Songs like Everybody Needs One by Craig D'Andrea
Based on a tempo of (+/- 10%) and a similar genre
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Steve Dawson
Lighthouse Avenue
133 bpm • D Maj • 02:33 • -13db
28% Popularity • 40% Danceability • 20% Energy • 18% Liveness
89% Instrumentalness • 18% Positiveness
28% Popularity • 40% Danceability • 20% Energy • 18% Liveness
89% Instrumentalness • 18% Positiveness
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Ken Bonfield
Denouement
132 bpm • D# Maj • 02:35 • -18.98db
25% Popularity • 36% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
25% Popularity • 36% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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Craig D'Andrea
Everybody Needs One
133 bpm • D Maj • 03:53 • -15.5db
26% Popularity • 41% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
26% Popularity • 41% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Antoine Dufour
Star Trails, Pt. 1 - Polaris
134 bpm • F# min • 03:48 • -13.67db
15% Popularity • 59% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
15% Popularity • 59% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Maneli Jamal
Settle In
134 bpm • C# min • 03:39 • -9.09db
23% Popularity • 46% Danceability • 65% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
23% Popularity • 46% Danceability • 65% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
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Tim Reynolds
Matters Most
134 bpm • A min • 03:08 • -22.25db
13% Popularity • 71% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
13% Popularity • 71% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Trevor Gordon Hall
The Long and Winding Road
134 bpm • E Maj • 03:49 • -11.56db
25% Popularity • 49% Danceability • 36% Energy • 17% Liveness
41% Instrumentalness • 24% Positiveness
25% Popularity • 49% Danceability • 36% Energy • 17% Liveness
41% Instrumentalness • 24% Positiveness
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Peter Ciluzzi
A Perfect Unison
132 bpm • G# min • 04:20 • -12.17db
8% Popularity • 53% Danceability • 52% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
8% Popularity • 53% Danceability • 52% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
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Craig D'Andrea
Chet Your Hedges
132 bpm • C Maj • 02:34 • -7.76db
3% Popularity • 45% Danceability • 39% Energy • 11% Liveness
80% Instrumentalness • 38% Positiveness
3% Popularity • 45% Danceability • 39% Energy • 11% Liveness
80% Instrumentalness • 38% Positiveness
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Antoine Dufour
Paroxysm
132 bpm • E min • 05:19 • -13.92db
11% Popularity • 59% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
11% Popularity • 59% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Larry Pattis
Free Fall
132 bpm • G Maj • 05:01 • -14db
11% Popularity • 37% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
11% Popularity • 37% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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Don Ross
Tight Trite Night
132 bpm • B min • 04:36 • -9.23db
14% Popularity • 57% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 80% Positiveness
14% Popularity • 57% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 80% Positiveness
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Pierre Bensusan
Le jardin d'Adonis (To Marcel Dadi)
135 bpm • E Maj • 02:17 • -21db
23% Popularity • 37% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 59% Positiveness
23% Popularity • 37% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 59% Positiveness
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Spencer Elliott
The Tournament
135 bpm • C Maj • 04:06 • -13.21db
20% Popularity • 45% Danceability • 63% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
20% Popularity • 45% Danceability • 63% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Andrew White
Karekare
131 bpm • F min • 04:17 • -21.76db
22% Popularity • 31% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 44% Positiveness
22% Popularity • 31% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 44% Positiveness
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Kawika Kahiapo
Moon Rising
135 bpm • F min • 04:57 • -15db
32% Popularity • 55% Danceability • 31% Energy • 9% Liveness
96% Instrumentalness • 42% Positiveness
32% Popularity • 55% Danceability • 31% Energy • 9% Liveness
96% Instrumentalness • 42% Positiveness
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Pete Huttlinger
No Such Thing
131 bpm • A Maj • 04:01 • -12.23db
21% Popularity • 76% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
21% Popularity • 76% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
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Craig D'Andrea
Guess Who's My Favorite
130 bpm • D Maj • 03:22 • -11.35db
3% Popularity • 30% Danceability • 44% Energy • 13% Liveness
89% Instrumentalness • 60% Positiveness
3% Popularity • 30% Danceability • 44% Energy • 13% Liveness
89% Instrumentalness • 60% Positiveness
