Songs like Every Time the Sun Comes Up by Sharon Van Etten
Based on a tempo of (+/- 10%) and a similar genre
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Fruit Bats
Humbug Mountain Song
100 bpm • F# min • 03:04 • -5.36db
60% Popularity • 59% Danceability • 93% Energy • 31% Liveness
6% Instrumentalness • 94% Positiveness
60% Popularity • 59% Danceability • 93% Energy • 31% Liveness
6% Instrumentalness • 94% Positiveness
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The Staves
Good Woman
100 bpm • C# Maj • 03:17 • -12.51db
42% Popularity • 63% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
42% Popularity • 63% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Hamilton Leithauser
Sick as a Dog
100 bpm • C Maj • 04:33 • -7.85db
34% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Arcade Fire
Sprawl II (Mountains Beyond Mountains)
100 bpm • G# Maj • 05:25 • -6.43db
56% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Spiritualized
Ladies and gentlemen we are floating in ...
100 bpm • D Maj • 03:54 • -11.45db
53% Popularity • 38% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 38% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Kevin Morby
Beautiful Strangers
100 bpm • E Maj • 06:15 • -11.13db
57% Popularity • 83% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 89% Positiveness
57% Popularity • 83% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 89% Positiveness
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Marlon Williams
Party Boy
100 bpm • C# min • 02:33 • -7.97db
29% Popularity • 60% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 60% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Widowspeak
Money
100 bpm • G# Maj • 04:53 • -7.46db
36% Popularity • 64% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
36% Popularity • 64% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
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Sharon Van Etten
Anything
100 bpm • A Maj • 02:38 • -7.63db
34% Popularity • 49% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
34% Popularity • 49% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Andrew Bird
Are You Serious
100 bpm • C Maj • 03:38 • -8db
50% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Soccer Mommy
I'm On Fire
100 bpm • D Maj • 03:07 • -12.38db
38% Popularity • 42% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
38% Popularity • 42% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Bill Callahan
Riding For The Feeling
101 bpm • C Maj • 06:05 • -15db
38% Popularity • 44% Danceability • 21% Energy • 25% Liveness
1% Instrumentalness • 28% Positiveness
38% Popularity • 44% Danceability • 21% Energy • 25% Liveness
1% Instrumentalness • 28% Positiveness
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Jess Williamson
Pictures of Flowers
101 bpm • E Maj • 04:20 • -10.1db
25% Popularity • 69% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 69% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Widowspeak
While You Wait
100 bpm • E Maj • 04:50 • -10.32db
28% Popularity • 58% Danceability • 46% Energy • 12% Liveness
28% Instrumentalness • 31% Positiveness
28% Popularity • 58% Danceability • 46% Energy • 12% Liveness
28% Instrumentalness • 31% Positiveness
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Warpaint
Billie Holiday
101 bpm • A min • 06:45 • -11.13db
47% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Sharon Van Etten
Mistakes
100 bpm • F# Maj • 03:59 • -7.83db
47% Popularity • 57% Danceability • 78% Energy • 18% Liveness
59% Instrumentalness • 52% Positiveness
47% Popularity • 57% Danceability • 78% Energy • 18% Liveness
59% Instrumentalness • 52% Positiveness
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Andrew Bird
Manifest
100 bpm • C min • 05:17 • -6.4db
52% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Devin Hoff
Go Your Way
99 bpm • C Maj • 05:06 • -20.39db
10% Popularity • 46% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
10% Popularity • 46% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
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Feist
Train Song
99 bpm • G# Maj • 03:02 • -10db
45% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Helena Deland
Baby
101 bpm • F Maj • 04:29 • -11db
36% Popularity • 29% Danceability • 25% Energy • 21% Liveness
6% Instrumentalness • 6% Positiveness
36% Popularity • 29% Danceability • 25% Energy • 21% Liveness
6% Instrumentalness • 6% Positiveness
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The Magnetic Fields
The Book of Love
99 bpm • G Maj • 02:42 • -13.29db
59% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Sharon Van Etten
Every Time the Sun Comes Up
100 bpm • C# Maj • 04:22 • -8.74db
62% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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This Is The Kit
Moonshine Freeze
98 bpm • F# min • 03:41 • -9db
38% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Kurt Vile
Wakin on a Pretty Day
102 bpm • B Maj • 09:30 • -8.16db
51% Popularity • 38% Danceability • 78% Energy • 26% Liveness
75% Instrumentalness • 55% Positiveness
51% Popularity • 38% Danceability • 78% Energy • 26% Liveness
75% Instrumentalness • 55% Positiveness
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Gillian Welch
Everything Is Free
102 bpm • C Maj • 04:47 • -14.77db
39% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Timber Timbre
Run From Me
102 bpm • B Maj • 04:16 • -7db
42% Popularity • 44% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
42% Popularity • 44% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
