Songs like Everyone Else Is An Asshole by Reel Big Fish
Based on a tempo of (+/- 10%) and a similar genre
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Lagwagon
Violins
123 bpm • C Maj • 03:07 • -4db
46% Popularity • 45% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 45% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Social Distortion
Reach For The Sky
123 bpm • C# Maj • 03:31 • -3.05db
53% Popularity • 44% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 44% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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NOFX
Dinosaurs Will Die
123 bpm • G Maj • 02:58 • -5db
49% Popularity • 38% Danceability • 93% Energy • 21% Liveness
1% Instrumentalness • 36% Positiveness
49% Popularity • 38% Danceability • 93% Energy • 21% Liveness
1% Instrumentalness • 36% Positiveness
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Pennywise
Let Us Hear Your Voice
122 bpm • C# Maj • 03:44 • -3.72db
48% Popularity • 51% Danceability • 98% Energy • 9% Liveness
20% Instrumentalness • 57% Positiveness
48% Popularity • 51% Danceability • 98% Energy • 9% Liveness
20% Instrumentalness • 57% Positiveness
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Reel Big Fish
Everyone Else Is An Asshole
123 bpm • E Maj • 04:11 • -2.51db
45% Popularity • 62% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 62% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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The Urge
Too Much Stereo
124 bpm • A Maj • 03:27 • -5.67db
29% Popularity • 56% Danceability • 83% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 56% Danceability • 83% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
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Catch 22
Point The Blame
122 bpm • A# Maj • 02:17 • -4.6db
32% Popularity • 48% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 48% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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AFI
Girl's Not Grey
122 bpm • G# min • 03:10 • -4.49db
61% Popularity • 39% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 39% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Bad Religion
Fuck You
124 bpm • E Maj • 02:13 • -3.64db
53% Popularity • 56% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 56% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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The Offspring
She's Got Issues
125 bpm • A Maj • 03:48 • -3.61db
52% Popularity • 64% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 64% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Against Me!
Thrash Unreal
125 bpm • F Maj • 04:14 • -3.58db
53% Popularity • 56% Danceability • 84% Energy • 10% Liveness
6% Instrumentalness • 64% Positiveness
53% Popularity • 56% Danceability • 84% Energy • 10% Liveness
6% Instrumentalness • 64% Positiveness
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Bandits Of The Acoustic Revolution
Here's to Life
125 bpm • A min • 05:18 • -10.12db
30% Popularity • 51% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 51% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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The Bastard Suns
Who The F@#k
125 bpm • E Maj • 02:33 • -4.25db
23% Popularity • 81% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 81% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Reel Big Fish
Don't Let Me Down Gently
125 bpm • G Maj • 02:25 • -1.86db
28% Popularity • 72% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 72% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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NOFX
Seeing Double at the Triple Rock
121 bpm • C Maj • 02:09 • -4.31db
56% Popularity • 55% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
56% Popularity • 55% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
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Pennywise
Stand By Me
126 bpm • D# min • 03:07 • -6.98db
47% Popularity • 48% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 48% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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SR-71
1985
120 bpm • D# Maj • 03:42 • -4.57db
45% Popularity • 58% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 58% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Louser
No Hope
120 bpm • C# Maj • 02:54 • -4.84db
10% Popularity • 70% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 70% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Buck-O-Nine
Paint the Night Red
120 bpm • A Maj • 02:28 • -4.48db
27% Popularity • 63% Danceability • 85% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 63% Danceability • 85% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Reel Big Fish
Good Thing
125 bpm • C Maj • 03:38 • -3.84db
26% Popularity • 61% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 61% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Chase Long Beach
That's No Moon It's A Space Station
120 bpm • A# Maj • 03:14 • -3.96db
16% Popularity • 50% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 50% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Guttermouth
Can I Borrow Some Ambition?
120 bpm • D Maj • 02:20 • -3.34db
39% Popularity • 50% Danceability • 100% Energy • 49% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 50% Danceability • 100% Energy • 49% Liveness
0% Instrumentalness • 26% Positiveness
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The A-OKs
Jessiska
120 bpm • D Maj • 03:12 • -2.69db
13% Popularity • 54% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 54% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Alkaline Trio
Stupid Kid
119 bpm • B Maj • 02:23 • -3.91db
54% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Catch 22
Keasbey Nights
119 bpm • A Maj • 03:02 • -5.29db
50% Popularity • 68% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 95% Positiveness
50% Popularity • 68% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 95% Positiveness
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Reel Big Fish
Another Beer Song
127 bpm • A Maj • 02:05 • -2.78db
21% Popularity • 53% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 53% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Chase Long Beach
We've Got Pockets Like Nobody's Business
119 bpm • B min • 01:57 • -3.38db
33% Popularity • 50% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 50% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Against Me!
Stop!
