Songs like Every Single Night by Fiona Apple
Based on a tempo of (+/- 10%) and a similar genre
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Unloved
When a Woman Is Around
126 bpm • D# Maj • 03:44 • -6.8db
41% Popularity • 48% Danceability • 73% Energy • 34% Liveness
1% Instrumentalness • 63% Positiveness
41% Popularity • 48% Danceability • 73% Energy • 34% Liveness
1% Instrumentalness • 63% Positiveness
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Fiona Apple
Every Single Night
126 bpm • C Maj • 03:29 • -12.61db
49% Popularity • 69% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 69% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Snail Mail
Pristine
126 bpm • C Maj • 04:55 • -5.51db
52% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Arca
Reverie
126 bpm • A min • 03:12 • -9.64db
40% Popularity • 25% Danceability • 55% Energy • 19% Liveness
13% Instrumentalness • 8% Positiveness
40% Popularity • 25% Danceability • 55% Energy • 19% Liveness
13% Instrumentalness • 8% Positiveness
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Aimee Mann
Wise Up
126 bpm • D Maj • 03:41 • -9.44db
42% Popularity • 47% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 18% Positiveness
42% Popularity • 47% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 18% Positiveness
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Hole
Miss World
126 bpm • G Maj • 03:00 • -8db
54% Popularity • 33% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 33% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Haley Heynderickx
Show You a Body
127 bpm • A# min • 03:28 • -12db
46% Popularity • 46% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
46% Popularity • 46% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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Hope Sandoval & The Warm Inventions
Suzanne
125 bpm • G Maj • 04:51 • -15db
49% Popularity • 51% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
49% Popularity • 51% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
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Broadcast
Corporeal
125 bpm • D Maj • 03:55 • -10db
39% Popularity • 63% Danceability • 60% Energy • 21% Liveness
63% Instrumentalness • 26% Positiveness
39% Popularity • 63% Danceability • 60% Energy • 21% Liveness
63% Instrumentalness • 26% Positiveness
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Moses Sumney
Lonely World
125 bpm • G min • 04:48 • -7.95db
32% Popularity • 38% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
32% Popularity • 38% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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Aimee Mann
How Am I Different - Remastered 2020
125 bpm • G min • 05:03 • -8.53db
24% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Yo La Tengo
My Heart's Not In It
125 bpm • A Maj • 02:48 • -9.8db
41% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Goldfrapp
Human
128 bpm • F Maj • 04:36 • -10.1db
33% Popularity • 63% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 63% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Broken Social Scene
Lover's Spit
124 bpm • C Maj • 07:34 • -11.05db
27% Popularity • 38% Danceability • 42% Energy • 10% Liveness
63% Instrumentalness • 5% Positiveness
27% Popularity • 38% Danceability • 42% Energy • 10% Liveness
63% Instrumentalness • 5% Positiveness
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Wilco
How to Fight Loneliness
124 bpm • B min • 03:52 • -12.67db
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
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Alice Phoebe Lou
She
128 bpm • D Maj • 03:55 • -8.72db
46% Popularity • 36% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
46% Popularity • 36% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Aimee Mann
Momentum
127 bpm • A min • 03:27 • -9.78db
34% Popularity • 60% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 60% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Big Thief
Real Love - 2023 Remaster
129 bpm • C Maj • 04:17 • -4.83db
51% Popularity • 31% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 31% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Perfume Genius
Alan
129 bpm • B Maj • 02:46 • -11db
32% Popularity • 20% Danceability • 29% Energy • 10% Liveness
45% Instrumentalness • 20% Positiveness
32% Popularity • 20% Danceability • 29% Energy • 10% Liveness
45% Instrumentalness • 20% Positiveness
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Emily Haines & The Soft Skeleton
Winning
129 bpm • D Maj • 05:08 • -11.3db
20% Popularity • 62% Danceability • 32% Energy • 8% Liveness
11% Instrumentalness • 11% Positiveness
20% Popularity • 62% Danceability • 32% Energy • 8% Liveness
11% Instrumentalness • 11% Positiveness
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Fiona Apple
Werewolf
123 bpm • A min • 03:12 • -14db
45% Popularity • 45% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 45% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Lorde
The Louvre
123 bpm • C Maj • 04:31 • -9.98db
63% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
63% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Aimee Mann
One
124 bpm • E min • 02:53 • -13.97db
45% Popularity • 61% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 61% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Sonic Youth
Bull In The Heather
129 bpm • G Maj • 03:04 • -12.73db
50% Popularity • 64% Danceability • 62% Energy • 24% Liveness
32% Instrumentalness • 42% Positiveness
50% Popularity • 64% Danceability • 62% Energy • 24% Liveness
32% Instrumentalness • 42% Positiveness
