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Every Beat of My Heart
Songs like
Every Beat of My Heart
by
Bryan Andrew Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Rev. Jackie McCullough
Be Connected
94 bpm • D Maj • 07:34 • -6.99db
13% Popularity • 73% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Bryan Andrew Wilson
Every Beat of My Heart
94 bpm • C# min • 04:12 • -5.94db
0% Popularity • 68% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Rev. Timothy Wright
Jesus,Jesus,Jesus
94 bpm • C# Maj • 06:32 • -9.87db
38% Popularity • 37% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Tina Campbell
Thank You Lord
94 bpm • C# Maj • 04:22 • -6db
19% Popularity • 57% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 59% Positiveness
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Norman Hutchins
We Honor You
95 bpm • F# Maj • 04:29 • -5.37db
37% Popularity • 44% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Fred Jerkins
White Flag
94 bpm • C# min • 03:44 • -7.08db
11% Popularity • 50% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Stephen Hurd
Lead Me To The Rock
93 bpm • G# Maj • 05:44 • -12.7db
30% Popularity • 39% Danceability • 30% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
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Bryan Andrew Wilson
Whoa! (Acappella Track)
94 bpm • F# Maj • 03:34 • -6.98db
0% Popularity • 40% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Winans Phase 2
Thank You Lord
95 bpm • G Maj • 04:52 • -7db
22% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Tina Campbell
Woh Oh Oh
95 bpm • F Maj • 04:26 • -4.66db
9% Popularity • 55% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 43% Positiveness
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Melvin Crispell III
God Is
95 bpm • D Maj • 06:01 • -6.42db
33% Popularity • 47% Danceability • 89% Energy • 60% Liveness
0% Instrumentalness • 47% Positiveness
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Wess Morgan
Can't Thank You Enough
95 bpm • F# Maj • 04:15 • -8.44db
23% Popularity • 72% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Marcus Cole
The Lord Has Been Good
93 bpm • C Maj • 05:48 • -5.43db
11% Popularity • 65% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Bryan Andrew Wilson
Whoa!
93 bpm • B Maj • 03:39 • -4.76db
6% Popularity • 56% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Ramiyah
Don't Nobody Know
95 bpm • C# min • 03:51 • -4db
23% Popularity • 73% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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God's Chosen
Love (Melody)
95 bpm • G Maj • 06:48 • -10db
41% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Fresh Start Worship
Have It All
93 bpm • A Maj • 04:41 • -13db
18% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Lamar Campbell
It's All About The Love
93 bpm • F# Maj • 05:14 • -5db
34% Popularity • 66% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 69% Positiveness
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Mama Sheila Wilson
Just Fine
95 bpm • C# Maj • 04:32 • -3.26db
0% Popularity • 40% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Bryan Andrew Wilson
Whoa! (Instrumental Track)
93 bpm • B Maj • 03:39 • -7.34db
0% Popularity • 61% Danceability • 45% Energy • 8% Liveness
73% Instrumentalness • 12% Positiveness
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Colorado Mass Choir
Glad About It
95 bpm • C# Maj • 05:16 • -8db
26% Popularity • 64% Danceability • 88% Energy • 26% Liveness
6% Instrumentalness • 82% Positiveness
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Wess Morgan
So Blessed
95 bpm • C# Maj • 03:38 • -7.6db
22% Popularity • 63% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Geoffrey Golden
A Song Called He Reigns
95 bpm • C Maj • 05:13 • -5db
21% Popularity • 62% Danceability • 75% Energy • 77% Liveness
0% Instrumentalness • 70% Positiveness
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Men Of Standard
Trust In God
96 bpm • A# Maj • 04:56 • -6.42db
22% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Bryan Popin
I Got Out
95 bpm • A# Maj • 04:57 • -5db
36% Popularity • 58% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 64% Positiveness
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Bryan Andrew Wilson
Whoa! (Performance Track)
93 bpm • B Maj • 03:39 • -6.59db
0% Popularity • 64% Danceability • 45% Energy • 9% Liveness
10% Instrumentalness • 12% Positiveness
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Earnest Pugh
Wrapped Up, Tied Up, Tangled Up
96 bpm • F min • 07:24 • -5.98db
20% Popularity • 27% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
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The Straight Gate Mass Choir
Early
96 bpm • C# Maj • 04:33 • -7.5db
30% Popularity • 64% Danceability • 78% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
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SEMAJE
Watch Me Praise Him
96 bpm • F# min • 05:00 • -6.97db
16% Popularity • 47% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Troy Sneed
Lay It Down
96 bpm • C# Maj • 04:45 • -6.07db
24% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Marvin Winans
Alone But Not Alone
96 bpm • C# Maj • 04:40 • -8db
39% Popularity • 62% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Bryan Andrew Wilson
Whoa! (Applause Track)
93 bpm • B Maj • 03:42 • -4.9db
0% Popularity • 53% Danceability • 59% Energy • 97% Liveness
0% Instrumentalness • 35% Positiveness
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Joe Pace
Let Us Go Into the House
96 bpm • C# Maj • 04:48 • -7.99db
17% Popularity • 67% Danceability • 87% Energy • 93% Liveness
0% Instrumentalness • 74% Positiveness
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Kevin Vasser
Only You Can Deliver
92 bpm • F min • 04:51 • -7db
8% Popularity • 43% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Brent Jones
Fear and Faith Can't Live Together
97 bpm • G min • 04:28 • -6db
