Songs like Everyone's Gone to the Moon by Jonathan King
Based on a tempo of (+/- 10%) and a similar genre
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Des O'Connor
Dick-a-Dum-Dum (King's Road)
89 bpm • F Maj • 02:14 • -8db
18% Popularity • 74% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 74% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Jonathan King
Everyone's Gone to the Moon
89 bpm • D# Maj • 02:23 • -9db
35% Popularity • 43% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 43% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Keith West
Excerpt from a Teenage Opera
89 bpm • E Maj • 04:42 • -6db
31% Popularity • 38% Danceability • 65% Energy • 46% Liveness
20% Instrumentalness • 61% Positiveness
31% Popularity • 38% Danceability • 65% Energy • 46% Liveness
20% Instrumentalness • 61% Positiveness
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Bruce Channel
Keep On
90 bpm • D Maj • 01:54 • -7db
18% Popularity • 53% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 53% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Mark Wirtz
Grocer Jack (Excerpt From A Teenage Oper...
88 bpm • E Maj • 04:40 • -8.15db
29% Popularity • 39% Danceability • 58% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
29% Popularity • 39% Danceability • 58% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
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The Seekers
A World of Our Own
88 bpm • A# Maj • 02:43 • -10db
40% Popularity • 60% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 60% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Ken Dodd
Tears
88 bpm • C Maj • 02:51 • -11db
25% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Jonathan King
Flirt
89 bpm • D Maj • 02:03 • -15.85db
4% Popularity • 76% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 93% Positiveness
4% Popularity • 76% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 93% Positiveness
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Tee-Set
Red Red Wine
91 bpm • C# Maj • 02:42 • -10.4db
20% Popularity • 40% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 40% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Wayne Fontana & The Mindbenders
24 Sycamore
87 bpm • C# Maj • 03:17 • -8.14db
18% Popularity • 52% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 52% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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White Plains
Julie Do Ya Love Me
87 bpm • A Maj • 02:35 • -9.47db
17% Popularity • 44% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 44% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Hurricane Smith
Don't Let It Die
92 bpm • F Maj • 02:35 • -10db
27% Popularity • 48% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 48% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Vanity Fare
Early in the Morning
92 bpm • G# min • 02:34 • -6db
15% Popularity • 62% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 62% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Jonathan King
Flirt - Remastered
89 bpm • D Maj • 02:30 • -5.96db
5% Popularity • 72% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
5% Popularity • 72% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Tee-Set
Ma Belle Amie
87 bpm • G Maj • 03:14 • -11db
37% Popularity • 42% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 42% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Oliver
Jean
92 bpm • D# Maj • 03:24 • -13db
29% Popularity • 31% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 31% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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David & Jonathan
Softly Whispering I Love You
92 bpm • C Maj • 03:11 • -6.82db
11% Popularity • 41% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 41% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Cyrkle
Red Rubber Ball
92 bpm • A Maj • 02:19 • -10db
27% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Marmalade
Baby Make It Soon
92 bpm • G Maj • 03:00 • -6.4db
21% Popularity • 47% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 47% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Jonathan King
Cherry Cherry
90 bpm • A Maj • 02:52 • -12.45db
4% Popularity • 72% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
4% Popularity • 72% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Dave Berry
The Crying Game
92 bpm • C Maj • 02:45 • -14.63db
33% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Manfred Mann
Mighty Quinn
93 bpm • B Maj • 02:53 • -2.83db
45% Popularity • 59% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 59% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Peter And Gordon
Crying in the Rain - Mono; 2003 Remaster
93 bpm • A min • 02:47 • -9.3db
25% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Vince Hill
Look Around (And You'll Find Me There)
85 bpm • C# Maj • 03:26 • -8.74db
26% Popularity • 30% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 30% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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The Bystanders
When Jezamine Goes
93 bpm • C Maj • 03:13 • -7.87db
9% Popularity • 42% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 42% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Jonathan King
It's a Tall Order for a Short Guy
91 bpm • A# min • 02:47 • -10.79db
1% Popularity • 75% Danceability • 36% Energy • 4% Liveness
62% Instrumentalness • 96% Positiveness
1% Popularity • 75% Danceability • 36% Energy • 4% Liveness
62% Instrumentalness • 96% Positiveness
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Reparata & The Delrons
Captain of Your Ship
93 bpm • F Maj • 02:26 • -9db
21% Popularity • 53% Danceability • 63% Energy • 81% Liveness
21% Instrumentalness • 83% Positiveness
21% Popularity • 53% Danceability • 63% Energy • 81% Liveness
21% Instrumentalness • 83% Positiveness
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Richard Harris
My Boy
85 bpm • D Maj • 03:13 • -14db
29% Popularity • 28% Danceability • 34% Energy • 21% Liveness
6% Instrumentalness • 19% Positiveness
29% Popularity • 28% Danceability • 34% Energy • 21% Liveness
6% Instrumentalness • 19% Positiveness
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Don Partridge
Rosie
93 bpm • B Maj • 02:16 • -7.28db
23% Popularity • 71% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 71% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Freddie & The Dreamers
If You Gotta Make a Fool of Somebody
85 bpm • F Maj • 01:59 • -8.49db
22% Popularity • 56% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 56% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Poppy Family
Which Way You Goin', Billy?
