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Everybody Wants to Rule the World
Songs like
Everybody Wants to Rule the World
by
Jens Kuross
Based on a tempo of (+/- 10%) and a similar genre
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Black Oak
The Grain
113 bpm • E min • 03:29 • -14.38db
37% Popularity • 72% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 20% Positiveness
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Jens Kuross
Everybody Wants to Rule the World
113 bpm • C Maj • 03:44 • -12.8db
20% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Jaws of Love.
Giving Up Is Not The Easiest Way Out
113 bpm • C Maj • 04:06 • -19.29db
20% Popularity • 37% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Josin
In the Blank Space
113 bpm • F min • 04:18 • -12.11db
12% Popularity • 29% Danceability • 52% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
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Another Sky
The Water Below
112 bpm • F# Maj • 02:45 • -18.46db
17% Popularity • 25% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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S. Carey
Take It With Me
114 bpm • C Maj • 04:59 • -17.63db
33% Popularity • 41% Danceability • 7% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Aisha Badru
Enough
112 bpm • C Maj • 03:59 • -13db
31% Popularity • 51% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Jens Kuross
The Man Nobody Can Touch
113 bpm • A Maj • 02:49 • -16.02db
6% Popularity • 48% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Miner
Tomorrow
114 bpm • G# Maj • 03:37 • -10db
32% Popularity • 52% Danceability • 25% Energy • 80% Liveness
0% Instrumentalness • 37% Positiveness
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George Ogilvie
Second Nature
114 bpm • F min • 05:08 • -7.84db
26% Popularity • 60% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Sorcha Richardson
First Prize Bravery
114 bpm • B min • 03:50 • -8.04db
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Lily Hayes
Soft on Me
112 bpm • B min • 03:36 • -8.38db
34% Popularity • 60% Danceability • 26% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
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Ben Stevenson
Yellow Bird
114 bpm • F# min • 03:42 • -10.63db
35% Popularity • 50% Danceability • 36% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
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Jens Kuross
No Lights On
112 bpm • A Maj • 04:38 • -8.1db
4% Popularity • 65% Danceability • 60% Energy • 10% Liveness
80% Instrumentalness • 24% Positiveness
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Foreign Fields
Don't Give Up
114 bpm • D# Maj • 03:53 • -13.75db
35% Popularity • 76% Danceability • 39% Energy • 10% Liveness
38% Instrumentalness • 74% Positiveness
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Sonny Elliot
One Day With You
112 bpm • G min • 03:46 • -9.84db
29% Popularity • 63% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Dustin Tebbutt
Hold
114 bpm • G Maj • 04:30 • -12.26db
29% Popularity • 59% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Prinze George
Lights Burn Out
114 bpm • C Maj • 04:35 • -9db
24% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Wyvern Lingo
Used
114 bpm • D Maj • 04:12 • -10.95db
40% Popularity • 38% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jens Kuross
Give Me Your Ghost
114 bpm • G# Maj • 04:25 • -10.57db
2% Popularity • 50% Danceability • 54% Energy • 38% Liveness
6% Instrumentalness • 50% Positiveness
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Konradsen
Baby Hallelujah
114 bpm • G Maj • 02:48 • -16.17db
21% Popularity • 46% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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High Highs
St.Marie
114 bpm • D# Maj • 02:29 • -15.58db
23% Popularity • 33% Danceability • 11% Energy • 10% Liveness
26% Instrumentalness • 20% Positiveness
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Ásgeir
Dreaming (Mahogany Sessions)
112 bpm • B Maj • 04:31 • -18db
41% Popularity • 36% Danceability • 9% Energy • 10% Liveness
46% Instrumentalness • 20% Positiveness
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Albert af Ekenstam
Made of Gold
114 bpm • F min • 03:49 • -10db
33% Popularity • 42% Danceability • 31% Energy • 11% Liveness
77% Instrumentalness • 9% Positiveness
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Aisha Badru
Love Doesn't Fade
115 bpm • G Maj • 02:58 • -14.75db
25% Popularity • 44% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Mappe Of
Pleasure
115 bpm • B min • 04:15 • -17.58db
14% Popularity • 35% Danceability • 16% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
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Konradsen
Odd Mistake
115 bpm • D Maj • 04:53 • -12.9db
15% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Alana Henderson
On Board
111 bpm • C# Maj • 05:10 • -8.73db
41% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Sam Lynch
Keeping Time
115 bpm • C# Maj • 04:24 • -14.35db
30% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jens Kuross
Try To Follow
115 bpm • E Maj • 05:49 • -21db
4% Popularity • 39% Danceability • 19% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
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Voka Gentle
Branscombe
111 bpm • G Maj • 07:19 • -15.39db
36% Popularity • 56% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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JK Crowe
I Am Nowhere
115 bpm • D# Maj • 03:47 • -14.56db
16% Popularity • 48% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Konradsen
Red to Rhyme
115 bpm • A min • 04:25 • -10.64db
5% Popularity • 47% Danceability • 28% Energy • 10% Liveness
6% Instrumentalness • 25% Positiveness
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The Careful Ones
rules for my heart (for aaron)
111 bpm • A min • 03:34 • -12.24db
15% Popularity • 79% Danceability • 34% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Yumi Zouma
Bruise - Piano Version
111 bpm • A min • 03:50 • -15.01db
16% Popularity • 50% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Kyson
Have My Back
115 bpm • C Maj • 03:59 • -9.08db
32% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jake McMullen
Dancing on My Own
111 bpm • C Maj • 05:07 • -9db
35% Popularity • 88% Danceability • 56% Energy • 10% Liveness
52% Instrumentalness • 74% Positiveness
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#1 Dads
4bit
115 bpm • E Maj • 04:11 • -15.04db
26% Popularity • 54% Danceability • 22% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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LOYAL
Light up for You - Acoustic
111 bpm • G# Maj • 03:46 • -9db
19% Popularity • 49% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Joshua Burnside
Whiskey Whiskey
111 bpm • D Maj • 02:51 • -13db
50% Popularity • 44% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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Rosie Carney
Your Moon
116 bpm • B min • 03:57 • -10.91db
27% Popularity • 48% Danceability • 21% Energy • 11% Liveness
35% Instrumentalness • 8% Positiveness
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Shards
Inside I'll Sing
111 bpm • C Maj • 04:14 • -19db
29% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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RY X
Hounds
110 bpm • G# min • 03:59 • -18.66db
46% Popularity • 50% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jamie Drake
Wonder
116 bpm • B Maj • 02:08 • -11.33db
37% Popularity • 64% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Hannah Georgas
Pray It Away
116 bpm • A# min • 03:25 • -8.9db
14% Popularity • 64% Danceability • 62% Energy • 16% Liveness
35% Instrumentalness • 31% Positiveness
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A Blaze of Feather
Portland
110 bpm • G Maj • 03:44 • -9.17db
21% Popularity • 52% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Rosie Carney
when i look at you.
110 bpm • A Maj • 03:52 • -11.65db
41% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Foreign Fields
The Beauty of Survival
110 bpm • C Maj • 04:01 • -20.55db
18% Popularity • 30% Danceability • 7% Energy • 7% Liveness
11% Instrumentalness • 6% Positiveness
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SLO
Atone
110 bpm • C Maj • 03:41 • -12db
33% Popularity • 58% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Ryann
Circles
110 bpm • D Maj • 02:59 • -16.43db
33% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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NIGHT FLIGHT
Departure
110 bpm • G Maj • 04:07 • -10db
26% Popularity • 37% Danceability • 29% Energy • 14% Liveness
9% Instrumentalness • 21% Positiveness
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Shey Baba
Born Sick
116 bpm • F# Maj • 01:54 • -11.77db
15% Popularity • 33% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Rosie Carney
Thousand - Acoustic
109 bpm • C# Maj • 03:22 • -18.08db
34% Popularity • 48% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Uwade
Nostalgia
117 bpm • A min • 03:49 • -12db
38% Popularity • 78% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Meadowlark
H.I.T.H
117 bpm • F# Maj • 03:25 • -12.54db
7% Popularity • 73% Danceability • 46% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
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Blanco White
Desert Days
117 bpm • E min • 03:31 • -9.52db
38% Popularity • 66% Danceability • 56% Energy • 10% Liveness
42% Instrumentalness • 68% Positiveness
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Westerman
Your Hero Is Not Dead
109 bpm • D Maj • 03:35 • -9.1db
28% Popularity • 71% Danceability • 34% Energy • 15% Liveness
2% Instrumentalness • 27% Positiveness
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Lorne
Oil and Water
109 bpm • D# min • 03:42 • -10db
18% Popularity • 73% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Rosie Carney
Humans
109 bpm • E Maj • 04:25 • -12.2db
25% Popularity • 52% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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George Ogilvie
Nowhere - Acoustic
118 bpm • D# Maj • 05:02 • -11db
26% Popularity • 43% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ethan Gruska
On the Outside
109 bpm • G Maj • 03:09 • -10.96db
33% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Aquilo
Sober
118 bpm • G# Maj • 03:19 • -11.67db
36% Popularity • 48% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Khushi
Like a City
118 bpm • D Maj • 03:48 • -17.44db
17% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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St. South
I'm Still Me
108 bpm • D Maj • 04:02 • -12.5db
14% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Rosie Carney
Awake Me
117 bpm • E Maj • 04:17 • -12db
39% Popularity • 52% Danceability • 15% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Mary Glenn
Ballroom
118 bpm • A# min • 04:06 • -23.03db
27% Popularity • 56% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jamie Drake
Everything's Fine
118 bpm • E min • 03:28 • -9db
27% Popularity • 48% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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SOAK
Valentine Shmalentine
118 bpm • D Maj • 03:58 • -7.85db
24% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Yuno
Zebra
118 bpm • G# Maj • 04:55 • -10db
28% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Konradsen
Dice
118 bpm • C Maj • 03:35 • -15.94db
13% Popularity • 46% Danceability • 24% Energy • 33% Liveness
16% Instrumentalness • 15% Positiveness
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Rosie Carney
Thousand
118 bpm • C# Maj • 03:26 • -14db
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Gordi
Look Like You
118 bpm • C# min • 03:54 • -14.66db
8% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Juliana Daugherty
Sweetheart
118 bpm • G# Maj • 03:39 • -15.33db
21% Popularity • 63% Danceability • 23% Energy • 11% Liveness
40% Instrumentalness • 26% Positiveness
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Nick DePinna
Sen Calar
108 bpm • F Maj • 04:50 • -8.47db
0% Popularity • 58% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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The String Theory
Jealous Days
118 bpm • G Maj • 04:32 • -15.71db
3% Popularity • 27% Danceability • 18% Energy • 28% Liveness
8% Instrumentalness • 7% Positiveness
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St. South
Another Way
108 bpm • C Maj • 04:16 • -10db
24% Popularity • 62% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Luke Rathborne
I Can Be One
108 bpm • C Maj • 03:57 • -12.05db
18% Popularity • 36% Danceability • 16% Energy • 17% Liveness
5% Instrumentalness • 13% Positiveness
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Manu Grace
However
108 bpm • C Maj • 03:33 • -14.91db
14% Popularity • 76% Danceability • 18% Energy • 12% Liveness
10% Instrumentalness • 29% Positiveness
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Nick Mulvey
In the Anthropocene
108 bpm • C# Maj • 06:41 • -13db
32% Popularity • 67% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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The Western Den
I Still Remain
119 bpm • C# Maj • 04:29 • -11.38db
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Jens Kuross
Everything Is Bought
119 bpm • A Maj • 05:56 • -11.34db
3% Popularity • 38% Danceability • 52% Energy • 8% Liveness
35% Instrumentalness • 26% Positiveness
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Anna Leone
I Never Really - Mahogany Session
107 bpm • G# min • 03:56 • -11.84db
28% Popularity • 37% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Rosie Carney
Bare
107 bpm • B Maj • 03:54 • -15db
37% Popularity • 63% Danceability • 24% Energy • 8% Liveness
71% Instrumentalness • 37% Positiveness
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Låpsley
Speaking of the End
120 bpm • G# min • 03:08 • -17db
41% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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George Ogilvie
Surveillance
120 bpm • D# min • 04:12 • -9db
44% Popularity • 52% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Voka Gentle
All Exterior Dark
120 bpm • B min • 07:12 • -13db
29% Popularity • 23% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Jens Kuross
The Anchor
120 bpm • C Maj • 03:45 • -8.58db
7% Popularity • 64% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Daniel Blake
Heartbreaker
120 bpm • C# min • 04:03 • -11db
22% Popularity • 64% Danceability • 49% Energy • 9% Liveness
29% Instrumentalness • 42% Positiveness
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Rosie Carney
i spoke to god
120 bpm • G# Maj • 03:54 • -9.85db
11% Popularity • 58% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Gordi
Extraordinary Life
120 bpm • A Maj • 03:41 • -11.45db
33% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Gracie and Rachel
Go
120 bpm • A# min • 04:32 • -10.3db
23% Popularity • 43% Danceability • 40% Energy • 12% Liveness
4% Instrumentalness • 37% Positiveness
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Bjéar
Going to the Sun
120 bpm • D Maj • 03:44 • -11db
25% Popularity • 75% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Takénobu
Nobody Said
120 bpm • G min • 04:06 • -11.45db
29% Popularity • 73% Danceability • 38% Energy • 11% Liveness
72% Instrumentalness • 76% Positiveness
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Honeybutter
When I Grow Up
120 bpm • G Maj • 03:31 • -19.3db
18% Popularity • 68% Danceability • 17% Energy • 37% Liveness
1% Instrumentalness • 9% Positiveness
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Mantaraybryn
Stand Tall the Four of Us
120 bpm • F min • 03:14 • -8db
31% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Plàsi
Mystery
120 bpm • C# Maj • 03:42 • -16.33db
35% Popularity • 57% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
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Rosie Carney
Winter
106 bpm • E Maj • 03:54 • -16.07db
31% Popularity • 55% Danceability • 23% Energy • 12% Liveness
37% Instrumentalness • 10% Positiveness
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Yoke Lore
Safe and Sound - Mahogany Sessions
121 bpm • G Maj • 05:04 • -10.67db
13% Popularity • 59% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
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Wilsen
Garden
121 bpm • G Maj • 03:31 • -7.59db
29% Popularity • 58% Danceability • 62% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
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Mind Bath
Mercury
105 bpm • C Maj • 05:35 • -12.87db
30% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Everybody Wants to Rule the World