Songs like Everybody Got to Believe In Somebody by Sam & Dave
Based on a tempo of (+/- 10%) and a similar genre
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The Capitols
Cool Jerk
84 bpm • A# min • 02:46 • -14.52db
43% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Sam & Dave
This Is Your World
84 bpm • D# Maj • 02:24 • -10.74db
13% Popularity • 67% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 67% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Jackie Wilson
Reet Petite
84 bpm • F Maj • 02:49 • -7db
56% Popularity • 66% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 66% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Steve Miller Band
The Joker
83 bpm • F Maj • 04:24 • -9.62db
76% Popularity • 60% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
76% Popularity • 60% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Lee Dorsey
Give It Up
83 bpm • A# min • 03:03 • -8.92db
35% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Mungo Jerry
In the Summertime
83 bpm • E Maj • 03:31 • -14.01db
70% Popularity • 75% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
70% Popularity • 75% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Tommy James & The Shondells
Crimson and Clover (Single Version)
82 bpm • B Maj • 03:28 • -12.28db
62% Popularity • 40% Danceability • 59% Energy • 18% Liveness
3% Instrumentalness • 65% Positiveness
62% Popularity • 40% Danceability • 59% Energy • 18% Liveness
3% Instrumentalness • 65% Positiveness
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Sam & Dave
Everybody Got to Believe in Somebody - M...
83 bpm • A# min • 03:14 • -9.89db
12% Popularity • 46% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 46% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Bo Diddley
I'm A Man
86 bpm • C Maj • 02:44 • -15.67db
57% Popularity • 51% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 51% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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The Impressions
It's All Right - Single Version
82 bpm • C# Maj • 02:47 • -15db
49% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Detroit Emeralds
Baby Let Me Take You (In My Arms)
81 bpm • F# min • 03:50 • -9.15db
47% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Wilson Pickett
Land of 1000 Dances
87 bpm • D Maj • 02:26 • -11.62db
67% Popularity • 62% Danceability • 59% Energy • 35% Liveness
3% Instrumentalness • 77% Positiveness
67% Popularity • 62% Danceability • 59% Energy • 35% Liveness
3% Instrumentalness • 77% Positiveness
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Charles Bradley
The World (Is Going Up in Flames)
87 bpm • F min • 03:22 • -8db
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Sam & Dave
Sweet Home
81 bpm • D Maj • 02:36 • -11.27db
18% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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The Five Stairsteps
O-o-h Child
87 bpm • C# Maj • 03:17 • -10.43db
58% Popularity • 51% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 51% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 55% Positiveness
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The Impressions
Fool for You
81 bpm • D# min • 02:52 • -8db
38% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
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Thin Lizzy
The Boys Are Back In Town
81 bpm • G# Maj • 04:26 • -9.8db
75% Popularity • 44% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
75% Popularity • 44% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Arthur Conley
Sweet Soul Music
80 bpm • F Maj • 02:21 • -9.67db
62% Popularity • 59% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 59% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Labi Siffre
I Got The... - 2006 Remaster
87 bpm • C min • 06:35 • -10.85db
59% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
59% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Monkees
I'm a Believer - 2006 Remaster
80 bpm • C Maj • 02:47 • -6.05db
76% Popularity • 53% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
76% Popularity • 53% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Dion
Runaround Sue
80 bpm • D Maj • 02:51 • -9.79db
71% Popularity • 36% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
71% Popularity • 36% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Sam & Dave
May I Baby
80 bpm • G Maj • 02:39 • -12.8db
28% Popularity • 60% Danceability • 36% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 60% Danceability • 36% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
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Cream
I Feel Free
88 bpm • A Maj • 02:51 • -14.06db
60% Popularity • 38% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 38% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Sugar Pie DeSanto
Soulful Dress
88 bpm • G min • 02:49 • -9.78db
50% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Canned Heat
Going Up The Country
80 bpm • F min • 02:52 • -18.98db
63% Popularity • 62% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 74% Positiveness
63% Popularity • 62% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 74% Positiveness
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The Supremes
My World Is Empty Without You
89 bpm • F# min • 02:34 • -9.38db
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Dusty Springfield
Take Another Little Piece Of My Heart
80 bpm • D Maj • 02:36 • -7.26db
51% Popularity • 48% Danceability • 75% Energy • 22% Liveness
32% Instrumentalness • 80% Positiveness
51% Popularity • 48% Danceability • 75% Energy • 22% Liveness
32% Instrumentalness • 80% Positiveness
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Sam & Dave
I Take What I Want - Mono
89 bpm • D Maj • 02:34 • -12.06db
29% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Georgie Fame & The Blue Flames
Yeh, Yeh
89 bpm • D# Maj • 02:44 • -9.38db
51% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Nina Simone
Feeling Good
79 bpm • G min • 02:54 • -9.24db
76% Popularity • 40% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
76% Popularity • 40% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Lee Dorsey
Get out of My Life Woman
90 bpm • F# Maj • 02:26 • -11db
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Jerry Lee Lewis
Great Balls Of Fire
79 bpm • G min • 01:51 • -7.23db
72% Popularity • 53% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
72% Popularity • 53% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Charlie Drake
Splish Splash
79 bpm • C Maj • 02:26 • -9db
52% Popularity • 57% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 57% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Del Shannon
Runaway
79 bpm • A# min • 02:17 • -7.99db
64% Popularity • 59% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
64% Popularity • 59% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Sharon Jones & The Dap-Kings
Be Easy
90 bpm • G Maj • 03:03 • -9db
55% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Sam & Dave
Knock It Out of the Park
90 bpm • C# Maj • 02:31 • -8.38db
3% Popularity • 67% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
3% Popularity • 67% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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B.B. King
The Thrill Is Gone
91 bpm • B min • 05:24 • -8.76db
65% Popularity • 55% Danceability • 46% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
65% Popularity • 55% Danceability • 46% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
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The Meters
Hand Clapping Song
91 bpm • A Maj • 02:56 • -13db
43% Popularity • 80% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
43% Popularity • 80% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
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The Brothers Johnson
Strawberry Letter 23
91 bpm • G min • 04:59 • -11.7db
63% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
63% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
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Charles Bradley
Heart of Gold
91 bpm • E min • 03:03 • -7.62db
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Faces
Stay with Me
91 bpm • A Maj • 04:39 • -8.38db
61% Popularity • 46% Danceability • 87% Energy • 36% Liveness
6% Instrumentalness • 81% Positiveness
61% Popularity • 46% Danceability • 87% Energy • 36% Liveness
6% Instrumentalness • 81% Positiveness
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Baby Huey
Hard Times
91 bpm • A min • 03:23 • -5.82db
52% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Curtis Mayfield
Freddie's Dead
91 bpm • C# min • 05:29 • -6.32db
48% Popularity • 52% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
48% Popularity • 52% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Sam & Dave
Don't Make It So Hard on Me
92 bpm • D Maj • 02:51 • -13.87db
17% Popularity • 63% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 63% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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J.J. Cale
Call Me The Breeze
92 bpm • B Maj • 02:36 • -15.37db
61% Popularity • 81% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
61% Popularity • 81% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Gladys Knight & The Pips
Midnight Train to Georgia
92 bpm • A# min • 04:39 • -12.06db
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Simon & Garfunkel
Mrs. Robinson
92 bpm • F# min • 04:04 • -14.04db
79% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
79% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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War
Why Can't We Be Friends
92 bpm • A# Maj • 03:50 • -10.09db
62% Popularity • 78% Danceability • 68% Energy • 48% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 78% Danceability • 68% Energy • 48% Liveness
0% Instrumentalness • 96% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself
92 bpm • G# Maj • 03:53 • -8.84db
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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The Staple Singers
The Weight
76 bpm • A# Maj • 04:35 • -13.67db
49% Popularity • 63% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 63% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Chuck Berry
Roll Over Beethoven
93 bpm • D# Maj • 02:24 • -10.15db
61% Popularity • 72% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
61% Popularity • 72% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Tom Jones
It's Not Unusual
93 bpm • C Maj • 01:59 • -10.02db
78% Popularity • 48% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
78% Popularity • 48% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Solomon Burke
Everybody Needs Somebody to Love
76 bpm • G# Maj • 02:46 • -7.94db
45% Popularity • 64% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 64% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Jean Knight
Mr. Big Stuff
93 bpm • G# Maj • 02:44 • -12.59db
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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The Coasters
Down In Mexico
94 bpm • D# min • 03:21 • -8db
48% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
48% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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King Floyd
I Feel Like Dynamite
93 bpm • F# Maj • 03:18 • -14db
43% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
43% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
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Eric Clapton
I Shot The Sheriff
94 bpm • G min • 04:23 • -11.03db
63% Popularity • 73% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
63% Popularity • 73% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Marlena Shaw
California Soul
95 bpm • G# min • 02:57 • -8.41db
66% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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The Righteous Brothers
You've Lost That Lovin' Feelin' - Single...
95 bpm • C# Maj • 03:46 • -14.3db
65% Popularity • 37% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 37% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Ben E. King
Supernatural Thing, Pt. 1
95 bpm • A# min • 04:11 • -10.93db
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Bob Dylan
Like a Rolling Stone
95 bpm • C Maj • 06:09 • -6.84db
70% Popularity • 48% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
70% Popularity • 48% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Sharon Jones & The Dap-Kings
Nobody's Baby
95 bpm • F Maj • 02:27 • -9db
63% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
63% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Jackie Wilson
(Your Love Keeps Lifting Me) Higher & Hi...
