 88% Positiveness
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Seals and Crofts
Castles in the Sand
129 bpm • D Maj • 03:41 • -13.1db
31% Popularity • 68% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 68% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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George Harrison
World of Stone
131 bpm • A min • 04:44 • -11.37db
21% Popularity • 50% Danceability • 39% Energy • 3% Liveness
21% Instrumentalness • 23% Positiveness
21% Popularity • 50% Danceability • 39% Energy • 3% Liveness
21% Instrumentalness • 23% Positiveness
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Dan Fogelberg
Illinois
131 bpm • C Maj • 04:12 • -14.57db
30% Popularity • 47% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 47% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Leo Sayer
One Man Band - 2010 Remastered Version
129 bpm • C Maj • 03:34 • -6db
32% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Simon & Garfunkel
For Emily, Whenever I May Find Her - Liv...
132 bpm • G Maj • 02:37 • -16db
36% Popularity • 36% Danceability • 25% Energy • 78% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 36% Danceability • 25% Energy • 78% Liveness
0% Instrumentalness • 31% Positiveness
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Gerry Rafferty
Mary Skeffington
131 bpm • A Maj • 02:34 • -13.95db
26% Popularity • 38% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 38% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Neil Young
Pocahontas - 2016 Remaster
128 bpm • D min • 03:24 • -14.32db
43% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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The Beach Boys
I Can Hear Music
128 bpm • D Maj • 02:37 • -8db
56% Popularity • 51% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 51% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Plainsong
True Story of Amelia Earhart
128 bpm • G Maj • 04:32 • -13.29db
8% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Magna Carta
Scarecrow
128 bpm • F Maj • 02:19 • -20db
12% Popularity • 51% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
12% Popularity • 51% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
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Mark Knopfler
Beachcombing
128 bpm • C Maj • 04:14 • -6.74db
43% Popularity • 72% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
43% Popularity • 72% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
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Leonard Cohen
You Got Me Singing
132 bpm • D# Maj • 03:31 • -12db
48% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Simon & Garfunkel
You Don't Know Where Your Interest Lies ...
128 bpm • D min • 02:18 • -11.49db
40% Popularity • 79% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 79% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Procol Harum
Good Captain Clack - Single Version - 20...
132 bpm • G min • 01:36 • -8.48db
22% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Dan Fogelberg
Be On Your Way (Album Version)
128 bpm • C Maj • 03:24 • -21.59db
23% Popularity • 47% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 47% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Gerry Rafferty
Waiting for the Day
128 bpm • A# Maj • 05:46 • -10db
30% Popularity • 51% Danceability • 58% Energy • 20% Liveness
1% Instrumentalness • 21% Positiveness
30% Popularity • 51% Danceability • 58% Energy • 20% Liveness
1% Instrumentalness • 21% Positiveness
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Supertramp
Even In The Quietest Moments
132 bpm • G Maj • 06:26 • -7.41db
53% Popularity • 43% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 43% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Ray Davies
Celluloid Heroes
128 bpm • G Maj • 05:20 • -12.35db
13% Popularity • 45% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 45% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Simon & Garfunkel
A Most Peculiar Man - Live at Lincoln Ce...
133 bpm • D Maj • 02:59 • -19.84db
20% Popularity • 44% Danceability • 30% Energy • 90% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 44% Danceability • 30% Energy • 90% Liveness
0% Instrumentalness • 48% Positiveness
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Traveling Wilburys
The Devil's Been Busy
133 bpm • G Maj • 03:18 • -5db
42% Popularity • 55% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 55% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Dan Fogelberg
Changing Horses
133 bpm • G Maj • 02:35 • -19.75db
33% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Beach Boys
Good Vibrations - Remastered 2001
133 bpm • A# min • 03:39 • -7.67db
70% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
70% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Leo Sayer
When I Came Home This Morning - 2010 Rem...
127 bpm • F Maj • 05:16 • -6.58db
9% Popularity • 62% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 62% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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The Moody Blues
Forever Now
134 bpm • C Maj • 04:37 • -8.33db
9% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Badfinger
I Don't Mind - Remastered 2010
127 bpm • D Maj • 03:13 • -11.04db
31% Popularity • 57% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 57% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Jackson Browne
Fountain of Sorrow - Remastered
126 bpm • F Maj • 06:52 • -10.12db
44% Popularity • 64% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 64% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Iron & Wine
Sweet Talk
134 bpm • G# Maj • 03:38 • -8.23db
14% Popularity • 64% Danceability • 68% Energy • 9% Liveness
16% Instrumentalness • 90% Positiveness
14% Popularity • 64% Danceability • 68% Energy • 9% Liveness
16% Instrumentalness • 90% Positiveness
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Joni Mitchell
Blue
134 bpm • F# min • 02:57 • -13.69db
51% Popularity • 46% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 46% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Tim Hardin
Bird On the Wire
126 bpm • G Maj • 05:27 • -13db
26% Popularity • 43% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 43% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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The Moody Blues
Lovely To See You
127 bpm • E Maj • 02:34 • -9db
47% Popularity • 42% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 42% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 59% Positiveness
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Melanie
Ring the Living Bell
134 bpm • A# Maj • 05:04 • -11.85db
28% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Gerry Rafferty
Mattie's Rag
126 bpm • D min • 03:26 • -14db
35% Popularity • 65% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 65% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Beach Boys
Sloop John B
126 bpm • G# Maj • 02:59 • -6.51db
53% Popularity • 62% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
53% Popularity • 62% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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George Harrison
While My Guitar Gently Weeps (Live from ...
