Songs like Everyone Is Disappointing by ari hicks
Based on a tempo of (+/- 10%) and a similar genre
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Anna Thompson
Telepathically
126 bpm • D# min • 03:04 • -5.27db
19% Popularity • 73% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 73% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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stef
hi, my name is lonely.
126 bpm • G min • 02:50 • -5.1db
41% Popularity • 86% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 86% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Meg DeAngelis
Two Sides
126 bpm • C Maj • 02:59 • -5.61db
17% Popularity • 75% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 75% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Two Neighbors
Can't Stand It
126 bpm • F# min • 02:23 • -5.04db
23% Popularity • 82% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 82% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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MISSY
Only Lovers When The World Ends
126 bpm • B min • 03:27 • -5.93db
14% Popularity • 62% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 62% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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UPSAHL
Thriving
126 bpm • G Maj • 02:15 • -5.23db
45% Popularity • 80% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 80% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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ari hicks
Everyone Is Disappointing
126 bpm • G Maj • 02:47 • -5.92db
23% Popularity • 85% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 38% Positiveness
23% Popularity • 85% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 38% Positiveness
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Halle Abadi
Focus
127 bpm • C# min • 02:06 • -7db
41% Popularity • 80% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 80% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Stela Cole
Throwing Up Butterflies
127 bpm • C# min • 03:35 • -6db
26% Popularity • 72% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 72% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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EHLE
Needle Drip
125 bpm • G# min • 03:23 • -10.41db
21% Popularity • 79% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 79% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Zaryah
Wasted
125 bpm • G Maj • 03:01 • -11.76db
14% Popularity • 74% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 74% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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UPSAHL
Melatonin
127 bpm • A# min • 03:07 • -4.09db
34% Popularity • 78% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 78% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Elle Lexxa
Vacancy
125 bpm • C# min • 02:50 • -10.07db
27% Popularity • 75% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 75% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
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Abigail Barlow
Future Ex
125 bpm • C# Maj • 02:36 • -4.77db
41% Popularity • 85% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 85% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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TIMMS
Itsy Bitsy
127 bpm • D min • 02:56 • -9db
35% Popularity • 76% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 76% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Dylan
Good Enough
125 bpm • G min • 03:21 • -7.56db
36% Popularity • 63% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 63% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Zaryah
Invite
125 bpm • D min • 02:26 • -12.31db
32% Popularity • 79% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 79% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Marisa Maino
mistake
128 bpm • A Maj • 03:29 • -5db
20% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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FLAVIA
Gay For A Day
124 bpm • D Maj • 02:30 • -7.25db
24% Popularity • 78% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 78% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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UPSAHL
Lunatic
124 bpm • A min • 02:21 • -5db
47% Popularity • 72% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
47% Popularity • 72% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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James Droll
Oscar Nominated
128 bpm • A min • 03:24 • -8.29db
11% Popularity • 50% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 50% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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DEZI
Boba
124 bpm • G# Maj • 03:33 • -9db
31% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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GUNNAR
Somewhere We Can Be Alone
124 bpm • F# min • 03:02 • -6.13db
27% Popularity • 82% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 82% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Jaira Burns
Goddess
124 bpm • A# min • 03:07 • -9.08db
55% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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ari hicks
Two Sides
128 bpm • F min • 02:25 • -6.7db
21% Popularity • 97% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 97% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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FLAVIA
Them
124 bpm • E min • 02:27 • -9.93db
41% Popularity • 82% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 82% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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iamnotshane
You're Dead to Me, I Hope You Fail
123 bpm • D Maj • 02:52 • -8.74db
22% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Tayler Buono
IFHU
129 bpm • C Maj • 03:18 • -4.95db
13% Popularity • 58% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 58% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Bahari
Bipolar
123 bpm • A Maj • 03:19 • -9db
29% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Cami Petyn
Care Less
123 bpm • A Maj • 02:38 • -7db
36% Popularity • 85% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 85% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Libby Larkin
NYC's better off without u
129 bpm • F Maj • 03:27 • -9db
31% Popularity • 70% Danceability • 67% Energy • 8% Liveness
8% Instrumentalness • 57% Positiveness
31% Popularity • 70% Danceability • 67% Energy • 8% Liveness
8% Instrumentalness • 57% Positiveness
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Just Stef
Liar Liar
123 bpm • D Maj • 02:12 • -5.82db
30% Popularity • 81% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 81% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Sarah Saint James
HOME IS WHERE THE HELL IS
123 bpm • F# min • 02:54 • -7db
21% Popularity • 73% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 73% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Nhala
Back to the Dark
123 bpm • B min • 03:26 • -8.77db
13% Popularity • 70% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 70% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Elle Lexxa
Obsessed
129 bpm • G Maj • 03:29 • -8.78db
36% Popularity • 57% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 57% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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memyself&vi
Dead to You
123 bpm • C min • 02:42 • -6db
32% Popularity • 70% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 70% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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DEZI
Sinner
123 bpm • A# Maj • 02:54 • -7db
47% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
47% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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TIMMS
Are We There yet?