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Trevor Gordon Hall
The Meeting At the Window
136 bpm • A Maj • 04:42 • -20db
16% Popularity • 49% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 14% Positiveness
16% Popularity • 49% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 14% Positiveness
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My Siblings
Spider's Web
136 bpm • E min • 02:51 • -20.63db
19% Popularity • 73% Danceability • 11% Energy • 10% Liveness
80% Instrumentalness • 48% Positiveness
19% Popularity • 73% Danceability • 11% Energy • 10% Liveness
80% Instrumentalness • 48% Positiveness
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Calum Graham
Tabula Rasa
130 bpm • D Maj • 02:47 • -12.82db
37% Popularity • 54% Danceability • 58% Energy • 11% Liveness
79% Instrumentalness • 40% Positiveness
37% Popularity • 54% Danceability • 58% Energy • 11% Liveness
79% Instrumentalness • 40% Positiveness
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Don Ross
Klimbim
130 bpm • B Maj • 03:59 • -12.32db
11% Popularity • 66% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 81% Positiveness
11% Popularity • 66% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 81% Positiveness
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Pacecamp
Prana
136 bpm • D Maj • 03:02 • -20.32db
31% Popularity • 61% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 28% Positiveness
31% Popularity • 61% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 28% Positiveness
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Craig D'Andrea
Day Man
131 bpm • D Maj • 03:56 • -15.15db
3% Popularity • 50% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
3% Popularity • 50% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
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Antoine Dufour
Talk
130 bpm • G min • 04:42 • -10db
32% Popularity • 57% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 44% Positiveness
32% Popularity • 57% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 44% Positiveness
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Kaki King
Night After Sidewalk
130 bpm • G# min • 03:30 • -17db
40% Popularity • 26% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 10% Positiveness
40% Popularity • 26% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 10% Positiveness
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Will Ackerman
Processional
130 bpm • E Maj • 05:00 • -21db
28% Popularity • 28% Danceability • 8% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 8% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Calum Graham
Tabula Rasa
130 bpm • D Maj • 02:56 • -12.79db
30% Popularity • 48% Danceability • 54% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
30% Popularity • 48% Danceability • 54% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Sergio Altamura
Luna
130 bpm • D Maj • 03:20 • -22.66db
12% Popularity • 54% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
12% Popularity • 54% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
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Adam Rafferty
Ain't No Sunshine
129 bpm • E min • 05:32 • -14.1db
11% Popularity • 51% Danceability • 17% Energy • 9% Liveness
11% Instrumentalness • 36% Positiveness
11% Popularity • 51% Danceability • 17% Energy • 9% Liveness
11% Instrumentalness • 36% Positiveness
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Antoine Dufour
1979
130 bpm • D# Maj • 04:24 • -11db
28% Popularity • 67% Danceability • 65% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
28% Popularity • 67% Danceability • 65% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
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Daniel Padim
A Sky Full of Stars
129 bpm • F# Maj • 04:20 • -8.14db
30% Popularity • 42% Danceability • 58% Energy • 11% Liveness
43% Instrumentalness • 30% Positiveness
30% Popularity • 42% Danceability • 58% Energy • 11% Liveness
43% Instrumentalness • 30% Positiveness
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The Honey Dewdrops
Remington
137 bpm • F# Maj • 03:40 • -18db
37% Popularity • 44% Danceability • 16% Energy • 10% Liveness
76% Instrumentalness • 30% Positiveness
37% Popularity • 44% Danceability • 16% Energy • 10% Liveness
76% Instrumentalness • 30% Positiveness
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Thomas Leeb
While My Guitar Gently Weeps
129 bpm • D Maj • 04:46 • -24.74db
14% Popularity • 44% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
14% Popularity • 44% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Jimmy Wahlsteen
Portrait
129 bpm • D Maj • 02:56 • -9.28db
20% Popularity • 69% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
20% Popularity • 69% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
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Miguel Serugetti
Softly
129 bpm • A Maj • 02:25 • -18.34db
42% Popularity • 60% Danceability • 6% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
42% Popularity • 60% Danceability • 6% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Julian Lage & Chris Eldridge