93 bpm • C# Maj • 03:23 • -10.83db
36% Popularity • 51% Danceability • 67% Energy • 9% Liveness
6% Instrumentalness • 65% Positiveness
36% Popularity • 51% Danceability • 67% Energy • 9% Liveness
6% Instrumentalness • 65% Positiveness
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Jonathan King
Green Is The Grass
91 bpm • D Maj • 02:30 • -15.27db
1% Popularity • 46% Danceability • 30% Energy • 33% Liveness
4% Instrumentalness • 58% Positiveness
1% Popularity • 46% Danceability • 30% Energy • 33% Liveness
4% Instrumentalness • 58% Positiveness
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Marmalade
Baby Make It Soon
93 bpm • G Maj • 03:03 • -11.79db
23% Popularity • 51% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 51% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Georgie Fame & The Blue Flames
Getaway
94 bpm • B Maj • 02:32 • -11db
29% Popularity • 84% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 84% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Bend It
94 bpm • D Maj • 02:31 • -3.65db
23% Popularity • 47% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 47% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Richard Barnes
Take To The Mountains
94 bpm • E Maj • 02:57 • -12.93db
16% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Dave Berry
Mama
94 bpm • A# min • 02:50 • -12.28db
27% Popularity • 60% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 76% Positiveness
27% Popularity • 60% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 76% Positiveness
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Jonathan King
It's a Tall Order for a Short Guy
91 bpm • A# min • 02:28 • -15.02db
0% Popularity • 74% Danceability • 28% Energy • 5% Liveness
73% Instrumentalness • 96% Positiveness
0% Popularity • 74% Danceability • 28% Energy • 5% Liveness
73% Instrumentalness • 96% Positiveness
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Billy Fury
It's Only Make Believe
84 bpm • A Maj • 02:26 • -10.23db
23% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Scott Walker and the Walker Brothers
My Ship Is Coming In
94 bpm • D Maj • 02:56 • -9.98db
5% Popularity • 31% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
5% Popularity • 31% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Jackie Trent
The Two of Us
94 bpm • C Maj • 03:10 • -7.35db
18% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Vanity Fare
I Live For The Sun
84 bpm • F# min • 02:28 • -7.5db
15% Popularity • 48% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 48% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The New Seekers
Never Ending Song Of Love
95 bpm • D Maj • 03:10 • -13db
41% Popularity • 60% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 60% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Jonathan King
Help Me Make It Through the Night
92 bpm • G# Maj • 02:35 • -12.86db
1% Popularity • 28% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
1% Popularity • 28% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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C.C.S.