130 bpm • D Maj • 02:36 • -8db
32% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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FLAVIA
EAT
130 bpm • G Maj • 03:06 • -6.85db
26% Popularity • 77% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 77% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Anna Thompson
Get Me High
130 bpm • A min • 02:47 • -5.76db
30% Popularity • 66% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 66% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Elliot Lee
Drama Queen
130 bpm • G min • 02:51 • -8.66db
35% Popularity • 76% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 76% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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PRINS
That's the thing x
130 bpm • F# min • 03:51 • -6.79db
25% Popularity • 71% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 71% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Chloe Tang
Hype
130 bpm • E min • 03:01 • -8.57db
33% Popularity • 70% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 42% Positiveness
33% Popularity • 70% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 42% Positiveness
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carobae
I Don't Even Care (Pick Me Up)
130 bpm • F Maj • 03:45 • -5.74db
12% Popularity • 78% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 78% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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NOT THE MAIN CHARACTERS
murder party
130 bpm • A min • 02:17 • -8.55db
48% Popularity • 72% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 72% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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JESSIA
I Should Quit
130 bpm • A Maj • 02:30 • -7.1db
34% Popularity • 76% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 76% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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C.WATTS
Over U
130 bpm • A# min • 02:37 • -5.92db
45% Popularity • 83% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 83% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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JAGMAC
Motivation
130 bpm • B Maj • 02:53 • -5.24db
31% Popularity • 79% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 79% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Carla Wehbe
Half Past Nine
122 bpm • B min • 03:27 • -6.27db
17% Popularity • 64% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 64% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Zaryah
ROOM 112
122 bpm • F min • 02:29 • -6.98db
40% Popularity • 80% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 80% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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UPSAHL
Time of my Life
122 bpm • C Maj • 02:16 • -4.68db
43% Popularity • 80% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 80% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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JESSIA
But I Don'T
122 bpm • C Maj • 02:17 • -10db
42% Popularity • 89% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 89% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Jules Paymer
FUCK MY EXES
122 bpm • C Maj • 02:54 • -5.96db
27% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Brooke Alexx
Perfect
122 bpm • G min • 02:22 • -5.91db
25% Popularity • 86% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 86% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jaira Burns
Tesla X
131 bpm • G# Maj • 02:34 • -9.61db
22% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Anna Akana
Run
131 bpm • A# min • 03:00 • -10db
23% Popularity • 79% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 79% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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FLAVIA
Running Home
131 bpm • A min • 03:14 • -7.26db
14% Popularity • 72% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 72% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Stela Cole
If I Were You
121 bpm • G# Maj • 02:42 • -5.35db
26% Popularity • 80% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 80% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Sophie Cates
ghosts!
121 bpm • G# Maj • 02:50 • -4.13db
36% Popularity • 77% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 77% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Elli Moore
OK
121 bpm • C Maj • 03:22 • -7.05db
29% Popularity • 96% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 96% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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ari hicks
Good Boy
121 bpm • D min • 02:26 • -5.24db
40% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Annika Rose
Talk To Strangers
131 bpm • A Maj • 02:59 • -9.21db
24% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Melody Federer
I Hate Love
132 bpm • E Maj • 03:06 • -6.36db
33% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Fae
Blowing Smoke
132 bpm • A min • 03:00 • -6.35db
25% Popularity • 74% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 74% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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FKA Rayne
Bored
132 bpm • D# min • 02:49 • -5.68db
20% Popularity • 66% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 66% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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ASTON
Killer Queen
132 bpm • G min • 03:06 • -5db
40% Popularity • 70% Danceability • 78% Energy • 29% Liveness
2% Instrumentalness • 35% Positiveness
40% Popularity • 70% Danceability • 78% Energy • 29% Liveness
2% Instrumentalness • 35% Positiveness
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Spritely
What Friends?
