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Everyone
Songs like
Everyone
by
Five Way Friday
Based on a tempo of (+/- 10%) and a similar genre
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Virginia Coalition
Sing Along
142 bpm • A Maj • 04:41 • -5.81db
12% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Five Way Friday
Everyone
142 bpm • C Maj • 04:08 • -7.16db
2% Popularity • 54% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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July For Kings
Float Away
142 bpm • E Maj • 04:32 • -6.72db
8% Popularity • 56% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Better Than Ezra
Get You In
142 bpm • B Maj • 04:08 • -5.88db
11% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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T Jay Mic
I'm Falling For You
142 bpm • E Maj • 03:50 • -12.65db
25% Popularity • 44% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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The Floating Men
A Tall Stand of Pines
142 bpm • F# min • 04:35 • -9.2db
7% Popularity • 66% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Jackopierce
Please Come to Boston
142 bpm • F Maj • 05:46 • -9.29db
11% Popularity • 39% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Five Way Friday
Moon Driven World
142 bpm • G Maj • 03:20 • -1.91db
0% Popularity • 50% Danceability • 97% Energy • 3% Liveness
0% Instrumentalness • 59% Positiveness
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Will Hoge
Better off Now (That You're Gone)
140 bpm • C Maj • 02:58 • -3.64db
17% Popularity • 44% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Wendell Aldridge
The Last Night
143 bpm • A Maj • 03:28 • -8.51db
7% Popularity • 49% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Graham Colton Band
Don't Give up on Me
140 bpm • E min • 03:52 • -4.57db
12% Popularity • 44% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Emanuel Wilson
Koreatown
144 bpm • C Maj • 03:19 • -14.19db
13% Popularity • 50% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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The Floating Men
The Idle Hours
144 bpm • E min • 03:56 • -7.62db
7% Popularity • 64% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Five Way Friday
Dreams of Elvis
143 bpm • E Maj • 04:18 • -0.84db
2% Popularity • 44% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Will Hoge
Someone Else's Baby
140 bpm • A Maj • 04:33 • -4.95db
13% Popularity • 58% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Virginia Coalition
Mason Dixon
144 bpm • F Maj • 04:46 • -10db
14% Popularity • 74% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 57% Positiveness
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Daniel Wesley
Crush
144 bpm • C# min • 02:26 • -7.93db
8% Popularity • 56% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Tabitha's Secret
3 Here Comes Horses (4:21)
144 bpm • C Maj • 04:23 • -9.06db
16% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Stephen Kellogg and The Sixers
Cabin In the Woods
144 bpm • E Maj • 03:47 • -7.07db
17% Popularity • 58% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Works Progress Administration
Always Have My Love
144 bpm • D Maj • 04:12 • -6.34db
8% Popularity • 46% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Five Way Friday
Everybody's Angel
139 bpm • C Maj • 03:19 • -5.62db
0% Popularity • 35% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 51% Positiveness
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Osbaldo Herzhty
In Mountains And Valleys
139 bpm • C Maj • 02:36 • -6.67db
20% Popularity • 62% Danceability • 90% Energy • 58% Liveness
0% Instrumentalness • 94% Positiveness
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Grantham Heloise
Glad To
139 bpm • C Maj • 03:46 • -13.98db
26% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ari Hest
They're On To Me
145 bpm • A Maj • 03:52 • -3.13db
9% Popularity • 40% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Stephen Kellogg and The Sixers
Satisfied Man
139 bpm • C Maj • 03:48 • -11.78db
18% Popularity • 65% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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The Haiku
Freewheelin'
145 bpm • E Maj • 04:51 • -7.08db
10% Popularity • 30% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Rhett Miller
Fireflies
146 bpm • F Maj • 04:07 • -7.85db
18% Popularity • 48% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Five Way Friday
Vision In White
146 bpm • E Maj • 03:29 • -6.1db
0% Popularity • 32% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Grantham Heloise
Mo-Kan Line
145 bpm • F Maj • 04:38 • -16.17db
26% Popularity • 51% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Pete Droge
Northern Bound Train
146 bpm • A Maj • 04:47 • -7.25db
13% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Athenaeum
No-One
146 bpm • E Maj • 04:34 • -6.21db
16% Popularity • 42% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Ingram Hill
Four Letter Word
146 bpm • A Maj • 03:16 • -5.54db