Butter and Eggs
137 bpm • D Maj • 03:24 • -18db
40% Popularity • 48% Danceability • 15% Energy • 10% Liveness
21% Instrumentalness • 28% Positiveness
40% Popularity • 48% Danceability • 15% Energy • 10% Liveness
21% Instrumentalness • 28% Positiveness
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許綺娟
微笑的眼淚
129 bpm • C Maj • 04:49 • -13.33db
24% Popularity • 53% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
24% Popularity • 53% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Dylan Ryche
I Love My Life (Prelude)
129 bpm • G Maj • 01:33 • -19.93db
16% Popularity • 53% Danceability • 13% Energy • 12% Liveness
6% Instrumentalness • 21% Positiveness
16% Popularity • 53% Danceability • 13% Energy • 12% Liveness
6% Instrumentalness • 21% Positiveness
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Franco Morone
Flowers from Ayako
129 bpm • C# Maj • 02:45 • -16.16db
23% Popularity • 40% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 34% Positiveness
23% Popularity • 40% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 34% Positiveness
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John Danley
Lori Anne
138 bpm • E Maj • 04:57 • -15db
17% Popularity • 30% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
17% Popularity • 30% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Ben Woolman
Chasing A Melody
138 bpm • G Maj • 03:51 • -14.88db
8% Popularity • 56% Danceability • 48% Energy • 10% Liveness
92% Instrumentalness • 78% Positiveness
8% Popularity • 56% Danceability • 48% Energy • 10% Liveness
92% Instrumentalness • 78% Positiveness
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Craig D'Andrea
...And Then You Moved To Jersey
138 bpm • D Maj • 03:11 • -15.07db
4% Popularity • 56% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
4% Popularity • 56% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
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Adam Rafferty
Killing Me Softly
128 bpm • F min • 02:57 • -16.02db
20% Popularity • 47% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
20% Popularity • 47% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
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Vadim Cervenka
In My Garden
128 bpm • E Maj • 04:03 • -8.6db
23% Popularity • 69% Danceability • 37% Energy • 13% Liveness
89% Instrumentalness • 13% Positiveness
23% Popularity • 69% Danceability • 37% Energy • 13% Liveness
89% Instrumentalness • 13% Positiveness
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Spencer Elliott
Yin
138 bpm • C# min • 04:25 • -12.95db
13% Popularity • 46% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
13% Popularity • 46% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Trevor Gordon Hall
Missing You
139 bpm • G Maj • 03:38 • -22.52db
17% Popularity • 40% Danceability • 4% Energy • 13% Liveness
74% Instrumentalness • 21% Positiveness
17% Popularity • 40% Danceability • 4% Energy • 13% Liveness
74% Instrumentalness • 21% Positiveness
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Todd Mosby
August Light
139 bpm • D Maj • 04:04 • -18.8db
29% Popularity • 42% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 16% Positiveness
29% Popularity • 42% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 16% Positiveness
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Craig D'Andrea
Fingertipless Palm Warmers
128 bpm • D Maj • 01:28 • -11.45db
2% Popularity • 51% Danceability • 88% Energy • 10% Liveness
81% Instrumentalness • 74% Positiveness
2% Popularity • 51% Danceability • 88% Energy • 10% Liveness
81% Instrumentalness • 74% Positiveness
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Antoine Dufour
Song for Stephen
139 bpm • D min • 04:25 • -13.27db
14% Popularity • 54% Danceability • 60% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
14% Popularity • 54% Danceability • 60% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
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Dylan Ryche
All Dead, All Dead
139 bpm • G Maj • 03:16 • -16.63db
24% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Al Petteway
A Waltz for Rebecca
127 bpm • C Maj • 03:45 • -22.65db
15% Popularity • 38% Danceability • 11% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
15% Popularity • 38% Danceability • 11% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
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Larry Pattis
Hands Of Time
139 bpm • D min • 04:20 • -12db
12% Popularity • 41% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
12% Popularity • 41% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Erik Mongrain
Géométrie D'une Erreur
127 bpm • A# Maj • 04:38 • -12.52db
10% Popularity • 42% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
10% Popularity • 42% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Craig D'Andrea
Crazy is Catching
138 bpm • B min • 02:41 • -9.96db
3% Popularity • 43% Danceability • 46% Energy • 11% Liveness
86% Instrumentalness • 69% Positiveness
3% Popularity • 43% Danceability • 46% Energy • 11% Liveness
86% Instrumentalness • 69% Positiveness