96 bpm • D Maj • 02:59 • -7.19db
71% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
71% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Otis Redding
Hard to Handle
96 bpm • A# Maj • 02:21 • -8.67db
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Guess Who
These Eyes
96 bpm • G Maj • 03:45 • -11.28db
60% Popularity • 56% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 56% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Irma Thomas
Time Is On My Side
96 bpm • C Maj • 02:52 • -9db
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
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Rufus & Chaka Khan
Tell Me Something Good
73 bpm • C# Maj • 04:37 • -9.74db
54% Popularity • 66% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 66% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Blood, Sweat & Tears
Spinning Wheel
97 bpm • G Maj • 04:07 • -9.31db
52% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Smokey Robinson & The Miracles
The Tracks Of My Tears
97 bpm • G Maj • 02:54 • -10.91db
66% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
66% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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The Supremes
You Can't Hurry Love
97 bpm • A# Maj • 02:47 • -9.34db
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The O'Jays
For the Love of Money
97 bpm • C Maj • 07:19 • -7.74db
55% Popularity • 68% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
55% Popularity • 68% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Percy Sledge
When a Man Loves a Woman
97 bpm • C# Maj • 02:53 • -20.41db
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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King Floyd
Hard to Handle
98 bpm • D# Maj • 02:25 • -8db
28% Popularity • 73% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 73% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
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Harold Melvin & The Blue Notes
Wake Up Everybody
98 bpm • F# Maj • 07:32 • -8.12db
58% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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The Spinners
The Rubberband Man
98 bpm • A# Maj • 03:33 • -14.61db
66% Popularity • 80% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
66% Popularity • 80% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
79% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
79% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Al Green
Tired of Being Alone
98 bpm • G Maj • 02:52 • -8.59db
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Sharon Jones & The Dap-Kings
This Land Is Your Land
98 bpm • F# Maj • 04:30 • -5.3db
47% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Billy Preston
Will It Go Round In Circles
98 bpm • C# Maj • 04:27 • -3.77db
46% Popularity • 69% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 69% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Tommy James & The Shondells
Crystal Blue Persuasion
99 bpm • A Maj • 04:02 • -11.45db
54% Popularity • 62% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
54% Popularity • 62% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Dionne Warwick
Walk on By
99 bpm • F Maj • 02:58 • -9.03db
67% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Jimmy Ruffin
What Becomes Of The Brokenhearted
99 bpm • G min • 02:55 • -12.67db
59% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Buffalo Springfield
For What It's Worth
99 bpm • D Maj • 02:33 • -10.16db
80% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
80% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Sly & The Family Stone
Underdog
100 bpm • A# Maj • 03:57 • -8.77db
34% Popularity • 44% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 44% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Sam & Dave
Broke Down Piece of Man
100 bpm • E Maj • 02:57 • -11.89db
31% Popularity • 73% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 73% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Dr. John
(Everybody Wanna Get Rich) Rite Away
100 bpm • A Maj • 02:43 • -10.06db
44% Popularity • 75% Danceability • 92% Energy • 8% Liveness
7% Instrumentalness • 97% Positiveness
44% Popularity • 75% Danceability • 92% Energy • 8% Liveness
7% Instrumentalness • 97% Positiveness
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Stevie Wonder
Superstition - Single Version
100 bpm • G# Maj • 04:05 • -12.12db
74% Popularity • 63% Danceability • 63% Energy • 4% Liveness
1% Instrumentalness • 87% Positiveness
74% Popularity • 63% Danceability • 63% Energy • 4% Liveness
1% Instrumentalness • 87% Positiveness
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Charles Bradley
No Time for Dreaming
101 bpm • C Maj • 02:52 • -7.77db
59% Popularity • 72% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
59% Popularity • 72% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
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The Staple Singers
If You're Ready (Come Go With Me)
101 bpm • E Maj • 04:27 • -14.66db
43% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
43% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Elmore James
Dust My Broom
101 bpm • G Maj • 02:55 • -4.91db
38% Popularity • 51% Danceability • 66% Energy • 32% Liveness
26% Instrumentalness • 66% Positiveness
38% Popularity • 51% Danceability • 66% Energy • 32% Liveness
26% Instrumentalness • 66% Positiveness
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Paul Simon
50 Ways to Leave Your Lover
102 bpm • G Maj • 03:37 • -12.81db
71% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
71% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Sam & Dave
Small Portion of Your Love
101 bpm • G Maj • 02:38 • -12.98db
25% Popularity • 77% Danceability • 40% Energy • 34% Liveness
7% Instrumentalness • 70% Positiveness
25% Popularity • 77% Danceability • 40% Energy • 34% Liveness
7% Instrumentalness • 70% Positiveness
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The Ides Of March
Vehicle
102 bpm • A# min • 02:58 • -8.81db
53% Popularity • 47% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
53% Popularity • 47% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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B.B. King
Better Not Look Down
102 bpm • C# Maj • 03:22 • -11.18db
47% Popularity • 73% Danceability • 74% Energy • 4% Liveness
4% Instrumentalness • 78% Positiveness
47% Popularity • 73% Danceability • 74% Energy • 4% Liveness
4% Instrumentalness • 78% Positiveness
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The Staple Singers
I'll Take You There
102 bpm • C Maj • 03:16 • -8.37db
69% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
69% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Tower Of Power
What Is Hip?
102 bpm • A Maj • 05:04 • -5.88db
50% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Al Green
Let's Stay Together
102 bpm • G min • 03:19 • -10.7db
78% Popularity • 76% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
78% Popularity • 76% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