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Bedouine
Thirteen
102 bpm • A# Maj • 03:04 • -11db
50% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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JOMORO
Nest
102 bpm • C Maj • 03:55 • -11.49db
5% Popularity • 56% Danceability • 34% Energy • 12% Liveness
13% Instrumentalness • 18% Positiveness
5% Popularity • 56% Danceability • 34% Energy • 12% Liveness
13% Instrumentalness • 18% Positiveness
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Caroline Rose
More Of The Same
98 bpm • G Maj • 04:08 • -4.5db
47% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Phosphorescent
New Birth in New England
103 bpm • F# Maj • 04:59 • -5db
42% Popularity • 56% Danceability • 96% Energy • 53% Liveness
63% Instrumentalness • 60% Positiveness
42% Popularity • 56% Danceability • 96% Energy • 53% Liveness
63% Instrumentalness • 60% Positiveness
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Lykke Li
I Know Places
102 bpm • G min • 06:26 • -14.04db
46% Popularity • 37% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
46% Popularity • 37% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Waxahatchee
Lilacs
103 bpm • G Maj • 03:15 • -9db
54% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Fleet Foxes
Sunblind
103 bpm • G Maj • 04:13 • -8.48db
47% Popularity • 56% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
47% Popularity • 56% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
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Lisa Hannigan
Undertow
97 bpm • A min • 03:24 • -12.44db
44% Popularity • 64% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 64% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Kevin Morby
All of My Life
97 bpm • E Maj • 03:30 • -10.61db
45% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Cigarettes After Sex
Nothing's Gonna Hurt You Baby
97 bpm • E Maj • 04:46 • -14.07db
75% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
75% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
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The War On Drugs
Thinking of a Place
103 bpm • B Maj • 11:10 • -7.12db
58% Popularity • 48% Danceability • 63% Energy • 12% Liveness
8% Instrumentalness • 16% Positiveness
58% Popularity • 48% Danceability • 63% Energy • 12% Liveness
8% Instrumentalness • 16% Positiveness
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Feist
Homage
104 bpm • A min • 04:09 • -10.08db
32% Popularity • 51% Danceability • 33% Energy • 31% Liveness
52% Instrumentalness • 33% Positiveness
32% Popularity • 51% Danceability • 33% Energy • 31% Liveness
52% Instrumentalness • 33% Positiveness
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Andrew Bird
Left Handed Kisses
97 bpm • E min • 03:14 • -9.12db
45% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Yo La Tengo
I'll Be Around
104 bpm • G Maj • 04:47 • -12db
46% Popularity • 33% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
46% Popularity • 33% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Sylvan Esso
Funeral Singers
104 bpm • G# Maj • 03:39 • -10.82db
50% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Hand Habits
can’t calm down
104 bpm • F# Maj • 03:35 • -8.29db
26% Popularity • 58% Danceability • 56% Energy • 11% Liveness
52% Instrumentalness • 33% Positiveness
26% Popularity • 58% Danceability • 56% Energy • 11% Liveness
52% Instrumentalness • 33% Positiveness
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Fleet Foxes
If You Need To, Keep Time on Me
104 bpm • A Maj • 03:30 • -10.2db
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Warpaint
Undertow
104 bpm • F# min • 05:53 • -9.34db
40% Popularity • 50% Danceability • 49% Energy • 10% Liveness
40% Instrumentalness • 37% Positiveness
40% Popularity • 50% Danceability • 49% Energy • 10% Liveness
40% Instrumentalness • 37% Positiveness
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Julia Jacklin
to Perth, before the border closes
96 bpm • D Maj • 02:56 • -12.44db
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Villagers
Courage
105 bpm • C Maj • 04:47 • -11.83db
46% Popularity • 74% Danceability • 30% Energy • 23% Liveness
14% Instrumentalness • 30% Positiveness
46% Popularity • 74% Danceability • 30% Energy • 23% Liveness
14% Instrumentalness • 30% Positiveness
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Hurray For The Riff Raff
Pa'lante
105 bpm • G Maj • 05:53 • -7db
30% Popularity • 55% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 55% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Phosphorescent
Ride On / Right On
95 bpm • G Maj • 03:44 • -7.42db
44% Popularity • 54% Danceability • 58% Energy • 15% Liveness
7% Instrumentalness • 24% Positiveness
44% Popularity • 54% Danceability • 58% Energy • 15% Liveness
7% Instrumentalness • 24% Positiveness
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Big Thief
Simulation Swarm
105 bpm • C# Maj • 04:12 • -9db
66% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Kurt Vile
Bassackwards
95 bpm • G Maj • 09:46 • -9.26db
40% Popularity • 63% Danceability • 57% Energy • 24% Liveness
72% Instrumentalness • 39% Positiveness
40% Popularity • 63% Danceability • 57% Energy • 24% Liveness
72% Instrumentalness • 39% Positiveness
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Arlo Parks
Hurt
95 bpm • E min • 03:36 • -9.49db
55% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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The Magnetic Fields
All My Little Words
105 bpm • G# Maj • 02:46 • -8db
53% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
53% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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This Is The Kit
Coming to Get You Nowhere
95 bpm • G Maj • 03:20 • -11db
38% Popularity • 69% Danceability • 52% Energy • 13% Liveness
38% Instrumentalness • 86% Positiveness
38% Popularity • 69% Danceability • 52% Energy • 13% Liveness
38% Instrumentalness • 86% Positiveness
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Villagers
Dawning On Me
95 bpm • G Maj • 03:19 • -14.32db
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Big Thief
Mary
95 bpm • F Maj • 05:28 • -14.43db
51% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
51% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Kurt Vile
One Trick Ponies
95 bpm • A min • 05:21 • -5.32db
43% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Sharon Van Etten
I Don't Want to Let You Down
94 bpm • A min • 04:02 • -6.86db
27% Popularity • 49% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 49% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Amen Dunes
Believe
95 bpm • A# min • 05:46 • -7.95db
20% Popularity • 55% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 60% Positiveness
20% Popularity • 55% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 60% Positiveness
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Mazzy Star
Halah
106 bpm • C Maj • 03:16 • -10.71db
65% Popularity • 62% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 62% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Nick Cave & The Bad Seeds
Into My Arms
94 bpm • C Maj • 04:16 • -17.8db
64% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
64% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
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Bill Callahan
Jim Cain
106 bpm • D Maj • 04:39 • -13.04db
48% Popularity • 70% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
48% Popularity • 70% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
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The Paper Kites
Without Your Love
94 bpm • D Maj • 03:30 • -9.86db
40% Popularity • 62% Danceability • 40% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
40% Popularity • 62% Danceability • 40% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
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Sharon Van Etten
The End of the World
94 bpm • A# Maj • 02:58 • -11.82db
50% Popularity • 33% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 33% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Widowspeak
Wicked Game
106 bpm • A Maj • 04:11 • -12.93db
48% Popularity • 57% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 57% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Nick Mulvey
Fever To The Form
106 bpm • C min • 04:12 • -8.93db
67% Popularity • 36% Danceability • 55% Energy • 11% Liveness
6% Instrumentalness • 26% Positiveness
67% Popularity • 36% Danceability • 55% Energy • 11% Liveness
6% Instrumentalness • 26% Positiveness
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Big Thief
Mythological Beauty
107 bpm • A# Maj • 05:06 • -9db
57% Popularity • 63% Danceability • 58% Energy • 12% Liveness
21% Instrumentalness • 47% Positiveness
57% Popularity • 63% Danceability • 58% Energy • 12% Liveness
21% Instrumentalness • 47% Positiveness
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Chromatics
Shadow
107 bpm • B min • 03:44 • -9.37db
51% Popularity • 59% Danceability • 54% Energy • 29% Liveness
59% Instrumentalness • 55% Positiveness
51% Popularity • 59% Danceability • 54% Energy • 29% Liveness
59% Instrumentalness • 55% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Amen Dunes
Blue Rose
107 bpm • G Maj • 04:06 • -6.77db
24% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
24% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Julie Byrne
Follow My Voice
107 bpm • D Maj • 04:02 • -14.63db
48% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Cassandra Jenkins
Hard Drive
107 bpm • A Maj • 05:27 • -11.46db
32% Popularity • 59% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 56% Positiveness
32% Popularity • 59% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 56% Positiveness
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Nico
These Days
93 bpm • F Maj • 03:30 • -17.64db
66% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
66% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
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Sun Kil Moon
Ben's My Friend
93 bpm • D# Maj • 05:16 • -6.8db
26% Popularity • 68% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 68% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Hope Sandoval & The Warm Inventions
Drop
93 bpm • F Maj • 02:32 • -12.18db
45% Popularity • 27% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
45% Popularity • 27% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
54% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
54% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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M. Ward
Chinese Translation
108 bpm • D Maj • 03:58 • -9db
56% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Chatham County Line
Strange Fascination
107 bpm • D# Maj • 04:18 • -17.15db
29% Popularity • 56% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 56% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Sharon Van Etten
We Are Fine
108 bpm • C Maj • 03:49 • -9db
37% Popularity • 42% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
37% Popularity • 42% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Cass McCombs
Brighter!