134 bpm • G Maj • 04:46 • -6.55db
52% Popularity • 35% Danceability • 84% Energy • 74% Liveness
1% Instrumentalness • 69% Positiveness
52% Popularity • 35% Danceability • 84% Energy • 74% Liveness
1% Instrumentalness • 69% Positiveness
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Crosby & Nash
Other Side of Town
134 bpm • C Maj • 03:34 • -11.15db
11% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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The Moody Blues
Voices In The Sky
126 bpm • E Maj • 03:28 • -12.63db
39% Popularity • 49% Danceability • 35% Energy • 12% Liveness
9% Instrumentalness • 42% Positiveness
39% Popularity • 49% Danceability • 35% Energy • 12% Liveness
9% Instrumentalness • 42% Positiveness
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Ralph McTell
Clown
126 bpm • C min • 03:33 • -19.57db
10% Popularity • 48% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 33% Positiveness
10% Popularity • 48% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 33% Positiveness
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Jennifer Warnes
Joan of Arc - Digitally Remastered
135 bpm • F# Maj • 08:00 • -13db
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Peter Frampton
Nassau/Baby I Love Your Way - Medley
135 bpm • G Maj • 05:50 • -10db
37% Popularity • 53% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 53% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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George Harrison
Here Comes the Sun (Live in Japan, 1991)
125 bpm • A Maj • 03:31 • -11.93db
48% Popularity • 61% Danceability • 56% Energy • 88% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 61% Danceability • 56% Energy • 88% Liveness
0% Instrumentalness • 64% Positiveness
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Dan Fogelberg
Leader of the Band / Washington Post Mar...
135 bpm • G# Maj • 04:48 • -21db
35% Popularity • 61% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 61% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Harry Nilsson
Everybody's Talkin'
125 bpm • E Maj • 02:43 • -15.57db
66% Popularity • 44% Danceability • 35% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
66% Popularity • 44% Danceability • 35% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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The Beatles
The Long And Winding Road - Anthology 3 ...
135 bpm • D# Maj • 03:41 • -8.24db
30% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Melanie
Mr. Tambourine Man
125 bpm • G Maj • 04:21 • -13.56db
28% Popularity • 45% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 45% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The Lovin' Spoonful
Jug Band Music
125 bpm • C Maj • 02:50 • -8.99db
27% Popularity • 69% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 69% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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George Harrison
Wedding Bells (Are Breaking Up That Old ...
125 bpm • A# Maj • 01:55 • -10.58db
15% Popularity • 63% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 63% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Dan Fogelberg
Morning Sky
125 bpm • G Maj • 02:49 • -13db
32% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Joan Armatrading
All The Way From America
136 bpm • E Maj • 04:51 • -15.22db
31% Popularity • 47% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 47% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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The Byrds
Turn! Turn! Turn! (To Everything There I...
125 bpm • D Maj • 03:49 • -8.12db
64% Popularity • 45% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
64% Popularity • 45% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Melanie
Animal Crackers - Live at Woodstock
136 bpm • D Maj • 02:53 • -17.45db
13% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Rod Stewart
Trade Winds
124 bpm • A Maj • 05:17 • -17.55db
17% Popularity • 44% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 44% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Gerry Rafferty
Family Tree
136 bpm • G Maj • 05:58 • -9.69db
22% Popularity • 53% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 53% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Mark Knopfler
Golden Heart
124 bpm • G Maj • 05:01 • -13db
51% Popularity • 59% Danceability • 32% Energy • 11% Liveness
36% Instrumentalness • 14% Positiveness
51% Popularity • 59% Danceability • 32% Energy • 11% Liveness
36% Instrumentalness • 14% Positiveness
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Gilbert O'Sullivan
Houdini Said
124 bpm • F min • 05:22 • -8.61db
14% Popularity • 44% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 44% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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George Harrison
If Not for You (Day 2 Demo) (Take 1)
124 bpm • G Maj • 01:47 • -11.28db
19% Popularity • 77% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 77% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Tom Paxton
Wish I Had a Troubadour
124 bpm • E min • 03:40 • -22.64db
8% Popularity • 53% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 53% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Traveling Wilburys
Inside Out
123 bpm • F min • 03:35 • -5db
45% Popularity • 63% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 63% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Chris de Burgh
Watching The World
123 bpm • C# Maj • 03:31 • -13.82db
8% Popularity • 59% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 59% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Jackson Browne
Daddy's Tune
137 bpm • C Maj • 03:35 • -7.55db
27% Popularity • 55% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 55% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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The Byrds
All I Really Want to Do
123 bpm • A Maj • 02:03 • -8db
37% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Simon & Garfunkel
The 59th Street Bridge Song (Feelin' Gro...
