Songs like Everyone's Wrong But Me by Ella Fitzgerald and Her Savoy Eight
Based on a tempo of (+/- 10%) and a similar genre
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Helen O'Connell
I Remember You
138 bpm • D# Maj • 03:01 • -20db
13% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
13% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Helen Merrill
I Remember You
138 bpm • F min • 02:11 • -11db
34% Popularity • 54% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 54% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Benny Goodman Trio
Puttin' On The Ritz
138 bpm • G min • 03:04 • -13.68db
34% Popularity • 64% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
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Ethel Waters
Taking A Chance On Love
139 bpm • G# Maj • 04:22 • -16db
16% Popularity • 50% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 50% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Ella Fitzgerald and Her Savoy Eight
Everyone's Wrong But Me
138 bpm • A# Maj • 03:04 • -10.4db
10% Popularity • 70% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 70% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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June Christy
Give Me The Simple Life
139 bpm • F min • 02:17 • -12.51db
50% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Mercer & The Pied Pipers
I'm Gonna See My Baby
137 bpm • C# Maj • 02:29 • -9.29db
13% Popularity • 60% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 60% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Lee Wiley
Sugar
137 bpm • C Maj • 03:08 • -15.32db
14% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jeri Southern
You Forgot Your Gloves
139 bpm • F Maj • 02:36 • -14.1db
26% Popularity • 68% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 68% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Larry Clinton
Saving Myself for You
137 bpm • G# Maj • 02:48 • -10.92db
12% Popularity • 56% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 56% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
It Started All Over Again
137 bpm • D Maj • 02:57 • -16.9db
6% Popularity • 31% Danceability • 12% Energy • 32% Liveness
1% Instrumentalness • 14% Positiveness
6% Popularity • 31% Danceability • 12% Energy • 32% Liveness
1% Instrumentalness • 14% Positiveness
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Les Brown & His Orchestra
I've Got The Sun In The Morning - R...
140 bpm • D Maj • 02:35 • -12.31db
24% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
24% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
43% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
43% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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Guy Lombardo
You're Driving Me Crazy
140 bpm • C Maj • 02:28 • -14.02db
4% Popularity • 60% Danceability • 12% Energy • 9% Liveness
74% Instrumentalness • 51% Positiveness
4% Popularity • 60% Danceability • 12% Energy • 9% Liveness
74% Instrumentalness • 51% Positiveness
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Lucky Millinder
Big Fat Mama
140 bpm • G min • 03:03 • -10db
16% Popularity • 61% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 61% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Frank Sinatra Jr.
Walking Happy
140 bpm • C Maj • 02:42 • -10.92db
26% Popularity • 44% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 44% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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George Gershwin, Buddy Clark & Dinah Shore
Wonderful
136 bpm • A# Maj • 02:37 • -11db
18% Popularity • 43% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 43% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Jimmy Dorsey
Besame Mucho
140 bpm • G min • 03:02 • -11db
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Dorothy Dandridge
Smooth Operator
140 bpm • A# min • 03:06 • -10.52db
29% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Jimmie Lunceford
Twenty-Four Robbers
141 bpm • D# Maj • 03:12 • -9.44db
4% Popularity • 72% Danceability • 39% Energy • 15% Liveness
17% Instrumentalness • 66% Positiveness
4% Popularity • 72% Danceability • 39% Energy • 15% Liveness
17% Instrumentalness • 66% Positiveness
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Cab Calloway
Between the Devil & the Deep Blue Sea
136 bpm • F Maj • 03:05 • -11.87db
15% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Merry Macs
Mairzy Doats (Alternate Take)
141 bpm • A# min • 02:41 • -11db
22% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Billy Eckstine
(She's Got The) Blues For Sale
135 bpm • A# Maj • 03:01 • -12.25db
38% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
38% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
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Shirley Bassey
If I Were a Bell
141 bpm • G# Maj • 02:54 • -10db
34% Popularity • 54% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 54% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Andy Kirk
Little Joe From Chicago
141 bpm • A Maj • 02:51 • -11db
10% Popularity • 69% Danceability • 34% Energy • 25% Liveness
64% Instrumentalness • 69% Positiveness
10% Popularity • 69% Danceability • 34% Energy • 25% Liveness
64% Instrumentalness • 69% Positiveness
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Buddy Clark
Ballerina
135 bpm • A# Maj • 03:06 • -17.08db
15% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Lucky Millinder
Apollo Jump
141 bpm • F# Maj • 03:26 • -8db
36% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
36% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
32% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Woody Herman & His Orchestra
Yardbird Shuffle
135 bpm • F Maj • 02:40 • -13.09db
20% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
20% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
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Betty Hutton
Murder, He Says
135 bpm • A# Maj • 03:12 • -10.63db
21% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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June Christy
It's A Most Unusual Day
142 bpm • G Maj • 02:23 • -13.56db
36% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Naomi & Her Handsome Devils
Take It Easy Greasy
134 bpm • G min • 03:45 • -9.46db
36% Popularity • 76% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 76% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Ethel Waters
I Got Rhythm
142 bpm • F Maj • 03:06 • -11.1db
33% Popularity • 68% Danceability • 27% Energy • 23% Liveness
2% Instrumentalness • 67% Positiveness
33% Popularity • 68% Danceability • 27% Energy • 23% Liveness
2% Instrumentalness • 67% Positiveness
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Annie Ross
It Don't Mean A Thing (If It Ain't Got T...
