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Every Day Is A Holiday
Songs like
Every Day Is A Holiday
by
DOPE LEMON
Based on a tempo of (+/- 10%) and a similar genre
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DOPE LEMON
Every Day Is A Holiday
180 bpm • C# Maj • 05:53 • -7.64db
47% Popularity • 55% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Vanilla Gorilla
The New Road
178 bpm • F# min • 04:24 • -7.45db
39% Popularity • 33% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Ocean Alley
Infinity
182 bpm • E min • 03:53 • -9.71db
44% Popularity • 47% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Bahamas
Trick To Happy
178 bpm • D Maj • 03:24 • -9.66db
55% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Grogans
Black
183 bpm • A min • 02:12 • -9.06db
53% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Pond
Paint Me Silver
177 bpm • G# Maj • 03:44 • -5.6db
52% Popularity • 34% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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DOPE LEMON
Sailor’s Delight
180 bpm • F Maj • 06:27 • -7.36db
37% Popularity • 50% Danceability • 62% Energy • 13% Liveness
18% Instrumentalness • 82% Positiveness
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Sticky Fingers
Freddy Crabs
176 bpm • A min • 05:07 • -9db
47% Popularity • 45% Danceability • 68% Energy • 18% Liveness
6% Instrumentalness • 25% Positiveness
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Death by Denim
Cigarettes and Honey
184 bpm • D Maj • 03:05 • -5.29db
49% Popularity • 46% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Tash Sultana
Notion
184 bpm • E min • 05:40 • -6.59db
60% Popularity • 24% Danceability • 42% Energy • 19% Liveness
1% Instrumentalness • 7% Positiveness
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Spacey Jane
Good for You
175 bpm • C Maj • 02:54 • -5db
56% Popularity • 44% Danceability • 90% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
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Arlo Parks
Eugene
174 bpm • G min • 03:43 • -7.19db
61% Popularity • 62% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 90% Positiveness
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DOPE LEMON
Kimosabè
176 bpm • B min • 04:36 • -7.95db
57% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Sticky Fingers
These Girls
186 bpm • F# Maj • 03:25 • -9db
59% Popularity • 36% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Murlocs
Rolling On
188 bpm • A Maj • 03:19 • -4.99db
49% Popularity • 24% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sons Of The East
Millionaire
174 bpm • B Maj • 02:18 • -8db
59% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Pale Jay
Under The Magnolia Tree
172 bpm • F# min • 03:07 • -4.69db
66% Popularity • 54% Danceability • 70% Energy • 12% Liveness
53% Instrumentalness • 56% Positiveness
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Kevin Morby
I Have Been to the Mountain
188 bpm • A# min • 03:14 • -5.71db
51% Popularity • 38% Danceability • 89% Energy • 13% Liveness
43% Instrumentalness • 57% Positiveness
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DOPE LEMON
Stingray Pete
176 bpm • F# min • 04:25 • -7.17db
38% Popularity • 45% Danceability • 68% Energy • 26% Liveness
34% Instrumentalness • 44% Positiveness
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Szymon
Orestes
172 bpm • C Maj • 02:52 • -10.11db
21% Popularity • 65% Danceability • 64% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Royel Otis
Going Kokomo
172 bpm • C Maj • 03:10 • -4.2db
63% Popularity • 45% Danceability • 94% Energy • 6% Liveness
3% Instrumentalness • 79% Positiveness
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Arc De Soleil
Sahara Cowboy
170 bpm • F min • 03:04 • -5db
62% Popularity • 60% Danceability • 88% Energy • 6% Liveness
86% Instrumentalness • 92% Positiveness
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Broken Bells
Good Luck
170 bpm • D min • 03:26 • -7.44db
60% Popularity • 62% Danceability • 51% Energy • 11% Liveness
40% Instrumentalness • 62% Positiveness
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Ocean Alley
Tombstone
169 bpm • F Maj • 04:00 • -11.2db
54% Popularity • 33% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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DOPE LEMON
High Rollin
174 bpm • F min • 05:58 • -7.75db
30% Popularity • 58% Danceability • 71% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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Shag Rock
Champagne
168 bpm • B Maj • 03:25 • -16.63db
50% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Royel Otis
Oysters In My Pocket
168 bpm • F# min • 02:42 • -4.97db
75% Popularity • 60% Danceability • 92% Energy • 17% Liveness
80% Instrumentalness • 61% Positiveness
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River Whyless
Motel 6
168 bpm • E Maj • 03:15 • -9db
68% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Surf Trash
Wrong or Right
168 bpm • A# Maj • 02:43 • -4.18db
56% Popularity • 43% Danceability • 90% Energy • 21% Liveness
44% Instrumentalness • 60% Positiveness
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Mako Road
All We Need
168 bpm • B Maj • 04:12 • -8.49db
45% Popularity • 59% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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DOPE LEMON
Kids Fallin' In Love
170 bpm • G Maj • 04:50 • -7.68db
34% Popularity • 62% Danceability • 65% Energy • 11% Liveness
88% Instrumentalness • 93% Positiveness
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French Cassettes