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Mazzy Star
Cry, Cry
123 bpm • G Maj • 03:58 • -16db
55% Popularity • 50% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
55% Popularity • 50% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Blood Orange
Champagne Coast
123 bpm • A Maj • 04:52 • -12.63db
61% Popularity • 81% Danceability • 41% Energy • 8% Liveness
39% Instrumentalness • 76% Positiveness
61% Popularity • 81% Danceability • 41% Energy • 8% Liveness
39% Instrumentalness • 76% Positiveness
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Lana Del Rey
Beautiful People Beautiful Problems
123 bpm • F Maj • 04:13 • -8.39db
60% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
60% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Belle and Sebastian
If You're Feeling Sinister
130 bpm • F# Maj • 05:21 • -13.36db
41% Popularity • 58% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 58% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Mirah
Cold Cold Water
122 bpm • C# min • 05:10 • -10.01db
22% Popularity • 32% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 32% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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My Brightest Diamond
Dragonfly
122 bpm • D Maj • 05:24 • -7.96db
17% Popularity • 52% Danceability • 46% Energy • 9% Liveness
12% Instrumentalness • 11% Positiveness
17% Popularity • 52% Danceability • 46% Energy • 9% Liveness
12% Instrumentalness • 11% Positiveness
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Fiona Apple
Get Gone
130 bpm • A# min • 04:07 • -9.77db
59% Popularity • 69% Danceability • 40% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 69% Danceability • 40% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
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Andrew Bird
Give It Away
122 bpm • G Maj • 04:28 • -8.04db
4% Popularity • 67% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
4% Popularity • 67% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Big Thief
Masterpiece - solo
131 bpm • E Maj • 04:00 • -8.58db
52% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Father John Misty
Pure Comedy
130 bpm • E Maj • 06:23 • -11.66db
38% Popularity • 46% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 46% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Radiohead
Exit Music (For A Film)
122 bpm • E min • 04:27 • -11.36db
73% Popularity • 29% Danceability • 28% Energy • 17% Liveness
12% Instrumentalness • 20% Positiveness
73% Popularity • 29% Danceability • 28% Energy • 17% Liveness
12% Instrumentalness • 20% Positiveness
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The West Coast Pop Art Experimental Band
I Won't Hurt You
131 bpm • A Maj • 02:24 • -26.13db
52% Popularity • 46% Danceability • 10% Energy • 11% Liveness
11% Instrumentalness • 77% Positiveness
52% Popularity • 46% Danceability • 10% Energy • 11% Liveness
11% Instrumentalness • 77% Positiveness
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Moses Sumney
Indulge Me
121 bpm • C Maj • 03:16 • -14.15db
30% Popularity • 35% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
30% Popularity • 35% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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Alabama Shakes
This Feeling
131 bpm • G Maj • 04:28 • -11.51db
56% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Sleater-Kinney
Modern Girl
131 bpm • B Maj • 03:01 • -5.08db
48% Popularity • 54% Danceability • 65% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
48% Popularity • 54% Danceability • 65% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
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Big Thief
Shark Smile - Edit
131 bpm • F# min • 03:14 • -9.31db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
68% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
68% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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The Velvet Underground
After Hours
121 bpm • G min • 02:07 • -20.99db
62% Popularity • 61% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
62% Popularity • 61% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Bill Callahan
Night
121 bpm • C Maj • 03:04 • -18db
28% Popularity • 53% Danceability • 9% Energy • 15% Liveness
32% Instrumentalness • 30% Positiveness
28% Popularity • 53% Danceability • 9% Energy • 15% Liveness
32% Instrumentalness • 30% Positiveness
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The Breeders
Drivin' on 9
121 bpm • G Maj • 03:22 • -13.65db
48% Popularity • 63% Danceability • 39% Energy • 26% Liveness
53% Instrumentalness • 54% Positiveness
48% Popularity • 63% Danceability • 39% Energy • 26% Liveness
53% Instrumentalness • 54% Positiveness
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Big Thief
Shark Smile
131 bpm • F# min • 03:57 • -8.15db
56% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
56% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
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Janelle Monáe
Mushrooms & Roses
121 bpm • D Maj • 05:42 • -10db
30% Popularity • 51% Danceability • 60% Energy • 8% Liveness
16% Instrumentalness • 35% Positiveness
30% Popularity • 51% Danceability • 60% Energy • 8% Liveness
16% Instrumentalness • 35% Positiveness
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Shamir
Lived And Died Alone
121 bpm • A Maj • 04:24 • -9db
28% Popularity • 67% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 67% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Unloved
(Sigh)
132 bpm • E Maj • 03:12 • -9.15db
35% Popularity • 24% Danceability • 64% Energy • 36% Liveness
86% Instrumentalness • 28% Positiveness
35% Popularity • 24% Danceability • 64% Energy • 36% Liveness
86% Instrumentalness • 28% Positiveness
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Blonde Redhead
In Particular
121 bpm • F# Maj • 06:05 • -9.4db
41% Popularity • 82% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
41% Popularity • 82% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
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Belle and Sebastian
Expectations
121 bpm • B min • 03:34 • -13.3db
46% Popularity • 51% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 51% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Lana Del Rey
Bartender
132 bpm • A min • 04:23 • -14.71db
62% Popularity • 58% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
62% Popularity • 58% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Liz Phair
Divorce Song - 2018 Remaster
120 bpm • C# Maj • 03:20 • -4.78db
35% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Portishead
Only You
120 bpm • F Maj • 04:59 • -12.21db
52% Popularity • 58% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 11% Positiveness
52% Popularity • 58% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 11% Positiveness
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Unloved
Cry Baby Cry
121 bpm • C# Maj • 05:03 • -12.82db
33% Popularity • 27% Danceability • 43% Energy • 32% Liveness
82% Instrumentalness • 9% Positiveness
33% Popularity • 27% Danceability • 43% Energy • 32% Liveness
82% Instrumentalness • 9% Positiveness
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The Magnetic Fields
I Don't Want to Get Over You
120 bpm • G Maj • 02:22 • -8.02db
53% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Haley Heynderickx
Worth It
132 bpm • E Maj • 07:53 • -10db
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Perfume Genius
Queen
132 bpm • C# Maj • 03:50 • -4.93db
46% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
46% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
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Liz Phair
6'1" - 2018 Remaster
132 bpm • A# Maj • 03:06 • -4.17db
36% Popularity • 59% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 59% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Japanese Breakfast
Paprika
120 bpm • E Maj • 03:40 • -5.5db
52% Popularity • 51% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 51% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Fiona Apple
Better Version Of Me
120 bpm • G min • 02:59 • -7.59db
43% Popularity • 62% Danceability • 75% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
43% Popularity • 62% Danceability • 75% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Leonard Cohen
Chelsea Hotel #2
132 bpm • F Maj • 03:06 • -20.18db
54% Popularity • 52% Danceability • 6% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
54% Popularity • 52% Danceability • 6% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
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Sibylle Baier
Tonight
120 bpm • F min • 02:26 • -14.71db
47% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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of Montreal
Gronlandic Edit
120 bpm • E min • 03:24 • -7db
54% Popularity • 97% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 97% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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The Magnetic Fields
Andrew in Drag
120 bpm • C Maj • 02:12 • -6.28db
45% Popularity • 68% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 68% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Mazzy Star
Look On Down From The Bridge
120 bpm • C Maj • 04:47 • -19.32db
64% Popularity • 37% Danceability • 8% Energy • 11% Liveness
69% Instrumentalness • 10% Positiveness
64% Popularity • 37% Danceability • 8% Energy • 11% Liveness
69% Instrumentalness • 10% Positiveness
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Fiona Apple
Limp
120 bpm • A min • 03:29 • -10.46db
55% Popularity • 77% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 77% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Laura Marling
My Manic And I
120 bpm • F min • 03:56 • -10.93db
39% Popularity • 69% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 69% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Yeah Yeah Yeahs
Maps
120 bpm • G Maj • 03:39 • -5.19db
69% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
69% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
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Portishead
Glory Box
120 bpm • C# Maj • 05:08 • -10db
73% Popularity • 51% Danceability • 43% Energy • 6% Liveness
52% Instrumentalness • 21% Positiveness
73% Popularity • 51% Danceability • 43% Energy • 6% Liveness
52% Instrumentalness • 21% Positiveness
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Emily Haines & The Soft Skeleton
Doctor Blind
133 bpm • G min • 03:57 • -7.73db
29% Popularity • 39% Danceability • 56% Energy • 7% Liveness
84% Instrumentalness • 18% Positiveness
29% Popularity • 39% Danceability • 56% Energy • 7% Liveness
84% Instrumentalness • 18% Positiveness
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Big Thief
Change
133 bpm • A# Maj • 04:55 • -13db
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Fiona Apple
Under The Table
120 bpm • C Maj • 03:21 • -8.14db
55% Popularity • 64% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 64% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Bird
A Nervous Tic Motion of the Head to the ...