134 bpm • G# Maj • 02:09 • -7.79db
27% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Anne Shelton
Taking A Chance On Love
134 bpm • G Maj • 03:03 • -8.92db
8% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Etta Jones
Someday My Prince Will Come
134 bpm • C min • 03:01 • -17db
39% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmie Lunceford
Margie
142 bpm • B min • 03:06 • -8.17db
15% Popularity • 70% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 70% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Hoagy Carmichael
Lazy River
142 bpm • C min • 02:48 • -11.44db
25% Popularity • 64% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 64% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Rudy Vallee and His Connecticut Yankees
Let's Put Out the Lights
133 bpm • D Maj • 03:43 • -17.67db
30% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Eddie Condon
Makin' Friends
143 bpm • F min • 03:05 • -14.01db
21% Popularity • 56% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 79% Positiveness
21% Popularity • 56% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 79% Positiveness
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Larry Clinton
Glen Island Hop
144 bpm • F# Maj • 03:13 • -9.61db
20% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Members Of The Glenn Miller Orchestra
Chattanooga Choo Choo
144 bpm • C# Maj • 03:03 • -17db
19% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmie Lunceford
Twenty Four Robbers
144 bpm • D# Maj • 03:07 • -11.45db
16% Popularity • 73% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 73% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Erskine Hawkins
Tippin' In
144 bpm • A# Maj • 03:20 • -4db
10% Popularity • 58% Danceability • 68% Energy • 28% Liveness
84% Instrumentalness • 56% Positiveness
10% Popularity • 58% Danceability • 68% Energy • 28% Liveness
84% Instrumentalness • 56% Positiveness
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Rudy Vallee and His Connecticut Yankees
Shadow Waltz
132 bpm • G Maj • 03:15 • -20db
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
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Charlie Barnet
Shake Rattle and Roll
132 bpm • F min • 03:24 • -7.71db
25% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
25% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
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Ella Fitzgerald and Her Savoy Eight
Shine
145 bpm • D Maj • 02:50 • -10.51db
14% Popularity • 66% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 66% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Bix Beiderbecke
Singin' The Blues
132 bpm • C min • 03:00 • -12db
39% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
39% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
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Naomi & Her Handsome Devils
I Can't Give You Anything but Love
131 bpm • A min • 03:49 • -11.45db
30% Popularity • 74% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 74% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Nat King Cole Trio
How Deep Is The Ocean - 1993 Digital Rem...
145 bpm • A# min • 02:55 • -23db
38% Popularity • 46% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
38% Popularity • 46% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
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Bob Hope
Two Sleepy People - Remastered
131 bpm • A# Maj • 03:00 • -10.94db
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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June Christy
I Want To Be Happy
131 bpm • A min • 01:23 • -14db
42% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Fletcher Henderson
Hot And Anxious
131 bpm • A# Maj • 03:19 • -10.05db
22% Popularity • 72% Danceability • 20% Energy • 13% Liveness
52% Instrumentalness • 68% Positiveness
22% Popularity • 72% Danceability • 20% Energy • 13% Liveness
52% Instrumentalness • 68% Positiveness
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Jimmie Lunceford
Le jazz hot
146 bpm • G Maj • 02:42 • -8.65db
23% Popularity • 73% Danceability • 41% Energy • 8% Liveness
24% Instrumentalness • 76% Positiveness
23% Popularity • 73% Danceability • 41% Energy • 8% Liveness
24% Instrumentalness • 76% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
31% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
22% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
22% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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Erskine Hawkins
Tuxedo Junction (Alternate Take)
146 bpm • F min • 03:19 • -11db
12% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
12% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
25% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Mercer & The Pied Pipers
A Gal In Calico
130 bpm • D# Maj • 02:36 • -11.61db
11% Popularity • 56% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 56% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Jimmie Lunceford
Life Is Fine
146 bpm • G min • 02:43 • -9db
22% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Charlie Barnet
Shake, Rattle 'N Roll (Afternoon of a Mo...
130 bpm • G# Maj • 03:27 • -12db
20% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
20% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
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Gene Krupa & His Orchestra
He's Funny That Way
130 bpm • A min • 02:35 • -16.05db
9% Popularity • 42% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 42% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Glenn Crytzer
Mr. Rhythm
130 bpm • F min • 04:08 • -16db
27% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
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Woody Herman & His Orchestra
Who Dat up Dere?