Santa Cruz Tomorrow
166 bpm • G# min • 02:49 • -11db
49% Popularity • 62% Danceability • 58% Energy • 35% Liveness
32% Instrumentalness • 80% Positiveness
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Biig Piig
Oh No
166 bpm • G Maj • 02:44 • -9.15db
59% Popularity • 70% Danceability • 41% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
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The Flying Stars Of Brooklyn NY
My God Has A Telephone
198 bpm • B Maj • 02:55 • -8.6db
70% Popularity • 58% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Beach Fossils
Down the Line
162 bpm • G Maj • 02:38 • -6.57db
64% Popularity • 62% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Boo Seeka
Kingdom Leader
162 bpm • A min • 03:34 • -4db
51% Popularity • 58% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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DOPE LEMON
Kids Fallin' In Love
170 bpm • G Maj • 03:47 • -8.41db
60% Popularity • 57% Danceability • 66% Energy • 15% Liveness
82% Instrumentalness • 93% Positiveness
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#1 Dads
So Soldier
200 bpm • A min • 03:59 • -9.06db
42% Popularity • 40% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
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The Growlers
Going Gets Tough
162 bpm • G# Maj • 03:28 • -6db
63% Popularity • 50% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The War On Drugs
Red Eyes
162 bpm • A# Maj • 04:58 • -6.37db
66% Popularity • 46% Danceability • 81% Energy • 16% Liveness
20% Instrumentalness • 47% Positiveness
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Crepes
Sexyland
201 bpm • A Maj • 03:18 • -5db
20% Popularity • 43% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Arlo Parks
Caroline
160 bpm • A# Maj • 03:36 • -8db
58% Popularity • 60% Danceability • 58% Energy • 11% Liveness
9% Instrumentalness • 49% Positiveness
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DOPE LEMON
Give Me That Fire
170 bpm • D Maj • 03:45 • -9.64db
34% Popularity • 60% Danceability • 63% Energy • 13% Liveness
24% Instrumentalness • 25% Positiveness
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Father John Misty
Real Love Baby
204 bpm • G Maj • 03:09 • -6.48db
80% Popularity • 42% Danceability • 69% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
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The Terrys
Our Paradise
158 bpm • B min • 03:04 • -5.15db
51% Popularity • 52% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Skegss
Spring Has Sprung
158 bpm • F Maj • 02:58 • -2.42db
51% Popularity • 33% Danceability • 99% Energy • 10% Liveness
55% Instrumentalness • 59% Positiveness
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Tash Sultana
Cigarettes
158 bpm • B min • 05:22 • -5db
48% Popularity • 56% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Royel Otis
Kool Aid
158 bpm • B min • 03:36 • -3.6db
63% Popularity • 56% Danceability • 93% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
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DOPE LEMON
Broke Down Casino
194 bpm • G Maj • 03:20 • -3.96db
35% Popularity • 37% Danceability • 86% Energy • 37% Liveness
5% Instrumentalness • 55% Positiveness
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Husbands
Mexico
156 bpm • C Maj • 03:32 • -6.92db
40% Popularity • 58% Danceability • 84% Energy • 11% Liveness
66% Instrumentalness • 93% Positiveness
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Arc De Soleil
Got Caught in Amsterdam
157 bpm • D Maj • 02:50 • -6.23db
70% Popularity • 66% Danceability • 81% Energy • 33% Liveness
82% Instrumentalness • 96% Positiveness
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Muroki
For Better or Worse
156 bpm • G Maj • 02:21 • -11.76db
42% Popularity • 72% Danceability • 50% Energy • 11% Liveness
60% Instrumentalness • 14% Positiveness
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Fruit Bats
The Bottom of It
156 bpm • C Maj • 03:01 • -10.73db
64% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Spacey Jane
Sawteeth
208 bpm • G Maj • 04:00 • -5.85db
50% Popularity • 39% Danceability • 80% Energy • 14% Liveness
17% Instrumentalness • 56% Positiveness
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DOPE LEMON
Lovesick Brain
206 bpm • A# Maj • 04:50 • -7.27db
29% Popularity • 35% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Daily J
Space
155 bpm • B min • 03:30 • -10.34db
47% Popularity • 67% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 66% Positiveness
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Parcels
Older
155 bpm • D# Maj • 03:27 • -5.49db
52% Popularity • 75% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Boy & Bear
Old Town Blues
155 bpm • E min • 03:23 • -6.23db
44% Popularity • 54% Danceability • 74% Energy • 14% Liveness
11% Instrumentalness • 50% Positiveness
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Dojo Cuts
Rome
154 bpm • B Maj • 03:38 • -8.47db
61% Popularity • 78% Danceability • 50% Energy • 16% Liveness
6% Instrumentalness • 86% Positiveness
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DOPE LEMON
Only Lovers Left Alive
157 bpm • D Maj • 03:30 • -7.9db
38% Popularity • 65% Danceability • 67% Energy • 11% Liveness
51% Instrumentalness • 32% Positiveness
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DOPE LEMON
Won't Let You Go
155 bpm • E min • 03:57 • -6.77db
41% Popularity • 72% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 69% Positiveness
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Every Day Is A Holiday