Tap Turns on the Water
95 bpm • E min • 03:43 • -10.21db
26% Popularity • 64% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 64% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Freddie & The Dreamers
A Windmill in Old Amsterdam
95 bpm • A# Maj • 02:08 • -9db
14% Popularity • 70% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 70% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Sound 9418
In the Mood - Remastered
95 bpm • G# Maj • 03:07 • -8.94db
0% Popularity • 55% Danceability • 61% Energy • 30% Liveness
88% Instrumentalness • 87% Positiveness
0% Popularity • 55% Danceability • 61% Energy • 30% Liveness
88% Instrumentalness • 87% Positiveness
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Wayne Fontana
Groovy Kind of Love
95 bpm • A min • 01:57 • -16.82db
38% Popularity • 63% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 63% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Mary Hopkin
Goodbye - Official 1977 Rerecording
95 bpm • E Maj • 02:20 • -5db
29% Popularity • 63% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 63% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Jonathan King
Where The Sun Has Never Shone
91 bpm • G Maj • 02:57 • -11.43db
0% Popularity • 29% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 29% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Love Affair
The First Cut Is the Deepest
83 bpm • C Maj • 03:24 • -13.84db
20% Popularity • 36% Danceability • 44% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 36% Danceability • 44% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
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Jet Harris & Tony Meehan
Diamonds
95 bpm • C Maj • 02:22 • -8db
17% Popularity • 60% Danceability • 80% Energy • 15% Liveness
89% Instrumentalness • 80% Positiveness
17% Popularity • 60% Danceability • 80% Energy • 15% Liveness
89% Instrumentalness • 80% Positiveness
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David Garrick
Lady Jane
96 bpm • G Maj • 03:13 • -11.8db
20% Popularity • 59% Danceability • 32% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
20% Popularity • 59% Danceability • 32% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
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Bubblerock
Rock Around the Clock
96 bpm • A Maj • 02:31 • -13.45db
0% Popularity • 52% Danceability • 37% Energy • 19% Liveness
96% Instrumentalness • 79% Positiveness
0% Popularity • 52% Danceability • 37% Energy • 19% Liveness
96% Instrumentalness • 79% Positiveness
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Congregation
Softly Whispering I Love You
96 bpm • A# Maj • 03:01 • -7.2db
34% Popularity • 36% Danceability • 63% Energy • 16% Liveness
2% Instrumentalness • 58% Positiveness
34% Popularity • 36% Danceability • 63% Energy • 16% Liveness
2% Instrumentalness • 58% Positiveness
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Jonathan King
In The Mood
95 bpm • G# Maj • 03:10 • -13.96db
2% Popularity • 61% Danceability • 45% Energy • 22% Liveness
16% Instrumentalness • 84% Positiveness
2% Popularity • 61% Danceability • 45% Energy • 22% Liveness
16% Instrumentalness • 84% Positiveness
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The Rockin' Berries
He's in Town
96 bpm • D Maj • 03:43 • -12.6db
13% Popularity • 35% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 35% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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David Soul
Let's have a quiet night in
82 bpm • A Maj • 03:43 • -19.67db
26% Popularity • 56% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
26% Popularity • 56% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Val Doonican
Elusive Butterfly
96 bpm • C Maj • 02:43 • -13.85db
27% Popularity • 57% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 57% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Peter And Gordon
To Know You Is to Love You
96 bpm • E Maj • 02:37 • -6.27db
24% Popularity • 31% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 31% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Chad & Jeremy
Yesterdays Gone - Live
96 bpm • D Maj • 02:20 • -12db
31% Popularity • 78% Danceability • 34% Energy • 68% Liveness
3% Instrumentalness • 76% Positiveness
31% Popularity • 78% Danceability • 34% Energy • 68% Liveness
3% Instrumentalness • 76% Positiveness
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Jonathan King
A Very Very Melancholy Man
83 bpm • D# Maj • 03:38 • -16.37db
2% Popularity • 59% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 59% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Brotherhood of Man
United We Stand
82 bpm • F Maj • 02:51 • -13.48db
36% Popularity • 44% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 44% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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The New Seekers
Never Ending Song Of Love
96 bpm • D Maj • 03:07 • -8.36db
34% Popularity • 60% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 60% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Scott English
Brandy - Rerecorded 1972
97 bpm • A# Maj • 02:58 • -13db
29% Popularity • 56% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 56% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
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The Ivy League
That's Why I'm Crying
97 bpm • D Maj • 02:34 • -9.22db
12% Popularity • 41% Danceability • 50% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 41% Danceability • 50% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
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Trini Lopez
Lemon Tree
82 bpm • F Maj • 02:54 • -12.38db
33% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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P.J. Proby
Somewhere
81 bpm • C# Maj • 03:19 • -8.09db
18% Popularity • 28% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 28% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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John Fred and His Playboy Band
Judy in Disguise
81 bpm • G# Maj • 02:54 • -10.2db