119 bpm • C Maj • 02:33 • -3db
40% Popularity • 62% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 62% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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NOFX
We Called It America
119 bpm • G Maj • 02:07 • -3.82db
49% Popularity • 61% Danceability • 98% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 61% Danceability • 98% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
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[spunge]
Live Another Day
127 bpm • D Maj • 03:07 • -6.74db
16% Popularity • 48% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 48% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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The Presidents Of The United States Of America
Some Postman
119 bpm • D# min • 02:51 • -4.1db
43% Popularity • 57% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 57% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Rancid
Radio
128 bpm • G Maj • 02:51 • -9db
47% Popularity • 43% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
47% Popularity • 43% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Bowling For Soup
Punk Rock 101
118 bpm • E Maj • 03:08 • -5db
51% Popularity • 58% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 58% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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The Bouncing Souls
Ole
128 bpm • G Maj • 03:04 • -6.51db
40% Popularity • 33% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 33% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
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Random Hand
Play Some Ska
128 bpm • C Maj • 03:16 • -2.77db
35% Popularity • 67% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 67% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Against Me!
Pints of Guinness Make You Strong
128 bpm • A min • 02:40 • -6.84db
45% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Catch 22
This One Goes Out To
129 bpm • G Maj • 02:35 • -5.18db
26% Popularity • 48% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 48% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Reel Big Fish
Somebody Hates Me
129 bpm • A Maj • 03:28 • -5.52db
27% Popularity • 44% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 44% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Bowling For Soup
Punk Rock 101
118 bpm • E Maj • 03:04 • -4.58db
43% Popularity • 63% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 63% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Explosion
Here I Am
117 bpm • D Maj • 02:47 • -3.59db
41% Popularity • 48% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 48% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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blink-182
The Party Song
116 bpm • B Maj • 02:18 • -4.1db
54% Popularity • 34% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 34% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Streetlight Manifesto
Point / Counterpoint
130 bpm • A Maj • 05:27 • -5.3db
45% Popularity • 77% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 77% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Bandits Of The Acoustic Revolution
Dear Sergio
130 bpm • A min • 03:04 • -8.47db
31% Popularity • 69% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 69% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Reel Big Fish
She Has a Girlfriend Now
130 bpm • C min • 03:07 • -5.67db
40% Popularity • 71% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 71% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Alkaline Trio
Calling All Skeletons
130 bpm • G Maj • 03:20 • -3.39db
38% Popularity • 57% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 57% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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NOFX
I Don't Like Me Anymore
130 bpm • E min • 02:30 • -4.11db
47% Popularity • 57% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 57% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Bastard Suns
Never Say Die
130 bpm • D Maj • 03:35 • -4.08db
29% Popularity • 55% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 55% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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SR-71
Right Now
116 bpm • G# Maj • 02:47 • -3.32db
59% Popularity • 52% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
59% Popularity • 52% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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88 Fingers Louie
100 Proof
116 bpm • F Maj • 02:30 • -3db
52% Popularity • 50% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 50% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Streetlight Manifesto
The Three of Us
130 bpm • F# min • 05:18 • -3.93db
45% Popularity • 53% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 53% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Save Ferris
Come on Eileen
116 bpm • D Maj • 04:09 • -6.36db
51% Popularity • 37% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 37% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 32% Positiveness
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Bowling For Soup
Girl All the Bad Guys Want
131 bpm • D Maj • 03:17 • -6db
63% Popularity • 58% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
63% Popularity • 58% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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The Ataris
San Dimas High School Football Rules
131 bpm • C Maj • 02:47 • -4.09db
42% Popularity • 37% Danceability • 98% Energy • 67% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 37% Danceability • 98% Energy • 67% Liveness
0% Instrumentalness • 53% Positiveness
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Buck-O-Nine
Nineteen
116 bpm • A Maj • 02:55 • -1.9db
18% Popularity • 69% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 69% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Sonic Boom Six
Sound of a Revolution
132 bpm • F min • 03:14 • -4.1db
32% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Bandits Of The Acoustic Revolution
They Provide the Paint for the Picture-P...
115 bpm • F# Maj • 03:39 • -10db
37% Popularity • 66% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 66% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Bad Religion
21st Century (Digital Boy)
132 bpm • C# min • 02:47 • -9.4db
45% Popularity • 51% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 51% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Guttermouth
Perfect World
132 bpm • C Maj • 01:53 • -4db
41% Popularity • 50% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 50% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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The Mighty Mighty Bosstones
Royal Oil
133 bpm • A Maj • 02:39 • -16.18db
40% Popularity • 73% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 73% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Down By Law
500 Miles
133 bpm • E Maj • 04:04 • -8db
33% Popularity • 39% Danceability • 87% Energy • 56% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 39% Danceability • 87% Energy • 56% Liveness
0% Instrumentalness • 72% Positiveness
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The Bouncing Souls
Ship in a Bottle
114 bpm • C Maj • 03:48 • -5.13db
36% Popularity • 50% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 50% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Reel Big Fish
She's Not The End Of The World
113 bpm • G Maj • 03:42 • -2.11db
24% Popularity • 61% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 61% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Voodoo Glow Skulls
Delinquent Song
113 bpm • B min • 03:14 • -6db
32% Popularity • 47% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 47% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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The Barrymores
Think Straight Again
113 bpm • D# Maj • 03:41 • -3.48db
13% Popularity • 69% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 69% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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zebrahead
Check
134 bpm • C Maj • 02:25 • -7db
41% Popularity • 55% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 55% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Buck-O-Nine
Round Kid
113 bpm • A Maj • 02:59 • -3.26db
23% Popularity • 71% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 71% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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The Aquabats!