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Antoine Dufour
Memories Of The Future
139 bpm • G# min • 05:05 • -7.28db
21% Popularity • 29% Danceability • 52% Energy • 13% Liveness
87% Instrumentalness • 35% Positiveness
21% Popularity • 29% Danceability • 52% Energy • 13% Liveness
87% Instrumentalness • 35% Positiveness
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John Danley
A Dream Of Breathing
140 bpm • D Maj • 04:40 • -16db
17% Popularity • 29% Danceability • 28% Energy • 18% Liveness
87% Instrumentalness • 19% Positiveness
17% Popularity • 29% Danceability • 28% Energy • 18% Liveness
87% Instrumentalness • 19% Positiveness
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Adam Rafferty
Imagine
140 bpm • E Maj • 03:24 • -19db
30% Popularity • 44% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
30% Popularity • 44% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Claes Nilsson
Meet Me In The Morning Sun
140 bpm • B min • 03:01 • -12.94db
28% Popularity • 68% Danceability • 22% Energy • 6% Liveness
90% Instrumentalness • 14% Positiveness
28% Popularity • 68% Danceability • 22% Energy • 6% Liveness
90% Instrumentalness • 14% Positiveness
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Chris Proctor
Late Again
140 bpm • F Maj • 03:53 • -17db
10% Popularity • 35% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
10% Popularity • 35% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Larry Pattis
Buddy Boy
140 bpm • D Maj • 03:36 • -13.84db
11% Popularity • 40% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
11% Popularity • 40% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
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Justin King
Knock On Wood
126 bpm • G Maj • 02:22 • -14.39db
17% Popularity • 34% Danceability • 49% Energy • 19% Liveness
87% Instrumentalness • 35% Positiveness
17% Popularity • 34% Danceability • 49% Energy • 19% Liveness
87% Instrumentalness • 35% Positiveness
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Erik Mongrain
Aftermath
140 bpm • B min • 05:58 • -18.76db
8% Popularity • 46% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
8% Popularity • 46% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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Maneli Jamal
Break of Dawn
140 bpm • C# min • 03:37 • -15.39db
28% Popularity • 51% Danceability • 27% Energy • 13% Liveness
96% Instrumentalness • 20% Positiveness
28% Popularity • 51% Danceability • 27% Energy • 13% Liveness
96% Instrumentalness • 20% Positiveness
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Martin Tallstrom
Forever Young
140 bpm • A# Maj • 03:07 • -9.3db
31% Popularity • 49% Danceability • 33% Energy • 16% Liveness
93% Instrumentalness • 51% Positiveness
31% Popularity • 49% Danceability • 33% Energy • 16% Liveness
93% Instrumentalness • 51% Positiveness
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Channing Spence
The Return of Cupid
126 bpm • B Maj • 03:07 • -10.74db
20% Popularity • 65% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
20% Popularity • 65% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Phil Keaggy
Addisons Walk
126 bpm • D Maj • 04:03 • -21db
30% Popularity • 52% Danceability • 14% Energy • 9% Liveness
76% Instrumentalness • 19% Positiveness
30% Popularity • 52% Danceability • 14% Energy • 9% Liveness
76% Instrumentalness • 19% Positiveness
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Craig D'Andrea
I'm Not Funny...
126 bpm • C Maj • 04:11 • -13.78db
2% Popularity • 55% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
2% Popularity • 55% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Erik Mongrain
A Ripple Effect
126 bpm • D Maj • 02:22 • -13db
25% Popularity • 41% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 44% Positiveness
25% Popularity • 41% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 44% Positiveness
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Maneli Jamal
Klingerstrasse
126 bpm • E Maj • 03:14 • -15.32db
26% Popularity • 48% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
26% Popularity • 48% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
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Don Ross
Klimbim
126 bpm • B Maj • 04:55 • -14.64db
24% Popularity • 55% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
24% Popularity • 55% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
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Larry Pattis
Bloomington
126 bpm • D Maj • 04:05 • -12db
14% Popularity • 48% Danceability • 40% Energy • 12% Liveness
81% Instrumentalness • 29% Positiveness
14% Popularity • 48% Danceability • 40% Energy • 12% Liveness
81% Instrumentalness • 29% Positiveness
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Mathew Joseph
Tribute To Andrew York
141 bpm • D Maj • 02:26 • -13.05db
30% Popularity • 60% Danceability • 37% Energy • 13% Liveness
90% Instrumentalness • 68% Positiveness
30% Popularity • 60% Danceability • 37% Energy • 13% Liveness
90% Instrumentalness • 68% Positiveness
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Craig D'Andrea
Shut The Window!