39% Popularity • 61% Danceability • 50% Energy • 5% Liveness
18% Instrumentalness • 89% Positiveness
39% Popularity • 61% Danceability • 50% Energy • 5% Liveness
18% Instrumentalness • 89% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Here's A Heart
98 bpm • A# Maj • 03:14 • -5.96db
14% Popularity • 58% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 58% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Fox
Only You Can
81 bpm • G Maj • 03:27 • -8.71db
26% Popularity • 56% Danceability • 83% Energy • 14% Liveness
10% Instrumentalness • 55% Positiveness
26% Popularity • 56% Danceability • 83% Energy • 14% Liveness
10% Instrumentalness • 55% Positiveness
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Peter Shelley
Gee Baby
98 bpm • E min • 02:55 • -8.66db
28% Popularity • 40% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 40% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Twice As Much
Sittin' on a Fence (Mono Version)
98 bpm • G# Maj • 03:12 • -8.86db
17% Popularity • 45% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 45% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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The Ivy League
Funny How Love Can Be
98 bpm • D Maj • 02:07 • -9.51db
29% Popularity • 56% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 56% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Jonathan King
Vile Pervert
98 bpm • D Maj • 02:24 • -6.28db
1% Popularity • 43% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 43% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Gary Lewis & The Playboys
Count Me In
81 bpm • F Maj • 02:22 • -13.04db
32% Popularity • 56% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 56% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Manfred Mann
My Name Is Jack
98 bpm • D Maj • 02:53 • -4.51db
25% Popularity • 66% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 66% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Dave Berry
This Strange Effect
99 bpm • D Maj • 02:28 • -7.24db
35% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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The Troggs
Love Is All Around
99 bpm • D Maj • 02:57 • -8.1db
51% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Cliff Richard & The Shadows
On the Beach
80 bpm • A Maj • 02:28 • -12.05db
22% Popularity • 62% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 62% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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The Casuals
Jesamine
99 bpm • C Maj • 03:06 • -9db
26% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Brian Hyland
Ginny Come Lately
99 bpm • A Maj • 02:47 • -17.04db
45% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Blue Mink
Gasoline Alley Bred
80 bpm • D Maj • 03:55 • -11.26db
8% Popularity • 56% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 56% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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The Dave Clark Five
Everybody Knows (2019 - Remaster)
99 bpm • D# Maj • 02:19 • -9.83db
31% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Bobby Vee
Run To Him
99 bpm • G Maj • 02:10 • -12db
39% Popularity • 32% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 32% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Family Dogg
A Way Of Life
80 bpm • E Maj • 04:05 • -10db
21% Popularity • 28% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 28% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Paul Jones
Sons & Lovers
99 bpm • F Maj • 03:02 • -10db
10% Popularity • 40% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 40% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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The Rockin' Berries
Funny How Love Can Be
100 bpm • D Maj • 02:12 • -9.85db
14% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Jonathan King
My Love My Life
79 bpm • A Maj • 03:35 • -12.34db
1% Popularity • 37% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
1% Popularity • 37% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Sonny & Cher
All I Ever Need Is You
79 bpm • A# Maj • 02:35 • -14.04db
37% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Monkees
A Little Bit Me, a Little Bit You
79 bpm • F Maj • 02:48 • -4.62db
45% Popularity • 61% Danceability • 82% Energy • 10% Liveness
32% Instrumentalness • 92% Positiveness
45% Popularity • 61% Danceability • 82% Energy • 10% Liveness
32% Instrumentalness • 92% Positiveness
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Andy Kim
So Good Together
100 bpm • A Maj • 02:54 • -8db
25% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The Easybeats
Hello, How Are You?
79 bpm • F Maj • 03:17 • -10.14db
29% Popularity • 46% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 46% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Unit 4 + 2
Concrete and Clay
101 bpm • C# Maj • 02:17 • -10.08db
35% Popularity • 62% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 62% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Jonathan King
The Victims Theme
78 bpm • A# Maj • 02:06 • -13.46db
1% Popularity • 60% Danceability • 56% Energy • 11% Liveness
87% Instrumentalness • 93% Positiveness
1% Popularity • 60% Danceability • 56% Energy • 11% Liveness
87% Instrumentalness • 93% Positiveness
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Jackie DeShannon
Come And Stay With Me - Test Version Tit...
78 bpm • F Maj • 02:27 • -11.7db
9% Popularity • 52% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 52% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Marianne Faithfull
Come And Stay With Me
78 bpm • F Maj • 02:25 • -14.92db
24% Popularity • 52% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 52% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Lieutenant Pigeon
I'll Take You Home Again Kathleen
102 bpm • C Maj • 02:50 • -12.01db
13% Popularity • 53% Danceability • 67% Energy • 8% Liveness
86% Instrumentalness • 96% Positiveness
13% Popularity • 53% Danceability • 67% Energy • 8% Liveness
86% Instrumentalness • 96% Positiveness