130 bpm • D min • 03:09 • -14.31db
21% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Etta Jones
Yes Sir, That's My Baby
147 bpm • G# Maj • 04:20 • -8.39db
43% Popularity • 63% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 63% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
147 bpm • A# Maj • 03:17 • -11db
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
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Helen O'Connell
You, You Darling
147 bpm • G min • 02:02 • -13.07db
19% Popularity • 60% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 60% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Charlie Barnet & His Orchestra
Southern Fried
129 bpm • A# Maj • 03:24 • -9.23db
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
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Rudy Vallee and His Connecticut Yankees
Old Man Harlem
129 bpm • A min • 03:15 • -13.51db
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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Jimmy Dorsey & His Orchestra
I'm Stepping out with a Memory Tonight
129 bpm • F min • 02:45 • -12.11db
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
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Perry Como
I'm Gonna Love That Gal (Like She's Neve...
129 bpm • D# Maj • 02:40 • -7.43db
16% Popularity • 69% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 69% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Jimmie Lunceford
Ain't She Sweet
148 bpm • C# Maj • 02:26 • -15db
27% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Una Mae Carlisle
Blitzkrieg baby
129 bpm • A# Maj • 03:21 • -8.77db
2% Popularity • 81% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
2% Popularity • 81% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Les Brown
Bizet Has His Day
148 bpm • C min • 03:15 • -10db
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
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Jimmy Dorsey & His Orchestra
The Breeze and I
129 bpm • G# Maj • 02:59 • -8.45db
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
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Gene Krupa & His Orchestra
Tea For Two
148 bpm • A min • 02:17 • -14.14db
24% Popularity • 47% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 47% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Ella Mae Morse
Captain Kidd
129 bpm • A# min • 02:54 • -5.47db
10% Popularity • 70% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 70% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Una Mae Carlisle
Blitzkrieg Baby
129 bpm • C min • 03:21 • -14.39db
19% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Vaughn Monroe
Ev'rday I Love You (Just a Little Bit Mo...
129 bpm • G min • 02:31 • -11.29db
14% Popularity • 66% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 66% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Eddie Condon
My Melancholy Baby
128 bpm • C min • 02:48 • -14.48db
28% Popularity • 64% Danceability • 15% Energy • 20% Liveness
89% Instrumentalness • 69% Positiveness
28% Popularity • 64% Danceability • 15% Energy • 20% Liveness
89% Instrumentalness • 69% Positiveness
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Jimmie Lunceford
Ain't She Sweet
149 bpm • C# Maj • 02:30 • -18.73db
29% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
29% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
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Jane Russell
Kisses and Tears
128 bpm • E Maj • 02:46 • -13.77db
29% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
29% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
27% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Freddy Martin & His Orchestra
Manhattan
149 bpm • F# Maj • 02:32 • -2.25db
7% Popularity • 30% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 30% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Nat King Cole Trio
You're Nobody 'Til Somebody Loves You
128 bpm • C min • 02:51 • -18db
44% Popularity • 70% Danceability • 9% Energy • 9% Liveness
18% Instrumentalness • 49% Positiveness
44% Popularity • 70% Danceability • 9% Energy • 9% Liveness
18% Instrumentalness • 49% Positiveness
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Ella Fitzgerald and Her Famous Orchestra
I Want The Waiter (With The Water)
128 bpm • D# Maj • 03:07 • -10.84db
17% Popularity • 85% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 85% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmy Dorsey
Fools Rush In
127 bpm • G min • 03:20 • -10.35db
12% Popularity • 47% Danceability • 21% Energy • 13% Liveness
6% Instrumentalness • 45% Positiveness
12% Popularity • 47% Danceability • 21% Energy • 13% Liveness
6% Instrumentalness • 45% Positiveness
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Chris Connor
You Make Me Feel so Young
128 bpm • D# min • 02:51 • -10.39db
43% Popularity • 62% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 62% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Ella Mae Morse
Mister Five by Five
128 bpm • D Maj • 03:02 • -10.26db
24% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Guy Lombardo & His Royal Canadians
Pennies from Heaven
127 bpm • A# Maj • 02:43 • -15.03db
17% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
17% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
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Annette Hanshaw
Am I Blue
127 bpm • F Maj • 03:14 • -12.17db
21% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Bobby Short
You've Got That Thing
151 bpm • A# Maj • 03:23 • -16db
30% Popularity • 56% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 56% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Stan Kenton & His Orchestra
Eager Beaver
151 bpm • F min • 03:09 • -11db
26% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
26% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
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Nat King Cole Trio
On The Sunny Side Of The Street - 1993 D...
126 bpm • F min • 03:00 • -17db
41% Popularity • 87% Danceability • 10% Energy • 9% Liveness
14% Instrumentalness • 48% Positiveness
41% Popularity • 87% Danceability • 10% Energy • 9% Liveness
14% Instrumentalness • 48% Positiveness
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Jimmy Dorsey & His Orchestra
I Got Rhythm
151 bpm • D min • 03:05 • -9db
33% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
33% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness