Songs like Every One but the Right One by Helen Shapiro
Based on a tempo of (+/- 10%) and a similar genre
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Frank Ifield
Don't Blame Me
112 bpm • A min • 02:15 • -9db
12% Popularity • 42% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 42% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Peter And Gordon
I Go to Pieces - Mono; 2002 Remaster
112 bpm • E Maj • 02:26 • -7db
38% Popularity • 58% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 58% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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The Tremeloes
Silence Is Golden
112 bpm • E Maj • 03:10 • -7.27db
51% Popularity • 44% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 44% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Sam Cooke
Only Sixteen
112 bpm • G# Maj • 02:01 • -9.58db
40% Popularity • 73% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 73% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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John Leyton
Son This Is She
112 bpm • F Maj • 02:25 • -9.6db
19% Popularity • 42% Danceability • 56% Energy • 28% Liveness
41% Instrumentalness • 69% Positiveness
19% Popularity • 42% Danceability • 56% Energy • 28% Liveness
41% Instrumentalness • 69% Positiveness
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Jimmy Clanton
Venus in Blue Jeans
112 bpm • C# Maj • 02:23 • -4db
55% Popularity • 50% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 50% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Malcolm Roberts
May I Have the Next Dream with You
113 bpm • D Maj • 02:48 • -10.4db
35% Popularity • 44% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 44% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Ray Peterson
My Blue Angel
112 bpm • G# Maj • 02:55 • -6.92db
27% Popularity • 37% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 37% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Des O'Connor
One, Two, Three O'Leary
111 bpm • G Maj • 02:29 • -12db
17% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Brian Poole & The Tremeloes
Someone, Someone
113 bpm • D Maj • 02:56 • -14.48db
27% Popularity • 70% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 70% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Helen Shapiro
You Mean Ev'rything to Me
111 bpm • A min • 02:35 • -8.87db
8% Popularity • 42% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 42% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Billy J. Kramer
Trains and Boats and Planes
111 bpm • F Maj • 02:49 • -7db
37% Popularity • 65% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 65% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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The Walker Brothers
The Sun Ain't Gonna Shine Anymore
111 bpm • D Maj • 03:04 • -7.35db
47% Popularity • 44% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 44% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Ray Peterson
What Do You Want to Make Those Eyes at M...
111 bpm • C Maj • 02:08 • -8.75db
25% Popularity • 63% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 63% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Paul & Paula
Hey Paula - Alternate Take
111 bpm • G Maj • 02:29 • -9db
23% Popularity • 48% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
23% Popularity • 48% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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The Bachelors
The Little White Cloud That Cried
111 bpm • G# Maj • 02:08 • -13db
38% Popularity • 55% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 55% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Helen Shapiro
You Won't Come Home
113 bpm • C Maj • 02:25 • -7.91db
2% Popularity • 43% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 43% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Manfred Mann
Pretty Flamingo
113 bpm • G Maj • 02:29 • -8db
44% Popularity • 55% Danceability • 60% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 55% Danceability • 60% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
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Gene McDaniels
Spanish Lace
111 bpm • G# Maj • 02:27 • -12.01db
22% Popularity • 62% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 62% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Peter And Gordon
True Love Ways - 2002 Remaster
114 bpm • A Maj • 02:40 • -8.01db
32% Popularity • 32% Danceability • 47% Energy • 38% Liveness
1% Instrumentalness • 39% Positiveness
32% Popularity • 32% Danceability • 47% Energy • 38% Liveness
1% Instrumentalness • 39% Positiveness
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Emile Ford & The Checkmates
What Do You Want to Make Those Eyes at M...
114 bpm • G# Maj • 02:04 • -5.05db
38% Popularity • 45% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 45% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Brian Poole & The Tremeloes
The Three Bells (The Jimmy Brown Song)
114 bpm • D Maj • 03:04 • -10.68db
16% Popularity • 63% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 63% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Vic Dana
Red Roses For A Blue Lady
110 bpm • B Maj • 02:50 • -12db
42% Popularity • 36% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 36% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Paul & Paula
Hey Paula
110 bpm • G Maj • 02:30 • -11.85db
49% Popularity • 54% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 54% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Helen Shapiro
Sometime Yesterday
114 bpm • A# Maj • 02:52 • -8.74db
8% Popularity • 50% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 50% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Tommy Roe
The Folk Singer
110 bpm • G# Maj • 02:57 • -11db
34% Popularity • 55% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
34% Popularity • 55% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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The Fortunes
Here It Comes Again
115 bpm • E Maj • 03:03 • -8db
31% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Frank Ifield
Call Her Your Sweetheart
110 bpm • D Maj • 01:56 • -14.18db
17% Popularity • 46% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 46% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Sandy Posey
Born A Woman
115 bpm • C Maj • 02:00 • -12.21db
34% Popularity • 76% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 76% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Al Martino
Spanish Eyes
109 bpm • D Maj • 02:46 • -9.8db
53% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Helen Shapiro
Baby It's You
109 bpm • A# Maj • 02:45 • -10.27db
8% Popularity • 56% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 56% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Little Eva
Some Kinda Wonderful
109 bpm • C Maj • 02:39 • -12db
28% Popularity • 79% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 79% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Vince Hill
Love Letters in the Sand
115 bpm • F Maj • 02:07 • -7.07db
23% Popularity • 27% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 27% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Craig Douglas
Only Sixteen
115 bpm • D Maj • 02:20 • -18.17db
30% Popularity • 67% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 67% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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The Swinging Blue Jeans
You're No Good
115 bpm • C Maj • 02:17 • -12db
45% Popularity • 62% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 62% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Manfred Mann
Hi Lili, Hi Lo
115 bpm • G Maj • 02:42 • -7.23db
23% Popularity • 60% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 60% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Helen Shapiro
You Don't Know
109 bpm • A min • 02:40 • -8db
36% Popularity • 43% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 43% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Jane Morgan
The Day The Rains Came
109 bpm • A# Maj • 02:58 • -8.85db
14% Popularity • 43% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 43% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
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Sonny & Cher
What Now My Love
109 bpm • A# Maj • 03:42 • -7.17db
23% Popularity • 45% Danceability • 72% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 45% Danceability • 72% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
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Peter And Gordon
Woman
109 bpm • B Maj • 02:27 • -9db
31% Popularity • 39% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 39% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Eden Kane
I Don't Know Why
116 bpm • A# Maj • 02:24 • -11.05db
12% Popularity • 37% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 37% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Bend It
116 bpm • D Maj • 02:32 • -8db
37% Popularity • 63% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 63% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Helen Shapiro
No Trespassing
109 bpm • F Maj • 01:55 • -10db
8% Popularity • 78% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 98% Positiveness
8% Popularity • 78% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 98% Positiveness
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The Cascades
Rhythm Of The Rain
116 bpm • E Maj • 02:27 • -13.78db
31% Popularity • 64% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 64% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Freddie & The Dreamers
I Love You Baby
108 bpm • F# Maj • 02:01 • -10db
21% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Chris Andrews
Yesterday Man
108 bpm • C Maj • 02:54 • -4db
41% Popularity • 73% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 73% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Paul & Paula
Hey Paula - Re-Recorded
108 bpm • G Maj • 02:28 • -11db
22% Popularity • 38% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 38% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Craig Douglas
Oh Lonesome Me
108 bpm • C Maj • 02:24 • -9db
33% Popularity • 62% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 62% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Helen Shapiro
You Don’t Know
108 bpm • A min • 02:42 • -10.65db
16% Popularity • 43% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 43% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Little Eva
Breaking up Is Hard to Do
116 bpm • C Maj • 02:19 • -10.47db
28% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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The Seekers
Morningtown Ride
116 bpm • G Maj • 02:41 • -10db
41% Popularity • 47% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 47% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Frank Ifield
Nobody's Darlin' but Mine
117 bpm • G Maj • 02:28 • -12.75db
22% Popularity • 38% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 38% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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The Bachelors
Marta
117 bpm • C# min • 02:54 • -10.56db
7% Popularity • 43% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 43% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Des O'Connor
Loneliness
108 bpm • D# Maj • 03:21 • -12.59db
11% Popularity • 31% Danceability • 20% Energy • 8% Liveness
37% Instrumentalness • 28% Positiveness
11% Popularity • 31% Danceability • 20% Energy • 8% Liveness
37% Instrumentalness • 28% Positiveness
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The Cascades
Rhythm of the Rain
117 bpm • C Maj • 02:26 • -8.34db
61% Popularity • 66% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 66% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Manfred Mann
Come Tomorrow
117 bpm • D# Maj • 02:44 • -10.91db
27% Popularity • 50% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 50% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Clanton
Venus in Blue Jeans
117 bpm • D Maj • 02:14 • -12.08db
30% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Tommy Steele
A Handful of Songs
107 bpm • C# Maj • 02:07 • -12db
15% Popularity • 63% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 63% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Craig Douglas
Pretty Blue Eyes
117 bpm • D# Maj • 02:14 • -17.65db
32% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Sonny & Cher
Little Man - LP/Single Version
107 bpm • A Maj • 03:22 • -7.7db
32% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Kenny Lynch
You Can Never Stop Me Loving You
117 bpm • E Maj • 02:46 • -10.24db
17% Popularity • 55% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 55% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 93% Positiveness
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Eden Kane
I Don't Know Why
117 bpm • A# Maj • 02:25 • -10.68db
17% Popularity • 54% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 54% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Sandy Posey
Single Girl
107 bpm • A# Maj • 02:32 • -11db
49% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Marty Wilde
Endless Sleep
117 bpm • F Maj • 02:17 • -10.85db
25% Popularity • 62% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 62% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Helen Shapiro
Queen for Tonight
117 bpm • A# Maj • 02:11 • -10.6db
37% Popularity • 61% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 61% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Doris Day
Move Over Darling
106 bpm • D Maj • 02:37 • -10.19db
34% Popularity • 43% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 43% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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The Fortunes
Four And Twenty Hours (Seven Days Of Eve...
118 bpm • C Maj • 04:17 • -10.84db
31% Popularity • 68% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 86% Positiveness
31% Popularity • 68% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 86% Positiveness
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Georgie Fame
The Ballad of Bonnie & Clyde
106 bpm • G Maj • 03:09 • -16.25db
18% Popularity • 66% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 66% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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The Crickets
More Than I Can Say
106 bpm • F# min • 02:43 • -16db
33% Popularity • 63% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 63% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Freddie & The Dreamers
It Doesn't Matter Anymore
118 bpm • E Maj • 02:11 • -10.29db
18% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Helen Shapiro
He's a Rebel - 2003 Remaster
118 bpm • F# Maj • 02:18 • -8.46db
9% Popularity • 59% Danceability • 75% Energy • 65% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 59% Danceability • 75% Energy • 65% Liveness
0% Instrumentalness • 76% Positiveness
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David Garrick
Dear Mrs. Applebee
118 bpm • G Maj • 02:17 • -12.02db
35% Popularity • 78% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 78% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Sandy Posey
Sunglasses
119 bpm • A# Maj • 02:55 • -13.15db
32% Popularity • 64% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 64% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Billy J. Kramer
Every Time You Walk in the Room - Mono; ...
119 bpm • A Maj • 02:49 • -6.99db
26% Popularity • 54% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 54% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Bachelors
Can I Trust You
119 bpm • A min • 02:42 • -6.5db
17% Popularity • 38% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 38% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Love Affair
Rainbow Valley
106 bpm • C Maj • 03:50 • -12.55db
32% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Helen Shapiro
Stay
118 bpm • C# min • 01:45 • -7.93db
8% Popularity • 61% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 61% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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The Ivy League
Tossing and Turning (Single Version)
119 bpm • A Maj • 02:26 • -9.07db
24% Popularity • 59% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 59% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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The Tremeloes
Suddenly You Love Me
106 bpm • D Maj • 02:45 • -3.79db
32% Popularity • 56% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 56% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Mark Wynter
Venus in Blue Jeans
119 bpm • C Maj • 02:09 • -11.47db
30% Popularity • 52% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 52% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Eden Kane
Well I Ask You
119 bpm • C Maj • 02:21 • -11db
25% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Gary Puckett & The Union Gap
Young Girl
119 bpm • D# Maj • 03:11 • -8.23db
52% Popularity • 44% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 44% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Helen Shapiro
Queen for Tonight - 2003 Remaster
118 bpm • A# Maj • 02:09 • -7.01db
16% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Billy J. Kramer
Little Children
105 bpm • A# Maj • 02:47 • -9.83db
33% Popularity • 58% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 58% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Lloyd Price
I'm Gonna Get Married
120 bpm • G Maj • 02:20 • -12.75db
38% Popularity • 55% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 55% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
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Freddie & The Dreamers
I Understand - Stereo; 1999 Remaster
105 bpm • E Maj • 02:37 • -11.39db
32% Popularity • 47% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
32% Popularity • 47% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Eden Kane
Well I Ask You
120 bpm • C Maj • 02:15 • -8.74db
29% Popularity • 75% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 75% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Sonny & Cher
Then He Kissed Me
120 bpm • C Maj • 02:58 • -7.28db
27% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Helen Shapiro
It's My Party - 2003 Remaster
119 bpm • G Maj • 02:27 • -8.93db
12% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Frank Ifield
Confessin' (That I Love You)
120 bpm • A Maj • 02:03 • -9.62db
21% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Billy J. Kramer
Twilight Time
104 bpm • D Maj • 03:08 • -7.76db
19% Popularity • 71% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 71% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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The Fortunes
This Golden Ring
120 bpm • D# Maj • 02:16 • -8.91db
18% Popularity • 36% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 36% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Leapy Lee
Little Arrows
104 bpm • B Maj • 02:43 • -9db
34% Popularity • 65% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 65% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Duane Eddy
Because They're Young
121 bpm • E Maj • 02:00 • -10.98db
22% Popularity • 69% Danceability • 65% Energy • 21% Liveness
96% Instrumentalness • 96% Positiveness
22% Popularity • 69% Danceability • 65% Energy • 21% Liveness
96% Instrumentalness • 96% Positiveness
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Helen Shapiro
Daddy Couldn't Get Me One of Those
105 bpm • G# Maj • 02:26 • -7.42db
10% Popularity • 48% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 48% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Frank Ifield
I'm Confessin'
120 bpm • A Maj • 02:05 • -12.79db
30% Popularity • 58% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 58% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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michael holliday
Starry Eyed - Single Version
121 bpm • D Maj • 02:23 • -10db
21% Popularity • 62% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 62% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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The Toys
A Lover's Concerto
121 bpm • D Maj • 02:39 • -3db
32% Popularity • 67% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 67% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