133 bpm • D min • 04:59 • -10.05db
43% Popularity • 51% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 26% Positiveness
43% Popularity • 51% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 26% Positiveness
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Le Tigre
Hot Topic
133 bpm • F# min • 03:44 • -4db
47% Popularity • 73% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 73% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Neko Case
This Tornado Loves You
133 bpm • G Maj • 03:19 • -5db
42% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Julie Ruin
Just My Kind
133 bpm • E min • 03:51 • -6.09db
30% Popularity • 82% Danceability • 73% Energy • 11% Liveness
3% Instrumentalness • 87% Positiveness
30% Popularity • 82% Danceability • 73% Energy • 11% Liveness
3% Instrumentalness • 87% Positiveness
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FKA twigs
home with you
119 bpm • C Maj • 03:44 • -12.5db
49% Popularity • 38% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 38% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Lisa Hannigan
Fall
119 bpm • D# Maj • 02:59 • -12.64db
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Perfume Genius
Without You
134 bpm • A Maj • 02:35 • -5.33db
35% Popularity • 65% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 83% Positiveness
35% Popularity • 65% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 83% Positiveness
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Weyes Blood
Seven Words
134 bpm • A# Maj • 04:37 • -10.38db
35% Popularity • 30% Danceability • 30% Energy • 13% Liveness
11% Instrumentalness • 10% Positiveness
35% Popularity • 30% Danceability • 30% Energy • 13% Liveness
11% Instrumentalness • 10% Positiveness
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Neko Case
Hold On, Hold On
119 bpm • F min • 02:46 • -5.02db
50% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Daniel Johnston
True Love Will Find You in the End
119 bpm • A# min • 01:51 • -12.12db
54% Popularity • 55% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 55% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Tori Amos
Cornflake Girl
134 bpm • G Maj • 05:05 • -8.96db
60% Popularity • 63% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 63% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Fiona Apple
Ladies
134 bpm • F# min • 05:25 • -9.63db
47% Popularity • 56% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 56% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Joni Mitchell
Blue
134 bpm • F# min • 02:57 • -13.69db
50% Popularity • 46% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 46% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Haley Heynderickx
Untitled God Song
119 bpm • F min • 03:44 • -7.13db
44% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Life Without Buildings
The Leanover
118 bpm • B min • 05:23 • -8.4db
52% Popularity • 52% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 52% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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The Breeders
Do You Love Me Now?
135 bpm • D Maj • 03:01 • -12db
45% Popularity • 47% Danceability • 23% Energy • 10% Liveness
13% Instrumentalness • 32% Positiveness
45% Popularity • 47% Danceability • 23% Energy • 10% Liveness
13% Instrumentalness • 32% Positiveness
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Yeah Yeah Yeahs
Hysteric - acoustic
118 bpm • C# Maj • 03:51 • -9.81db
26% Popularity • 42% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 42% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Mirah
Dreamboat
135 bpm • C# Maj • 01:34 • -13.63db
11% Popularity • 54% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 34% Positiveness
11% Popularity • 54% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 34% Positiveness
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Lucy Dacus
I Don't Wanna Be Funny Anymore
135 bpm • G# Maj • 02:43 • -8.03db
55% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
55% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
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Laura Marling
Devil's Spoke
118 bpm • D Maj • 03:38 • -9db
45% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Perfume Genius
On the Floor
118 bpm • A Maj • 05:03 • -6db
44% Popularity • 41% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 41% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Sibylle Baier
I Lost Something in the Hills
117 bpm • G# Maj • 03:28 • -14.67db
45% Popularity • 63% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 63% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sky Ferreira
Everything Is Embarrassing
117 bpm • C Maj • 04:10 • -5.89db
51% Popularity • 67% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 67% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
