Songs like Everybody Here Wants You by Jeff Buckley
Based on a tempo of (+/- 10%) and a similar genre
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The Velvet Underground
After Hours
121 bpm • G min • 02:07 • -20.99db
62% Popularity • 61% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
62% Popularity • 61% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Jeff Buckley
Everybody Here Wants You
121 bpm • A min • 04:46 • -7.36db
57% Popularity • 72% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
57% Popularity • 72% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Tim Buckley
Once I Was
121 bpm • C# Maj • 03:23 • -10db
47% Popularity • 34% Danceability • 43% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
47% Popularity • 34% Danceability • 43% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
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The Jesus and Mary Chain
Just Like Honey
121 bpm • G# Maj • 03:02 • -10.5db
58% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
58% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
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Pulp
Something Changed
121 bpm • G Maj • 03:18 • -8.33db
53% Popularity • 54% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 38% Positiveness
53% Popularity • 54% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 38% Positiveness
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Blur
Coffee & TV
122 bpm • D Maj • 05:58 • -10.12db
64% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
64% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
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Portishead
Only You
120 bpm • F Maj • 04:59 • -12.21db
52% Popularity • 58% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 11% Positiveness
52% Popularity • 58% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 11% Positiveness
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Jeff Buckley
Lover, You Should've Come Over - Live at...
121 bpm • F# Maj • 09:25 • -10db
44% Popularity • 34% Danceability • 37% Energy • 93% Liveness
0% Instrumentalness • 9% Positiveness
44% Popularity • 34% Danceability • 37% Energy • 93% Liveness
0% Instrumentalness • 9% Positiveness
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David Bowie
Ashes to Ashes - 2017 Remaster
120 bpm • C# Maj • 04:26 • -10.55db
65% Popularity • 71% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
65% Popularity • 71% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Fleetwood Mac
Dreams - 2004 Remaster
120 bpm • C Maj • 04:17 • -9.74db
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Lou Reed
Satellite of Love
122 bpm • F Maj • 03:41 • -10.19db
59% Popularity • 46% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 46% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Suzanne Vega
Caramel
120 bpm • G Maj • 02:53 • -16.02db
48% Popularity • 66% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
48% Popularity • 66% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Coldplay
Don't Panic
122 bpm • C Maj • 02:16 • -8.41db
71% Popularity • 60% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
71% Popularity • 60% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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The Cranberries
Twenty One
120 bpm • G min • 03:07 • -15db
54% Popularity • 58% Danceability • 34% Energy • 10% Liveness
52% Instrumentalness • 9% Positiveness
54% Popularity • 58% Danceability • 34% Energy • 10% Liveness
52% Instrumentalness • 9% Positiveness
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David Bowie
I Can't Give Everything Away
120 bpm • F Maj • 05:47 • -7.01db
43% Popularity • 50% Danceability • 93% Energy • 33% Liveness
5% Instrumentalness • 42% Positiveness
43% Popularity • 50% Danceability • 93% Energy • 33% Liveness
5% Instrumentalness • 42% Positiveness
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The Sundays
A Certain Someone
122 bpm • A min • 04:25 • -10.28db
41% Popularity • 70% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 87% Positiveness
41% Popularity • 70% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 87% Positiveness
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Portishead
Glory Box
120 bpm • C# Maj • 05:08 • -10db
74% Popularity • 51% Danceability • 43% Energy • 6% Liveness
52% Instrumentalness • 21% Positiveness
74% Popularity • 51% Danceability • 43% Energy • 6% Liveness
52% Instrumentalness • 21% Positiveness
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The Blue Nile
Let's Go Out Tonight
123 bpm • E Maj • 05:21 • -11db
40% Popularity • 45% Danceability • 29% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
40% Popularity • 45% Danceability • 29% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
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Hole
Malibu
122 bpm • D Maj • 03:50 • -5.85db
64% Popularity • 53% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
64% Popularity • 53% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Massive Attack
Better Things
123 bpm • A min • 04:13 • -16db
45% Popularity • 59% Danceability • 18% Energy • 7% Liveness
29% Instrumentalness • 52% Positiveness
45% Popularity • 59% Danceability • 18% Energy • 7% Liveness
29% Instrumentalness • 52% Positiveness
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Jeff Buckley
Lover, You Should've Come Over
119 bpm • D Maj • 06:44 • -5.67db
73% Popularity • 39% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
73% Popularity • 39% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Blood Orange
Champagne Coast
123 bpm • A Maj • 04:52 • -12.63db
62% Popularity • 81% Danceability • 41% Energy • 8% Liveness
39% Instrumentalness • 76% Positiveness
62% Popularity • 81% Danceability • 41% Energy • 8% Liveness
39% Instrumentalness • 76% Positiveness
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Leonard Cohen
Famous Blue Raincoat
119 bpm • A min • 05:10 • -22.21db
59% Popularity • 47% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 47% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Foo Fighters
Doll
119 bpm • G Maj • 01:23 • -12db
59% Popularity • 49% Danceability • 26% Energy • 26% Liveness
18% Instrumentalness • 20% Positiveness
59% Popularity • 49% Danceability • 26% Energy • 26% Liveness
18% Instrumentalness • 20% Positiveness
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Thom Yorke
The Eraser
119 bpm • E min • 04:55 • -11db
48% Popularity • 63% Danceability • 58% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
48% Popularity • 63% Danceability • 58% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
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The Smiths
The Boy with the Thorn in His Side - 201...
119 bpm • G Maj • 03:16 • -7db
65% Popularity • 51% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
65% Popularity • 51% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Jeff Buckley
Je N'en Connais Pas La Fin - Live at Sin...
123 bpm • E Maj • 05:02 • -16.32db
42% Popularity • 39% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 39% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 19% Positiveness
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Nick Drake
' Cello Song
119 bpm • D# Maj • 04:44 • -17.22db
52% Popularity • 51% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 52% Positiveness
52% Popularity • 51% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 52% Positiveness
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Black Country, New Road
The Place Where He Inserted the Blade
123 bpm • B Maj • 07:13 • -8.28db
58% Popularity • 38% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
58% Popularity • 38% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Daniel Johnston
True Love Will Find You in the End
119 bpm • A# min • 01:51 • -12.12db
54% Popularity • 55% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 55% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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John Martyn
The Man In The Station
119 bpm • E min • 02:52 • -14db
43% Popularity • 60% Danceability • 23% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
43% Popularity • 60% Danceability • 23% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Led Zeppelin
Since I've Been Loving You - Remaster
119 bpm • F min • 07:24 • -10.95db
63% Popularity • 39% Danceability • 36% Energy • 12% Liveness
7% Instrumentalness • 31% Positiveness
63% Popularity • 39% Danceability • 36% Energy • 12% Liveness
7% Instrumentalness • 31% Positiveness
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David Bowie
The Man Who Sold the World - 2015 Remast...
118 bpm • D min • 04:01 • -14.42db
64% Popularity • 47% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
64% Popularity • 47% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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Wilco
How to Fight Loneliness
124 bpm • B min • 03:52 • -12.67db
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
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Labi Siffre
Cannock Chase
124 bpm • F# min • 04:06 • -11.86db
55% Popularity • 38% Danceability • 48% Energy • 13% Liveness
93% Instrumentalness • 49% Positiveness
55% Popularity • 38% Danceability • 48% Energy • 13% Liveness
93% Instrumentalness • 49% Positiveness
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Jeff Buckley
Lost Highway - Studio Outtake - 1993
118 bpm • G Maj • 04:22 • -11.23db
34% Popularity • 34% Danceability • 25% Energy • 19% Liveness
3% Instrumentalness • 12% Positiveness
34% Popularity • 34% Danceability • 25% Energy • 19% Liveness
3% Instrumentalness • 12% Positiveness
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Rufus Wainwright
Going To A Town
124 bpm • F min • 04:04 • -6.89db
49% Popularity • 56% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 56% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Beck
The Golden Age
124 bpm • F# min • 04:34 • -9.32db
47% Popularity • 50% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 50% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Nick Drake
Day Is Done
124 bpm • D min • 02:26 • -15db
55% Popularity • 49% Danceability • 30% Energy • 16% Liveness
68% Instrumentalness • 46% Positiveness
55% Popularity • 49% Danceability • 30% Energy • 16% Liveness
68% Instrumentalness • 46% Positiveness
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The Cranberries
I Still Do
118 bpm • E min • 03:16 • -11.75db
56% Popularity • 43% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 43% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Pixies
La La Love You
124 bpm • D Maj • 02:43 • -13db
55% Popularity • 70% Danceability • 65% Energy • 11% Liveness
18% Instrumentalness • 60% Positiveness
55% Popularity • 70% Danceability • 65% Energy • 11% Liveness
18% Instrumentalness • 60% Positiveness
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Fiona Apple
On The Bound
117 bpm • C min • 05:22 • -8.22db
53% Popularity • 65% Danceability • 58% Energy • 48% Liveness
5% Instrumentalness • 66% Positiveness
53% Popularity • 65% Danceability • 58% Energy • 48% Liveness
5% Instrumentalness • 66% Positiveness
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Hope Sandoval & The Warm Inventions
Suzanne
125 bpm • G Maj • 04:51 • -15db
50% Popularity • 51% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
50% Popularity • 51% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
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Beck
Guess I'm Doing Fine
118 bpm • A Maj • 04:49 • -8.45db
42% Popularity • 44% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 44% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Thom Yorke
Harrowdown Hill
126 bpm • B min • 04:38 • -8.47db
43% Popularity • 71% Danceability • 66% Energy • 10% Liveness
22% Instrumentalness • 23% Positiveness
43% Popularity • 71% Danceability • 66% Energy • 10% Liveness
22% Instrumentalness • 23% Positiveness
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The Cranberries
Dreaming My Dreams
125 bpm • C Maj • 03:37 • -16.19db
52% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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Foo Fighters
Virginia Moon
126 bpm • B Maj • 03:49 • -13db
45% Popularity • 64% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 64% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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The Jesus and Mary Chain
Sometimes Always
116 bpm • F# Maj • 02:31 • -9.91db
51% Popularity • 44% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
51% Popularity • 44% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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The Smiths
Pretty Girls Make Graves - 2011 Remaster
116 bpm • F# min • 03:43 • -9.06db
70% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
70% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Blonde Redhead
Girl Boy
116 bpm • A# min • 01:48 • -22.41db
56% Popularity • 81% Danceability • 17% Energy • 11% Liveness
71% Instrumentalness • 48% Positiveness
56% Popularity • 81% Danceability • 17% Energy • 11% Liveness
71% Instrumentalness • 48% Positiveness
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Pink Floyd
The Great Gig in the Sky
116 bpm • F Maj • 04:43 • -13.81db
71% Popularity • 27% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
71% Popularity • 27% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Pixies
Velouria
125 bpm • F# Maj • 03:40 • -12.6db
55% Popularity • 49% Danceability • 63% Energy • 8% Liveness
24% Instrumentalness • 51% Positiveness
55% Popularity • 49% Danceability • 63% Energy • 8% Liveness
24% Instrumentalness • 51% Positiveness
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Fleetwood Mac
You Make Loving Fun - 2004 Remaster
127 bpm • G min • 03:33 • -9.13db
71% Popularity • 62% Danceability • 59% Energy • 9% Liveness
4% Instrumentalness • 86% Positiveness
71% Popularity • 62% Danceability • 59% Energy • 9% Liveness
4% Instrumentalness • 86% Positiveness
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Hope Sandoval & The Warm Inventions
Wild Roses
116 bpm • G Maj • 03:38 • -12db
36% Popularity • 41% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 13% Positiveness
36% Popularity • 41% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 13% Positiveness
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The Smiths
Well I Wonder - 2011 Remaster
127 bpm • B min • 03:59 • -10.84db
65% Popularity • 64% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
65% Popularity • 64% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
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Kate Bush
Moving
127 bpm • D min • 03:01 • -13.51db
46% Popularity • 50% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 50% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Patti Smith
Dancing Barefoot
116 bpm • D Maj • 04:16 • -9.94db
59% Popularity • 49% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 49% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Pixies
Monkey Gone to Heaven
117 bpm • F# min • 02:55 • -10.64db
65% Popularity • 65% Danceability • 39% Energy • 27% Liveness
1% Instrumentalness • 57% Positiveness
65% Popularity • 65% Danceability • 39% Energy • 27% Liveness
1% Instrumentalness • 57% Positiveness
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Mojave 3
You're Beautiful
127 bpm • C min • 03:06 • -22.53db
45% Popularity • 55% Danceability • 12% Energy • 12% Liveness
73% Instrumentalness • 15% Positiveness
45% Popularity • 55% Danceability • 12% Energy • 12% Liveness
73% Instrumentalness • 15% Positiveness
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Fleetwood Mac
Sara - 2015 Remaster
127 bpm • A# Maj • 06:30 • -12.77db
53% Popularity • 74% Danceability • 48% Energy • 16% Liveness
2% Instrumentalness • 52% Positiveness
53% Popularity • 74% Danceability • 48% Energy • 16% Liveness
2% Instrumentalness • 52% Positiveness
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Lush
I Have the Moon
127 bpm • A Maj • 03:58 • -6.89db
45% Popularity • 49% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 49% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Nick Drake
Saturday Sun
127 bpm • C Maj • 04:05 • -20db
55% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
55% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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The Smiths
Asleep - 2011 Remaster
115 bpm • C Maj • 04:13 • -15.87db
64% Popularity • 51% Danceability • 26% Energy • 15% Liveness
53% Instrumentalness • 22% Positiveness
64% Popularity • 51% Danceability • 26% Energy • 15% Liveness
53% Instrumentalness • 22% Positiveness
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Jeff Buckley
Vancouver
127 bpm • G Maj • 03:12 • -6db
50% Popularity • 49% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 49% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Style Council
My Ever Changing Moods
127 bpm • B Maj • 03:37 • -8.28db
49% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Broadcast
Come On Let's Go
115 bpm • D Maj • 03:17 • -10db
54% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
54% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
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Mad Season
Long Gone Day
115 bpm • A Maj • 04:49 • -15.01db
47% Popularity • 67% Danceability • 31% Energy • 15% Liveness
51% Instrumentalness • 52% Positiveness
47% Popularity • 67% Danceability • 31% Energy • 15% Liveness
51% Instrumentalness • 52% Positiveness
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Nick Drake
River Man
115 bpm • G# Maj • 04:18 • -20.1db
55% Popularity • 47% Danceability • 12% Energy • 11% Liveness
74% Instrumentalness • 9% Positiveness
55% Popularity • 47% Danceability • 12% Energy • 11% Liveness
74% Instrumentalness • 9% Positiveness
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The Smile
Bending Hectic
115 bpm • E Maj • 08:03 • -10.42db
56% Popularity • 31% Danceability • 45% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 45% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
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Jeff Buckley
Gunshot Glitter
127 bpm • D# Maj • 05:36 • -6.24db
33% Popularity • 31% Danceability • 100% Energy • 20% Liveness
68% Instrumentalness • 6% Positiveness
33% Popularity • 31% Danceability • 100% Energy • 20% Liveness
68% Instrumentalness • 6% Positiveness
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The Sundays
Can't Be Sure
128 bpm • D Maj • 03:24 • -11db
40% Popularity • 52% Danceability • 39% Energy • 4% Liveness
1% Instrumentalness • 38% Positiveness
40% Popularity • 52% Danceability • 39% Energy • 4% Liveness
1% Instrumentalness • 38% Positiveness
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Slowdive
kisses
128 bpm • B min • 03:57 • -7.04db
59% Popularity • 57% Danceability • 80% Energy • 6% Liveness
74% Instrumentalness • 47% Positiveness
59% Popularity • 57% Danceability • 80% Energy • 6% Liveness
74% Instrumentalness • 47% Positiveness
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Pink Floyd
Breathe (In the Air)
128 bpm • B min • 02:49 • -15.14db
73% Popularity • 43% Danceability • 37% Energy • 14% Liveness
73% Instrumentalness • 25% Positiveness
73% Popularity • 43% Danceability • 37% Energy • 14% Liveness
73% Instrumentalness • 25% Positiveness
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Richard Hawley
Coles Corner
114 bpm • G Maj • 04:52 • -11.59db
43% Popularity • 24% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 24% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Fleetwood Mac
Rhiannon
129 bpm • A min • 04:12 • -14.75db
75% Popularity • 72% Danceability • 49% Energy • 9% Liveness
9% Instrumentalness • 80% Positiveness
75% Popularity • 72% Danceability • 49% Energy • 9% Liveness
9% Instrumentalness • 80% Positiveness
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Jeff Buckley
Just Like a Woman - Live at Sin-é, New ...