109 bpm • E min • 03:56 • -11.29db
43% Popularity • 62% Danceability • 47% Energy • 12% Liveness
37% Instrumentalness • 66% Positiveness
43% Popularity • 62% Danceability • 47% Energy • 12% Liveness
37% Instrumentalness • 66% Positiveness
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Andrew Bird
Cracking Codes
109 bpm • G Maj • 03:12 • -11.04db
42% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lala Lala
Siren 042
108 bpm • B Maj • 02:41 • -7.37db
47% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
47% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Chromatics
Into The Black
109 bpm • A min • 05:22 • -8.76db
52% Popularity • 61% Danceability • 38% Energy • 8% Liveness
44% Instrumentalness • 13% Positiveness
52% Popularity • 61% Danceability • 38% Energy • 8% Liveness
44% Instrumentalness • 13% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
40% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Sharon Van Etten
Afraid of Nothing
92 bpm • G Maj • 04:05 • -9.18db
34% Popularity • 15% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Matt Berninger
Loved So Little
92 bpm • E Maj • 04:55 • -7.44db
31% Popularity • 54% Danceability • 56% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
31% Popularity • 54% Danceability • 56% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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Wilco
Jesus, Etc. - 2022 Remaster
109 bpm • F Maj • 03:51 • -13db
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
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Kurt Vile
Pretty Pimpin
91 bpm • G# Maj • 04:58 • -9.07db
59% Popularity • 57% Danceability • 66% Energy • 9% Liveness
29% Instrumentalness • 76% Positiveness
59% Popularity • 57% Danceability • 66% Energy • 9% Liveness
29% Instrumentalness • 76% Positiveness
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Lala Lala
Destroyer
110 bpm • A# Maj • 03:12 • -6.71db
41% Popularity • 60% Danceability • 59% Energy • 15% Liveness
64% Instrumentalness • 33% Positiveness
41% Popularity • 60% Danceability • 59% Energy • 15% Liveness
64% Instrumentalness • 33% Positiveness
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Damien Jurado
Sheets
110 bpm • F# Maj • 04:16 • -10db
46% Popularity • 72% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
46% Popularity • 72% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
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Sufjan Stevens
Should Have Known Better
91 bpm • G Maj • 05:07 • -20.7db
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
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Destroyer
Kaputt
110 bpm • E Maj • 06:17 • -8.92db
42% Popularity • 65% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 56% Positiveness
42% Popularity • 65% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 56% Positiveness
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Jess Williamson
Wind on Tin
110 bpm • A min • 03:06 • -9.02db
29% Popularity • 58% Danceability • 45% Energy • 13% Liveness
14% Instrumentalness • 30% Positiveness
29% Popularity • 58% Danceability • 45% Energy • 13% Liveness
14% Instrumentalness • 30% Positiveness
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Villagers
Everything I Am Is Yours
110 bpm • E min • 03:30 • -11.15db
61% Popularity • 87% Danceability • 50% Energy • 14% Liveness
27% Instrumentalness • 69% Positiveness
61% Popularity • 87% Danceability • 50% Energy • 14% Liveness
27% Instrumentalness • 69% Positiveness
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Beirut
Postcards from Italy
110 bpm • D min • 04:17 • -7.32db
58% Popularity • 62% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
58% Popularity • 62% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
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Wye Oak
Civilian
91 bpm • G# min • 03:40 • -7db
57% Popularity • 39% Danceability • 70% Energy • 14% Liveness
22% Instrumentalness • 40% Positiveness
57% Popularity • 39% Danceability • 70% Energy • 14% Liveness
22% Instrumentalness • 40% Positiveness
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Lucy Dacus
In The Air Tonight
91 bpm • D min • 05:28 • -16.18db
29% Popularity • 65% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
29% Popularity • 65% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Matt Berninger
Serpentine Prison
110 bpm • B Maj • 04:32 • -11.55db
32% Popularity • 61% Danceability • 38% Energy • 11% Liveness
16% Instrumentalness • 35% Positiveness
32% Popularity • 61% Danceability • 38% Energy • 11% Liveness
16% Instrumentalness • 35% Positiveness
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DYAN
Looking for Knives
110 bpm • G# Maj • 06:13 • -12db
44% Popularity • 51% Danceability • 47% Energy • 15% Liveness
65% Instrumentalness • 9% Positiveness
44% Popularity • 51% Danceability • 47% Energy • 15% Liveness
65% Instrumentalness • 9% Positiveness