132 bpm • D# Maj • 02:36 • -7.43db
15% Popularity • 68% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 68% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Lilyisthatyou
Bad Energy
132 bpm • F Maj • 02:22 • -5.74db
39% Popularity • 64% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 64% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Marlhy
Loners
132 bpm • D Maj • 02:54 • -7.17db
17% Popularity • 72% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 72% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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UPSAHL
Sunny D
132 bpm • C Maj • 03:23 • -4.83db
30% Popularity • 74% Danceability • 82% Energy • 94% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 74% Danceability • 82% Energy • 94% Liveness
0% Instrumentalness • 91% Positiveness
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FLAVIA
Paris Girls
132 bpm • C Maj • 03:27 • -7.82db
19% Popularity • 72% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 72% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Avenue Beat
parties
120 bpm • A# Maj • 02:44 • -7.1db
20% Popularity • 76% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 76% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Anna Thompson
Like That
120 bpm • G min • 02:27 • -5.67db
8% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Dan Aura
Straight Boys
120 bpm • B min • 03:04 • -4db
23% Popularity • 81% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 81% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Charlotte Lawrence
Why Do You Love Me
120 bpm • G# min • 02:51 • -6.17db
51% Popularity • 84% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 84% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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sad alex
crydancing
120 bpm • D Maj • 03:02 • -6.34db
19% Popularity • 81% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 81% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Lilyisthatyou
Competition
120 bpm • C Maj • 03:06 • -5.47db
33% Popularity • 63% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 63% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Riley Biederer
Love Me Like Me
120 bpm • D Maj • 02:10 • -7db
19% Popularity • 88% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 88% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Ivy Adara
Pressure
120 bpm • D Maj • 02:44 • -6.14db
32% Popularity • 75% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 75% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Emma Kern
We So Fly
120 bpm • G Maj • 02:30 • -7db
24% Popularity • 87% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 87% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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FLETCHER
She Said
120 bpm • A# min • 02:47 • -5.65db
50% Popularity • 65% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
50% Popularity • 65% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Alexa Cappelli
Body Language
120 bpm • C# min • 02:53 • -5db
51% Popularity • 87% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 87% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Caroline Kole
I LIKE CARS
120 bpm • F# Maj • 02:22 • -6.38db
37% Popularity • 74% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 74% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Cloudy June
Cheap Wine & Vodka
120 bpm • G Maj • 03:10 • -6.1db
27% Popularity • 70% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 70% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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MISSY
Hologram
120 bpm • G min • 02:48 • -7.9db
32% Popularity • 69% Danceability • 60% Energy • 18% Liveness
4% Instrumentalness • 50% Positiveness
32% Popularity • 69% Danceability • 60% Energy • 18% Liveness
4% Instrumentalness • 50% Positiveness
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JXCKY
Losing My Mind
120 bpm • G# Maj • 02:48 • -10.86db
22% Popularity • 75% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 75% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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NOT THE MAIN CHARACTERS
lava
120 bpm • B min • 02:18 • -5.09db
24% Popularity • 93% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 93% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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GRANT KNOCHE
COLOR ME BLUE
120 bpm • E min • 02:26 • -7.12db
34% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Andrea Russett
Stranger
120 bpm • A min • 02:54 • -7.15db
26% Popularity • 70% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 70% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Cloudy June
High Waist to Hell
120 bpm • F Maj • 03:14 • -7.1db
39% Popularity • 85% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 85% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Avenue Beat
rock in outer space
120 bpm • G# Maj • 02:20 • -7.56db
28% Popularity • 67% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 67% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Cassidy King
Four in the Morning
120 bpm • F# Maj • 02:50 • -4.7db
24% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Jaira Burns
I Like You Better
120 bpm • C Maj • 02:16 • -7.55db
31% Popularity • 95% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 95% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Marisa Maino
drugs with god
120 bpm • A Maj • 03:15 • -6.05db
27% Popularity • 52% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 52% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Trevi Moran
Dose
120 bpm • G Maj • 03:42 • -7.48db
8% Popularity • 61% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 61% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Mia Sayoko
Out Of Sync
133 bpm • F# min • 03:13 • -6.23db
16% Popularity • 74% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 74% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Cami Petyn
No Sleep
133 bpm • B min • 03:06 • -8.93db
17% Popularity • 68% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 68% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Chloe Lilac
DOUCHEBAG
133 bpm • F# min • 02:18 • -7.01db
31% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