115 bpm • G# Maj • 07:26 • -19.31db
32% Popularity • 36% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 36% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 9% Positiveness
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The Smiths
I Know It's Over - 2011 Remaster
113 bpm • C Maj • 05:49 • -10.58db
70% Popularity • 41% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
70% Popularity • 41% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Neil Young
Harvest Moon
113 bpm • D Maj • 05:03 • -12.43db
69% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
69% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Cocteau Twins
Wolf in the Breast
113 bpm • A Maj • 03:31 • -4.53db
52% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Sonic Youth
I Love You Golden Blue
113 bpm • B Maj • 07:02 • -10db
44% Popularity • 47% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
44% Popularity • 47% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
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Kate Bush
Cloudbusting
113 bpm • C# min • 05:10 • -17db
63% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
63% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Jeff Buckley
Grace
128 bpm • B min • 05:22 • -4db
63% Popularity • 55% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
63% Popularity • 55% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Air
New Star in the Sky
130 bpm • A Maj • 05:40 • -13.19db
47% Popularity • 47% Danceability • 33% Energy • 69% Liveness
96% Instrumentalness • 14% Positiveness
47% Popularity • 47% Danceability • 33% Energy • 69% Liveness
96% Instrumentalness • 14% Positiveness
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Mojave 3
Who Do You Love
113 bpm • C Maj • 03:31 • -11db
27% Popularity • 43% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 43% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Adrianne Lenker
ingydar
113 bpm • A# min • 04:08 • -16db
59% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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David Bowie
Lazarus
130 bpm • A min • 06:24 • -7.74db
56% Popularity • 66% Danceability • 67% Energy • 9% Liveness
13% Instrumentalness • 49% Positiveness
56% Popularity • 66% Danceability • 67% Energy • 9% Liveness
13% Instrumentalness • 49% Positiveness
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Lush
For Love
130 bpm • F# min • 03:29 • -11.04db
54% Popularity • 51% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 51% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Jeff Buckley
I Want Someone Badly
128 bpm • C# Maj • 02:35 • -7db
54% Popularity • 56% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 56% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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Sonic Youth
Sunday
130 bpm • C# Maj • 04:51 • -6.98db
51% Popularity • 62% Danceability • 89% Energy • 12% Liveness
62% Instrumentalness • 42% Positiveness
51% Popularity • 62% Danceability • 89% Energy • 12% Liveness
62% Instrumentalness • 42% Positiveness
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The Velvet Underground
Stephanie Says
113 bpm • C Maj • 02:49 • -20.49db
58% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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The Stone Roses
I Wanna Be Adored - Remastered
113 bpm • E min • 04:52 • -9.16db
67% Popularity • 49% Danceability • 86% Energy • 23% Liveness
21% Instrumentalness • 59% Positiveness
67% Popularity • 49% Danceability • 86% Energy • 23% Liveness
21% Instrumentalness • 59% Positiveness
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Fiona Apple
Get Gone
130 bpm • A# min • 04:07 • -9.77db
60% Popularity • 69% Danceability • 40% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 69% Danceability • 40% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
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The Breeders
Cannonball
112 bpm • D# Maj • 03:33 • -9.76db
65% Popularity • 50% Danceability • 76% Energy • 28% Liveness
78% Instrumentalness • 73% Positiveness
65% Popularity • 50% Danceability • 76% Energy • 28% Liveness
78% Instrumentalness • 73% Positiveness
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Jeff Buckley
I Shall Be Released - Live at Sin-é, Ne...
129 bpm • A Maj • 05:20 • -13.39db
37% Popularity • 51% Danceability • 20% Energy • 70% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 51% Danceability • 20% Energy • 70% Liveness
0% Instrumentalness • 12% Positiveness
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UNKLE
Rabbit in Your Headlights
112 bpm • A Maj • 06:16 • -9db
49% Popularity • 27% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
49% Popularity • 27% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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The Velvet Underground
Who Loves the Sun - 2015 Remaster
130 bpm • E Maj • 02:46 • -8.83db
53% Popularity • 44% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 44% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