Idiot Box!
113 bpm • A Maj • 02:00 • -4.67db
29% Popularity • 48% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 48% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Reel Big Fish
I Know You Too Well To Like You Anymore
113 bpm • C# Maj • 04:25 • -2db
36% Popularity • 69% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 69% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Ghoti Hook
Walking On Sunshine
135 bpm • A# min • 03:25 • -5.46db
30% Popularity • 45% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 45% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Random Hand
Anger Management
135 bpm • C Maj • 04:04 • -3.79db
28% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Streetlight Manifesto
Everything Went Numb
135 bpm • G# Maj • 03:29 • -5.17db
49% Popularity • 65% Danceability • 90% Energy • 4% Liveness
2% Instrumentalness • 91% Positiveness
49% Popularity • 65% Danceability • 90% Energy • 4% Liveness
2% Instrumentalness • 91% Positiveness
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Buck-O-Nine
Irish Drinking Song
113 bpm • C Maj • 01:58 • -9db
37% Popularity • 56% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 56% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Lucky Boys Confusion
Breaking Rules
112 bpm • F Maj • 03:25 • -5.37db
19% Popularity • 60% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 60% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Reel Big Fish
The Promise
135 bpm • C Maj • 03:14 • -3.95db
29% Popularity • 78% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 78% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Days N Daze
Day Gaunts
135 bpm • A Maj • 03:23 • -12.66db
41% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
41% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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The Bouncing Souls
The Gold Song
112 bpm • G Maj • 03:16 • -2.89db
38% Popularity • 60% Danceability • 99% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 60% Danceability • 99% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Whole Wheat Bread
Old Man Samson
135 bpm • E Maj • 01:55 • -4.11db
26% Popularity • 58% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 58% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Buck-O-Nine
Pass the Dutchie
112 bpm • C Maj • 02:49 • -7.39db
26% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Transplants
California Babylon
112 bpm • A# min • 04:05 • -3.63db
40% Popularity • 71% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 71% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Reel Big Fish
I Dare You To Break My Heart
135 bpm • C Maj • 05:15 • -2.42db
32% Popularity • 74% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 74% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Bodyjar
Not the Same
111 bpm • A Maj • 03:08 • -5db
51% Popularity • 47% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 47% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Catch 22
9mm And A Three Piece Suit
136 bpm • D Maj • 01:56 • -5.52db
48% Popularity • 54% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 54% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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NOFX
The Man I Killed
136 bpm • G Maj • 01:18 • -4.58db
49% Popularity • 60% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
49% Popularity • 60% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Rancid
Side Kick
137 bpm • C Maj • 02:01 • -7.94db
45% Popularity • 44% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 44% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Voodoo Glow Skulls
Insubordination
136 bpm • E min • 03:28 • -6.02db
38% Popularity • 40% Danceability • 91% Energy • 73% Liveness
29% Instrumentalness • 63% Positiveness
38% Popularity • 40% Danceability • 91% Energy • 73% Liveness
29% Instrumentalness • 63% Positiveness
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Anti-Flag
Should I Stay or Should I Go - Live Vers...
137 bpm • F# Maj • 02:43 • -5.39db
35% Popularity • 46% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 46% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Bomb the Music Industry!
I Don't Love You Anymore
137 bpm • C Maj • 04:42 • -3.69db
37% Popularity • 38% Danceability • 95% Energy • 74% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 38% Danceability • 95% Energy • 74% Liveness
0% Instrumentalness • 55% Positiveness
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Catch 22
Walking Away
137 bpm • A# Maj • 04:06 • -6.87db
29% Popularity • 51% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 51% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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The Hippos
Far Behind
110 bpm • A# Maj • 03:28 • -3.83db
24% Popularity • 66% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 66% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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NOFX
The Separation of Church and Skate
137 bpm • F Maj • 03:09 • -3.8db
54% Popularity • 37% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 37% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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[spunge]
Pirate Song
110 bpm • G Maj • 01:20 • -5.94db
15% Popularity • 66% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 66% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Sonic Boom Six
Bigger Than Punk Rock
137 bpm • C min • 03:29 • -4.22db
22% Popularity • 58% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 58% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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The Mighty Mighty Bosstones
Mr. Moran
110 bpm • E min • 03:04 • -5db
41% Popularity • 41% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 41% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Reel Big Fish
Join the Club
110 bpm • A Maj • 03:24 • -8.94db
26% Popularity • 62% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 62% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Streetlight Manifesto
We Will Fall Together
138 bpm • B min • 04:49 • -4.32db
49% Popularity • 55% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 55% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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The Hippos
He Said
138 bpm • E Maj • 03:55 • -4.31db
15% Popularity • 62% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 62% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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[spunge]
Centerfold
138 bpm • C Maj • 03:09 • -5.98db
27% Popularity • 55% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 55% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Catch 22
On & On & On
139 bpm • C Maj • 03:14 • -6.57db
40% Popularity • 44% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 44% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