11% Popularity • 58% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Love Seed Mama Jump
Take Me Home Country Roads
138 bpm • G Maj • 02:35 • -13.29db
9% Popularity • 34% Danceability • 71% Energy • 94% Liveness
0% Instrumentalness • 70% Positiveness
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Pkrb
St. Johns County
138 bpm • G Maj • 03:58 • -9.36db
7% Popularity • 45% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Sampson Salome
Follow Flag
146 bpm • C Maj • 03:51 • -12.17db
9% Popularity • 59% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Five Way Friday
Far Apart
138 bpm • G Maj • 03:15 • -6.38db
0% Popularity • 52% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Stephen Kellogg and The Sixers
Glassjaw Boxer
138 bpm • E Maj • 03:44 • -5.77db
23% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Ingram Hill
Waste It All On You
146 bpm • A min • 04:00 • -5.46db
7% Popularity • 30% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
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The Why Store
When I'm With You
138 bpm • A min • 04:40 • -9.41db
11% Popularity • 60% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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the feelers
dancing on water
137 bpm • D Maj • 02:33 • -6.1db
7% Popularity • 58% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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The Wallflowers
When You're On Top
137 bpm • D Maj • 03:54 • -6.86db
26% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Marc Tewksbury
Waiving Like a Man Overboard
148 bpm • B Maj • 04:19 • -11.74db
12% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Five Way Friday
Western Folk
148 bpm • E Maj • 03:06 • -6.7db
0% Popularity • 28% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Story Street
Revolution Day
148 bpm • A Maj • 03:05 • -6db
31% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Suburban Love Junkies
Devil Knows Best
148 bpm • D# Maj • 04:40 • -5.15db
15% Popularity • 46% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Jerry Chapman
Waiting on the Band to Show
148 bpm • A Maj • 03:30 • -6.98db
8% Popularity • 54% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Stephen Kellogg and The Sixers
Maria
136 bpm • A min • 04:13 • -4.67db
9% Popularity • 62% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Bailey Run
Lenox Lane
136 bpm • G Maj • 02:49 • -5.72db
8% Popularity • 43% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Five Way Friday
Pushing Back Tomorrow
136 bpm • G Maj • 04:21 • -7.24db
0% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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the 2 things
Summer Again
136 bpm • F Maj • 03:10 • -6.92db
7% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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Tabitha's Secret
Forever December ( 1995 Version )
136 bpm • C Maj • 04:31 • -8.02db
21% Popularity • 46% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Dantri
Georgia On My Mind
136 bpm • D Maj • 05:00 • -12.6db
20% Popularity • 62% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Stephen Kellogg and The Sixers
4th of July
136 bpm • D Maj • 05:03 • -7.43db
26% Popularity • 58% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Emanuel Wilson
Crooked Line
135 bpm • D# Maj • 05:26 • -13.33db
13% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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J Minus
Close Behind
149 bpm • G# Maj • 03:27 • -8.96db
18% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Suburban Love Junkies
1993 Mom Song
135 bpm • G# Maj • 03:47 • -5.52db
16% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Moss Meredith
Under the Radar
135 bpm • A# min • 02:51 • -7db
21% Popularity • 58% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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BJ Huss
Intruder
135 bpm • G Maj • 03:50 • -5.87db
14% Popularity • 52% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Five Way Friday
Home
135 bpm • A Maj • 05:13 • -8.72db
1% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Tabitha's Secret
11 Blue Monday (2:49)
135 bpm • F Maj • 02:51 • -7.71db
10% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Martin Zellar
A Thousand Little Things
150 bpm • C Maj • 03:26 • -5.43db
9% Popularity • 44% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Jason Mayer
Here for a Good Time
150 bpm • G Maj • 03:37 • -7.04db
16% Popularity • 35% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Butch Walker
Closest Thing to You I'm Gonna Find
134 bpm • G Maj • 03:56 • -7.57db
16% Popularity • 42% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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The Nadas
Feel Like Home
150 bpm • E Maj • 03:07 • -7.74db
11% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Swinging Steaks
Daydream
150 bpm • E Maj • 03:43 • -11.4db
12% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Graham Colton Band
Killing Me
150 bpm • A Maj • 04:02 • -4.78db