141 bpm • B Maj • 03:13 • -12.88db
8% Popularity • 30% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 41% Positiveness
8% Popularity • 30% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 41% Positiveness
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Gareth Pearson
Cowboy's Hymn
125 bpm • D Maj • 03:23 • -14db
25% Popularity • 38% Danceability • 38% Energy • 12% Liveness
74% Instrumentalness • 35% Positiveness
25% Popularity • 38% Danceability • 38% Energy • 12% Liveness
74% Instrumentalness • 35% Positiveness
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Daniel Kaede
New Journey
141 bpm • D# Maj • 03:04 • -14.91db
25% Popularity • 55% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
25% Popularity • 55% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Eric Josef
Summer Calling
142 bpm • D Maj • 03:21 • -10.42db
25% Popularity • 66% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
25% Popularity • 66% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
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James Bryan
Follow Me
125 bpm • G Maj • 03:41 • -11.08db
26% Popularity • 73% Danceability • 50% Energy • 9% Liveness
88% Instrumentalness • 63% Positiveness
26% Popularity • 73% Danceability • 50% Energy • 9% Liveness
88% Instrumentalness • 63% Positiveness
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Calum Graham
Indivisible
142 bpm • C Maj • 03:40 • -7.06db
18% Popularity • 72% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
18% Popularity • 72% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Erik Mongrain
Forward
124 bpm • C# min • 03:55 • -18.7db
8% Popularity • 52% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
8% Popularity • 52% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Gareth Pearson
Trails of M&M's
125 bpm • D Maj • 02:52 • -13.66db
19% Popularity • 53% Danceability • 40% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness
19% Popularity • 53% Danceability • 40% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness
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Thomas Leeb
Grooveyard
124 bpm • F min • 03:20 • -7.46db
10% Popularity • 60% Danceability • 66% Energy • 5% Liveness
90% Instrumentalness • 90% Positiveness
10% Popularity • 60% Danceability • 66% Energy • 5% Liveness
90% Instrumentalness • 90% Positiveness
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Alex de Grassi
Western
124 bpm • C min • 04:07 • -16.68db
28% Popularity • 58% Danceability • 24% Energy • 10% Liveness
63% Instrumentalness • 31% Positiveness
28% Popularity • 58% Danceability • 24% Energy • 10% Liveness
63% Instrumentalness • 31% Positiveness
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Larry Pattis
What Tomorrow Brings
124 bpm • D Maj • 04:19 • -13.85db
10% Popularity • 40% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
10% Popularity • 40% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Mark Kroos
Morning Light
142 bpm • D Maj • 03:44 • -14db
26% Popularity • 41% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
26% Popularity • 41% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Lawrence Blatt
Emergence
124 bpm • D Maj • 02:38 • -11.51db
30% Popularity • 26% Danceability • 25% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
30% Popularity • 26% Danceability • 25% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
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Gareth Pearson
Buddy Holly
124 bpm • G# Maj • 02:24 • -12.7db
21% Popularity • 69% Danceability • 38% Energy • 17% Liveness
88% Instrumentalness • 64% Positiveness
21% Popularity • 69% Danceability • 38% Energy • 17% Liveness
88% Instrumentalness • 64% Positiveness
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Kim Aspen
Shallow Oceans
124 bpm • C min • 03:05 • -13.98db
27% Popularity • 77% Danceability • 31% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
27% Popularity • 77% Danceability • 31% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Jimmy Wahlsteen
Off We Go
124 bpm • C# Maj • 02:59 • -8.17db
17% Popularity • 58% Danceability • 61% Energy • 10% Liveness
93% Instrumentalness • 72% Positiveness
17% Popularity • 58% Danceability • 61% Energy • 10% Liveness
93% Instrumentalness • 72% Positiveness
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Craig D'Andrea
In With The Purple and Out With The Blue
143 bpm • D# Maj • 03:14 • -17.35db
10% Popularity • 29% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 42% Positiveness
10% Popularity • 29% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 42% Positiveness
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Mark Kroos
Petals Change
143 bpm • E Maj • 02:58 • -20.22db
28% Popularity • 40% Danceability • 8% Energy • 8% Liveness
75% Instrumentalness • 67% Positiveness
28% Popularity • 40% Danceability • 8% Energy • 8% Liveness
75% Instrumentalness • 67% Positiveness
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Van Larkins
Freyah's Song
124 bpm • G# Maj • 02:03 • -19.14db
15% Popularity • 59% Danceability • 19% Energy • 12% Liveness
82% Instrumentalness • 45% Positiveness
15% Popularity • 59% Danceability • 19% Energy • 12% Liveness
82% Instrumentalness • 45% Positiveness
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Tom Ellenhag
Whispers
124 bpm • B Maj • 03:08 • -13.27db
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Daniel Kaede
For What Awaits
124 bpm • D Maj • 02:59 • -13.89db
32% Popularity • 63% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 42% Positiveness
32% Popularity • 63% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 42% Positiveness
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Don Ross
First Ride
143 bpm • F Maj • 04:10 • -15.45db
20% Popularity • 34% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
20% Popularity • 34% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Dylan Ryche
Run Over
123 bpm • A Maj • 03:43 • -11.68db
19% Popularity • 69% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 35% Positiveness
19% Popularity • 69% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 35% Positiveness
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Claes Nilsson
For You, My Companion
144 bpm • G Maj • 02:33 • -10.01db
23% Popularity • 50% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 37% Positiveness
23% Popularity • 50% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 37% Positiveness
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Matteo Palmer
Ex Nihilo
123 bpm • G# Maj • 04:25 • -21.6db
7% Popularity • 34% Danceability • 7% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
7% Popularity • 34% Danceability • 7% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