23% Popularity • 68% Danceability • 83% Energy • 91% Liveness
0% Instrumentalness • 74% Positiveness
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Earnest Pugh
Trade it All
97 bpm • A# Maj • 04:52 • -11.84db
39% Popularity • 27% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Smokie Norful
I Need You Now
97 bpm • F min • 04:11 • -9.95db
53% Popularity • 34% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Bryan Andrew Wilson
Jesus Died On... - Beech House Mix
97 bpm • F# min • 03:25 • -7.71db
1% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Fred Jerkins
Reason to Praise
91 bpm • C# Maj • 04:35 • -5db
20% Popularity • 52% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
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21:03
Priority
97 bpm • G# min • 03:32 • -5db
18% Popularity • 66% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Isaiah Templeton
Everything Will Be Alright
97 bpm • C# Maj • 05:35 • -9.45db
29% Popularity • 39% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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New G
God Is Great
91 bpm • C# Maj • 05:57 • -4.28db
26% Popularity • 53% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 47% Positiveness
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Keyondra Lockett
Try
91 bpm • G# Maj • 03:45 • -2.73db
14% Popularity • 68% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Marcus Cole
Being With You
97 bpm • C# Maj • 05:14 • -8.03db
27% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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William McDowell
Send The Rain (Extended Radio Edit)
98 bpm • A# Maj • 05:03 • -4.36db
12% Popularity • 27% Danceability • 74% Energy • 44% Liveness
0% Instrumentalness • 19% Positiveness
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21:03
Sweet Spirit
97 bpm • A# min • 04:09 • -6db
22% Popularity • 34% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Geoffrey Golden
Kingdom
98 bpm • C Maj • 05:21 • -5db
17% Popularity • 63% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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James Moss
The More I Think
98 bpm • F Maj • 04:25 • -6.77db
25% Popularity • 32% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Charles & Taylor
Still Gonna Pray
98 bpm • A# Maj • 04:30 • -5db
24% Popularity • 73% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Bryan Andrew Wilson
Stand by Me - Radio Edit
98 bpm • G# Maj • 04:35 • -10.07db
0% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Nia Allen
I'm in Love
98 bpm • A Maj • 04:00 • -5.55db
14% Popularity • 53% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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The McClurkin Project
We Praise You
98 bpm • C Maj • 05:25 • -5db
13% Popularity • 41% Danceability • 93% Energy • 95% Liveness
0% Instrumentalness • 59% Positiveness
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Earnest Pugh
Thank You So Much - Live
90 bpm • C# Maj • 03:43 • -6.39db
18% Popularity • 50% Danceability • 85% Energy • 95% Liveness
0% Instrumentalness • 59% Positiveness
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Amber Bullock
Thank You Lord
90 bpm • A# min • 04:10 • -3db
48% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Branden Anderson
God Did It Again (Tell Somebody)
90 bpm • C# Maj • 03:29 • -4db
28% Popularity • 74% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 72% Positiveness
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Bryan Andrew Wilson
This Time
98 bpm • A# min • 03:32 • -4.93db
3% Popularity • 73% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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The Group Fire
Fix It
90 bpm • C min • 04:57 • -9db
24% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Melvin Crispell III
Without You
90 bpm • D Maj • 03:35 • -7db
29% Popularity • 63% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Darlene McCoy
Walk
90 bpm • C min • 03:35 • -6.41db
30% Popularity • 74% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Forever Jones
Adoration (So Amazing)
90 bpm • A Maj • 05:03 • -10.11db
31% Popularity • 52% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Larry D. Reid
Smile
90 bpm • D# min • 02:44 • -5.8db
1% Popularity • 44% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Bryan Andrew Wilson
This Time - In the Cut Mix
98 bpm • A# min • 03:08 • -6.58db
5% Popularity • 75% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Angela Moss Poole
Speak to the Mountain
90 bpm • C Maj • 03:48 • -5.44db
29% Popularity • 51% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Judith Christie McAllister
To Our God!
90 bpm • F# min • 06:22 • -7.13db
30% Popularity • 34% Danceability • 75% Energy • 97% Liveness
0% Instrumentalness • 36% Positiveness
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Eddie James & The Phoenix Mass Choir
You've Been So Faithful
89 bpm • D# min • 06:03 • -8.8db
36% Popularity • 50% Danceability • 77% Energy • 66% Liveness
0% Instrumentalness • 69% Positiveness
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James Moss
You Brought Me
99 bpm • B min • 04:30 • -2.7db
24% Popularity • 91% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Deon Kipping
Place Called Victory
99 bpm • F# Maj • 05:26 • -4db
24% Popularity • 70% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Bryan Andrew Wilson
Stand by Me
98 bpm • G# Maj • 05:00 • -6.93db
0% Popularity • 61% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Canton Jones
Window
89 bpm • A min • 03:43 • -3.87db
26% Popularity • 51% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Earnest Pugh
More of You
99 bpm • F Maj • 04:53 • -6.43db
21% Popularity • 28% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Amber Bullock
We Must Praise
100 bpm • C Maj • 04:10 • -6db
37% Popularity • 51% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Yolanda "Yoli" Deberry
I Shall Wear a Crown (Soon as I Get Home...