19% Popularity • 51% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Stephen Kellogg and The Sixers
Sweet Sophia
134 bpm • D Maj • 03:11 • -9db
28% Popularity • 60% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Emerson Hart
Run To
134 bpm • C Maj • 03:17 • -4.25db
12% Popularity • 55% Danceability • 91% Energy • 43% Liveness
55% Instrumentalness • 63% Positiveness
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The Wallflowers
How Good It Can Get
151 bpm • A Maj • 04:11 • -4.61db
36% Popularity • 39% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Clement Tennyson
Ancient Dawn
151 bpm • C Maj • 04:59 • -14.24db
8% Popularity • 54% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Cowboy Mouth
Laughable
133 bpm • A Maj • 03:38 • -6db
10% Popularity • 62% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Will Hoge
Let Me Be Lonely
151 bpm • C Maj • 01:58 • -2.4db
11% Popularity • 42% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Bill Ozee
Someone, Somewhere
133 bpm • G Maj • 04:03 • -17.16db
10% Popularity • 45% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Far Too Jones
As Good As You
152 bpm • G Maj • 03:49 • -5.22db
13% Popularity • 32% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Nadas
Life Becomes Me
152 bpm • G Maj • 02:41 • -6.49db
11% Popularity • 53% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Better Than Ezra
Tremble
133 bpm • G Maj • 03:05 • -4.53db
17% Popularity • 54% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Pat Predd
Without Your Light
152 bpm • E Maj • 02:53 • -9.94db
13% Popularity • 62% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Will Hoge
Not That Cool
151 bpm • D Maj • 03:59 • -4.6db
17% Popularity • 44% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Athenaeum
Anyone
152 bpm • D Maj • 03:08 • -7.28db
9% Popularity • 40% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Stanley Hessel
How Do You Solve Problems Like Ours
152 bpm • F# Maj • 01:56 • -12.98db
10% Popularity • 53% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Five Way Friday
She's Alone
132 bpm • E Maj • 03:48 • -8.85db
0% Popularity • 53% Danceability • 68% Energy • 25% Liveness
1% Instrumentalness • 50% Positiveness
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Blue Merle
Lucky To Know You
132 bpm • D Maj • 04:16 • -7.04db
18% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Grantham Heloise
Plastic Flower
131 bpm • A# Maj • 04:18 • -14.68db
26% Popularity • 60% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Deadeye Dick
Bobby Jo
131 bpm • G Maj • 03:14 • -7.04db
9% Popularity • 59% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Stephen Kellogg and The Sixers
Shady Esperanto And The Young Hearts
131 bpm • G# Maj • 03:02 • -6.79db
20% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Bill Ozee
Unbiased
154 bpm • G Maj • 02:27 • -24.43db
30% Popularity • 39% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Corduroy Vinyl
Picture
131 bpm • D min • 04:15 • -8db
11% Popularity • 60% Danceability • 58% Energy • 24% Liveness
2% Instrumentalness • 29% Positiveness
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Better Than Ezra
Strange Funny Way
131 bpm • G Maj • 02:44 • -6.48db
12% Popularity • 58% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 88% Positiveness
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The Verve Pipe
I Want to Bury You
154 bpm • C Maj • 03:34 • -6.78db
8% Popularity • 44% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Big Head Todd and The Monsters
Fortune Teller
154 bpm • G Maj • 03:33 • -5.88db
9% Popularity • 43% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Ingram Hill
Maybe It's Me
154 bpm • A Maj • 03:55 • -5.03db
14% Popularity • 42% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Willy Porter
Rita
131 bpm • A# Maj • 04:01 • -10db
14% Popularity • 60% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Cowboy Mouth
God Makes The Rain
131 bpm • D Maj • 04:45 • -7.15db
12% Popularity • 47% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Five Way Friday
Sunday (Live)
131 bpm • G Maj • 02:57 • -8.39db
0% Popularity • 59% Danceability • 79% Energy • 91% Liveness
0% Instrumentalness • 79% Positiveness
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Jackopierce
Please Come to Boston
130 bpm • F Maj • 05:47 • -15.43db
29% Popularity • 56% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Graham Colton Band
Morning Light
154 bpm • G min • 04:07 • -6.3db
16% Popularity • 48% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Murdo Thomas Moore
In the rain again
130 bpm • G# Maj • 03:26 • -16.44db
17% Popularity • 46% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Bill Lloyd
Go-to-Girl
130 bpm • G Maj • 02:34 • -5.83db
11% Popularity • 64% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Last Wave
Busking on the Beach
130 bpm • A# Maj • 04:25 • -7.98db
10% Popularity • 63% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Five Way Friday
Sad October
130 bpm • D Maj • 03:41 • -4.06db
1% Popularity • 63% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Everyone