123 bpm • B Maj • 03:11 • -19.68db
33% Popularity • 28% Danceability • 31% Energy • 93% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 28% Danceability • 31% Energy • 93% Liveness
0% Instrumentalness • 43% Positiveness
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Tom Paxton
Whose Garden Was This
123 bpm • F# min • 02:29 • -16db
21% Popularity • 36% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 36% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Billy Connolly
Look Over the Hill and Far Away
123 bpm • A Maj • 03:43 • -17.95db
10% Popularity • 34% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 34% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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The Mamas & The Papas
Go Where You Wanne Go
123 bpm • C Maj • 02:29 • -11.92db
21% Popularity • 68% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 68% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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George Harrison
All Things Must Pass (2020 Mix)
123 bpm • A Maj • 03:46 • -8.21db
48% Popularity • 51% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 51% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jackson Browne
You Love the Thunder - Remastered
138 bpm • E Maj • 03:54 • -6.99db
42% Popularity • 50% Danceability • 83% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 50% Danceability • 83% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Warren Zevon
The Hula Hula Boys - 2007 Remaster
138 bpm • G Maj • 03:02 • -11db
36% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Supertramp
From Now On
122 bpm • F Maj • 06:18 • -6.65db
53% Popularity • 53% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 53% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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The Beatles
Let It Be - Anthology 3 Version
138 bpm • C Maj • 04:05 • -11db
28% Popularity • 54% Danceability • 38% Energy • 73% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 54% Danceability • 38% Energy • 73% Liveness
0% Instrumentalness • 62% Positiveness
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The Byrds
The Bells of Rhymney
122 bpm • D Maj • 03:30 • -8.07db
35% Popularity • 38% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 38% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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George Harrison
All Things Must Pass (2014 Remaster)
122 bpm • A Maj • 03:46 • -8.38db
55% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Badfinger
Name Of The Game - Remastered 2010
138 bpm • A Maj • 05:21 • -9db
36% Popularity • 32% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
36% Popularity • 32% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
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Jackson Browne
Take It Easy
138 bpm • G Maj • 03:51 • -10db
48% Popularity • 53% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 53% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
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Al Stewart
Between the Wars
122 bpm • F Maj • 02:47 • -11.36db
18% Popularity • 75% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 75% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The Beach Boys
Good Vibrations - Live At Daughters Of T...
139 bpm • C# Maj • 04:29 • -17.23db
12% Popularity • 36% Danceability • 29% Energy • 64% Liveness
2% Instrumentalness • 27% Positiveness
12% Popularity • 36% Danceability • 29% Energy • 64% Liveness
2% Instrumentalness • 27% Positiveness
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The Mamas & The Papas
Dancing In The Street
122 bpm • A Maj • 03:49 • -7db
42% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Seals and Crofts
King of Nothing
139 bpm • A Maj • 03:19 • -11db
30% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Derek & The Dominos
I Am Yours
122 bpm • G Maj • 03:35 • -16db
43% Popularity • 68% Danceability • 31% Energy • 22% Liveness
43% Instrumentalness • 61% Positiveness
43% Popularity • 68% Danceability • 31% Energy • 22% Liveness
43% Instrumentalness • 61% Positiveness
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Ralph McTell
Nanna's Song
122 bpm • E Maj • 03:07 • -17.26db
16% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Melanie
Nickel Song
139 bpm • G Maj • 03:45 • -12db
25% Popularity • 52% Danceability • 22% Energy • 66% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 52% Danceability • 22% Energy • 66% Liveness
0% Instrumentalness • 47% Positiveness
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Warren Zevon
Hasten Down the Wind
139 bpm • E Maj • 02:32 • -11.5db
38% Popularity • 42% Danceability • 30% Energy • 14% Liveness
40% Instrumentalness • 30% Positiveness
38% Popularity • 42% Danceability • 30% Energy • 14% Liveness
40% Instrumentalness • 30% Positiveness
► Preview
The Mamas & The Papas
I Saw Her Again - Single Version
122 bpm • C# min • 03:13 • -5.98db
47% Popularity • 48% Danceability • 86% Energy • 24% Liveness
3% Instrumentalness • 89% Positiveness
47% Popularity • 48% Danceability • 86% Energy • 24% Liveness
3% Instrumentalness • 89% Positiveness
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Traveling Wilburys
Congratulations
139 bpm • C Maj • 03:29 • -7db
45% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Joan Armatrading
Willow - Uk Single Edited Version
121 bpm • C Maj • 04:03 • -20db
35% Popularity • 58% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
35% Popularity • 58% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
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Dan Fogelberg
There's a Place in the World for a Gambl...
139 bpm • C Maj • 05:44 • -17db
31% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Melanie
Candles In The Rain
139 bpm • F Maj • 01:49 • -16.22db
26% Popularity • 39% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Peter Yarrow
Mary Beth
121 bpm • D Maj • 02:52 • -17.57db
9% Popularity • 42% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 42% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