99 bpm • F min • 08:42 • -5.22db
29% Popularity • 37% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Men Of Standard
Yet Will I Trust In Him
100 bpm • F Maj • 04:54 • -10.05db
25% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Bryan Andrew Wilson
Only You - Urban Gospel Mix
90 bpm • C# min • 03:29 • -5.94db
8% Popularity • 68% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Tim Bowman Jr.
Always
88 bpm • E Maj • 04:34 • -7db
20% Popularity • 32% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Wess Morgan
More of You
100 bpm • C# min • 06:04 • -10.77db
14% Popularity • 32% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Bryan Popin
I Can Make It
100 bpm • F min • 06:21 • -4.14db
14% Popularity • 60% Danceability • 83% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
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Melinda Watts
Available To You
100 bpm • A Maj • 06:40 • -6db
25% Popularity • 46% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Marcus Cole
Bless My Soul
88 bpm • E Maj • 06:38 • -10.42db
10% Popularity • 19% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Bryan Andrew Wilson
Only You - Smooth Jazz Vocal Mix
90 bpm • C# min • 03:28 • -7.88db
4% Popularity • 52% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Canton Jones
Love Song
88 bpm • C min • 05:04 • -6db
34% Popularity • 49% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Ron Winans
A Song Of Consecration
100 bpm • C Maj • 08:07 • -10.47db
21% Popularity • 26% Danceability • 40% Energy • 72% Liveness
0% Instrumentalness • 13% Positiveness
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Brent Jones & The T.P Mobb
Get Up
100 bpm • C# Maj • 03:36 • -6db
17% Popularity • 74% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Casey J
Let It Be Known
100 bpm • C# min • 05:03 • -6db
28% Popularity • 60% Danceability • 96% Energy • 97% Liveness
0% Instrumentalness • 47% Positiveness
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Fresh Start Worship
Have It All
100 bpm • A Maj • 03:34 • -5.21db
40% Popularity • 54% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Livre'
I Will Be Alright
88 bpm • D Maj • 04:24 • -6db
24% Popularity • 53% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Melvin Crispell III
Alright
100 bpm • A# min • 03:55 • -6.06db
26% Popularity • 58% Danceability • 92% Energy • 94% Liveness
0% Instrumentalness • 38% Positiveness
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Gene Moore
Depending On You
100 bpm • G# Maj • 05:41 • -6.81db
32% Popularity • 32% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Lamar Campbell
He Won't Let You Down - Lamar Campbell A...
88 bpm • D# Maj • 06:01 • -6.81db
26% Popularity • 46% Danceability • 74% Energy • 98% Liveness
0% Instrumentalness • 32% Positiveness
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William Becton
Be Encouraged (Reprise)
100 bpm • C# Maj • 02:18 • -11.04db
41% Popularity • 48% Danceability • 55% Energy • 91% Liveness
0% Instrumentalness • 49% Positiveness
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Bryan Andrew Wilson
In Spite of Me
88 bpm • C Maj • 03:30 • -4.04db
1% Popularity • 58% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Marvin Winans And The Perfected Praise Choir
Jesus Saves
100 bpm • G min • 09:01 • -10.9db
35% Popularity • 33% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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James Moss
Unto Thee
100 bpm • A# min • 03:41 • -7.37db
31% Popularity • 33% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Demetrius West & The Jesus Promoters
I'm Next
100 bpm • G# min • 04:23 • -6.04db
21% Popularity • 56% Danceability • 91% Energy • 92% Liveness
0% Instrumentalness • 75% Positiveness
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Shirley Caesar
You're Next In Line for a Miracle
101 bpm • G Maj • 07:04 • -9db
36% Popularity • 45% Danceability • 66% Energy • 59% Liveness
0% Instrumentalness • 36% Positiveness
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Tina Campbell
Love Love Love
101 bpm • G# Maj • 03:55 • -5.3db
16% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Larry Trice Jr
If
101 bpm • B Maj • 03:39 • -8.94db
18% Popularity • 64% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Smokie Norful
Um Good
101 bpm • F# Maj • 04:46 • -5.53db
29% Popularity • 39% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Wess Morgan
I Won't Complain Medley
101 bpm • D# Maj • 08:04 • -13db
27% Popularity • 28% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Melvin Crispell III
Wonderful Is Your Name
87 bpm • A# Maj • 03:12 • -6db
42% Popularity • 52% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Every Beat of My Heart